Log in

Relevant bibliographies by topics / Music, Japanese / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Music, Japanese.

Dissertations / Theses on the topic 'Music, Japanese'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Music, Japanese.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Ishii, Hiromi. "Composing electroacoustic music relating to traditional Japanese music." Thesis, City University London, 2006. http://openaccess.city.ac.uk/8488/.

Full text

Abstract:

Throughout the history of Japanese contemporary music composers have been exploring ways to merge Western-style art music and their original, traditional Japanese music. Although in the past compositions which applied expressions of traditional Japanese music to Western-style music were partly successful, ensembles of Western and Japanese instruments often resulted in a serious mismatch. The starting point of this paper is this experience of Japanese contemporary music. It insists that, while the cause is composers' ignorance of the difference in musical parameters between the two musics, thos

APA, Harvard, Vancouver, ISO, and other styles

2

Zuniga, Novoa Gabriel. "Acquiring Japanese Vocabulary Through Music." Thesis, Stockholms universitet, Institutionen för Asien-, Mellanöstern- och Turkietstudier, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-175685.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Castro, Rodriguez Sabela. "MAKI ISHII : DISCOVERING JAPANESE MUSIC THROUGH THE NATURE OF THREE PERCUSSION COMPOSITIONS." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2559.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Strothers, Sarah Renata. "Shakuhachi in the United States: Transcending Boundaries and Dichotomies." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1276940591.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Rivel, Charley. "Wagakki and Japanese Popular Music: The Perception of Music and Cultural Identity." Thesis, Stockholms universitet, Institutionen för Asien-, Mellanöstern- och Turkietstudier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-193443.

Full text

Abstract:

This study focuses on the connection between cultural identity and Japanese popular music. It contains conducted interviews and semantic analyses on musicians who use Japanese traditional instruments and Western instruments in their repertoire. It uses performativity theory as theoretical framework. The analyses are divided in to the three levels of Sauter’s phenomenological path: the symbolic level, the sensory level and the artistic level. It concludes how musicians in Japan perceive their own musical identity, and gives insights on the role of cultural identity in Japanese music. The poten

APA, Harvard, Vancouver, ISO, and other styles

6

Titus, Stephanie. "Japanese Contemporary Piano Music: Cultural Influence and Identity." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1604259509513433.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

HARA, KUNIO. "PUCCINI'S USE OF JAPANESE MELODIES IN MADAMA BUTTERFLY." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1060955367.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Murakami, Kazuo. "Japanese piano sonatas: a discussion and performance guide." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/2748.

Full text

Abstract:

Japan has been influenced by Western culture since the end of the nineteenth century when the country opened its doors to the outside world. In 1873, the Japanese government adopted a policy of thorough and rapid modernization and westernization, including its music. Japanese composers of westernized music became active around 1900, and often worked in three idioms: 1) a Western-style composition, which was influenced by German and French music, 2) a Japanese-style, which blended traditional elements such as the pentatonic major and minor scales from Japanese music with the compositional const

APA, Harvard, Vancouver, ISO, and other styles

9

Cooke, Mervyn John. "Oriental influences in the music of Benjamin Britten." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328445.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Kato, Yuri. "The role of music in the politics and performing arts as evidenced in a crucial musical treatise of the Japanese medieval period, the Kyōkunshō 教訓抄". Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31011.

Full text

Abstract:

Gagaku, ancient Japanese court music and dance, known today as a traditional performing art, has over a thousand years of history since its introduction from the East Asian mainland. Despite the fact that the study of Japanese musicology, history and classical literature has attracted scholarly attention for many years, much fundamental research in the historical records and documents still remains to be done. In fact, the most important primary source used in this study, the Kyōkunshō, composed in 1233 by Koma no Chikazane (1177–1242) is known as the oldest Japanese synthetic treatise on mu

APA, Harvard, Vancouver, ISO, and other styles

11

Hebert, David Gabriel. "Music competition, cooperation and community : an ethnography of a Japanese school band /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11402.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Burt, Peter. "The music of Toru Takemitsu : influences, confluences and status." Thesis, Durham University, 1998. http://etheses.dur.ac.uk/984/.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Igarashi, Yoko. "Japanese Poetry in Western Art Song." Thesis, Boston University, 2012. https://hdl.handle.net/2144/12426.

Full text

Abstract:

Thesis (D.M.A.)--Boston University<br>Western art songs written on Japanese poems, Tanka, appeared in the early twentieth century as a late manifestation of Japonisme, the Japanese influence on Western art and music. The songs discussed in this dissertation include Japanisches Regenlied (1909) by Joseph Marx, Three Japanese Lyrics (1912-13) by Igor Stravinsky, Petits Poi!mes Japonais (1919) by Francesco Santoliquido, and Romances on Texts by Japanese Poets (1928-32) by Dmitri Shostakovich. Japonisme emerged as a significant movement in late-nineteenth-century Western art when Japanese artwork

APA, Harvard, Vancouver, ISO, and other styles

14

Takano, Keiko. "Theatrical work using Japanese text : portfolio of compositions and commentary." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/6949/.

Full text

Abstract:

My main research was to write a theatrical work combining Japanese text with music that is to be performed as ‘shadow play' theatre. This was my first attempt to create such a large-scale work, writing both the music and the text. There have been discoveries during the process of working on this large project. Most significant was my awareness of what makes my creation more ‘individual' or ‘original' as a composer. Personal experiences and background are basically reflected on determinations of what is to be written next and how to process materials. In my case, these determinations often come

APA, Harvard, Vancouver, ISO, and other styles

15

Rowe, Charles Edward. "The role of music in Omoto, a Japanese new religion." Thesis, SOAS, University of London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312918.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Giolai, Andrea <1986&gt. "Decentering gagaku: exploring the multiplicity of contemporary Japanese court music." Doctoral thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/13459.

Full text

Abstract:

Il gagaku occupa una posizione apparentemente paradossale in un mondo dominato dal polso sempre più accelerato della musica commerciale. Troppo spesso ridotta ai suoi controversi rapporti con lo Shinto e con la famiglia imperiale, quest’antica arte performativa è al centro di una recente “esplosione silenziosa”: al di là della sua semplicistica equiparazione alla ‘musica di corte giapponese’ esiste infatti un’intera rete di praticanti appassionati, accesi dibattiti accademici e inattese connessioni con pressanti questioni politiche e ambientali. Questa tesi rintraccia la genealogia del gagaku

APA, Harvard, Vancouver, ISO, and other styles

17

Howell, Matthew Clayton. "A Conductor's Introduction to the Performance of Modern Japanese Choral Music." Diss., The University of Arizona, 2008. http://hdl.handle.net/10150/196096.

Full text

Abstract:

Currently in Japan there are 5,202 choirs registered as part of the Japan Choral Association. The majority of these choirs are amateur or professional choirs. This situation contrasts with that in the United States where colleges and universities are the primary entities perpetuating the advancement of the choral art. Most likely because of this, there is little if any academic investigation of modern Japanese choral music. Even in Japan, there is not a substantial body of academic study of this literature. As a result, this repertoire is seldom, if ever, performed outside of Japan.Numerou

APA, Harvard, Vancouver, ISO, and other styles

18

真梨, 永冨, and Mari Nagatomi. "Tokyo rodeo : transnational country music and the crisis of Japanese masculinities." Thesis, https://doors.doshisha.ac.jp/opac/opac_link/bibid/BB13100462/?lang=0, 2019. https://doors.doshisha.ac.jp/opac/opac_link/bibid/BB13100462/?lang=0.

Full text

Abstract:

本論文は、日本人男性とカントリー音楽を事例とした、日本人のアメリカ文化との遭遇に関する研究である。本論文では、なぜ日本人男性がアメリカのカントリー音楽とそのシンボルであるカウボーイを消費したかについて考察する。日本人男性は、これらの「典型的」とも言われるアメリカのシンボルを通して、日本の国家建設や、方向性に必要不可欠な、日本人男性性について議論していたと主張する。<br>This dissertation is a case study about the Japanese encounter with American culture by dealing with Japanese men and American country music. I investigate why Japanese men consumed American country music and cowboy images that served as the music's main symbol. Those Japanese men's encounter with American country music shows us that Japanese men received this music from the US in multifaceted ways, rather tha

APA, Harvard, Vancouver, ISO, and other styles

19

Pope, Edgar W. "Songs of the empire : continental Asia in Japanese wartime popular music /." Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/11322.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Kim, Jeong-Ha. "Korean Primary School Music Education during Japanese Colonial Rule (1910-1945)." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/367474.

Full text

Abstract:

After 500 years of stability in Korea under the Joseon Dynasty (1392–1910), the Japanese colonial occupation (1910–1945) brought about major changes to Korean society and resulted in a significant decline in Korean culture including music. Some Japanese apologists claim that through colonisation the colonised territories would have received developmental aid and economic benefits. This instantly raises some important questions in regard to music education in Korea. If the claim of colonial development were true, Korean primary music education could also have benefited from Japanese colonisatio

APA, Harvard, Vancouver, ISO, and other styles

21

Mireault, Julie. "No slaughter without laughter?: music and genres in Japanese popular media." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=119649.

Full text

Abstract:

In an increasingly connected world, fans of Japanese popular culture take full advantage of a system that already emphasizes links between works and media. In order to reflect this highly intertwined field, the present thesis compares two works from the same franchise, Higurashi no Naku Koro ni, a story mixing school-life drama with mystery and horror. The first chapter deals with the earliest instalment of Higurashi, a video game belonging to the visual novel genre. As visual novels are still not very common outside Japan, the chapter introduces their characteristics, as well as Higurashi's s

APA, Harvard, Vancouver, ISO, and other styles

22

Koike, Yuko. "Communicative competence through music in EFL for Japanese middle school students." CSUSB ScholarWorks, 1999. https://scholarworks.lib.csusb.edu/etd-project/2564.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Tung, Yu-Ting. "Nodame Cantabile: A Japanese Television Drama and its Promotion of Western Art Music in Asia." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1229915111.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Lee, Chung H. (Chung Haing). "Japanese Elements in the Piano Works of Toru Takemitsu." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332793/.

Full text

Abstract:

Toru Takemitsu's piano works reveal a new scope to the concept of sound in modern piano literature. He achieves originality through his imagination and his Japanese cultural and musical heritage. Subtle Japanese elements, which have been embedded for centuries in Japan's culture and music, lend a unique, but not outwardly Japanese, feeling to this work.

APA, Harvard, Vancouver, ISO, and other styles

25

Potts, Adam Simon. "From active to passive noise : rethinking the radicalism of Japanese noise music." Thesis, University of Newcastle upon Tyne, 2014. http://hdl.handle.net/10443/2720.

Full text

Abstract:

In recent years noise has gained theoretical momentum as a concept used to consider the complexity of difference in both culture and art. Despite a great degree of variance between its authors, there is nevertheless a common insistence within noise theory that noise must be thought negatively. Particularly in accounts of Japanese noise music, noise is construed as oppositional to musicality and meaning traditionally understood. This thesis aims to reassess this claim with the argument that the true alterity of Japanese noise music cannot be reduced or essentialised to the categories of negativ

APA, Harvard, Vancouver, ISO, and other styles

26

Arisawa, Shino. "Changes in the transmission of 'traditional' music: the case of Japanese jiuta-sokyoku." Thesis, SOAS, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.502687.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Desjardins, Kelly. "Fence, Flavor, and Phantasm: Balancing Japanese Musical Elements and Western Influence within an Historical and Cultural Context." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157602/.

Full text

Abstract:

Given the diversity found in today's Japanese culture and the size of the country's population, it is easy to see why the understanding of Japanese wind band repertoire must be multi-faceted. Alongside Western elements, many Japanese composers have intentionally sought to maintain their cultural identity through the addition of Japanese musical elements or concepts. These added elements provide a historical and cultural context from which to frame a composition or, in some cases, a composer's compositional output. The employment of these elements serve as a means to categorize the Japanese win

APA, Harvard, Vancouver, ISO, and other styles

28

Even, Noa. "Examining François Rossé's Japanese-Influenced Chamber Music with Saxophone: Hybridity, Orality, and Primitivism as a Conceptual Framework." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1415549555.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Snyder, Lydia L. "Voicing Mother Nature: Ecomusicological Perspectives on Gender and Philosophy in Japanese Shakuhachi Practice." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1556496056536201.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Byun, Eun-Jung. "Music and Oppression: Korean art song based on poetry from the Japanese Occupation Period (1910-1945)." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/27991.

Full text

Abstract:

The first Korean art song was composed in 1922 during the period of Korean history that has now come to be known as the Japanese Occupation Period (1910-1945). This project focuses on art songs which were based on poetry written during the Japanese Occupation Period, and on the compositions of various Korean composers who integrated both western music and Korean poetry into a European-established genre that has existed for hundreds of years. Three poets: Jeong Ji-Yong (1902-1950?), Kim Sowol (1902-1934) and Yun Dong-Ju (1917-1945) who were all active during this period have been selected.

APA, Harvard, Vancouver, ISO, and other styles

31

Newland, Paul. "New approaches to composition drawing on aspects of traditional Japanese music, aesthetics and culture." Thesis, Royal Holloway, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428322.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Koizumi, Kyoko. "Popular music in Japanese school and leisure sites : learning space, musical practice and gender." Thesis, University College London (University of London), 2003. http://discovery.ucl.ac.uk/10007410/.

Full text

Abstract:

Most studies of the relationship between popular music and youth have concentrated on the leisure site. Few have considered the school, and even fewer have made any comparison between these two sites. In this study I have bridged this gap, focusing on areas that impinge within and across both sites. My ethnographic study, conducted in 1998 and 2000 in Japan, examined how high school pupils aged 15-18 approach popular music in both school and leisure sites in relation to (a) formal, semi-formal and informal spaces concerning learning practices. Whereas the formal space is dominated by supervise

APA, Harvard, Vancouver, ISO, and other styles

33

Miyamoto, Kiyoshi 1956. "Japanese high school students' motivation in band as it relates to the gender of the band directors and the student." Diss., The University of Arizona, 1997. http://hdl.handle.net/10150/284363.

Full text

Abstract:

The purpose of this study was to examine Japanese high school students' motivation in band as it relates to the gender of the band director and the student. A total of 790 band students from 20 Japanese high schools (10 male and 10 female band directors) completed a modified version of the Academic Motivation Scale (AMS). The scale is based on Deci and Ryan's self-determination theory and was modified from the original so it could be used with Japanese music students. It consists of 28 items describing why students play in a band. The students indicated a level of agreement for each reason acc

APA, Harvard, Vancouver, ISO, and other styles

34

Gregory, Mathew. "Towards a universal language : evaluating autonomy, identity, and the metropolis in the legacy of Japanese experimental music." Thesis, Liverpool John Moores University, 2006. http://researchonline.ljmu.ac.uk/5838/.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Linder, Gunnar Jinmei. "Deconstructing Tradition in Japanese Music : A Study of Shakuhachi, Historical Authenticity and Transmission of Tradition." Doctoral thesis, Stockholms universitet, Institutionen för orientaliska språk, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-72052.

Full text

Abstract:

In the present study I examine the vertical bamboo flute shakuhachi, as an example of how a tradition can be constructed. There are two main issues: the historical authenticity of the believed origins and development of the shakuhachi tradition, and how the transmission of this tradition is conducted. The first main issue is concerned with how a legendary origin, probably constructed in the late seventeenth century, was disproved in early twentieth-century studies. According to this legendary origin, the shakuhachi was connected to Chan (Zen) Buddhism in ninth-century China. It was replaced by

APA, Harvard, Vancouver, ISO, and other styles

36

Mascarenhas, Domingos Catalim Telles da Gama de. "Music, politics and the Japanese challenge : two case studies in the politics of musical production." Thesis, University of Leeds, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.403055.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Kowalczyk, Beata Maria. ""Transnational" art world : career patterns of japanese musicians in the European world of classical music." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01E003.

Full text

Abstract:

Toujours plus visibles sur les scènes occidentales de la musique classique, les musicien-ne-s japonais-e-s évoluant en Europe constituent un phénomène social intéressant. Adoptant deux perspectives complémentaires - celle des «mondes de l’art» et des trajectoires d’artistes d’un côté, et celle des mobilités et des migrations de travailleurs d’un autre -, cette thèse vise à examiner la construction des carrières artistiques des musicien-ne-s japonais en Europe étudiées comme des trajectoires «transnationales» de professionnel-le-s qualifié-e-s. Comment se fait-il que des personnes socialisées d

APA, Harvard, Vancouver, ISO, and other styles

38

Kishimoto, Masashi. "Tracing the Development of Japanese Choral Tradition, and the Influence of Buddhism and Western Music." Diss., North Dakota State University, 2012. https://hdl.handle.net/10365/26861.

Full text

Abstract:

This research deals with the origin and development of Japanese choral music emphasizing Japanese folk tunes. The process of how modern styles of Japanese choral music evolved is rather complicated, and has been greatly influenced by the paralleled development of society, tradition, culture, language, politics, and religion. In order to truly understand the essence and evolution of traditional Japanese music, it is crucial to recognize the cultural influences that make up Japanese history. In the late fifth century, Japan started to absorb new music from mainland Asia into its own culture. Thi

APA, Harvard, Vancouver, ISO, and other styles

39

Day, Kikutsubo Galathea Mikhailovna Mizuno. "Remberance of things past : creating a contemporary repertoire for the archaic jinashi shakuhachi." Thesis, SOAS, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550791.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Cox, Katherine L. "A biography and interpretation of Louis Moyse's Introduction, Theme, and Variations; Variations on Three Japanese Folk Songs; and "Hommage a Krishna"." Thesis, California State University, Long Beach, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1524187.

Full text

Abstract:

<p> This project report gives a biography of Louis Moyse's history as well as an interpretation on three of his compositions with Japanese influence: <i> Introduction, Theme, and Variations, Variations on Three Japanese Folk Songs, and Hommage a Krishan.</i> An informed performance of these works can be achieved by studying Louis' influences, compositional style, and a history of his childhood and background. These three pieces all have characteristics of "folk like" melodies along with elements of Japanese influence. This influence came from his travels throughout Japan with his father and wi

APA, Harvard, Vancouver, ISO, and other styles

41

Kobayashi, Mayumi. "The Impact of a Single Music Therapy Session on Group Socialization and Traumatic Symptom Reduction for Japanese Adult Evacuees from the Great East Japan Earthquake." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1493909870113632.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

FOWLER, MICHAEL D. "TOSHI ICHIYANAGI'S PIANO MEDIA: FINDING PARALLELISMS TO PATTERNS IN JAPANESE CULTURE." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1113278564.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Danielsen, Dane Holger. "A graduate recital in wind band conducting featuring analysis of : Gustav Holst's First suite in E-flat, Ney Rosauro's Japanese overture, and Daniel Bukvich's Inferno." Manhattan, Kan. : Kansas State University, 2010. http://hdl.handle.net/2097/4208.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Gallagher, Daniel Ryan. "Flute Repertoire from Japan: An Analysis of Twentieth-Century Flute Sonatas by Ikuma Dan, Hikaru Hayashi, and Akira Tamba." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555601776064413.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Fuchigami, Rafael Hirochi 1985. "Aspectos culturais e musicológicos do shakuhachi no Brasil." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285218.

Full text

Abstract:

Orientador: Eduardo Augusto Ostergren<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-26T02:17:31Z (GMT). No. of bitstreams: 1 Fuchigami_RafaelHirochi_M.pdf: 4928207 bytes, checksum: a0ed12a80c12607b98a9de37140877a4 (MD5) Previous issue date: 2014<br>Resumo: Este trabalho organiza informações sobre a introdução e difusão das tradições da flauta shakuhachi no Brasil, desde os primórdios do século XX até os dias atuais, levando em consideração os aspectos históricos e etnomusicológicos desse processo. Partimos dos estudos

APA, Harvard, Vancouver, ISO, and other styles

46

Perry, Robyn Paige. ""Ersatz as the Day is Long": Japanese Popular Music, the Struggle for Authenticity, and Cold War Orientalism." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1617205969493365.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Ozaki-Graves, Margaret T. "A Performer’s Guide to Minoru Miki’s Sohmon III for Soprano, Marimba and Piano (1988)." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276532311.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Ozaki-Graves, Margaret T. "A Performer’s Guide to Minoru Miki’s Sohmon III for Soprano, Marimba and Piano (1988)." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1304691923.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Wishkoski, Rachel C. "“To Become Something New Yet Familiar:” Remembering, Moving, and Re-membering in Seattle Buddhist Church’s Bon Odori Festival." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397736266.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Dahlberg-Dodd, Hannah Elizabeth. "Social Meaning in Virtual Space: Sentence-final expressions in the Japanese popular mediascape." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1573476174708106.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!