Academic literature on the topic 'Music listening and personality'

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Journal articles on the topic "Music listening and personality"

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MURATOVA, DILNAVOZ UKTAMOVNA. "Methods of Educating and Developing Students Voice in Music Culture Classes." Commonwealth Journal of Academic Research (CJAR.EU) 3, no. 5 (2021): 112–17. https://doi.org/10.5281/zenodo.4817861.

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The article discusses how a music teacher organizes effective techniques in the process of listening to music, directs students to the development of personality, the formation of their musical worldview, as well as the comprehensive development of the personality of young people. <strong>Keywords:</strong> listening to music, method, skill, art, music, culture, personality, musical literacy, elegance, artistic taste, national pride,
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Petrušić, Daniela, Snježana Dobrota, and Ina Reić-Ercegovac. "Music preferences, functions of music, and adolescents' personality traits." Inovacije u nastavi 36, no. 4 (2023): 12–36. http://dx.doi.org/10.5937/inovacije2304012p.

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Music plays a significant developmental role in the life of adolescents and has different functions in the life of an individual. Listening to music is one of the most important activities of adolescents, while their music preferences reflect their values, conflicts, and developmental problems they are faced with in everyday life. It is important to understand how adolescents use and experience music on a daily basis and what factors impact their use of music. The power of preference for a specific kind of music depends on the degree to which that type of music fulfills certain functions becau
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Vuoskoski, Jonna K., William F. Thompson, Doris McIlwain, and Tuomas Eerola. "Who Enjoys Listening to Sad Music and Why?" Music Perception 29, no. 3 (2011): 311–17. http://dx.doi.org/10.1525/mp.2012.29.3.311.

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although people generally avoid negative emotional experiences in general, they often enjoy sadness portrayed in music and other arts. The present study investigated what kinds of subjective emotional experiences are induced in listeners by sad music, and whether the tendency to enjoy sad music is associated with particular personality traits. One hundred forty-eight participants listened to 16 music excerpts and rated their emotional responses. As expected, sadness was the most salient emotion experienced in response to sad excerpts. However, other more positive and complex emotions such as n
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Greb, Fabian, Jochen Steffens, and Wolff Schlotz. "Understanding music-selection behavior via statistical learning." Music & Science 1 (January 1, 2018): 205920431875595. http://dx.doi.org/10.1177/2059204318755950.

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Music psychological research has either focused on individual differences of music listening behavior or investigated situational influences. The present study addresses the question of how much of people's listening behavior in daily life is due to individual differences and how much is attributable to situational effects. We aimed to identify the most important factors of both levels (i.e., person-related and situational) driving people's music selection behavior. Five hundred eighty-seven participants reported three self-selected typical music listening situations. For each situation, they
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Hoshino, Etsuko. "Everyday listening to music among music students and their personality." Proceedings of the Annual Convention of the Japanese Psychological Association 79 (September 22, 2015): 2PM—009–2PM—009. http://dx.doi.org/10.4992/pacjpa.79.0_2pm-009.

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Gupta, Uma. "Personality, Gender and Motives for Listening to Music." JOURNAL OF PSYCHOSOCIAL RESEARCH 13, no. 2 (2019): 255–73. http://dx.doi.org/10.32381/jpr.2018.13.02.1.

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Nave, Gideon, Juri Minxha, David M. Greenberg, Michal Kosinski, David Stillwell, and Jason Rentfrow. "Musical Preferences Predict Personality: Evidence From Active Listening and Facebook Likes." Psychological Science 29, no. 7 (2018): 1145–58. http://dx.doi.org/10.1177/0956797618761659.

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Research over the past decade has shown that various personality traits are communicated through musical preferences. One limitation of that research is external validity, as most studies have assessed individual differences in musical preferences using self-reports of music-genre preferences. Are personality traits communicated through behavioral manifestations of musical preferences? We addressed this question in two large-scale online studies with demographically diverse populations. Study 1 ( N = 22,252) shows that reactions to unfamiliar musical excerpts predicted individual differences i
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Sabirdjanova, Dilnozaxon Zafar qizi. "THEORETICAL FOUNDATIONS OF THE DEVELOPMENT OF THE STUDENT'S PERSONALITY INTELECTION THROUGH MUSIC LISTENING ACTIVITIES." ACADEMIC RESEARCH IN MODERN SCIENCE 2, no. 8 (2023): 104–10. https://doi.org/10.5281/zenodo.7711839.

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Kim, Wonji, and Eunju Jeong. "The Effects of Music Listening on Stress Reduction and Relaxation Among Parents of Children with Developmental Disabilities in a Waiting Area: The Role of Musical Experience and Personality Type." Korea Parents Education Association 22, no. 2 (2025): 173–98. https://doi.org/10.61400/jpe.2025.22.2.173.

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The study investigates the effects of short-term music listening on stress reduction and tension relief in a waiting area, considering participants' musical experience and personality types. Fifteen parents participated in the study and were randomly exposed to three conditions: preferred music (PM), functionally arranged preferred music (AM), and a no-music control (NM). Friedman tests revealed that participants with high music preference showed a significant reduction in the Korean version of the Profile of Mood States-Brief (K-POMS-B) scores under the PM (p=.050), while those with shorter m
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Rosenberg, Nora, David M. Greenberg, and Michael E. Lamb. "Musical Engagement is Linked to Posttraumatic Resilience: The Role of Gender, Personality, and Music Listening Styles After Childhood Trauma." Music & Science 4 (January 1, 2021): 205920432199373. http://dx.doi.org/10.1177/2059204321993731.

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Previous research on the links between music and posttraumatic resilience have typically relied on small sample sizes and case studies from clinical settings. To address this important gap, we conducted an online study to measure childhood trauma and adult musical engagement in everyday life in non-clinical contexts. The present study ( N = 634) investigated these links by administering online questionnaires about musical engagement, personality, and demographics to adult survivors of childhood trauma. Hierarchical regression analyses showed that social music listening predicted increased well
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Dissertations / Theses on the topic "Music listening and personality"

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Schäfer, Thomas. "The Goals and Effects of Music Listening and Their Relationship to the Strength of Music Preference." Universitätsbibliothek Chemnitz, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-201941.

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Individual differences in the strength of music preference are among the most intricate psychological phenomena. While one person gets by very well without music, another person needs to listen to music every day and spends a lot of temporal and financial resources on listening to music, attending concerts, or buying concert tickets. Where do these differences come from? The hypothesis presented in this article is that the strength of music preference is mainly informed by the functions that music fulfills in people’s lives (e.g., to regulate emotions, moods, or physiological arousal; to promo
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ROSSI, CHIARA. "GLI ESSERI UMANI SONO ESSERI MUSICALI? RELAZIONI TRA TRATTI DI PERSONALITÀ, BENESSERE PSICOLOGICO E MUSICA." Doctoral thesis, Università Cattolica del Sacro Cuore, 2023. http://hdl.handle.net/10280/134701.

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Introduzione: La musica risuona in modo diverso in ogni singola persona e può rivelare alcune informazioni implicite sulle caratteristiche individuali. Inoltre, può essere utilizzata come un valido strumento per migliorare il benessere di diverse popolazioni. Metodi: Questa tesi è composta da tre studi: una revisione sistematica della letteratura scientifica sulla relazione tra l'ascolto della musica, le caratteristiche individuali e il benessere; uno studio esplorativo che indaga le preferenze musicali e i tratti di personalità degli italiani, ma anche il benessere psicologico della popolazio
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Scheirer, Eric David. "Music-listening systems." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/31091.

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Thesis (Ph.D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.<br>Includes bibliographical references (p. [235]-248).<br>When human listeners are confronted with musical sounds, they rapidly and automatically orient themselves in the music. Even musically untrained listeners have an exceptional ability to make rapid judgments about music from very short examples, such as determining the music's style, performer, beat, complexity, and emotional impact. However, there are presently no theories of music perception that can explain this behavior, and it has proven very difficu
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Conocimiento, Dirección de Gestión del. "Music Online: Listening." Alexander Street, 2004. http://hdl.handle.net/10757/655363.

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Jehan, Tristan 1974. "Creating music by listening." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/42172.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2005.<br>Includes bibliographical references (p. 127-139).<br>Machines have the power and potential to make expressive music on their own. This thesis aims to computationally model the process of creating music using experience from listening to examples. Our unbiased signal-based solution models the life cycle of listening, composing, and performing, turning the machine into an active musician, instead of simply an instrument. We accomplish this through an analysis-
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Belcher, James D. "An Examination of the Influence of Individual Differences, Music-Listening Motives, and Music Selection on Post-Listening Music Discussion." Kent State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=kent1277155907.

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Cusano, Janice M. "Music specialists' beliefs and practices in teaching music listening /." Electronic version Electronic version, 2004. http://wwwlib.umi.com/dissertations/fullcit/3209909.

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Thesis (Ph. D.)--Indiana University, 2004.<br>Computer printout. Source: Dissertation Abstracts International, Volume: 67-03, Section: A, page: 0878. Adviser: Mary Goetze. Includes bibliographical references (leaves 205-223), abstract, and vita.
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Stanley, Michael Brooke. "Participant music listening behaviours in interactive multimedia music instruction." Thesis, The University of Sydney, 1999. http://hdl.handle.net/2123/361.

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While emerging technologies such as interactive multimedia are increasingly being employed in computerised music instruction, understanding of participant music listening behaviours in interactive multimedia music instruction is currently very limited. With the aim of elucidating music listening behaviour, the central concern of this work is to identify and explain participant interactions with the audio components of interactive multimedia music instruction. The investigation employs a novel documentation procedure, which extends the application of digital audio recording technology, to provi
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Stanley, Michael Brooke. "Participant music listening behaviours in interactive multimedia music instruction." University of Sydney. Music Education, 1999. http://hdl.handle.net/2123/361.

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While emerging technologies such as interactive multimedia are increasingly being employed in computerised music instruction, understanding of participant music listening behaviours in interactive multimedia music instruction is currently very limited. With the aim of elucidating music listening behaviour, the central concern of this work is to identify and explain participant interactions with the audio components of interactive multimedia music instruction. The investigation employs a novel documentation procedure, which extends the application of digital audio recording technology, to provi
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O'Rourke, Michelle. "The ontology of generative music listening." Thesis, University of Newcastle upon Tyne, 2014. http://hdl.handle.net/10443/2764.

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Generative music, manifesting a perpetually new music which transcends the temporal limitations of both live and recorded music, presents us with continuously new possibilities and perspectives which in turn enable new modes of being. As specific compositional choices are automated, the sonic possibility space thus becomes the operative creative field. The new concern with structural possibilities as they come to presence yields a new listening ontology. Brian Eno’s specific manifestation of generative music has evolved along a distinctly technological trajectory of creativity. Through his own
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Books on the topic "Music listening and personality"

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Evans, Martyn. Listening to Music. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-11736-9.

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Wright, Craig M. Listening to music. 3rd ed. Wadsworth/Thomson Learning, 2000.

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Zorn, Jay. Listening to music. 2nd ed. Prentice Hall, 1995.

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Hoffer, Charles R. Music listening today. 4th ed. Schirmer Cengage Learning, 2011.

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Hoffer, Charles R. Music listening today. 3rd ed. Thomson/Schirmer, 2009.

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Hoffer, Charles R. Music listening today. 5th ed. Cengage Learning, 2012.

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Sousa, Chris De. Listening to music. Marshall Cavendish Corp., 1989.

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Hoffer, Charles R. Music listening today. 3rd ed. Thomson/Schirmer, 2009.

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Zorn, Jay D. Listening to music. Prentice Hall, 1991.

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Hoffer, Charles R. Music listening today. Wadsworth Pub. Co., 1999.

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Book chapters on the topic "Music listening and personality"

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Christensen, Erik, and Lisa C. Bjerno. "18. Iannis Xenakis’s Pithoprakta." In Meta-Xenakis. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0390.20.

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After a brief introduction to music phenomenology, we present the outcome of a phenomenological investigation of Pithoprakta, encompassing comparatively detailed descriptions and hermeneutical interpretations of the work, including prominent musical features, sonorities, densities, and transformations of sound masses. In order to minimize presuppositions and promote unbiased listening, we did not study the score or research on Pithoprakta prior to the listening sessions. Subsequently, in a survey of the work, we summarize the macroform and possible emotional interpretations of the music, and i
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Bogunović, Blanka, Renee Timmers, and Sanela Nikolić. "1. Introduction." In Psychological Perspectives on Musical Experiences and Skills. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0389.01.

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The psychology of music is a broad research area in the range of questions and topics it addresses and the interdisciplinary research methods it employs to investigate music perception, cognition, emotion, and performance in every day and expert musical situations. It is an area of research flourishing in the Western Balkans as well as in Western Europe. This introductory chapter provides a brief historical overview of research in the Western Balkans, which has received relatively less attention and coverage in international research publications. It presents developments in music psychology i
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Ottum, Josh. "Compost Listening." In Producing Music. Routledge, 2019. http://dx.doi.org/10.4324/9781315212241-6.

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Green, Ben. "Listening together." In Peak Music Experiences. Routledge, 2021. http://dx.doi.org/10.4324/9781003093244-6.

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Zubillaga-Pow, Jun. "Symbolic listening." In Music—Psychoanalysis—Musicology. Routledge, 2017. http://dx.doi.org/10.4324/9781315596563-9.

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Priest, Philip. "Putting listening first." In Teaching Music. Routledge, 2023. http://dx.doi.org/10.4324/9781003419495-23.

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Honing, Henkjan. "Listening and learning." In Music Cognition. Routledge, 2021. http://dx.doi.org/10.4324/9781003158301-13.

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Honing, Henkjan. "First listening experiences." In Music Cognition. Routledge, 2021. http://dx.doi.org/10.4324/9781003158301-1.

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Fallin, Jana R., Mollie Gregory Tower, and Debbie Tannert. "Listening." In Using Music to Enhance Student Learning, 3rd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429504525-7.

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Karch, Marziah. "Listening to Music." In Android Tablets Made Simple. Apress, 2011. http://dx.doi.org/10.1007/978-1-4302-3672-6_21.

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Conference papers on the topic "Music listening and personality"

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Nakamura, Ren, Yutaro Hirao, Monica Perusquía-Hernández, Hideaki Uchiyama, and Kiyoshi Kiyokawa. "Generalizing Listening Human Behavior: 3D Human Pose Estimation Using Music." In 2024 IEEE 13th Global Conference on Consumer Electronics (GCCE). IEEE, 2024. https://doi.org/10.1109/gcce62371.2024.10760628.

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Stramkale, Ligita. "The Independence of Primary School Students in Learning Music at a Distance during Covid-19 Pandemic." In 14th International Scientific Conference "Rural Environment. Education. Personality. (REEP)". Latvia University of Life Sciences and Technologies. Faculty of Engineering. Institute of Education and Home Economics, 2021. http://dx.doi.org/10.22616/reep.2021.14.022.

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As a result of the Covid-19 pandemic, the primary school students were forced to study at a distance of two and a half months starting from mid-March 2020. There was a situation where students had to learn music independently more than they had done so far. The study aims to determine 2nd and 3rd grade students’ perspectives on independent distance learning of music during the Covid-19 pandemic. To achieve the aim of the study, previous researches on this issue were analysed, as well as an empirical study was carried out. The study involved 105 (N=105) primary school students in grades 2-3 and
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Шерстобитова, Светлана Николаевна, and Владислав Алексеевич Дмитриев. "METHODS AND TECHNIQUES FOR DEVELOPING EMOTIONAL RESPONSIBILITY IN CHILDREN OF OLDER PRESCHOOL AGE IN THE PROCESS OF ACTIVE LISTENING TO MUSIC." In Сборник избранных статей по материалам научных конференций ГНИИ «Нацразвитие» (Санкт-Петербург, Август 2022). Crossref, 2022. http://dx.doi.org/10.37539/aug331.2022.25.50.002.

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Эмоциональное развитие дошкольника является одним из приоритетных направлений становления детской личности. В статье рассматриваются пути развития эмоциональной отзывчивости у дошкольников посредством активного слушания музыки. Определены методы и приемы, способствующие развитию эмоциональной отзывчивости детей старшего дошкольного возраста. The emotional development of a preschooler is one of the priority areas for the formation of a child's personality. The article discusses the ways of developing emotional responsiveness in preschoolers through active listening to music. The methods and tec
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Ionova, Olena, and Svitlana Luparenko. "SPECIFIC FEATURES OF MUSIC EDUCATION IN WALDORF SCHOOL." In 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s08.086.

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The article authors reveal the specific features of music education in Waldorf school. Based on theoretical methods (synthesis and analysis of scientific and educational sources) and empirical methods (observation, survey, conversation, study of the academic results of schoolchildren�s activities etc.), the general tendencies of modern Waldorf education, as well as the specific features of organizing the educational process in Waldorf school and music education, in particular, have been identified. The general tendencies of modern Waldorf education are: integration of Waldorf education into th
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Chowdhury, Nabila, Celine Latulipe, and James E. Young. "Listening Together while Apart: Intergenerational Music Listening." In CSCW '21: Computer Supported Cooperative Work and Social Computing. ACM, 2021. http://dx.doi.org/10.1145/3462204.3481765.

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Dias, Ricardo, Manuel J. Fonseca, and Daniel Gonçalves. "Music listening history explorer." In the 2012 ACM international conference. ACM Press, 2012. http://dx.doi.org/10.1145/2166966.2167013.

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Vidulin, Sabina. "APPROACHING MUSIC LISTENING IN HIGH SCHOOL: IMPLEMENTATION OF THE COGNITIVE-EMOTIONAL LISTENING TO MUSIC." In 15th International Conference on Education and New Learning Technologies. IATED, 2023. http://dx.doi.org/10.21125/edulearn.2023.0477.

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Kostek, Bozena. "Listening to Live Music: Life Beyond Music Recommendation Systems." In 2018 Joint Conference - Acoustics. IEEE, 2018. http://dx.doi.org/10.1109/acoustics.2018.8502385.

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Petružálek, Jan, Denis Šefara, Marek Franěk, and Martin Kabeláč. "Scene perception while listening to music." In ETRA '18: 2018 Symposium on Eye Tracking Research and Applications. ACM, 2018. http://dx.doi.org/10.1145/3204493.3204582.

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Dias, Ricardo, Manuel J. Fonseca, and Daniel Gonçalves. "Interactive exploration of music listening histories." In the International Working Conference. ACM Press, 2012. http://dx.doi.org/10.1145/2254556.2254637.

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Reports on the topic "Music listening and personality"

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Білоус, О. С. Український фольклор як засіб морально-естетичного становлення особистості школяра. ПДПУ ім. К. Д. Ушинського, 2002. http://dx.doi.org/10.31812/123456789/3317.

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The article deals with the meaning of folklore as the means of a moral-aesthetic making of a pupil’s personality. The author’s conclusions are based on the opinions of famous pedagogues and musicians. The curriculum in Music analysis, the recommendations concerning the broadening of a used repertoire of a folk music creative work in the practice of a compulsory school at the expense of introduction of the material of an folk creative work are given.
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Ding, Cong, Soh Kim Geok, and He Sun. Does Listening to Music During Warm-up Impact Subsequent physical and skill Performance? A Systematic Review and Meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2024. http://dx.doi.org/10.37766/inplasy2024.5.0062.

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Mayas, Magda. Creating with timbre. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.686088.

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Unfolding processes of timbre and memory in improvisational piano performance This exposition is an introduction to my research and practice as a pianist, in which I unfold processes of timbre and memory in improvised music from a performer’s perspective. Timbre is often understood as a purely sonic perceptual phenomenon. However, this is not in accordance with a site-specific improvisational practice with changing spatial circumstances impacting the listening experience, nor does it take into account the agency of the instrument and objects used or the performer’s movements and gestures. In m
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Listening to music reduces pain and anxiety for patients having surgery. National Institute for Health Research, 2015. http://dx.doi.org/10.3310/signal-000138.

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Functional Music Use at Physical Culture Lessons During The Process of Personality Self-Development Mechanism Formation. Anatoly A. Opletin, 2016. http://dx.doi.org/10.14526/01_1111_158.

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