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Journal articles on the topic 'Music influences'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

van der Lee, Pedro. "Sitars and bossas: World Music influences." Popular Music 17, no. 1 (1998): 45–70. http://dx.doi.org/10.1017/s0261143000000489.

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Popular music is sometimes discussed from a rather ethnocentric viewpoint, lacking awareness of, or not acknowledging, influences assimilated from non-Western musics, while in the field of ethnomusicology, issues such as the preservation of traditional styles (see Baumann 1992, pp. 11–15) remain important, but there is an increased interest in the processes of change and the effects of technology (see, for example, Wallis and Malm 1984). As Western and traditional styles interact, changes occur, and as Frith puts it: ‘popular music study rests on the assumption that there is no such thing as a

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2

Lai, Siqi. "Applying Data Mining in Music influences analysis." E3S Web of Conferences 253 (2021): 03074. http://dx.doi.org/10.1051/e3sconf/202125303074.

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Nowadays, music has become an indispensable part of our life. Studying the influence and evolution process of music will help to promote the progress of human civilization. The purpose of this paper is to understand and measure the impact of previously produced music on new music and music artists, and to develop a model for measuring the impact of music. Taking music genre as the main body, this paper constructs a directional network of music influence and a sub-network reflecting the relationship between "influencer and follower". In addition, this paper also defines the influence of music,

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Xi chun, Zhang, He Li, Wang Jing yi, and Liu Wei. "The Development Trend of Musicians’ Influence and Music Genres of Big Data." E3S Web of Conferences 253 (2021): 02085. http://dx.doi.org/10.1051/e3sconf/202125302085.

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This paper uses the data crawled from the AllMusic website to establish a directional network of followers and influences of music genre artists, analyzes the music influence influenced by genre. The Beatles had the greatest influence from 1950 to 2010, and promoted the development of Pop/Rock and Country music genres. In addition, it was found that “influencers” would actually influence the music created by followers. Based on the music feature data set of 91719 songs provided by Spotify’s API, drawing the correlation heat map and making the measurement of music similarity, it is found that t

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4

Reaks, Brian. "Music: Some Influences on Health." Journal of the Royal Society of Health 110, no. 5 (1990): 187–88. http://dx.doi.org/10.1177/146642409011000513.

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5

Nasrullah, Mochamad Ferdyan. "Music: entertainment media with millions of benefits for physical performance." Indonesian Journal of Social Sciences 12, no. 1 (2020): 12. http://dx.doi.org/10.20473/ijss.v12i1.21155.

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We cannot deny that besides having a function as an entertainment, music also has influences to its listeners. Music existence has been there and developed since thousands years ago, and in every development, Music can perform beautiful tones and meaningful messages for its listeners. Music can take the listeners to their world that will give significant influences in their lives. Music can influence the minds and brains; therefore, it can produce health by listening music. This research aims to find out the influence that we can get from listening to music, digging the information related to

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MILLER, LETA E. "Henry Cowell and John Cage: Intersections and Influences, 1933–1941." Journal of the American Musicological Society 59, no. 1 (2006): 47–112. http://dx.doi.org/10.1525/jams.2006.59.1.47.

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Abstract This article explores, through examination of correspondence and other primary sources, the close interaction between Henry Cowell and John Cage from 1933 to 1941 in the areas of percussion music, dance, world musics, the prepared piano, electronic sounds, micro-macrocosmic forms, sliding tones, and elastic composition. Several works are examined in detail, among them Cowell's Pulse (which anticipated Cage's micro-macrocosmic forms in the Constructions) and Cage's Imaginary Landscape No. 1 (whose electronic slides addressed Cowell's prediction that the “future of music” lay in the per

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Greb, Fabian, Wolff Schlotz, and Jochen Steffens. "Personal and situational influences on the functions of music listening." Psychology of Music 46, no. 6 (2017): 763–94. http://dx.doi.org/10.1177/0305735617724883.

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On the one hand, the majority of research on the functions of music listening focuses on individual differences; on the other hand, a growing amount of research investigates situational influences. However, the question of how much of our daily engagement with music is attributable to individual characteristics and how much it depends on the situation is still under-researched. To answer this question and to reveal the most important predictors of the two domains, participants ( n = 587) of an online study reported on questions regarding the situation, the music, and the functions of music lis

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Friedheim, Emmanuel. "Jewish Society in the Land of Israel and the Challenge of Music in the Roman Period." Review of Rabbinic Judaism 15, no. 1 (2012): 61–88. http://dx.doi.org/10.1163/157007012x622926.

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Abstract During the Second Temple period, music had an important role in Jewish society. Alongside it was Greek music, which at times made inroads into Jewish cultural life. However, the Jewish institutions of the time managed to filter out the religious and cultural influences of this foreign musical tradition. After the destruction of the Temple, by contrast, Hebrew sources point to pagan ritual music that had significant, damaging influence on Jewish society. The sages tried to counter this influence through sermons, but, surprisingly, not by absolute prohibition. The influences of pagan mu

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9

McPherson, Gary E., and William F. Thompson. "Assessing Music Performance: Issues and Influences." Research Studies in Music Education 10, no. 1 (1998): 12–24. http://dx.doi.org/10.1177/1321103x9801000102.

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Shaleha, Rinanda Rizky Amalia. "Do Re Mi: Psikologi, Musik, dan Budaya." Buletin Psikologi 27, no. 1 (2019): 43. http://dx.doi.org/10.22146/buletinpsikologi.37152.

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Music has been a part of everyday human life since ancient times. Music can influence how humans feel, think, and behave. Scientific evidence also shows that there is a neurobiological basis of music. The universality of music makes everyone able to sense the emotional content in music. However, music is a product of culture so it can not be separated from cultural bias. Music is considered as a determinant of social identity. Furthermore, music influences social preferences in society. Music with certain types is considered as a marker of the group so that there is a stereotype in assessing a

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11

Rickels, David A., Wesley D. Brewer, Kimberly H. Councill, et al. "Career Influences of Music Education Audition Candidates." Journal of Research in Music Education 61, no. 1 (2013): 115–34. http://dx.doi.org/10.1177/0022429412474896.

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In this descriptive study, we examined the influences and experiences motivating students to enter college-level music schools as reported by a population of precollegiate students auditioning (but not yet accepted) to music education degree programs. As a follow-up to a published pilot study, this research was designed to quantify the various experiences respondents had as part of their precollege school and community programs that related to teaching and music. Results indicate a strong connection between respondents’ primary musical background and future teaching interest. The top three inf

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12

McLEOD, KEN. "Bohemian rhapsodies: operatic influences on rock music." Popular Music 20, no. 2 (2001): 189–203. http://dx.doi.org/10.1017/s0261143001001404.

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Opera and operatic images have invaded nearly all aspects of popular culture. Films (even silent films), radio, television, literature and numerous other media have all, to one degree or another, appropriated either actual opera or operatic devices and conventions. One important realm of popular culture that has appeared relatively immune to operatic influence, however, is rock music. Though several studies have illustrated the impact of ‘classical’ instrumental music on heavy metal and pop music, no serious scholarship has as yet explored the considerable influence exerted by opera, and its c

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Killen, Roy. "Preservice music teachers: influences on lesson planning." British Journal of Music Education 13, no. 1 (1996): 31–47. http://dx.doi.org/10.1017/s026505170000293x.

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This article explores the influences on preservice teachers' planning decisions in a study conducted during Semester I, 1994 at an Australian University. A group of second year Bachelor of Education (Music) students and Diploma in Education (Music) students were placed in a local school under the supervision of their university specialist methods lecturer and were required to teach a specified lesson to a junior secondary class on three occasions. Before teaching these lessons, every preservice teacher was interviewed and asked to justify each of their planning decisions. Responses for the pla

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Kuebel, Christa R. "Preparedness of Instrumental Music Majors Teaching Elementary General Music." Journal of Research in Music Education 67, no. 3 (2019): 304–22. http://dx.doi.org/10.1177/0022429419850110.

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The purpose of this multiple-case study was to examine the career development, choices, and goals of elementary general music teachers who identified as instrumental majors during their undergraduate degree programs. Data collection included a questionnaire, interviews, participant journals, and observation field notes; data were organized using the theoretical framework of social cognitive career theory. Themes are presented in two categories: internal influences (self-efficacy and perceived differences between elementary music and instrumental music) and external influences (economy, undergr

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Hegarty, Paul. "Just what is it that makes today's noise music so different, so appealing?" Organised Sound 13, no. 1 (2008): 13–20. http://dx.doi.org/10.1017/s1355771808000034.

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AbstractThis article explores how ‘noise music’ uses its influences, how it refers to them, and what occurs formally, when using influence self-consciously and formally. Specifically, it takes two artists, Nurse With Wound and The New Blockaders, that emerged at the same time as ‘industrial music’, and through different strategies, incorporated visual art influences into their work, to the point where influence as question is raised. Referring to Harold Bloom, the article notes that influence is not linear, nor is it fixed. The article begins with some general considerations about what noise i

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Omoera, Osakue Stevenson, and Daniel Eromosele Omoruan. "The River Goddess and Melody-Makers in Nigeria: A Cultural View on Majek Fashek and Victor Uwaifo." Modern Africa: Politics, History and Society 7, no. 2 (2019): 31. http://dx.doi.org/10.26806/modafr.v7i2.239.

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The art of music-making is a mental/creative activity. However, spiritual influence cannot be ruled out in the process of constructing music. The mental activity is akin to the deployment of the intellect, while the spiritual influence could be as a result of a direct encounter or impartation by a spirit being through dream/vision as typified by two Nigerian performing artists, Majek Fashek and Victor Uwaifo, who are the foci of this study. Exploring the concept of esotericism with emphasis on music performance, this article contends that although music-making is a mental/creative activity, sp

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Zeyu, Liu, Yu Rui, and Zhang Chenggong. "Research on the Influence of Music." Studies in Social Science Research 2, no. 3 (2021): p61. http://dx.doi.org/10.22158/sssr.v2n3p61.

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As for question 1, based on the directed relationship between influencers and followers, we building a network of musicians based on influential relationships. A Music Influence Evaluation Model (MIEM) was also established, and the model formula is shown in the text. We then select the top 200 artists in the “music influence” ranking to build a subnet. The larger the subnet node, the more lines are extended. Indicating that the node represents the musician’s influence is large and extensive. From the graph, we can see that Bob Dylan is influential, but the breadth of influence is not enough; M

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Rickels, David A., Edward C. Hoffman, and William E. Fredrickson. "A Comparative Analysis of Influences on Choosing a Music Teaching Occupation." Journal of Research in Music Education 67, no. 3 (2019): 286–303. http://dx.doi.org/10.1177/0022429419849937.

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The purpose of this study was to compare motivations and influences of high school music students who express an interest in a career in music teaching and those who do not. A previous survey was adapted for the study and administered to a pre-college population that included musicians who stated a preference to pursue music teaching or other music careers and musicians who stated a preference for other nonmusic occupations. Items were analyzed using a discriminant analysis of principal components (DAPC) data reduction strategy, which used a principal components analysis as a first step to det

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Rickels, David A., Kimberly H. Councill, William E. Fredrickson, Michelle J. Hairston, Ann M. Porter, and Margaret Schmidt. "Influences on Career Choice Among Music Education Audition Candidates." Journal of Research in Music Education 57, no. 4 (2009): 292–307. http://dx.doi.org/10.1177/0022429409350779.

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The purpose of this pilot study was to survey prospective undergraduate music education majors to learn what motivated them to aspire to a career in music education. Respondents were candidates auditioning, but not yet accepted, for music teacher preparation programs at four institutions ( N = 228). Findings corroborate prior research that suggests that school music teachers and/or private lesson teachers are highly influential. This study sought to quantify the types of experiences participants had in teaching roles at the time of their college audition, supporting other research suggesting t

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20

Honing, Henkjan, and Olivia Ladinig. "Exposure influences expressive timing judgments in music." Journal of Experimental Psychology: Human Perception and Performance 35, no. 1 (2009): 281–88. http://dx.doi.org/10.1037/a0012732.

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21

Alpert, Judy I., and Mark I. Alpert. "Music influences on mood and purchase intentions." Psychology and Marketing 7, no. 2 (1990): 109–33. http://dx.doi.org/10.1002/mar.4220070204.

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22

van der Lee, Pedro. "Latin American influences in Swedish popular music." Popular Music and Society 21, no. 2 (1997): 17–45. http://dx.doi.org/10.1080/03007769708591666.

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23

Rossiter, Martine Louise. "Music – Bodies – Machines." Airea: Arts and Interdisciplinary Research, no. 2 (October 7, 2020): 5–22. http://dx.doi.org/10.2218/airea.5041.

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This article provides an overview of the Music – Bodies – Machines: Fritz Kahn and Acousmatic Music project and accompanying suite of music – Der Industriepalast. The project is inspired by the work of infographics pioneer Fritz Kahn (1888-1968) who developed works such as Der Mensch als Industriepalast. There is a body of work examining Kahn’s work (Sappol, 2017; Von Debschitz, 2017; Doudova, Jacobs, et al.) that has revealed Kahn’s intent of making the human anatomy accessible to the non-specialised reader through visual metaphors; unlike the descriptive anatomical illustrations of the eight

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Steffens, Jochen. "The influence of film music on moral judgments of movie scenes and felt emotions." Psychology of Music 48, no. 1 (2018): 3–17. http://dx.doi.org/10.1177/0305735618779443.

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Music can modulate perceptions, actions, and judgments in everyday situations. The aim of this study was to investigate a potential influence of music on moral judgments in the context of film reception. In the course of an online experiment, 252 participants were assigned to three different experimental conditions (no, positive, or negative music). Participants were requested to assess actions shown in two 2–3-minute audio-visual film excerpts with regard to their perceived moral rightness and to report induced emotions after watching the film clips. Afterwards, they were asked to complete th

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Koehler, Katelyn, and Mary C. Broughton. "The effect of social feedback and social context on subjective affective responses to music." Musicae Scientiae 21, no. 4 (2016): 479–98. http://dx.doi.org/10.1177/1029864916670700.

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Previous research suggests that music listening influences individual affective responses. However, there is scant research examining how social factors might interact to influence subjective affective responses to music. This study investigates the effects of social feedback and social context on subjective affective responses to music. In a between-subjects experiment, participants (N = 120) listened to unfamiliar music from various genres either alone or with another participant. For each musical example, participants received positive and negative social feedback, derived from a pilot stud

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Robertson, Craig. "Music, Selves and Societies: Respondent Paper." Music & Science 4 (January 1, 2021): 205920432110189. http://dx.doi.org/10.1177/20592043211018912.

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Researchers working within the field of music and society often comment that they wish to use their research for the betterment of society and individuals, wherever possible. In many cases, this process of betterment requires some sort of behavioral change—whether this is changing poor habits to promote healthy living and thinking or changing destructive behavior in order to lead more productive and connected lives. It can increasingly be seen in the world today that social behavior has a complex array of influences and motivations and rarely is empirical evidence one of them. No amount of tho

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Dobrota, Snježana, and Ina Reić Ercegovac. "Music preferences with regard to music education, informal influences and familiarity of music amongst young people in Croatia." British Journal of Music Education 34, no. 1 (2016): 41–55. http://dx.doi.org/10.1017/s0265051716000358.

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The aim of this research was to investigate the relationship between music preference and music education, informal influences (attending classical music concerts and musical theatre productions) and familiarity of music. The research included students of the Faculty of Humanities and Social Sciences, University of Split (N=341)1. The results showed that participants usually listen to popular music in their leisure time and that popular music is their most preferred music style. A positive relationship between familiarity and preferences was found but this effect was not unambiguous. A relatio

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Karácsony, Noémi, and Mădălina Dana Rucsanda. "Influences of Classical Indian Music in Albert Roussel’s Evocations." Studia Universitatis Babeş-Bolyai Musica 66, no. 1 (2021): 125–41. http://dx.doi.org/10.24193/subbmusica.2021.1.09.

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"An important figure of early 20th century music, the French composer Albert Roussel was deeply influenced by his encounter with India, which led to the composition of several orientalist works. The present paper aims to disclose the influences of classical Indian music in the orchestral work Evocations. Despite the Impressionist sound of the musical discourse, a careful analysis reveals the incorporation of several scalar structures in which Hindu rāgas can be recognized. Roussel goes beyond the musical representation of India: his goal is not the creation of a musical work with powerful orie

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Farhat, Hormoz. "Western Musical Influences in Persia." Musicological Annual 27, no. 1 (1991): 87–96. http://dx.doi.org/10.4312/mz.27.1.87-96.

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Spence, Charles, Felipe Reinoso-Carvalho, Carlos Velasco, and Qian Janice Wang. "Extrinsic Auditory Contributions to Food Perception & Consumer Behaviour: an Interdisciplinary Review." Multisensory Research 32, no. 4-5 (2019): 275–318. http://dx.doi.org/10.1163/22134808-20191403.

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Abstract Food product-extrinsic sounds (i.e., those auditory stimuli that are not linked directly to a food or beverage product, or its packaging) have been shown to exert a significant influence over various aspects of food perception and consumer behaviour, often operating outside of conscious awareness. In this review, we summarise the latest evidence concerning the various ways in which what we hear can influence what we taste. According to one line of empirical research, background noise interferes with tasting, due to attentional distraction. A separate body of marketing-relevant researc

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Manning, Peter. "The Influence of Recording Technologies on the Early Development of Electroacoustic Music." Leonardo Music Journal 13 (December 2003): 5–10. http://dx.doi.org/10.1162/096112104322750719.

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From the earliest experiments with the manipulation of 78-rpm disks during the 1920s, the technology of recording has played a major role in the evolution of electroacoustic music. This has extended not only to the recording and reproduction of materials but also to key components of the compositional process itself. Although such influences have become less prominent with the advent of digital technology, their impact during the formative years of electroacoustic music was significant and far-reaching. This article examines some key aspects of the pioneering era of creative development throug

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Brown, Rachel M., and Caroline Palmer. "Auditory–motor learning influences auditory memory for music." Memory & Cognition 40, no. 4 (2012): 567–78. http://dx.doi.org/10.3758/s13421-011-0177-x.

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Van den Stock, Jan, Isabelle Peretz, Julie Grèzes, and Beatrice de Gelder. "Instrumental Music Influences Recognition of Emotional Body Language." Brain Topography 21, no. 3-4 (2009): 216–20. http://dx.doi.org/10.1007/s10548-009-0099-0.

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MORI, Kazuma, and Makoto IWANAGA. "Resting heart rate variability influences music-induced chills." Proceedings of the Annual Convention of the Japanese Psychological Association 77 (September 19, 2013): 3PM—114–3PM—114. http://dx.doi.org/10.4992/pacjpa.77.0_3pm-114.

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Merrill, Julia, Diana Omigie, and Melanie Wald-Fuhrmann. "Locus of emotion influences psychophysiological reactions to music." PLOS ONE 15, no. 8 (2020): e0237641. http://dx.doi.org/10.1371/journal.pone.0237641.

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Giles, Martha Mead. "Influences of Emotion and Rhythm in Processing Music." Update: Applications of Research in Music Education 13, no. 1 (1994): 29–32. http://dx.doi.org/10.1177/875512339401300106.

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Eriksson, Helene, László Harmat, Töres Theorell, and Fredrik Ullén. "Similar but different: Interviewing monozygotic twins discordant for musical practice." Musicae Scientiae 21, no. 3 (2016): 250–66. http://dx.doi.org/10.1177/1029864916649791.

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Musical engagement is influenced by both environmental and genetic factors. Here, we explored non-genetic influences on musical engagement by performing semi-structured interviews of 10 Swedish monozygotic twin pairs that were highly discordant for piano practicing. The interviews were organized into five sections – (i) perceived reasons for the discordance; (ii) childhood differences in specific music related variables; (iii) strong memories of music; (iv) the perceived meaning of music in life and for health; and (v) language interests – and analyzed using response categorization. The playin

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McPherson, Gary E., Michael Bailey, and Kenneth E. Sinclair. "Path Analysis of a Theoretical Model to Describe the Relationship among Five Types of Musical Performance." Journal of Research in Music Education 45, no. 1 (1997): 103–29. http://dx.doi.org/10.2307/3345469.

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Path analysis was used to test a model designed to encapsulate the flow of influences theorized to exist between five types of musical performance and four factors derived from a researcher-administered questionnaire. Results, using a sample of 101 high school wind instrumentalists, reveal major differences in the pattern of influences leading to the re-creative skill of performing a repertoire of rehearsed music for a formal music examination, compared to the creative ability of improvising. Performing a repertoire of rehearsed music was found to be influenced most by an ability to sight-read

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Russo, Frank A., Dominique T. Vuvan, and William Forde Thompson. "Vowel Content Influences Relative Pitch Perception in Vocal Melodies." Music Perception 37, no. 1 (2019): 57–65. http://dx.doi.org/10.1525/mp.2019.37.1.57.

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Note-to-note changes in brightness are able to influence the perception of interval size. Changes that are congruent with pitch tend to expand interval size, whereas changes that are incongruent tend to contract. In the case of singing, brightness of notes can vary as a function of vowel content. In the present study, we investigated whether note-to-note changes in brightness arising from vowel content influence perception of relative pitch. In Experiment 1, three-note sequences were synthesized so that they varied with regard to the brightness of vowels from note to note. As expected, brightn

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Medňanský, Karol. "1. Period Influence on the Work of Johann Sebastian Bach." Review of Artistic Education 19, no. 1 (2020): 1–9. http://dx.doi.org/10.2478/rae-2020-0001.

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AbstractThe work of Johann Sebastian Bach (1685 - 1750), significantly influences the work of the contemporary composers even almost 270 years after his death. It is undoubtedly caused also by the fact that by his work Bach impersonates contemporary musical tradition. There are the three most significant areas in his work – the influence of family tradition on his work, which we can observe throughout the Thuringia, where they have had a significant musical position for 200 years in all the areas of music – secular, urban, spiritual and ecclesiastical. The tradition of German music is not less

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Melita, Milin. "A composer’s inner biography a sketch for the study of influences in Ljubica Maric’s oeuvre." Muzikologija, no. 4 (2004): 61–82. http://dx.doi.org/10.2298/muz0404061m.

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Attempting to investigate works of music through frank examination of possible influences is a delicate thing, sometimes maybe dangerous - as has been suggested by Jonathan Cross in his book, The Stravinsky Legacy. While the originality of a composer may appear to be threatened with such types of critique, for musicologists it is important to draw upon a deeper appreciation for how a composer searched for his/her own creative voice. The music of Ljubica Maric (1909-2003), one of the most important Serbian composers of the 20th century, has been chosen to demonstrate how composers need differen

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Minas, Adamantios Dionysios. "The Suppression of the Music of Ionian Islands by the Modern Greek State: Culture that did not Fit the Political Agenda." Public Voices 9, no. 1 (2017): 125. http://dx.doi.org/10.22140/pv.207.

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Music plays an important role in social integration, often providing the vehicle for how one culture reinterprets itself in another. However, as in the case of the Ionian Islands, a peoples’ ability to incorporate outside influences and produce local culture may find itself at odds with the more nationalistic purposes of the state. The Ionian Islands came to be part of the Greek state without enduring the yoke of occupation by the Ottoman Empire or suffering in the wars that preceded the Greek free state. Therefore, the Ionian culture, in particular its popular music, has been made obscure by

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Pamungkas, Andreas Sigit. "PENGARUH MUSIK KLASIK DAN PREFERENSI PRIBADI TERHADAP TEST ANXIETY DAN HASIL TES MEMBACA KOMPREHENSIF SISWA [THE EFFECT OF CLASSICAL MUSIC AND PERSONAL MUSIC PREFERENCE ON TEST ANXIETY AND READING COMPREHENSION TEST RESULTS]." Jurnal Teropong Pendidikan 1, no. 2 (2021): 86. http://dx.doi.org/10.19166/jtp.v1i2.3458.

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<p class="1eAbstract-text">Music is part of human life. Studies show that music influences psychological, cognitive, behavior, and emotion sides of human being. Research shows that music also influences students’ performance on reading comprehension test and test anxiety level. The purpose of this study is to investigate the effect of classical and personal preference music on students’ reading comprehension test performance and test anxiety level at grade XII SMAK 4 PENABUR Jakarta. The experiment design of this study is Pretest Posttest Non-Randomly Assigned Design. The students in exp

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Sykes, Jim. "Towards a Malayan Indian sonic geography: Sound and social relations in colonial Singapore." Journal of Southeast Asian Studies 46, no. 3 (2015): 485–513. http://dx.doi.org/10.1017/s0022463415000351.

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From the mid-1920s, Indian music scenes developed in Singapore that were not just about the construction of regional and religious forms of Indian diasporic belonging. Drawing upon European, Chinese and Malay influences (musical and otherwise), and performing in contexts that were uncommon in India, Singaporean Indian musicians contributed to non-Indian musics, while incorporating non-Indian influences into Indian genres. Such musical–communal interactions functioned in colonial Singapore to locate the island as a hub for the constitution of a ‘Malayan Indian sonic geography’. By encouraging l

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Tyrrell, John. "From Rubinstein to Rebikov: influences of Russian composers on Janáček." Musicological Annual 51, no. 2 (2015): 99–118. http://dx.doi.org/10.4312/mz.51.2.99-118.

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The article examines Leoš Janáček’s knowledge of the music of four Russian composers (Rubinstein, Tchaikovsky, Musorgsky and Rebikov) may have influenced him and assesses the basis and extent of any discernible influence.

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GRAHAM, STEPHEN. "From Microphone to the Wire: Cultural change in 1970s and 1980s music writing." Twentieth-Century Music 16, no. 3 (2019): 531–55. http://dx.doi.org/10.1017/s1478572218000336.

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AbstractIn this article I examine localized cultural change that nevertheless serves as an applied instance of broader change. Focusing mostly on British, white male musicians and music writers active in the improvised and experimental music scenes of the UK (and, to a lesser extent, United States and Europe) across the 1970s and early 1980s, I identify clear shifts in taste, attitude, and practice. These shifts arc across what Ben Piekut calls the ‘mixed avant-garde’ of the 1960s to what I describe as the ‘unpop avant-garde’ of the late 1970s and 1980s, in which influences from popular and no

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Ladič, Branko. "Transformations of folklorism in 20th-century Slovak composition." Studia Musicologica 56, no. 4 (2015): 367–95. http://dx.doi.org/10.1556/6.2015.56.4.6.

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Folkloristic musical works played an essential role in the creation of a ‘Slovak idiom’ in classical music of the post-war period. From the simple arrangement of folk songs to a more autonomous art music (which may have been only partly influenced by folk traditions) there existed a broad spectrum of musical practices, including also film music and music for the professional ‘folk music ensembles’ that appeared after 1948. By referring to specific examples from this large body of music, I will show how composers worked with harmonic and poetic elements that were particular to folk music: my di

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Grady, Melissa L. "“Who Are These People and Why Are They Saying These Things?”: George Heller and the Growth of Historical Research in Music Education." Journal of Historical Research in Music Education 42, no. 1 (2019): 6–28. http://dx.doi.org/10.1177/1536600619876112.

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This historical investigation explores the life of George N. Heller (1941–2004) and his influence on historical research in music education and music therapy. By means of primary source materials, including preserved presentation resources and outlines, publications, and interviews, this historical investigation explores Heller’s life and career and the influences that informed his work. This study argues that at a time when quantitative methods dominated music research journals, George Heller’s efforts coincided with the progress and acceptance of historical research in music education and mu

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Kerékfy, Márton. "‘A “new music” from nothing’: György Ligeti’s Musica ricercata." Studia Musicologica 49, no. 3-4 (2008): 203–30. http://dx.doi.org/10.1556/smus.49.2008.3-4.1.

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The beginning of the 1950s marks a turning-point in György Ligeti’s early career. By that time Ligeti had become disappointed regarding his rather marginal position in Hungarian musical life, and he might well have felt some dissatisfaction with his own artistic output, as well. He recognized that he should leave his former style and build up his own expressive means and musical language from elementary material. For this purpose, he set himself certain compositional tasks, and imposed restrictions on pitch content, intervals, and rhythms ‘as if to build up a “new music” from nothing’. Accordi

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Vrhunc, Larisa. "The Influences of Spectral Music on Slovenian Compositional Creativity in the Last Few Decades." Musicological Annual 54, no. 1 (2018): 191–94. http://dx.doi.org/10.4312/mz.54.1.191-194.

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Doctoral thesis The Influences of Spectral Music on Slovenian Compositional Creativity in the Last Few Decades seeks to provide answers to two sets of questions. The first set examines the definition of spectral music and its role in European history of music, while the second aims to prove the traces of spectral thinking in Slovenian music.

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