Log in

Relevant bibliographies by topics / Music in theaters

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers
Reports

Academic literature on the topic 'Music in theaters'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 March 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Music in theaters.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Music in theaters"

1

Karzhaubayeva, Sangul, and Ainur Kopbasarova. "Innovative Strategies of the Turkestan Music and Drama Theater." Central Asian Journal of Art Studies 6, no. 4 (2021): 148–58. http://dx.doi.org/10.47940/cajas.v6i4.510.

Full text

Abstract:

The general theme of the international round table “Innovative and multimedia research in modern theater art”, organized by the departments of theater studies and scenography of T. K. Zhurgenov Kazakh National Academy of Arts, the main topic of which was the resonant premiere of the play Borte by Dulat Issabekov, which raised a wide range of ideas and topical issues. The purpose of this event was to comprehend the problems of innovations in the Kazakh theater in the era of digital technologies. The discussion was attended by a director of the Turkestan Music and Drama Theater Ainur Kopbassarov

APA, Harvard, Vancouver, ISO, and other styles

2

Isakov, Yuriy I. "VITRUVIUS ON THE VALUE OF MUSIC FOR ENHANCING THE ARCHITECTURE OF THE ANTIQUE THEATER’S AUDIENCE SPACE. Part 1." Architecton: Proceedings of Higher Education, no. 4(72) (December 28, 2020): 10. http://dx.doi.org/10.47055/1990-4126-2020-4(72)-10.

Full text

Abstract:

Vitruvius' legacy points to the importance of music in architecture for enhancing the acoustics of ancient theaters. In particular, he described in detail the sounding vessels, or ηχεια – “echea”, the effectiveness of which has not been proven. The effect of “echeas” on the acoustic parameters of a small classical Greek theater is investigated using computer modeling methods. The theater models developed take into account Vitruvius' recommendations and published research and measurements of ancient theater acoustic parameters reconstructed in our time. The descriptions of Vitruvius and the mus

APA, Harvard, Vancouver, ISO, and other styles

3

Kopecký, Jiří, and Lenka Křupková. "The “Slavic spirit” and the opera scene in Olomouc, 1830–1920." Studia Musicologica 58, no. 3-4 (2017): 341–61. http://dx.doi.org/10.1556/6.2017.58.3-4.4.

Full text

Abstract:

In 1830, a new theater building was opened in the Olomouc Upper square. The stable theatrical life enriched enormously the cultural life of the city and encouraged the development of publishing activities in the field of music journalism and publishing. The public debates on the artistic value of theater performances, on abilities of particular artists and on other subjects gained new quality after the 1860 October diploma because Czechs living in and around the traditional German town put pressure on theater directors and demanded Czech plays on the stage. The fights for the national repertoi

APA, Harvard, Vancouver, ISO, and other styles

4

Laslavíková, Jana. "Between province and metropolis. The opera repertoire of the Pressburger Stadttheater in the late nineteenth century." Studia Musicologica 58, no. 3-4 (2017): 363–77. http://dx.doi.org/10.1556/6.2017.58.3-4.5.

Full text

Abstract:

The establishment and development of the Municipal Theater in Pressburg in the period 1886–1920 was closely linked with the cultural and social development of the city in the period following the Austrian-Hungarian Compromise in 1867. The theater was built by the rising stratum of Pressburg townsmen, based on a requirement of the Hungarian government. The theater was in the possession of the town that rented it to theater directors and their German and Hungarian companies. The theater had a primacy among provincial theaters in Hungary. This was mainly due to the vicinity of Vienna and the effo

APA, Harvard, Vancouver, ISO, and other styles

5

Nelson, John. "Opposing Official Nationality." Experiment 25, no. 1 (2019): 115–29. http://dx.doi.org/10.1163/2211730x-12341333.

Full text

Abstract:

Abstract It was political turmoil in Russia that brought Savva Mamontov and his Abramtsevo circle together with Nikolai Rimsky-Korsakov. The composer questioned whether the “Official Nationality” decree of Tsar Nicholas I, with its emphasis on autocracy, Orthodoxy, and nationality—which together asserted despotic rule—truly represented the values of a changing Russian society. In addition, his operas found little favor within the Imperial theater directorate. This changed, however, when the Imperial theater monopoly was abolished, allowing private theaters to operate freely. Mamontov opened hi

APA, Harvard, Vancouver, ISO, and other styles

6

Romey, John. "Songs That Run in the Streets." Journal of Musicology 37, no. 4 (2020): 415–58. http://dx.doi.org/10.1525/jm.2020.37.4.415.

Full text

Abstract:

In the second decade of the eighteenth century, the Parisian théâtres de la foire (fairground theaters) gave birth to French comic opera with the inception of the genre known as comédie en vaudevilles (sung vaudevilles interspersed between spoken dialogue). Vaudevilles were popular songs that “ran in the streets” and served as vessels for new texts that transmitted the latest news, scandals, and gossip around the city. Already in the seventeenth century, however, the Comédie-Italienne, the royally funded troupe charged with performing commedia dell’arte, began to create spectacles that incorpo

APA, Harvard, Vancouver, ISO, and other styles

7

RAO, NANCY YUNHWA. "The Public Face of Chinatown: Actresses, Actors, Playwrights, and Audiences of Chinatown Theaters in San Francisco during the 1920s." Journal of the Society for American Music 5, no. 2 (2011): 235–70. http://dx.doi.org/10.1017/s1752196311000046.

Full text

Abstract:

AbstractIn the twentieth century, elaborate and prosperous Chinatown theaters in New York and San Francisco (from the 1920s to the early 1930s) constituted a golden age of Cantonese opera in the United States, a vivid musical life that has been almost completely expunged from U.S. cultural memory. Seeking a historical narrative for this musical past—preserving those vivid sonorities and glamorous images that “threaten to disappear irretrievably”—entails an examination of the actresses, actors, musicians, and playwrights who enlivened the stages of these opera theaters, as well as the audiences

APA, Harvard, Vancouver, ISO, and other styles

8

Lorusso, Mick. "Microbioenergy Theaters." Leonardo 48, no. 5 (2015): 430–33. http://dx.doi.org/10.1162/leon_a_00923.

Full text

Abstract:

The author describes two recent sculptural projects with bacteria that produce electricity while decomposing organic matter, in a technology known as a microbial fuel cell. These works encourage a ludic relationship to microbes, allowing us to acknowledge their aptitude for building ordered societies that sustain many life systems in the environment and within us. Relationships between humans, technology and microbes emerge in these theatrical scenarios.

APA, Harvard, Vancouver, ISO, and other styles

9

Suchowiejko, Renata. "The musical theater in Kraków and Lviv around 1900: Social functions and cultural meanings." Studia Musicologica 58, no. 3-4 (2017): 379–97. http://dx.doi.org/10.1556/6.2017.58.3-4.6.

Full text

Abstract:

At the turn of the nineteenth and twentieth centuries, Kraków was a flourishing city, both economically and artistically. During the period of Galician autonomy, Kraków was granted significantly greater political freedom than other Polish cities located in the Prussian or Russian partitions. For this reason it became an important center for cultivating national tradition. Lviv, as the capital of the Crownland of Galicia and Lodomeria, was one of the most important centers of scholarship, education, and culture in this region. The city was a multi-ethnic, multi-cultural, and multilingual conglo

APA, Harvard, Vancouver, ISO, and other styles

10

de Lucca, Valeria. "L'Alcasta and the Emergence of Collective Patronage in Mid-Seventeenth-Century Rome." Journal of Musicology 28, no. 2 (2011): 195–230. http://dx.doi.org/10.1525/jm.2011.28.2.195.

Full text

Abstract:

This article sheds new light onto the process of transformation of the figure of the opera patron in Rome during the mid-seventeenth century. Following the travels of Giovanni Filippo Apolloni's libretto Amor per vendetta, ovvero L'Alcasta, I trace the dissolution of the ubiquitous individual court patron of the earlier part of the century into a network of agents behind opera production in commercial contexts. In every phase of the story of L'Alcasta—its commission, plans for production, staging, dedication, and subsequent revivals—we can detect diverse agencies shaping the libretto and score

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Music in theaters"

1

Paffett, Erik Matthew. "Theatrical Politics in Ancien Regime France: Music, Genre, and Meaning at the Parisian Fair Theaters, 1678–1723." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1595845736008434.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Graff, Peter. "Music, Entertainment, and the Negotiation of Ethnic Identity in Cleveland’s Neighborhood Theaters, 1914–1924." Case Western Reserve University School of Graduate Studies / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case1522858050676766.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Schorer, Carolyn Jones. "An architecture of connection: a place for music." Thesis, Virginia Polytechnic Institute and State University, 1986. http://hdl.handle.net/10919/53109.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Zorzetto, Paulo 1976. "Percussão e voz na música-teatro em três obras solo : proposta de um Modelo Vocal para Percussionistas (MVP) /." São Paulo, 2016. http://hdl.handle.net/11449/144596.

Full text

Abstract:

Orientador: Carlos Eduardo Di Stasi<br>Banca: Wladimir Farto Contesini de Mattos<br>Banca: Arthur Ferreira Rinaldi<br>Resumo: Esta pesquisa tem como objetivo geral propor um Modelo Vocal para Percussionistas (MVP), na execução de obras solo em que o uso da voz é requerido, explorando elementos físicos e musicais que fazem parte das práticas diárias do estudante e do profissional da percussão. Para tanto, foram escolhidas três importantes peças do repertório percussivo para a aplicação dos conceitos propostos: ?Corporel, para um percussionista e sons do seu corpo (1985), de Vinko Globokar (1934

APA, Harvard, Vancouver, ISO, and other styles

5

Kolb, Carole A. "A theater and amphitheater for chamber music on a mountain meadow." Thesis, Virginia Polytechnic Institute and State University, 1987. http://hdl.handle.net/10919/53134.

Full text

Abstract:

The subject for this thesis is the design of a theater and amphitheater for chamber music, upon a beautiful site-- a mountain meadow. The site, context and program which serve as a starting point for the new design are based on a real site and context: that of an existing center for chamber music, situated high in the mountains, housed in the buildings of an old estate. In creating the design for the new building, it was attempted to achieve and integrate several goals: • To create spaces (a theater and an amphitheater) which would enhance the experience of (listening to) chamber music-- b

APA, Harvard, Vancouver, ISO, and other styles

6

Shorter, Mark Travers. "Variety theatre, performance art and the carnivalesque." Phd thesis, Sydney College of the Arts, 2011. http://hdl.handle.net/2123/12477.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

De, Villiers Jacobi. "Kabaret as moontlike teatervorm vir sangers met 'n klassieke sangorientasie." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019.1/21737.

Full text

Abstract:

Thesis (MA)--Stellenbosch University, 2008.<br>ENGLISH ABSTRACT: This study was initiated to gain insight into cabaret as a form of theatre for the migration of singers with a classical singing orientation. It researches a form of music theatre known as entertainment cabaret, which is individual by nature, as it is not bound by convention. The study entails a discussion of the nature of cabaret as a diverse form of theatre. It illustrates the role of the artist and the genre’s music style in researching structure, to determine differences and similarities in the frameworks of cabaret an

APA, Harvard, Vancouver, ISO, and other styles

8

Coker, Tim. "Dramma per musica : towards a new music theatre." Thesis, University of Reading, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487105.

Full text

Abstract:

This thesis comprises a portfolio of thirteen original musical compositions supported by a 30,000 word critical commentary along with videos and sound recordings of a number of the works on CD and DVD. The two operatic works are both set to o~gin<.!-l libretti which are included as appendices. I As the title of the thesis suggests, all of the musical works submitted are linked by a common dramatic voice. The written commentary analyses the processes and influences on those works, with particular emphasis on the theatrical. The focal point of the submission is a large-scale operatic work scored

APA, Harvard, Vancouver, ISO, and other styles

9

Wansa, Amanda. "Plungers and Productivity: A Student Artist's Survival Guide to Multi-Tasking." Master's thesis, Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002579.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Romey, John Andrew III. "Popular Song, Opera Parody, and the Construction of Parisian Spectacle, 1648–1713." Case Western Reserve University School of Graduate Studies / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case1521213146521338.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Music in theaters"

1

Price, Victor J. Birmingham theatres: Concert and music halls, 1740-1988. Brewin Books, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

James, LeBrecht, ed. Sound and music for the theatre: The art & technique of design. 3rd ed. Elsevier, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Kaye, Deena. Sound and music for the theatre: [the art and technique of design]. Back Stage Books, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Kaye, Deena. Sound and music for the theatre: The art and technique of design. 2nd ed. Focal Press, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Muzyka v dramaticheskom teatre Uzbekistana. Izd-vo lit-ry i iskusstva im. G. Guli͡a︡ma, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Sengstock, Charles A. Jazz music in Chicago's early south-side theaters. Canterbury Press of Northbrook, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Ahmet, Ertuğ, ed. Palaces of music: Opera houses of Europe. Ertuğ & Kocabiyit, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Music hall memories. R. Drew Pub., 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Kanawa, Kiri Te, and Fritz Gubler. Great, grand & famous opera houses: ... where art and drama meet. Arbon Publishing Pty Ltd., 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Fiske, Roger. English theatre music in the eighteenth century. 2nd ed. Oxford University Press, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Music in theaters"

1

Cohen, Allen, and Steven L. Rosenhaus. "The Music." In Writing Musical Theater. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-04810-3_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Tralle, Eva-Maria, and Marie-Louise Tralle. "Macht Musik!" In Theater. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839457757-019.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Wicke, Peter. "Music Hall ↗Show, Varieté / Musical ↗Theater / Musik." In Handbuch Populäre Kultur. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05001-4_69.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Rowse, A. L. "Music and Theatre." In Reflections on the Puritan Revolution. Routledge, 2023. http://dx.doi.org/10.4324/9781003383192-5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Schröder, Julia H. "Total theatre and music theatre." In New Music Theatre in Europe. Routledge, 2019. http://dx.doi.org/10.4324/9780429451669-3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Cornelius, Steven, and Mary Natvig. "American Musical Theater." In Music a Social Experience. Routledge, 2018. http://dx.doi.org/10.4324/9781315222868-13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Abfalter, Dagmar. "Das (Musik)-Theater." In Das Unmessbare messen? VS Verlag für Sozialwissenschaften, 2010. http://dx.doi.org/10.1007/978-3-531-92163-1_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Cornelius, Steven, and Mary Natvig. "American Musical Theater." In MusicA Social Experience, 3rd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003155812-15.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

De Benedictis, Angela Ida. "Analysing new music theatre." In New Music Theatre in Europe. Routledge, 2019. http://dx.doi.org/10.4324/9780429451669-14.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Blair, Christopher. "Concert Halls, Music, and Audiences." In Modern Theatres 1950–2020. Routledge, 2021. http://dx.doi.org/10.4324/9781351052184-9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Music in theaters"

1

Fischer, Andre. "New transmedia design for traditional film festivals." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.121.

Full text

Abstract:

The disruptive transformations process in the audiovisual sector were unexpectedly accelerated after the covid-19 pandemic. This caused a rearrangement in the chain of the distribution, exhibition and circulation, thus restructuring the whole design of film festivals, once considered the launching point of this entire industry and strongly based on specific physical locations. Streaming has become the main way in which image and sound content are distributed. Entertainment became multiplatform and interactive, changing the way in which narratives are structured, and these contents are produced

APA, Harvard, Vancouver, ISO, and other styles

2

Chen, Xilin, and Tao Xi. "Cross-Cultural Management of Chinese Traditional Theatre Industry Based on Broadway Operation Model." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001860.

Full text

Abstract:

Broadway, as one of the leading commercial show districts in the West, has a mature commercial experience and operation model. The theatre industry on Broadway is different from other places, and its production and marketing methods have also proven to be highly successful. This paper analyses the business model, artistic concept, communication strategy, and user research of Western theatre based on Broadway at the academic level. At the practical level, the paper investigates the cross-cultural management and communication model of the Chinese theatre industry. The Broadway theatre management

APA, Harvard, Vancouver, ISO, and other styles

3

Chronopoulou, Anna. "Music in the service of the directorial vision: The case study of the theatrical performance of Acharnians in 1976 by the Greek Art Theatre (Theatro Technis)." In 8th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2022. http://dx.doi.org/10.32591/coas.e-conf.08.03033c.

Full text

Abstract:

Someone could claim that a well prepared, contemporary theatrical production consists of a thorough planning, a period of rehearsals and the final presentation of the work before the audience. Whether we talk about a collective theatrical organization or a hierarchical one, we should agree upon the fact that the directorial vision could be considered as the motivating gear of a theatrical performance. It is the director’s or the team’s directorial vision – in the cases of alternative, collective theatrical productions – which guides those who participate in a theatrical performance and, theref

APA, Harvard, Vancouver, ISO, and other styles

4

Mukai, Hibiki. "An Interactive and Digital Puppeteering Interface for new musical expression (IDPI)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.115.

Full text

Abstract:

Puppetry is the oldest form of the virtual reality and has a strong tradition as a theatrical art. The aim of this research project is to create digital puppeteering system which translates gestural acts into live and expressive control of virtual 3D models including in real-time 3D sound. I will devise a model of practice that extends our understanding and notion of the digital puppet. It seeks to establish new practical and conceptual relations between the puppet and new technologies in the framework of puppet theatre. The practical aim is to focus on the special spirit of animated 3D models

APA, Harvard, Vancouver, ISO, and other styles

5

Labelle, Paul. "A Theatre of Catches – Dialogue, Theatre and Ritual in the Restoration Catch." In Musik und die Künste in der englischen Frühaufklärung (ca. 1670–1750). Universität Hamburg, Institut für Historische Musikwissenschaft, 2020. http://dx.doi.org/10.25366/2020.122.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Tomo, Tito Pradhono, Guillermo Enriquez, and Shuji Hashimoto. "Indonesian puppet theater robot with gamelan music emotion recognition." In 2015 IEEE International Conference on Robotics and Biomimetics (ROBIO). IEEE, 2015. http://dx.doi.org/10.1109/robio.2015.7418931.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Cailliez, Matthieu. "Europäische Rezeption der Berliner Hofoper und Hofkapelle von 1842 bis 1849." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.50.

Full text

Abstract:

The subject of this contribution is the European reception of the Berlin Royal Opera House and Orchestra from 1842 to 1849 based on German, French, Italian, English, Spanish, Belgian and Dutch music journals. The institution of regular symphony concerts, a tradition continuing to the present, was initiated in 1842. Giacomo Meyerbeer and Felix Mendelssohn Bartholdy were hired as general music directors respectively conductors for the symphony concerts in the same year. The death of the conductor Otto Nicolai on 11th May 1849, two months after the premiere of his opera Die lustigen Weiber von Wi

APA, Harvard, Vancouver, ISO, and other styles

8

van Dijk, Betsy, Rieks op den Akker, Anton Nijholt, and Job Zwiers. "Navigation assistance in Virtual Worlds." In 2001 Informing Science Conference. Informing Science Institute, 2001. http://dx.doi.org/10.28945/2364.

Full text

Abstract:

In this paper we report about ongoing research on navigation assistance in virtual environments. Our aim is to contribute to the development of forms of navigation assistance that enable non-professional visitors of a virtual environment to find their way without previous training. The environment used in this research is a virtual theatre that models a real world music theatre. This virtual theatre can be used for exploration as well as for transactions and goal-directed search for information. We first present some design principles for navigation assistance in virtual environments and some

APA, Harvard, Vancouver, ISO, and other styles

9

De Simone, Mariarosaria, Maria Chiara Del Mastro, and Francesca Marone. "THE DRAMATIZATION BETWEEN THEATER AND MUSIC IN THE PEDAGOGICAL EXPERIENCE." In 14th International Technology, Education and Development Conference. IATED, 2020. http://dx.doi.org/10.21125/inted.2020.0991.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Cline, Jon C. "Music, Biology, and Math: An Evolutionary Play in the Ecological Theater." In SIGSIM-PADS '21: SIGSIM Conference on Principles of Advanced Discrete Simulation. ACM, 2021. http://dx.doi.org/10.1145/3437959.3460455.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Music in theaters"

1

McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

Full text

Abstract:

Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals act

APA, Harvard, Vancouver, ISO, and other styles

2

Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

Full text

Abstract:

Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!