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Dissertations / Theses on the topic 'Music, Influence of'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Williams, Zaneh M. "American Influence on Korean Popular Music." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/500.

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South Korea is internationally well known for its ethnic and cultural homogeneity, economic and technical success, and strong sense of nationalism. The peoples of South Korea have flourished economically after a series of colonizations, industrialization and political chaos. Over the past few decades, Korea has gained interest internationally for its entertainment industry through the Korean Wave (or Hallyu in Korean). Korean Wave is a term that refers to the increase in the popularity of South Korean culture since the late 1990’s due to Korean music, television shows and fashion. The Korean W

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2

Kasper, Matthew J. "Schleiermacher's influence on contemporary worship music." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.

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Olson, Ted. "The Celtic Influence on Appalachian Music." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1204.

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4

McHenry, Patrick J. "With music strong I come : Whitman's cultural influence through folk music." Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/287.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>English Literature

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Kirchhubel, Julie, and n/a. "Adolescent Music Development and the Influence of Pre-Tertiary Specialised Music Training." Griffith University. School of Cognition, Language and Special Education, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040427.122927.

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The study explores the music development, achievement and aspirations of adolescent students who participate in pre-tertiary specialised music programs. A theoretical model is developed for the study to investigate the role and influence of such training in the development of music skills, and explores relationships amongst music experience, music engagement, academic achievement, interpersonal and intrapersonal relationships, personal learning styles, and affective response to music. The data source for the study was the Young Conservatorium program (YCP) at Griffith University. Three sub-st

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Kirchhubel, Julie. "Adolescent Music Development and the Influence of Pre-Tertiary Specialised Music Training." Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367185.

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The study explores the music development, achievement and aspirations of adolescent students who participate in pre-tertiary specialised music programs. A theoretical model is developed for the study to investigate the role and influence of such training in the development of music skills, and explores relationships amongst music experience, music engagement, academic achievement, interpersonal and intrapersonal relationships, personal learning styles, and affective response to music. The data source for the study was the Young Conservatorium program (YCP) at Griffith University. Three sub-st

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7

Perciante, Valerie Elizabeth. "Effects of Mozart music on specific mathematical testing." Theological Research Exchange Network (TREN) Access this title online, 2004. http://www.tren.com.

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8

Titus, Stephanie. "Japanese Contemporary Piano Music: Cultural Influence and Identity." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1604259509513433.

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9

Cherry, Harriet Rose. "Music-a structural way of thinking." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/23939.

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Smith, Kristen Lia. "THE INFLUENCE OF FOLK AND POPULAR MUSIC ON TWENTIETH-CENTURY FLUTE MUSIC OF BRAZIL." University of Cincinnati / OhioLINK, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=ucin976030455.

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Frost, Julianna Ellen. "Recruitment and Retention: The Influence of General Music Teachers Methodology on Secondary Music Ensembles." University of Toledo / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1449848590.

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Belcher, James D. "An Examination of the Influence of Individual Differences, Music-Listening Motives, and Music Selection on Post-Listening Music Discussion." Kent State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=kent1277155907.

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13

Fugazza, Lorenzo. "The Impressionistic Guitar : Is there a mutual influence between the Spanish guitar and the Impressionist masters?" Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2505.

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This thesis is an investigation on the influences that the Spanish Guitar and the traditional music from Spain had on the impressionistic composers of the late 19th century and early 20th century. I have also inquired on the opposite influence, the impressionistic influence on Spanish composers.It contains a description of the characteristics of the two musical genres, informations on their most renowned composers’ composing style and an analysis on two relevant pieces of the guitarist and orchestral repertoire.I found out a very strong link between the two genres, with Impressionism being ver

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Gay, Fernández Carlos. "Jazz influence on classical clarinet : Analysis and identification of jazz elements in classical clarinet repertoire in the 20th century." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2384.

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This thesis is about jazz influence on classical clarinet repertoire, focusing on analysis and identification of all the jazz elements that run through this style into classical music. It also wants to describe the huge change of way of playing noticeable in the Swing Era in relation to the classical way.In the first part of the thesis I describe the birth of jazz and the political, historical and musical situation in the West, to understand the process in which they got blended. After that I identify and classify jazzy elements in classical music, analyzing in depth the repertoire of my exam-

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Murasugi, Sachiho Cynthia. "Influence of Commedia dell’Arte on Stravinsky’s Suite Italienne." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1253214690.

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16

Kelley, Diana L. "Music and mathematics--is there a connection? : the effects of participation in music programs on academic achievement in mathematics /." Abstract Full Text (HTML) Full Text (PDF), 2008. http://eprints.ccsu.edu/archive/00000493/02/1949FT.htm.

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Thesis (M.S.)--Central Connecticut State University, 2008.<br>Thesis advisors: S. Louise Gould, Philip P. Halloran, Shelley Jones. " ... in partial fulfillment of the requirements for the degree of Master of Science in Mathematics." Includes bibliographical references (leaves 21-22). Also available via the World Wide Web.

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Shortway, Nicholas. ""This one goes to eleven--" : a methodological study of the recording and evaluation of emotional response to music." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99605.

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The distinction between emotions expressed by and evoked by music is often blurred by the use of methodologies that are difficult to compare, preventing progress towards a unifying theory of emotion and music. In this thesis, a methodology for experimentation that clarifies how research in these areas can be conducted clearly and independently is proposed. The study of evoked emotions is emphasized, and two novel controllers are developed to examine methods of recording emotional response continuously. These controllers, along with a number of the proposed methodological changes, are tested ag

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18

Andrus, Timothy S. "A proper approach to Christian rock." Theological Research Exchange Network (TREN), 1987. http://www.tren.com.

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19

Cole, Wendy Robin. "Effects of verbal suggestion and music on mood : [a thesis]." Scholarly Commons, 1988. https://scholarlycommons.pacific.edu/uop_etds/2166.

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This study examined the effects of verbal suggestion and music listening on mood changes of college students. The 135 volunteers were randomly assigned to one of three conditions (Condition 1/somber depiction with music, Condition 2/pleasant depiction with music, or Condition 3/music only). The Profile of Mood States was administered before and after each condition. Significant differences (p<.05) were found between pre and posttest scores within the groups; however, no significant differences were found among the groups for these same measures. A music questionnaire was administered following

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20

Maksić, Predrag. "The effects of music on creativity in the design process." Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Thesis/Spring2010/p_maksic_042110.pdf.

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Thesis (M.A. in interior design)--Washington State University, May 2010.<br>Title from PDF title page (viewed on July 13, 2010). "Department of Interior Design." Includes bibliographical references (p. 47-51).

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21

Liang, Yongsheng. "Western influence on Chinese music in the early twentieth century." online access from Digital dissertation consortium access full-text, 1994. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9429966.

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22

Lord, Cristina Danielle. "The influence of popular music in the contemporary classical aesthetic." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10118887.

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<p> <i>Newsfeed</i> is a composition for eight performers and electronics, written in 2016. It incorporates elements from popular music, namely in the form of borrowed instrumentation and influx of styles, in its aesthetic. A discussion of the ideologies behind the crossover of popular music within contemporary classical composition prefaces specific examples from recent composers that have also sought to bridge the gap between these two realms of music. The observations of musicologists, as well as artist statements from the composers themselves, justify the philosophical and cultural ramific

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Giesbrecht, Maia. "Composing Together: Collaborative Music Composition and Its Influence on Identity Formation." Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/38377.

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This study examined the professional identity of composers and teachers with a particular focus on how working collaboratively in pairs to compose a new educational composition for a high school ensemble, affected their sense of professional identity. Following the literature of identity formation, individual, professional, relational, and social identity were examined. Using case study methodology, theme mapping, and the constant-comparative technique, the study examined seven (7) composer-teacher pairings employing the following data protocols: online participant questionnaires, on-site obse

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Miller, Eric R. "The Influence of Recording Technology on Music Performance and Production." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1367581047.

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Nilsson, Sofie. ""Men vad innebär det i praktiken då?" : En fenomenografisk studie om musiklärares erfarande av elevers inflytande och motivation på högstadiet." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-105217.

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”But what does it mean in practice?” is a phenomenographic study that aims to examine how music teachers experience inclusion of pupil influence in their teaching and if there is a connection between pupil influence and motivation. The study leans on previous research that has been done in both pupil influence and motivation. The method in this study consists of five semi-structured interviews with active music teachers in different high schools. The results show that most of the music teachers in question use the curriculum as an assurance to include the proper elements to each semester’s wor

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Vincs, Robert, and robert vincs@deakin edu au. "African heart, eastern mind: the transcendent experience through improvised music." Deakin University. School of Communication and Creative Arts, 2002. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20061207.121703.

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27

Olsson, Per. "”Ni på sittplats, är ni klara?” : Ett arbete om musikens påverkan på en ishockeypublik." Thesis, Karlstad University, Division for Ingesund College of Music, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1658.

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<p>The question formulation for this work has been "is an ice-hockey audience influenced by music during time-outs in a game?". The method was to observe one period with Färjestads BK and Mora IK, but a recording was also made, together with a conversation with the arena DJ. From the recording, the audience reactions were graded from a given scale. The grades were compilated to a diagram that shows the audience reactions in relation to the time, from the first face-off to the final whistle. From the diagram, one can see the connections between the audience reactions and the music. During the o

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Rabinowitch, Tal-Chen. "Musical group interaction : mechanisms and effects." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648235.

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29

Venter, Carina. "The influence of early Apartheid intellectualisation on twentieth-century Afrikaans music historiography." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2839.

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Thesis (MMus (Music))--University of Stellenbosch, 2009.<br>ENGLISH ABSTRACT: This thesis attempts to understand questions of our past in the present. It is broadly premised on the assumption of complicity as an interpretive frame in which the relationship between Apartheid intellectualisation and Afrikaans music historiography can be elucidated. Its protagonists are Gerrie Eloff, Geoffrey Cronjé, H.F. Verwoerd, Piet Meyer, Jan Bouws, Rosa Nepgen and Jacques Philip Malan. In each of the four chapters, I attempt to construct metaphors, points of intersection or articulation between Aparth

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Tham, Edgar Kok Kuan. "Effects of Music on Vividness of Movement Imagery." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278984/.

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The purpose of the investigation was to determine the effects of music on self reported vividness of movement imagery. Eighty-four undergraduate kinesiology majors (42 males; 42 females) were subjects. Based on identical perceptions of precategorized music (classical and jazz), selected subjects were randomly assigned to one of three music treatment conditions (sedative, stimulative, and control) and administered the Vividness of Movement Imagery Questionnaire. A 3 x 2 x 2 (Treatment x Gender x Perspective) ANOVA with repeated measures on the last factor was employed. The results revealed th

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Holbrook, Benjamin Scott. "Music and the Movement: Understanding Occupy Wall Street." Digital Commons @ Butler University, 2017. https://digitalcommons.butler.edu/grtheses/489.

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On September 17, 2011, protestors set up camp in Zuccotti Park in New York's financial district, initiating a 59-day social and political movement known as Occupy Wall Street. Writing about the protest, James C. McKinley Jr. of the New York Times declared that the movement "lacks a melody" compared with protest movements of the previous century. Despite the common perception that little music accompanied the movement, organizers released Occupy This Album: 99 Songs for the 99%, a collection of songs connected with, written for, or written about the Occupy Wall Street movement. This thesis inve

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Oesterle, Ulf. "Organizational influence on recorded music a look at the independents /." Related electronic resource:, 2007. http://proquest.umi.com/pqdweb?did=1354131191&sid=1&Fmt=2&clientId=3739&RQT=309&VName=PQD.

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Prasanna, Shreya. "The influence of music on movement speed in chronic pain." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=86955.

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Movement slowing among individuals with fibromyalgia (FM) adds to the burden of the condition. Music is known to influence movement speed in healthy individuals and it is plausible that it can be used to counteract slow movements in individuals with FM. Study objectives were to estimate a) whether walking to music of different tempi alters the gait speed in individuals with FM; b) whether music alters the mood, pain intensity, pain affect and perceived exertion in these individuals. A single subject research design was used. Eight women with FM walked under two different music conditions (fast

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Richardson, Joanne. "The piano quintet : influence of medium on genre." Thesis, City University London, 2014. http://openaccess.city.ac.uk/3163/.

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This study examines the historical development of the piano quintet from the eighteenth to the twenty-first century. This development is coloured by the fact that the ensemble combines two discrete constituents, solo piano and string quartet, each with its own separate heritage. The assessment of the genre thus involves consideration of the manner in which its composers, while applying their own compositional aesthetics, have, over these centuries, treated ensemble interaction and texture. In the twentieth century, in particular, the rise of concern with timbre affected attitudes towards integ

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Shagidullina, Adelya. "TATAR FOLK MUSIC AND ITS INFLUENCE ON THE FIRST NATIONAL BALLET." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/581968.

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Music Performance<br>D.M.A.<br>The purpose of this monograph is to introduce Tatar national music to the Western world by focusing on the influence of Tatar folklore on the first national ballet, quite possibly the most beloved and popular musical work of Tatars to this day. The monograph will include a brief discussion of the history of Tatars, as well as historical background of Tatar folk music and its importance to the development of concert music in Tatarstan. An analysis of characteristic elements of the folk music of Tatars and their influences on the music of the first Tatar national b

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Pascoe, Beverley. "The influence of primary school music programmes on student choice of music studies in lower secondary schools." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1995. https://ro.ecu.edu.au/theses/1174.

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The omnipresence of music in today's adolescent society in Australia is evidenced by the fact that adolescents, almost without exception, listen to and enjoy music throughout most of their leisure time, and indeed, much of their study time. A large portion of their financial resources is spent on music and its associated promotional material. It could be said that music plays a major part in their sub-culture and their lives. According to Davey (1991, p.ll), "Music is an addiction in our culture" and "the Walkman and ghetto blaster assure access wherever and whenever we choose." The obvious fu

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Lewis, Hammond Susan 1972. ""Chi soffre speri" and the influence of the Commedia dell'arte on the development of Roman opera." Thesis, The University of Arizona, 1995. http://hdl.handle.net/10150/278501.

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Chi soffre speri (1637, 1639) was twice produced by the Barberini family as part of the festivities surrounding the yearly Roman Carnival. The opera's music resulted from a collaboration between two composers, Virgilio Mazzocchi and Marco Marazzoli. The librettist for the opera was Giulio Rospigliosi, and Gianlorenzo Bernini designed sets for the 1639 Act II intermedio, La Fiera di Farfa. The extensive influence of the Commedia dell'arte, most evident in the use of masked characters, distinguishes Chi soffre speri from its operatic predecessors. The Commedia borrowings affected the musical and

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Helb, Colin. "Use and Influence of Amateur Musician Narratives In Film, 1981-2001." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1245445172.

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Fry, Mindy Lea Williams Lindsey R. "Music educators' opinions regarding vocal attrition and its influence on their teaching methods and effectiveness." Diss., UMK access, 2009.

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Thesis (M.M.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2009.<br>"A thesis in music education." Advisor: Lindsey R. Williams. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 25, 2009. Includes bibliographical references (leaves 80-86). Online version of the print edition.

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Rockwood, Mark. "Form, Style, and Influence in the Chamber Music of Antonin Dvořák." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22726.

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The last thirty years have seen a resurgence in the research of sonata form. One groundbreaking treatise in this renaissance is James Hepokoski and Warren Darcy’s 2006 monograph Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata. Hepokoski and Darcy devise a set of norms in order to characterize typical happenings in a late 18th-century sonata. Subsequently, many theorists have taken these norms (and their deformations) and extrapolate them to 19th-century sonata forms. My work aims to characterize Antonin Dvořák’s chamber music in the context of So

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Kumler, Kurt. "Being touched by music : a qualitative investigation of being transformed by listening /." Saarbrucken, Germany : VDM Verlag Dr. Muller, 2008. http://cdm256101.cdmhost.com/cdm-p256101coll31/document.php?CISOROOT=/p256101coll31&CISOPTR=63429&REC=1.

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Originally presented as author's thesis (Ph.D.)--Duquesne University, 2006.<br>Also available online. Thesis title: "Being touched by music: a phenomenological-hermeneutical approach to understanding transformational musical experience." Includes bibliographical references (p. 105-112) and index.

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Martin, Christopher. ""We feed off each other" embodiment, phenomenology and listener receptivity of Nirvana's In utero /." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1143406900.

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Caesar, Michael, and n/a. "The processes used by high school music instrumentalists when improvising music and the factors which influence those processes." University of Canberra. Education, 1999. http://erl.canberra.edu.au./public/adt-AUC20050214.143037.

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The purpose of this study was to build upon the growing body of knowledge relating to music improvisation by investigating the processes used by high school music instrumentalists when improvising music and the factors that influence those processes. Many factors contribute to music improvisation skill and they must all be taken into account when investigating the music improvisation processes of high school music students. The theoretical framework of this study was based on the complex interactions that take place simultaneously between three identified ensembles of factors. The three ensem

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McReynolds, Richard. "An exploration of the influence of technology upon the composer's process." Thesis, Cardiff University, 2019. http://orca.cf.ac.uk/119307/.

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This thesis focuses upon how the use of aleatoricism can be used in electro-acoustic music to increase the perceived connection between the electronic and acoustic forces in performance. It also considers how the tools that a composer uses to create their work can enforce an influence upon their own creative process. These issues stem from research conducted early in the project investigating mapping strategies applied to composition for physical gesture capture devices. The thesis progresses by exploring performer freedom for both electronic and acoustic performers which includes examination

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Parsoneault, Catherine Jean. "The Montpellier codex : royal influence and musical taste in late thirteenth-century Paris /." Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008416.

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Dossumova, Aisha. "THE INFLUENCE OF KAZAKH FOLKLORE ON THE DEVELOPMENT OF VIOLIN PERFORMANCE IN KAZAKHSTAN." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/381242.

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Music Performance<br>D.M.A.<br>The purpose of this monograph is to promote Kazakh violin repertoire by focusing on the influence of Kazakh folklore on the development of violin performance in Kazakhstan in the beginning of the twentieth century. The monograph will include a brief discussion of the history of Kazakhstan, a historical background of folk music and its importance to the development of violin performance in Kazakhstan, a discussion of Kazakh folk strings instruments in relation to violin performance in Kazakhstan, and discussion of selected violin works by Kazakh composers with str

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Fritz, Thomas. "Emotion investigated with music of variable valence : neurophysiology and cultural influence." Phd thesis, Universität Potsdam, 2008. http://opus.kobv.de/ubp/volltexte/2009/2911/.

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Music is a powerful and reliable means to stimulate the percept of both intense pleasantness and unpleasantness in the perceiver. However, everyone’s social experiences with music suggest that the same music piece may elicit a very different valence percept in different individuals. A comparison of music from different historical periods suggests that enculturation modulates the valence percept of intervals and harmonies, and thus possibly also of relatively basic feature extraction processes. Strikingly, it is still largely unknown how much the valence percept is dependent on physical propert

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Nuckols, David. "The Influence of Music on Preferred Intensity and Associated Physiological Responses." TopSCHOLAR®, 2003. http://digitalcommons.wku.edu/theses/558.

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Music is a part of everyday life and has an effect on people in many different ways. Music can be as individual as the person who listens to it, and thus there are many genres for many different tastes. Music has accompanied exercise and sport for quite some time. It has been shown to have varying psychophysical effects including decreasing ratings of perceived exertion (RPE) at a given sub-max intensity, enhancing arousal control, and affective states at high and medium intensities. Also the improved synchronization of sub-maximal exercise with music may result in increased work output. The p

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Wirths, Jeremy R. "The Influence of Renaissance Music in Ernst Krenek's Lamentatio Jeremiae Prophetae." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc68063/.

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Lamentatio Jeremiae Prophetae, Opus 68, composed by Ernst Krenek in 1941, is a musical work that is difficult to analyze and classify due to its fusion of contrasting musical styles. The pervasive dissonance of the work shows its modern twelve-tone organization, yet other aspects more closely resemble the sacred music of the early Renaissance. Analysis of Lamentatio solely in terms of the atonal twelve-tone system belies the work's full complexity and range of expression. While the twelve-tone system is the basis for the organization of the work, Krenek radically modifies the system to allow f

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Puspita, Amelia. "The Influence of Balinese Gamelan on the Music of Olivier Messiaen." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227193566.

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