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Relevant bibliographies by topics / Music in medieval England

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Journal articles
Dissertations / Theses
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Academic literature on the topic 'Music in medieval England'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "Music in medieval England"

1

Haggh, Barbara. "Liturgical music in medieval England." Early Music XXII, no. 2 (1994): 325–28. http://dx.doi.org/10.1093/earlyj/xxii.2.325.

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Lefferts, Peter M. "The Garland Encyclopedia of Medieval England." Musical Times 130, no. 1755 (1989): 257. http://dx.doi.org/10.2307/966311.

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Beal, Jane. "Matthew Cheung Salisbury, Worship in Medieval England. Past Imperfect Series. Croydon: ARC Humanities Press, 2018, 92 pages." Mediaevistik 32, no. 1 (2020): 315–18. http://dx.doi.org/10.3726/med.2019.01.42.

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Matthew Cheung Salisbury, a Lecturer in Music at University and Worcester College, Oxford, and a member of the Faculty of Music at the University of Oxford, wrote this book for ARC Humanities Press’s Past Imperfect series (a series comparable to Oxford’s Very Short Introductions). Two of his recent, significant contributions to the field of medieval liturgical studies include The Secular Office in Late-Medieval England (Turnhout: Brepols, 2015) and, as editor and translator, Medieval Latin Liturgy in English Translation (Kalamazoo: Medieval Institute Publications, 2017). In keeping with the wo

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Dittmer, Luther A., and Susan Kathleen Rankin. "The Music of the Medieval Liturgical Drama in France and England." Notes 47, no. 3 (1991): 730. http://dx.doi.org/10.2307/941864.

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Kisby, Fiona. "A mirror of monarchy: Music and musicians in the household chapel of the Lady Margaret Beaufort, mother of Henry VII." Early Music History 16 (October 1997): 203–34. http://dx.doi.org/10.1017/s0261127900001728.

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Ever since the publication of Frank Harrison's book Music in Medieval Britain in 1958, the study of the cultivation of liturgical music in late-medieval England has been based on the institutional structure of the Church: on the cathedrals, colleges and parish churches, and on the household chapels of the monarchy and higher nobility both spiritual and lay. In that and most subsequent studies, however, male figures have been seen to dominate the establishments under investigation. If art history (perhaps musicology's closest sister discipline) can be shown to have characterised the patronage o

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6

Halmo, Joan. "A Sarum antiphoner and other medieval office manuscripts from England and France: some musical relationships." Plainsong and Medieval Music 11, no. 2 (2002): 113–26. http://dx.doi.org/10.1017/s0961137102002085.

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Using several twelfth- and thirteenth-century sources, this study examines a selected number of Office antiphons, comparing their melodic variants for patterns of similarity and difference. The ancestry of a Sarum manuscript and - in another source - the survival of a pre-Conquest musical tradition in England are discernible in Office manuscripts examined as are affinities among French and English sources. Evidence from previous chant scholarship and certain medieval historical events shed light on the observations made in this study.

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Lawson, Kevin E. "Light from the “Dark Ages”: Lessons in Faith Formation from before the Reformation." Christian Education Journal: Research on Educational Ministry 14, no. 2 (2017): 328–46. http://dx.doi.org/10.1177/073989131701400206.

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This article explores how parish members in the later medieval era in England learned the Christian faith through a variety of means (e.g., preaching, liturgical calendar, art, music, poetry, drama, confessional instruction, spiritual kinship relationships, catechetical instruction) with an eye on what we might learn from this era that could strengthen the church's educational ministry efforts in the present.

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Holsinger, Bruce W. "The vision of music in a Lollard florilegium: Cantus in the Middle English Rosarium theologie (Cambridge, Gonville and Caius College MS 354/581)." Plainsong and Medieval Music 8, no. 2 (1999): 95–106. http://dx.doi.org/10.1017/s0961137100001650.

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Despite their intriguing testimony to the vagaries of musical life in late medieval England, relatively little attention has been given by musicologists and historians of religion to the wealth of commentary on liturgical and secular music penned by the followers of the Oxford heretic John Wyclif. In a brief mention of this material in The Premature Reformation, her magisterial study of Wyclif and the Lollards, Anne Hudson suggests that the Lollards’ suspicion of musical display reflected their more general hostility towards the decoration of churches.

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Heminger, Anne. "MUSIC THEORY AT WORK: THE ETON CHOIRBOOK, RHYTHMIC PROPORTIONS AND MUSICAL NETWORKS IN SIXTEENTH-CENTURY ENGLAND." Early Music History 37 (October 2018): 141–82. http://dx.doi.org/10.1017/s0261127918000074.

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Whilst scholars often rely on a close reading of the score to understand English musical style at the turn of the fifteenth century, a study of the compositional techniques composers were taught provides complementary evidence of how and why specific stylistic traits came to dominate this repertory. This essay examines the relationship between practical and theoretical sources in late medieval England, demonstrating a link between the writings of two Oxford-educated musicians, John Tucke and John Dygon, and the polyphonic repertory of the Eton Choirbook (Eton College Library, MS 178), compiled

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DEEMING, HELEN. "The song and the page: experiments with form and layout in manuscripts of medieval Latin song." Plainsong and Medieval Music 15, no. 1 (2006): 1–27. http://dx.doi.org/10.1017/s096113710600026x.

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The non-liturgical songs of twelfth- and thirteenth-century England were recorded, for the most part, not in dedicated song books, but on occasional pages in manuscript miscellanies. Away from the context of fully musical books, there were no fixed procedures for the layout of music, and scribes devised new approaches to layout as they worked. This article considers three Latin songs from such sources and explores the evidence for experimentation, both in scribal technique and in musical procedures, that may have contributed to their specific manuscript presentations.

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Dissertations / Theses on the topic "Music in medieval England"

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Wathey, A. B. "Music in the Royal and noble households in late medieval England : studies of sources and patronage." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.235758.

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Schell, Sarah. "The Office of the Dead in England : image and music in the Book of Hours and related texts, c. 1250-c. 1500." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2107.

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This study examines the illustrations that appear at the Office of the Dead in English Books of Hours, and seeks to understand how text and image work together in this thriving culture of commemoration to say something about how the English understood and thought about death in the fourteenth and fifteenth centuries. The Office of the Dead would have been one of the most familiar liturgical rituals in the medieval period, and was recited almost without ceasing at family funerals, gild commemorations, yearly minds, and chantry chapel services. The Placebo and Dirige were texts that many people

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Hamilton, Elizabeth P. K. "A Study of Early Sixteenth-Century English Music Fragments from the DIAMM Database." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20241.

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While the study of complete sources is very valuable, and has contributed greatly to what is understood of music history, the perspective they contribute is limited because they cannot reveal information about how music and music sources were most often used. The study of functional sources, more probably created for use, allows for more insight into how music was performed and understood, and how such sources were created, used and valued. This study examines twelve fragmentary early sixteenth-century English sources from the Digital Image Archive of Medieval Music (DIAMM) database, constit

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Phillips, Kim M. "The medieval maiden : young womanhood in late medieval England." Thesis, University of York, 1997. http://etheses.whiterose.ac.uk/2439/.

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Langum, Virginia Eileen. "Discretion in late medieval England." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609515.

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Hulton, Mary H. M. "Urban weavers of medieval England." Thesis, University of Birmingham, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311596.

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Nilson, Benjamin John. "Cathedral shrines of medieval England /." Suffolk (U.K.) ; Rochester (N.Y.) : the Boydell press, 1998. http://catalogue.bnf.fr/ark:/12148/cb37089482f.

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Helmholz, Richard H. "Marriage litigation in medieval England /." Holmes Beach (Fla.) : Wm. W. Gaunt and sons, 1986. http://catalogue.bnf.fr/ark:/12148/cb37375127t.

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Hardingham, Glenn James. "The regimen in late medieval England." Thesis, University of Cambridge, 2005. https://www.repository.cam.ac.uk/handle/1810/284049.

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This thesis examines the nature and uses of the regimen in the fourteenth and fifteenth century in England. The introduction discusses the historiography of the regimen primarily through a delineation of the genre. It argues that the usual focus of the regimen of health and its characterization as a medical text is too narrow, proposing that the text, in both its form and use, was a text on guidance of body and soul that can not be separated from other works of political governance, ethical behaviour and spiritual advice. In order to establish the subject, chapter one presents a distillation o

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Bale, Anthony Paul. "Fictions of Judaism in medieval England." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395238.

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Books on the topic "Music in medieval England"

1

Rankin, Susan. The music of the medieval liturgical drama in France and England. Garland, 1989.

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2

Wathey, Andrew. Music in the royal and noble households in late medieval England: Studies of sources and patronage. Garland Pub., 1989.

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3

Miserere mei: The penitential Psalms in late medieval and early modern England. University of Notre Dame Press, 2012.

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The remunerated vernacular singer: From medieval England to the post-war revival. Peter Lang, 2005.

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Roger, Prior, ed. The Bassanos: Venetian musicians and instrument makers in England, 1531-1665. Scolar Press, 1995.

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6

Medieval England. Benchmark Books, 2002.

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John, Hatcher, ed. Medieval England. Longman, 1995.

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Medieval England. Purple Toad Publishing, 2014.

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Simkin, John. Medieval England. Spartacus, 1986.

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Medieval music. Ashgate Pub Ltd, 2011.

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Book chapters on the topic "Music in medieval England"

1

Arabatzis, George, Maarten J. F. M. Hoenen, Vasileios Syros, et al. "Music, Medieval." In Encyclopedia of Medieval Philosophy. Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-1-4020-9729-4_345.

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McCarthy, T. J. H. "Music, Medieval." In Encyclopedia of Medieval Philosophy. Springer Netherlands, 2020. http://dx.doi.org/10.1007/978-94-024-1665-7_345.

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Cotter-Lynch, Margaret. "Perpetua in Medieval England." In Saint Perpetua across the Middle Ages. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-46740-9_6.

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Resl, Brigitte. "Hospitals in Medieval England." In Europäisches Spitalwesen. Institutionelle Fürsorge in Mittelalter und Früher Neuzeit. Böhlau Verlag, 2008. http://dx.doi.org/10.7767/boehlau.9783205160885.41.

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Lefferts, Peter M. "Medieval England, 950–1450." In Antiquity and the Middle Ages. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21157-9_7.

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Schofield, Phillipp R. "Famine in medieval England." In The Routledge Handbook of Medieval Rural Life. Routledge, 2021. http://dx.doi.org/10.4324/9781003194866-12.

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Russell, Alexander. "Conciliarism and Heresy in England." In Medieval Church Studies. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mcs-eb.4.2008.

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Tibbetts, John C., and Michael Saffle. "Medieval and Early Modern Music." In Performing Music History. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92471-7_2.

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Kelly, Stephen, and Ryan Perry. "Devotional Cosmopolitanism in Fifteenth-Century England." In Medieval Church Studies. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mcs-eb.4.2019.

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Lampert-Weissig, Lisa. "“You Had to Have Been There”: The Importance of Place in Teaching Jewish History and Literature." In Jews in Medieval England. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63748-8_15.

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Conference papers on the topic "Music in medieval England"

1

Calvo-Zaragoza, Jorge, Alejandro H. Toselli, Enrique Vidal, and Joan Andreu Sanchez. "Music Symbol Sequence Indexing in Medieval Plainchant Manuscripts." In 2019 International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2019. http://dx.doi.org/10.1109/icdar.2019.00146.

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Wick, Christoph, Alexander Hartelt, and Frank Puppe. "Lyrics Recognition and Syllable Assignment of Medieval Music Manuscripts." In 2020 17th International Conference on Frontiers in Handwriting Recognition (ICFHR). IEEE, 2020. http://dx.doi.org/10.1109/icfhr2020.2020.00043.

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Eden, Grace, and Marina Jirotka. "Digital Images of Medieval Music Documents: Transforming Research Processes and Knowledge Production in Musicology." In 2012 45th Hawaii International Conference on System Sciences (HICSS). IEEE, 2012. http://dx.doi.org/10.1109/hicss.2012.217.

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Kopár, Lilla. "The Rise and Fall of Anglo-Saxon Runic Stone Monuments: Runic Inscriptions and the Development of Sculpture in Early Medieval England." In The Eighth International Symposium on Runes and Runic Inscriptions. Department of Scandinavian Languages, Uppsala University, 2021. http://dx.doi.org/10.33063/diva-438873.

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Knoth, Ina. "How to Deal with Music and the Arts in England, c. 1670–1750? Some Introductory Remarks." In Musik und die Künste in der englischen Frühaufklärung (ca. 1670–1750). Universität Hamburg, Institut für Historische Musikwissenschaft, 2020. http://dx.doi.org/10.25366/2020.113.

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Grokhovskiy, Pavel. "�TREATISE ON MUSIC� BY SAKYA PANDITA AS A VALUABLE SOURCE FOR UNDERSTANDING MEDIEVAL TIBETAN VOCAL SYSTEM AND SINGING TECHNIQUES." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s14.026.

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