Relevant bibliographies by topics / Music magazines

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Music magazines'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Music magazines"

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Vasic, Aleksandar. "The reception of west European music in Belgrade between world wars: On the examples of “Muzicki glasnik” and “Muzika” magazines." Muzikologija, no. 11 (2011): 203–18. http://dx.doi.org/10.2298/muz1111203v.

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The very first music magazines started in Belgrade between World Wars were ?Muzicki glasnik? (issued monthly from January to December 1922) and ?Muzika? (also issued monthly in the period January 1928 - March 1929). These magazines used to publish music essays, researches, debates, notes, news and other kind of articles. This paper brings an analysis of texts on West European music in these two journals. ?Muzicki glasnik? published only few articles on European music. Those were on bibliographical news concerning editions on musicology in England and on French music magazines. There was a repo
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Vasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars." Muzikologija, no. 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.

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The transition of the 19th into the 20th century in Serbian music history was a period of music criticism, journalism and essay writing. At that time, Serbian musicology had not yet been developed as an academic discipline. After WWI there were many more academic writings on this subject; therefore, the interwar period represents the beginning of Serbian music historiography. This paper analyses Serbian interwar music magazines as source material for the history of Serbian musicology. The following music magazines were published in Belgrade at the time: Muzicki glasnik (Music Herald, 1922), Mu
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Vasic, Aleksandar. "The magazine “Slavenska muzika” (1939–1941) in the history of Serbian music periodicals." Muzikologija, no. 29 (2020): 121–47. http://dx.doi.org/10.2298/muz2029121v.

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From November 1939 to March 1941, the monthly magazine ?Slavenska muzika?, a journal of the Association of Friends of Slavic Music, was published in Belgrade. The magazine did not differ from other Serbian magazines of the interwar period in its sections. ?Slavic music? also published essays on music, music criticism, reviews of books and music editions, notes, news, obituaries, and in one case, polemics. However, differentia specifica of this review is the exclusive focus on the music of the Slavic nations. The study provides a review and analysis of the texts in this journal. It was noticed
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Zarza Delgado, Martha P., Héctor Serrano Barquín, and Carolina Serrano Barquín. "Gender Symbolic Messages in Music and Magazines Consumed by Young Mexicans." Culture & History Digital Journal 2, no. 1 (2013): e018. http://dx.doi.org/10.3989/chdj.2013.018.

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Johinke, Rebecca. "BEHIND THE COVERS OF AUSTRALIAN ROLLING STONE: NEGOTIATING THE PERSONA OF A FEMALE MUSIC MAGAZINE EDITOR." Persona Studies 5, no. 1 (2019): 75–91. http://dx.doi.org/10.21153/psj2019vol5no1art843.

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Singers, songwriters and musicians create personas and perform the (gendered) role of rock star, punk, heart-throb, crooner, diva, or rock chick. Magazine covers are a key factor in consolidating and marketing that constructed persona. Magazine covers have visual power that is calibrated for maximum impact with a defined audience and a key part of the editor’s role is to decide on the cover image and cover lines. Moreover, there is now an expectation that editors of glossy magazines are recognisable ‘influencers’ who personify the values and commodities that their titles promote. We expect per
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Sheremeta, Iryna. "UKRAINIAN-BELARUSIAN CULTURAL TIES IN THE 1920S ON THE EXAMPLE OF COOPERATION OF THE MAGAZINE «MUZYKA» (“MUSIC”) WITH YULIAN DREJZIN." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 58, no. 58 (2021): 182–97. http://dx.doi.org/10.34064/khnum1-58.11.

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The study of Ukrainian-Belarusian cultural ties has significant research potential due to typologically similar processes of cultural and national formation of the two neighboring nations, which was especially pronounced in the 1920s. One of the important factors in this was the Bolshevik strategy of indigenization in the national regions of the Soviet Union. Almost simultaneously, there was a surge in literature and art in both republics. The lack of special studies that would cover these joint processes in the field of music culture, actualized the disclosure of this topic. The purpose of th
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Kocaj, Agata, and Izabela Krasińska. "Musical education from the perspective "Musical news" (1925-1926)." Edukacja Muzyczna 15 (2020): 363–77. http://dx.doi.org/10.16926/em.2020.15.20.

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In Poland, over a hundred music magazines appeared in the interwar period. They were divided into several categories: subject and methodological, social and cultural music press, music and li- turgical magazines, regional music periodicals, as well as musicological and popular science mag- azines. The final group includes the subject of this article, “Wiadomości Muzyczne” (1925–1926), edited by the music collector and journalist Edward Wrocki. The article is the first attempt at a monograph elaboration of this periodical, both in terms of the formal and publishing aspects and its content. How
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Railton, Diane. "The gendered carnival of pop." Popular Music 20, no. 3 (2001): 321–31. http://dx.doi.org/10.1017/s0261143001001520.

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One of the ironies of popular music studies is that the music that is the most popular, in terms of contemporary chart success, is rarely discussed by academics writing in the field. In this article I want to suggest that this is because some forms of ‘mainstream’ chart pop music, and the discourse of the magazines that promote this type of music, pose a threat to the certainties of both gender and genre that underpin ‘serious’ popular music. The music I am concerned with here is that provided by ‘boy bands’ like Boyzone, Westlife or Five, and ‘girl groups’ like The Spice Girls, Atomic Kitten
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Vasic, Aleksandar. "Review of music: Forgotten musical magazine of inter-war Belgrade." Muzikologija, no. 19 (2015): 119–33. http://dx.doi.org/10.2298/muz1519119v.

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The monthly magazine Review of Music was published six times in Belgrade from January to June 1940. Each edition comprised thirty-two pages, half of which were devoted to a sheet-music supplement, popular compositions of the time for voice and piano. Review of Music published 222 articles and scores in total. The aim of the magazine was to popularise classical music, but it also encompassed jazz, films and film music, theatre, literature, fashion, and even sport. Review of Music was different from all other Serbian inter-war music magazines, not only because of its wide range of topics, but al
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EVANS, MARK. "'QUALITY' CRITICISM Music Reviewing in Australian Rock Magazines." Perfect Beat 3, no. 4 (2015): 38–50. http://dx.doi.org/10.1558/prbt.v3i4.28739.

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Dissertations / Theses on the topic "Music magazines"

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Brennan, Matthew. "Down beats and rolling stones : an historical comparison of American jazz and rock journalism." Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/222.

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Jazz and rock have been historically treated as separate musical traditions, despite having many similar musical and cultural characteristics, as well as sharing significant periods of interaction and overlap throughout popular music history. The rift between jazz and rock, and jazz and rock scholarship, is based on a set of received assumptions as to why jazz and rock are different. However, these assumptions are not naturally inherent to the two genres, but are instead the result of a discursive construction that defines them in contrast to one another. Furthermore, the roots of this discurs
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Hansen, Jeanne Adair. "James Francis Cooke’s Editorial Motifs in the Etude Music Magazine, 1907-1957." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1510825513934644.

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Kristoffersson, Jessica, and Sara Samuelsson. "Rockstjärnor har inga tuttar : En innehållsanalys om genusrepresentationen i musikmagasinet MOJO." Thesis, Linnéuniversitetet, Institutionen för samhällsvetenskaper, SV, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-10400.

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The purpose of this study is to give an insight in how music press is presented gender wise. The focus area lies in rock music and the study is made on British music magazine MOJO in the year of 2010. The study contains quantitative analyses showing how much room men are given compared to women. The study is also supplemented with image analyses of four covers spread out over the year. The main question is formulated as in, how much room do women get in music magazine MOJO 2010 and what output does this have on rock music’s gender characteristics? The main results show, amongst other things th
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Warburton, Jane A. "Pastoral Music Magazine: Witness To and Participant in the Post-Vatican II Reform of Music and Liturgy in the United States." Connect to resource, 1997. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1209581288.

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Bozelka, Kevin John. ""Getting beyond" : SPIN magazine in the late 1980s." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82688.

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The Eighties were a time in Western popular music that seemed to exist only by virtue of it coming after something else---namely, the 1960s counterculture and the punk rock of the 1970s. Inheriting both the failure of permanent cultural revolution and the intense cynicism that is punk's strongest legacy, youth cultures in the 1980s found it increasingly difficult to live in the present. This thesis labels this historical dilemma postmodern. It will show how SPIN magazine attempted to move past this dilemma in order to assert a unique identity for 1980s popular music and youth cultures.
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Yamamoto-Naji, Aki. "Musica des Éditions Pierre Lafitte & Cie : un magazine musical pour un public familial ? /." [Paris] : [École des Hautes études en sciences sociales], 2007. http://catalogue.bnf.fr/ark:/12148/cb41457230h.

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Annexes au: Mémoire de Master 2--Sciences sociales, Mention théories et pratiques du langage et des arts, Spécialité Musique--Paris--École des hautes études en sciences sociales, 2007.<br>Notes bibliogr.
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Oden, Zachary K. "(Don't Anybody Laugh)." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1339176334.

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Betancourt, Mariel M. "On the Cover of Rolling Stone: What the Faces of Rock 'n' Roll Say about Music's Most Popular Magazine." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1199302563.

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Perret, Julie. "Du projet républicain de rénovation des arts en France entre 1870 et 1914 à sa réalisation en musique : l’exemple des chants pour l’école." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040102.

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Dès 1870, dans un contexte politique et social français marqué par un patriotisme, voire un nationalisme antigermanique et revanchard, l’État ressent le besoin de redéfinir la nation et de diffuser jusque dans les arts un nouvel esprit français marqué par les valeurs issues de la Révolution. La chute de l’Empire et l’arrivée des républicains sur la scène politique marquent un tournant idéologique durant lequel un projet de rénovation des arts se dessine. Il a pour objectif de contribuer à la régénération de la société et à la naissance de citoyens nouveaux. En étudiant à la fois le projet théo
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Keil, Andrea Marie. "The Dawn of Modern Piano Pedaling: Early Twentieth-Century Piano Pedaling Literature and Techniques." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428503747.

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Books on the topic "Music magazines"

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Hitsville: The 100 greatest rock 'n' roll magazines, 1954-1968. Shake Books, 1991.

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Henkel, David K. The official identification and price guide to rock and roll: Magazines, posters, and memorabilia. House of Collectibles, 1992.

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Husslein, Uwe, and Lothar Surey. Zines!: Fandom research 2001 : Reader und Index zur Fanzine-Szene. Ventil-Verlag, 2001.

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Albuquerque, Carlos. Rio Fanzine: 18 anos de cultura alternativa. Record, 2004.

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Hilse: Suomipunkin alku ja juuri. 2nd ed. Like, 2009.

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Dave, Stimson, and Miller Steve, eds. Touch and go: The complete hardcore punk zine '79-'83. Bazillion Points, 2010.

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Darms, Lisa, ed. The Riot Grrrl Collection. The Feminist Press, 2013.

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DIY: The rise of lo-fi culture. 2nd ed. Marion Boyars, 2008.

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DIY: The rise of lo-fi culture. Marion Boyars, 2005.

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PERIODICAL/PÉRIODIQUE. Open space magazine. Open Space, 1999.

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Book chapters on the topic "Music magazines"

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Varriale, Simone. "Music Magazines as Alternative Public Spheres." In Globalization, Music and Cultures of Distinction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56450-4_8.

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Thom, Nico. "Aktuelle Prozesse der Kanonbildung in multimedialen Magazinen populärer Musik." In Populäre Musik und kulturelles Gedächtnis. Böhlau Verlag, 2011. http://dx.doi.org/10.7788/boehlau.9783412214524.65.

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"B. Music Magazines." In Cuban Music from A to Z. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822385219-009.

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"1. MAGAZINES, MUSIC, AND MODERNISM." In Classic Chic. University of California Press, 2019. http://dx.doi.org/10.1525/9780520941687-003.

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Laing, Dave, and Catherine Strong. "Music magazines and the first draft of history." In The Routledge Companion to Popular Music History and Heritage. Routledge, 2018. http://dx.doi.org/10.4324/9781315299310-9.

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"A MUSIC-HALL DOUBLE ACT: FORDIE AND WELLS’S ENGLISH REVIEW." In Ford Madox Ford, Modernist Magazines and Editing. Brill | Rodopi, 2010. http://dx.doi.org/10.1163/9789042030565_006.

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Horrall, Andrew. "Mass culture: the Victorian world picture." In Inventing the Cave Man. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526113849.003.0001.

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This chapter explores aspects of nineteenth-century popular culture that contributed to the emergence of the cave man character. References are made to previous works from history, cultural and literary studies and the history of science. These show how long-standing ideas about the earth’s history were challenged by geological, archaeological and paleontological evidence of ancient and extinct mammals, dinosaurs and hominids. Elite ideas were popularised for a mass public by scientists themselves, and through evolutionary freak shows that exploited scientific controversies for profit. Increasingly, scientific ideas were generalised and disseminated by mass-market, heavily illustrated books and magazines. A new style of comic magazine introduced ‘cartoons’ which poked gentle fun at current sensations, as did an emerging entertainment industry centred on music hall, pantomime and other forms of popular theatre. New steam-powered transportation meant that books, magazines and performers travelled farther and faster than ever before. Britain was the hub of this new mass culture, both spreading and receiving ideas through a continuous, reciprocal dialogue with the emerging empire and America.
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Glen, Patrick. "The Entertainment Press." In The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474424929.003.0023.

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This chapter provides an overview of the sector: the music and entertainment press’s antecedents, general functions and audiences. It analyses how papers, which reported upon art, music, film, theatre, dancing, comedy and variety performances, fulfilled a number of functions beside description and analysis. It explores their close ties to the entertainment industry: how they advocated their sector’s interests, publicised their commercial products and fostered networks of communication. The chapter then illustrates how, for most readers, entertainment and music papers described developments in modern urban, cosmopolitan leisure which readers could then interact with. Papers and magazines were gatekeepers for leisure opportunities, fashions and the informed consumption of mechanically reproduced mass culture. The chapter considers two publications that defined the twentieth century entertainment press – Sight &amp; Sound and Melody Maker – in detail. By exploring the changes to these papers and comparing them to their competitors, this chapter will explain historical development in the music and entertainment press’s role, interests and register. It therefore demonstrates the papers interactions with and, sometimes, influence upon broader movements in society and culture.
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Walther-Hansen, Mads. "Conceptualizing Sound Quality." In Making Sense of Recordings. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197533901.003.0005.

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The chapter consists of an encyclopedia that lists, describes, and assesses metaphors that often are used to describe sound quality. Each entry explains the embodied cognitive patterns that connect sound descriptors with the listening experience. Each entry also discusses related terms, and each term is examined in relation to its metaphorical use and the discourses underlying sound and music communities. The encyclopedia includes 15 pairs of opposing terms: balance/unbalance, big/small, clean/dirty, clear/blurred, dark/bright, fat/thin, full/hollow, heavy/light, open/closed, organic/synthetic, rough/smooth, soft/hard, tight/loose, warm/cold, and wet/dry. The terms are distilled from a 50-million-word collection of texts concerning sound culled by the author from music reviews, hi-fi magazines, and the sound engineering literature.
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Fichtner, J. Royce, and Lou Ann Simpson. "Legal Issues Facing Companies with Products in a Digital Format." In Digital Rights Management. IGI Global, 2013. http://dx.doi.org/10.4018/978-1-4666-2136-7.ch066.

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Companies that deal in products in a digital format, such as magazines, newspapers, e-books, music, movies, games, or software, face unique legal challenges because they attempt to earn a profit by selling or licensing material that is easily copied and inexpensive to reproduce. This chapter discusses the four general categories of intellectual property law—patents, trade secrets, trademarks, and copyrights—and describes how each applies to products in a digital format. This chapter ends with a brief discussion of the changing societal norms toward copyright infringement for digital products and possible directions for future research.
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Conference papers on the topic "Music magazines"

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Tyszka, Konrad, and Michał Jagosz. "Polish music press in the face of systemic change in 1989 as an example of cultural transformation in post-communist countries." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.09103t.

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The systemic transformation has significantly increased and diversified the music press market. Liquidation of the monopoly, privatization, censorship abolition and media pluralism are just some of the factors that contributed to shaping new cultural policy in Poland. The research material used for this paper’s analytical purposes consists of Polish music magazines; based on a query covering over 110 journals being published since 1946 to the present, a historical and comparative analysis was made. It allowed to determine what new solutions the publishers started to put into practice to make t
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Tyszka, Konrad, and Michał Jagosz. "Polish music press in the face of systemic change in 1989 as an example of cultural transformation in post-communist countries." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.09103t.

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The systemic transformation has significantly increased and diversified the music press market. Liquidation of the monopoly, privatization, censorship abolition and media pluralism are just some of the factors that contributed to shaping new cultural policy in Poland. The research material used for this paper’s analytical purposes consists of Polish music magazines; based on a query covering over 110 journals being published since 1946 to the present, a historical and comparative analysis was made. It allowed to determine what new solutions the publishers started to put into practice to make t
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Evans, Jeff, Peter Neilson, Jordan Rath, John DeWitt, Peter Laz, and Mohammad Mahoor. "Design of an Eye Tracking System Enabling Communication for TBI and SCI Patients." In ASME 2012 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/sbc2012-80214.

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Some patients who have suffered a traumatic brain injury (TBI) or a spinal cord injury (SCI) lose the ability to operate a computer via traditional methods (mouse and keyboard) or common alternative methods (voice control). The inability to move or speak makes it extremely difficult to communicate. Currently patients must rely on blinking yes or no to a series of questions that the caretaker asks in order to communicate their wants and needs. This system relies on the caretaker anticipating the patient’s needs in a timely manner which is not ideal. The purpose of this Senior Capstone Design pr
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Foroughi, Abbas, Marvin Albin, and Sharlett Gillard. "Issues and Opportunities in Digital Rights Management." In 2002 Informing Science + IT Education Conference. Informing Science Institute, 2002. http://dx.doi.org/10.28945/2481.

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In the wake of the Digital Millennium Copyright Act, of 1998, Digital Rights Management systems are beginning to provide copyright protection for digital content which magazine and book publishers, music companies, software and game producers, and business-to-business participants place online. Creators and providers of digital content are now increasingly able to control end users’ use of, and accessibility to, their products and stand to gain huge profits from this capability. However, as DRM technologies evolve and develop, so does end user concern about restrictions to their access to, and
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Reports on the topic "Music magazines"

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Winseck, D. Growth and Upheaval in the Network Media Economy in Canada, 1984-2019. Canadian Media Concentration Research Project (CMCRP), Carleton University, 2020. http://dx.doi.org/10.22215/cmcrp/2020.1.

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This report examines the development of the media economy over the past thirty-five years. Since beginning this project a decade ago, we have focused on analyzing a comprehensive as possible selection of the biggest telecoms, Internet and media industries (based on revenue) in Canada, including: mobile wireless and wireline telecoms; Internet access; cable, satellite &amp; IPTV; broadcast television, specialty and pay television services as well as Internet-based video subscription and download services; radio; newspapers; magazines; music; Internet advertising; social media; operating systems
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