Log in

Relevant bibliographies by topics / Music in 1960s / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Music in 1960s.

Dissertations / Theses on the topic 'Music in 1960s'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Music in 1960s.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Ziefel, Jenny. "A living instrument : the clarinet in jazz in the 1950s and 1960s /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11284.

Full text

Abstract:

Thesis (D. Mus. Arts)--University of Washington, 2002.<br>Vita. Includes transcript of interview, vita and discography of Bill Smith (leaves 257-286). Includes bibliographical references (leaves 240-256).

APA, Harvard, Vancouver, ISO, and other styles

2

Breen, Edward George. "The performance practice of David Munrow and the early music consort of London : medieval music in the 1960s and 1970s." Thesis, King's College London (University of London), 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.646010.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Breen, Edward George. "The performance practice of David Munrow and the early music consort of London : medieval music in the 1960s and 1970s." Thesis, King's College London (University of London), 2015. http://kclpure.kcl.ac.uk/portal/en/theses/the-performance-practice-of-david-munrow-and-the-early-music-consort-of-london(6153a225-144d-4664-96c4-125cd150f535).html.

Full text

Abstract:

This thesis focuses on the musical contribution of David Munrow and his Early Music Consort of London (EMC) to the so-called early music revival of the 1960s and 1970s. By exploring the notion of shared cultural space in performances of medieval music by leading ensembles of the time, this thesis seeks to isolate aspects of performance practice unique to the EMC. An assessment of literary sources documenting the early music revival reveals clear nodes of discussion around Munrow’s methods of presenting early music in concert performance which are frequently classified as ‘showmanship’ with a f

APA, Harvard, Vancouver, ISO, and other styles

4

Michaelsen, Garrett. "Analyzing musical interaction in jazz improvisations of the 1960s." Thesis, Indiana University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3599217.

Full text

Abstract:

<p> Collaborative practices of music making abound in jazz improvisation. Nearly every jazz performance involves the coordination of numerous individuals in a dynamic group environment. Many music-theoretical approaches to jazz improvisation have emphasized the individual contributions of the improvising soloist; this emphasis tends to reinforce the widespread view of jazz as a soloist's art. To shift attention to collective dimensions of jazz improvisation, I propose an approach to group improvisation that takes interaction and exchange as crucial components of music making. </p><p> In the

APA, Harvard, Vancouver, ISO, and other styles

5

Ketema, Raymok. "ERITREAN SOUNDS OF RESISTANCE: A HISTORICAL, POLITICAL, and MUSICAL ANALYSIS ON THE REVOLUTIONARY WAR, 1960s to 1990s." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1524148034538656.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Adelt, Ulrich. "Black, white and blue racial politics of blues music in the 1960s /." Diss., University of Iowa, 2007. http://ir.uiowa.edu/etd/128.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Johan, Adil Bin. "Articulating a nation-in-the-making : the cosmopolitan aesthetics of Malay film music from the 1950s to 1960s." Thesis, King's College London (University of London), 2014. http://kclpure.kcl.ac.uk/portal/en/theses/articulating-a-nationinthemaking(b536d96b-536c-466e-831c-7ce8feb64738).html.

Full text

Abstract:

This thesis provides an in-depth study of the ‘Golden Age of Malay Film’ (1950s to 1960s) by analysing the musical practices and discourses of commercially-produced vernacular Malay films. In exploring the potency of such films and music, it uncovers the relevance of screened music in articulating the complexities and paradoxes of a cosmopolitan Malay identity within the context of mid twentieth-century capitalism, late British colonialism and Malaysian and Singaporean independence. Essentially, I argue that the film music produced during this period articulates a cosmopolitan aesthetic of pos

APA, Harvard, Vancouver, ISO, and other styles

8

Thomas, Helen Christina. "Disturbing times : metaphors of temporality in avant-garde music of the 1960s." Thesis, Lancaster University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.632545.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Attili, Maurizio. "A Panoramic View of the Italian Beat Movement." University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1289323378.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Dauterive, Jessica A. "Picturing the Cajun Revival: Swallow Records, Album Art, and Marketing an Identity of South Louisiana, 1960s-1970s." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2138.

Full text

Abstract:

In South Louisiana in the late 1950s, Ville Platte native Floyd Soileau joined a network of independent recording companies across the United States that provided an opportunity for local entrepreneurs and artists to profit from the global music industry. This paper analyzes the album covers of Floyd Soileau’s Cajun recording label, Swallow Records, during the 1960s-1970s. This period overlaps with a movement to subvert a negative regional identity among Louisiana Cajuns that is often referred to as the Cajun revival. Through a consideration of album covers as objects of business strategy and

APA, Harvard, Vancouver, ISO, and other styles

11

Meynell, Anthony. "How recording studios used technology to invoke the psychedelic experience : the difference in staging techniques in British and American recordings in the late 1960s." Thesis, University of West London, 2017. https://repository.uwl.ac.uk/id/eprint/3837/.

Full text

Abstract:

This thesis focuses on a time in the mid-1960s where practice in the studio changed from a formal arena where previously rehearsed songs were recorded, to a playground where sonic possibilities were explored and sound manipulation became normal practice. This abuse of technology and manipulation of reality became part of the creative process in the studio, providing soundscapes that resonated with the counter-cultural ethos of upsetting the established order, and were adopted by the mainstream during the 1967 ‘Summer of Love”. Following a discussion of current literature, practice as research

APA, Harvard, Vancouver, ISO, and other styles

12

Hagen, Trever Thomas. "Musicking in the merry ghetto : the Czech underground from the 1960s to the 2000s." Thesis, University of Exeter, 2012. http://hdl.handle.net/10036/3726.

Full text

Abstract:

By investigating the case of the Czech Underground from the 1960s to the 2000s, this thesis seeks to explore ways in which an enacted cultural space enables acts of ‘togetherness’ and as such ‘protects’ or ‘immunizes’ individuals and groups from perceived forms of oppression. The data presented in this thesis is taken from an ethnographic and archival study of the Underground through interviews, participant observation and archival research in the Czech Republic, Hungary and Poland. I describe how the term ‘Underground’ does not refer to a physical place but rather to a conceptual and symbolic

APA, Harvard, Vancouver, ISO, and other styles

13

Murphy, Nancy Elizabeth. "The times they are a-changin : flexible meter and text expression in 1960s and 70s singer-songwriter music." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/56193.

Full text

Abstract:

The 1960s and 70s saw the flowering of the singer-songwriter style, which featured acoustic performances by artists who were the composers and lyricists of their own music. Reflecting their culture, their songs carried messages of personal and political significance. But their music is of technical as well as of social interest. Like classical art song, it often highlights lyrical meaning with various sorts of metric irregularities. In this dissertation, I closely analyze twenty-seven songs by Bob Dylan, Paul Simon, Buffy Sainte-Marie, Joni Mitchell, and Cat Stevens, in order to characterize t

APA, Harvard, Vancouver, ISO, and other styles

14

Sutton, Matthew D. "The Young, Clean-Cut America: The Hootenanny, Revisited." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2365.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Mazey, Paul Adrian. "British Film Music, 1930s-1950s." Thesis, University of Bristol, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730833.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Firca, Stefan. "Circles and Circuses: Carnivalesque Tropes in the Late 1960s Musical and Cultural Imagination." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306865194.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Lee, Gui Hwan. "The Roots of Texture as a Structural Agent in Luciano Berio’s Sincronie for String Quartet (1964), as Seen in His Early 1960s Orchestral Works, Nones, Tempi Concertati, Allez-hop, and Epifanie as well as Late 1960s Work, Sinfonia." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504801778724386.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Mendoza, Marisa B. "Canciones del Movimiento Chicano/Songs of the Chicano Movement: The Impact of Musical Traditions on the 1960s Chicano Civil Rights Movement." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/129.

Full text

Abstract:

This thesis analyzes resistance songs as key representations of the identity and political formation that took place during the 1960s Chicano movement. Examining particular musical traditions, this thesis highlights the value of placing songs of the Chicano struggle in national narratives of history as well as in the context of an enduring and thriving legacy of political and social activism that continues to allow the Chicano community to recognize and validate their current social realities.

APA, Harvard, Vancouver, ISO, and other styles

19

Hogg, Anthony. "From 'Can't Buy Me Love' to 'How Deep is Your Love?' : an analysis examining key phases of development of the functions of popular music in U.K. and U.S. films of the 1960s and 1970s." Thesis, University of Gloucestershire, 2017. http://eprints.glos.ac.uk/5443/.

Full text

Abstract:

This thesis aims to identify the extent to which popular music functionality in UK and US film can be regarded as a developmental process, and, in particular, the importance of the contribution of the 13-year period bounded by the films A Hard Day’s Night (Richard Lester, UK, 1964) and Saturday Night Fever (John Badham, USA, 1977) to this. It also explores salient cultural, historical and industrial factors which may have influenced development. Both these areas have been largely neglected to date. Within the period identified above, three key phases have been recognized which each contributed

APA, Harvard, Vancouver, ISO, and other styles

20

Franks, Daniel. "Jazz in Hollywood (1950s – 1970s)." Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/381456/.

Full text

Abstract:

Serious jazz can be found in places where it is least expected, in mainstream Hollywood films. This thesis aims to demonstrate how film composers (such as Henry Mancini, Quincy Jones and Lalo Schifrin) challenged established conventions in the music and film industries between the late 1950s and the late 1970s. During this period, film composers were producing jazz for a global audience; their musical contribution is integral to our current understanding of jazz history. It is by viewing the history of film music through the various ways in which it is received (in music journals, performances

APA, Harvard, Vancouver, ISO, and other styles

21

Liao, Yen Jen Yvonne. "Western music and municipality in 1930s and 1940s Shanghai." Thesis, King's College London (University of London), 2017. https://kclpure.kcl.ac.uk/portal/en/theses/western-music-and-municipality-in-1930s-and-1940s-shanghai(aafa1e93-7c19-44d9-8c77-df226ed5d568).html.

Full text

Abstract:

The aim of this thesis is to examine the complex relationship between western music and municipality in 1930s and 1940s Shanghai. The objective is to carry out an inquiry into musical venues, municipal policies and ideas of musical sound in a fragmented administrative geography. Music historians have yet to research in tandem municipalities of the British and French settlers, Japanese military and the Chinese Nationalists—an alternative historical modelling that nuances studies of 1930s and 1940s Shanghai as a global and colonial metropolis. In terms of the evidence, the thesis draws on docume

APA, Harvard, Vancouver, ISO, and other styles

22

Piotrowski, Stephanie Anne. ""All I've got to do is act naturally" : issues of image and performance in the Beatles' films." Thesis, University of Exeter, 2008. http://hdl.handle.net/10036/51353.

Full text

Abstract:

In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the

APA, Harvard, Vancouver, ISO, and other styles

23

Jansson, Fredrik. "Frijazz äntrar scenen : Något nytt som skapar debatt och dess plats i den svenska jazzdiskursen." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-168930.

Full text

Abstract:

When a new type of jazz, later often referred to as free jazz, entered the Swedish jazz scene at the time when the 1950s became the 1960s, an intense debate occurred within the Swedish jazz community. A debate between those in favor of the new style, its expressions and the direction in which jazz was moving towards in general, versus those who disliked this new development, thought that it was too extreme and was not in line with the traditions of jazz. This essay will bring this debate to light and analyze different aspects of it, with a similar controversy in mind which took place at the ti

APA, Harvard, Vancouver, ISO, and other styles

24

Richardson, Gerry. "Where did the music come from? : maintaining and extending the 1960s hard bop legacy of Hammond organ practice in a large ensemble context at the beginning of the 21st century." Thesis, University of Newcastle Upon Tyne, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442215.

Full text

Abstract:

This PhD submission consists of two discrete parts: Part one is a thesis which examines some of the current debates of cultural and critical theory as a background to my own practice and looks in particular at some of the ways in which music production and performance in this period relates to my own work as a composer and performer. For this, I draw on the work of a number of authors including Barthes, Becker, Frith, Goodwin, Hesmondhalgh, Jameson, and Toynbee and pay particular attention to the relationship between contemporary notions of creative production in a so-called `postmodern' envir

APA, Harvard, Vancouver, ISO, and other styles

25

Vlčková, Petra. "Hudba jako výraz životního stylu ve Velké Británii v šedesátých letech 20. století. Příspěvek k evropské konzumní společnosti po roce 1945." Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-124637.

Full text

Abstract:

This thesis focuses on the British music scene in the 1960s. Popular music was one of the main manifestations of consumerism and influenced the behavior of most young people. The aim of the thesis is to explain the extent in which popular music played a role in the establishment of a consumer society and, above all, the impact caused by interpreters and music groups on the lifestyle of their listeners and audiences.The thesis also examines how the British music developed in the Sixties and how it was characterized.The thesis is based on the assumption that the 1960s' is a key decade in the pos

APA, Harvard, Vancouver, ISO, and other styles

26

Yip, Ka-man. "A study of Hong Kong popular song lyrics from 1970s to 1990s." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22199731.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Chen, Szu-Wei. "The music industry and popular song in 1930s and 1940s Shanghai : a historical and stylistic analysis." Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/202.

Full text

Abstract:

In 1930s and 1940s Shanghai, musicians and artists from different cultures and varied backgrounds joined and made the golden age of Shanghai popular song which suggests the beginnings of Chinese popular music in modern times. However, Shanghai popular song has long been neglected in most works about the modern history of Chinese music and remains an unexplored area in Shanghai studies. This study aims to reconstruct a historical view of the Shanghai popular music industry and make a stylistic analysis of its musical products. The research is undertaken at two levels: first, understanding the o

APA, Harvard, Vancouver, ISO, and other styles

28

葉嘉敏 and Ka-man Yip. "A study of Hong Kong popular song lyrics from 1970s to 1990s." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952896.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Purba, Mauly 1961. "Musical and functional change in the gondang sabangunan tradition of the Protestant Toba Batak 1860s-1990s, with particular reference to the 1980s-1990s." Monash University, Dept. of Music, 1998. http://arrow.monash.edu.au/hdl/1959.1/8596.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Olson, Ted. "Perspectives on the Location Concept of Country Roots Recording Sessions in the 1920s and 1930s." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1116.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Laux, Katie M. "Songs in the key of protest how music reflects the social turbulence in America from the late 1950s to the early 1970s /." Oxford, Ohio : Miami University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1184767254.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Pruvost, Céline. "La chanson d’auteur dans la société italienne des années 1960 et 1970 : une étude cantologique et interculturelle." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040227.

Full text

Abstract:

Cette thèse de doctorat analyse un objet culturel spécifique, la chanson d’auteur en Italie, entre 1958 et 1980. L’approche méthodologique choisie, la cantologie, consiste à croiser des analyses de texte, de musique et d’interprétation. L’étude s’intéresse également aux liens entre les chansons et le contexte culturel et social italien, ainsi qu’aux influences d’autres cultures, à travers les chansons francophones et anglophones.La première partie apporte une série de repères. Retracer l’émergence du néologisme « cantautore » et de l’expression « chanson d’auteur » permet de définir précisémen

APA, Harvard, Vancouver, ISO, and other styles

33

Laux, Katie. "SONGS IN THE KEY OF PROTEST: HOW MUSIC REFLECTS THE SOCIAL TURBULENCE IN AMERICA FROM THE LATE 1950S TO THE EARLY 1970S." Miami University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=miami1184767254.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Gerolamo, Ismael de Oliveira 1987. "Arte engajada e música popular instrumental nos anos 60 : o caso do Quarteto Novo." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285266.

Full text

Abstract:

Orientador: José Roberto Zan<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-25T23:57:11Z (GMT). No. of bitstreams: 1 Gerolamo_IsmaeldeOliveira_M.pdf: 2526865 bytes, checksum: dc90f025d08df6c3275e2932a78e4926 (MD5) Previous issue date: 2014<br>Resumo: O objeto desta dissertação é a produção musical do grupo Quarteto Novo registrada no LP homônimo lançado pela gravadora Odeon em 1967. Partindo de análises de fonogramas do disco, verificou-se que o grupo produziu uma linguagem híbrida, operando com elementos musicais regi

APA, Harvard, Vancouver, ISO, and other styles

35

Mikkonen, Simo. "Music and power in the Soviet 1930s : a history of composers' bureaucracy /." Lewiston, N.Y. [u.a.] : Mellen, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017397006&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Anderson, Shana C. "Ideal Performance Practice for Silent Film: An Overview of How-to Manuals and Cue Sheet Music Accompaniment from the 1910s – 1920s." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/30223.

Full text

Abstract:

This thesis argues that how-to manuals and cue sheets are indicative of ideal performance practice amongst musicians from the silent film era. Pre-scored music was widely practiced amongst musicians. How-to manuals and cue sheets helped the musician accurately and consistently accompany a film. Authors of period manuals include W. Tyacke George, Edith Lang and George West, Ernst Luz and George Tootell. Compilers of cue sheet include James C. Bradford, Ernst Luz, Edward Kilenyi and Michael P. Krueger. Cue by cue analyses of The Cat and the Canary and The Gaucho show a high repetition of music,

APA, Harvard, Vancouver, ISO, and other styles

37

Kleppinger, Stanley V. "Tonal coherence in Copland's music of the 1940s /." Abstract, 2006. http://proquest.umi.com/pqdweb?did=1225126531&sid=2&Fmt=2&clientId=12010&RQT=309&VName=PQD.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Curran, Terence William. "Recording classical music in Britain : the long 1950s." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:2340cf56-c2be-4c0b-b5a6-2cfe06c22fe4.

Full text

Abstract:

During the 1950s the experience of recording was transformed by a series of technical innovations including tape recording, editing, the LP record, and stereo sound. Within a decade recording had evolved into an art form in which multiple takes and editing were essential components in the creation of an illusory ideal performance. The British recording industry was at the forefront of development, and the rapid growth in recording activity throughout the 1950s as companies built catalogues of LP records, at first in mono but later in stereo, had a profound impact on the music profession in Bri

APA, Harvard, Vancouver, ISO, and other styles

39

Osiebe, Garhe Victor. "Political music genres in postcolonial Nigeria, 1960-2013." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/6812/.

Full text

Abstract:

This thesis attempts an intervention in popular music classification. It argues that popular musicians do not only choose the titles to their works, but go further to define the genres of these works. The dynamic at play is such that most popular musicians claim to produce works of different and new genres with each new work they create. By engaging with the works of a selection of Nigerian popular musicians, the thesis demonstrates that the disorderliness in popular music branding can be restricted. Through a critical discourse analysis of the textual elements of the material and of ‘alternat

APA, Harvard, Vancouver, ISO, and other styles

40

Bidgood, Lee, and Doctors and Outlaws. "Celebration of 1970s Country-Rock-Grass Fusion." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1063.

Full text

Abstract:

A one-time celebration of the 1970s country-rock-grass fusion of Crowe, Parsons, the Rices, the Burritos, etc. View the YouTube videos below: Part 1: https://www.youtube.com/watch?v=lbWzeKhdbus Part 2: https://www.youtube.com/watch?v=ImrFFCPPXw4 Part 3: https://www.youtube.com/watch?v=Je5oXBpDGmU Part 4: https://www.youtube.com/watch?v=WkNjD079QFQ

APA, Harvard, Vancouver, ISO, and other styles

41

Dorsch, Juliane Verena. "Nostalgia and modernism in puppet music of the 1920s." Thesis, Royal Holloway, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531310.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Tietze, Gwendolyn Veronika. "Writing the middle ages : medieval music in the 1920s." Thesis, King's College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420993.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Foreman, Lewis. "English music 1860-1960 : its reception, revival and recording." Thesis, Cardiff University, 2005. http://orca.cf.ac.uk/54335/.

Full text

Abstract:

This submission, under the regulations for PhD by published works, consists of fifty articles by the author, together with the second edition of the book Bax: a composer and his times. These are presented in facsimile in three volumes together with a supporting essay and personal bibliography. The subject is the reception of British music, with special emphasis on the first half of the twentieth century. Three broad themes are considered: general and local musical histories, studies of recording and broadcasting, and the discussion of specific genres and specific works of British composers fro

APA, Harvard, Vancouver, ISO, and other styles

44

Kim, Patricia Costa. "Making music their own : school music, community, and standards of excellence in Seattle, 1960-75 /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/11294.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Dewe, Michael. "The skiffle craze : a popular music phenomenon of the 1950s." Thesis, Aberystwyth University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.441052.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Moon, Krystyn R. "Yellowface creating the Chinese in American popular music, 1850s-1920s /." Available to US Hopkins community, 2002. http://wwwlib.umi.com/dissertations/dlnow/3068189.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Vaughn, Erin M. "Harmonic Resources in 1980s Hard Rock and Heavy Metal Music." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1449012267.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Age, Alessander Henrique. "Musica no alvo : um estudo da musica publicitaria nas decadas de 1950 e 1960 no Brasil." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284761.

Full text

Abstract:

Orientador: Claudiney Rodrigues Carrasco<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-07T18:01:31Z (GMT). No. of bitstreams: 1 Age_AlessanderHenrique_M.pdf: 860700 bytes, checksum: bf90f16240cbd731e21ec17603d9de3f (MD5) Previous issue date: 2006<br>Resumo: A presente dissertação de mestrado aborda a inserção da música na linguagem publicitária e sua influência no processo de comunicação. Através de um levantamento histórico e analítico, procura-se entender como a música atuou dentro do contexto publicitário nas décad

APA, Harvard, Vancouver, ISO, and other styles

49

Önen, Ufuk. ""Black, not grey: Ankara rocks!" : a creative practice-based investigation of the Ankara rock music scene of the 1980s and the 1990s through documentary filmmaking." Thesis, University of Salford, 2017. http://usir.salford.ac.uk/44340/.

Full text

Abstract:

Ankara, with its population of nearly 4.5 million, is the second largest city in Turkey after İstanbul. İstanbul is widely accepted as the centre of trade, finance, business, art and entertainment, whereas Ankara, being the capital city, is usually associated with politics only. Due to its weather and the vast number of government buildings, Ankara is deemed to be 'grey' and considered as 'lifeless', 'soulless' and 'dull' by some people. Although labelled as a 'city of politics', a 'grey city' or a 'grey city of politics', Ankara has a substantial influence on the Turkish popular music culture

APA, Harvard, Vancouver, ISO, and other styles

50

Gabrillo, James. "The New Manila Sound : music and mass culture, 1990s and beyond." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/286224.

Full text

Abstract:

This dissertation provides the first detailed account of the mass musical culture of the Philippines that originated in the 1990s and continues to be the most popular style of musical entertainment in the country - a scene I dub the New Manila Sound. Through a combination of archival research, musical analysis, and ethnographic fieldwork, my examination focuses on its two major pioneers: the musical television programme Eat Bulaga! (Lunchtime Surprise) and the pop-rock band Aegis. I document the scene's rise and development as it attracted mostly consumers from the lower classes and influenced

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!