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Dissertations / Theses on the topic 'Music magazines'

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1

Brennan, Matthew. "Down beats and rolling stones : an historical comparison of American jazz and rock journalism." Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/222.

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Jazz and rock have been historically treated as separate musical traditions, despite having many similar musical and cultural characteristics, as well as sharing significant periods of interaction and overlap throughout popular music history. The rift between jazz and rock, and jazz and rock scholarship, is based on a set of received assumptions as to why jazz and rock are different. However, these assumptions are not naturally inherent to the two genres, but are instead the result of a discursive construction that defines them in contrast to one another. Furthermore, the roots of this discurs
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2

Hansen, Jeanne Adair. "James Francis Cooke’s Editorial Motifs in the Etude Music Magazine, 1907-1957." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1510825513934644.

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3

Kristoffersson, Jessica, and Sara Samuelsson. "Rockstjärnor har inga tuttar : En innehållsanalys om genusrepresentationen i musikmagasinet MOJO." Thesis, Linnéuniversitetet, Institutionen för samhällsvetenskaper, SV, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-10400.

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The purpose of this study is to give an insight in how music press is presented gender wise. The focus area lies in rock music and the study is made on British music magazine MOJO in the year of 2010. The study contains quantitative analyses showing how much room men are given compared to women. The study is also supplemented with image analyses of four covers spread out over the year. The main question is formulated as in, how much room do women get in music magazine MOJO 2010 and what output does this have on rock music’s gender characteristics? The main results show, amongst other things th
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4

Warburton, Jane A. "Pastoral Music Magazine: Witness To and Participant in the Post-Vatican II Reform of Music and Liturgy in the United States." Connect to resource, 1997. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1209581288.

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5

Bozelka, Kevin John. ""Getting beyond" : SPIN magazine in the late 1980s." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82688.

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The Eighties were a time in Western popular music that seemed to exist only by virtue of it coming after something else---namely, the 1960s counterculture and the punk rock of the 1970s. Inheriting both the failure of permanent cultural revolution and the intense cynicism that is punk's strongest legacy, youth cultures in the 1980s found it increasingly difficult to live in the present. This thesis labels this historical dilemma postmodern. It will show how SPIN magazine attempted to move past this dilemma in order to assert a unique identity for 1980s popular music and youth cultures.
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Yamamoto-Naji, Aki. "Musica des Éditions Pierre Lafitte & Cie : un magazine musical pour un public familial ? /." [Paris] : [École des Hautes études en sciences sociales], 2007. http://catalogue.bnf.fr/ark:/12148/cb41457230h.

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Annexes au: Mémoire de Master 2--Sciences sociales, Mention théories et pratiques du langage et des arts, Spécialité Musique--Paris--École des hautes études en sciences sociales, 2007.<br>Notes bibliogr.
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7

Oden, Zachary K. "(Don't Anybody Laugh)." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1339176334.

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8

Betancourt, Mariel M. "On the Cover of Rolling Stone: What the Faces of Rock 'n' Roll Say about Music's Most Popular Magazine." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1199302563.

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9

Perret, Julie. "Du projet républicain de rénovation des arts en France entre 1870 et 1914 à sa réalisation en musique : l’exemple des chants pour l’école." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040102.

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Dès 1870, dans un contexte politique et social français marqué par un patriotisme, voire un nationalisme antigermanique et revanchard, l’État ressent le besoin de redéfinir la nation et de diffuser jusque dans les arts un nouvel esprit français marqué par les valeurs issues de la Révolution. La chute de l’Empire et l’arrivée des républicains sur la scène politique marquent un tournant idéologique durant lequel un projet de rénovation des arts se dessine. Il a pour objectif de contribuer à la régénération de la société et à la naissance de citoyens nouveaux. En étudiant à la fois le projet théo
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10

Keil, Andrea Marie. "The Dawn of Modern Piano Pedaling: Early Twentieth-Century Piano Pedaling Literature and Techniques." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428503747.

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11

Whitcher, Gary Frederick. "'More than America': some New Zealand responses to American culture in the mid-twentieth century." Thesis, University of Canterbury. Humanities, 2011. http://hdl.handle.net/10092/6304.

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This thesis focuses on a transformational but disregarded period in New Zealand’s twentieth century history, the era from the arrival of the Marines in 1942 to the arrival of Rock Around the Clock in 1956. It examines one of the chief agents in this metamorphosis: the impact of American culture. During this era the crucial conduits of that culture were movies, music and comics. The aims of my thesis are threefold: to explore how New Zealanders responded to this cultural trinity, determine the key features of their reactions and assess their significance. The perceived modernity and alterity of
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12

Dai-Rong, Lin, and 林岱蓉. "A Study of Construct for Children's Professional Music Magazines." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/27340128629159025375.

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碩士<br>臺北市立教育大學<br>音樂學系碩士班<br>98<br>This study aimed to construct the content, scope and layout, for children’s professional music magazines. Based on the theories of development of children’s music cognitive, learning, ability, as well as the analysis of "MUZIK" and "Artcokids," researcher designed a professional music magazine for 9 to 12 year-old children. Researcher developed the detailed table of bidirectional proposition according to Bloom's cognitive domain knowledge dimension and YuYe-Ru’s magazine content classification. Three scholars were invited to comment and revise the frame th
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13

Shan, Lim Chieh, and 林潔珊. "A Study of 1980's Taiwan Popular Music Magazines." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/bg54dz.

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14

Kyncl, Jan. "Proměny české hudební publicistiky v důsledku rozvoje online žurnalistiky." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-333501.

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This thesis deals with the changes within Czech music journalism that are connected to the boom of digital media and online journalism. Firstly, in its the theoretical part, this thesis offers a brief overview of a history of music journalism in Czech lands as well as worldwide and suggests what the role of a music critic is. Then it describes the boom of online journalism - again in Czech context as well as in a wolrdwide context - and continues with describing the main specfics of online journalism.It also mentions current trends of online journalism. The second part of this thesis focuses e
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15

Rodrigues, Carolina Luísa dos Santos Ribeiro. "O jornalismo de música extrema em Portugal: estudo de caso das revistas físicas Loud e Ultraje." Master's thesis, 2018. http://hdl.handle.net/10071/18236.

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A imprensa de música extrema é uma área vasta que pode ser estuda transdisciplinarmente. Apesar das possibilidades académicas, há pouquíssimos trabalhos científicos em português. Esta dissertação almeja mudar um pouco o cenário, concentrando-se na media especializada em música extrema em Portugal, nos casos da revista Loud e Ultraje e, tendo como universo suplementar, as webzines Loudness Magazine, Metal Imperium, Portuguese Distortion, Songs for the Deaf Radio, e a revista digital World of Metal. Partindo-se da pergunta "como funciona a imprensa especializada em música extrema em Port
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16

Heimann, William Keith. "“Evil at a glance”: “The Etude” educational cartoons from the Etude Music Magazine." Thesis, 2019. https://hdl.handle.net/2144/35748.

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The earliest mass media images of a private music teacher in the United States were found in The Etude Music Magazine (1883-1957), the preeminent monthly music education journal marketed specifically to a profession that enjoyed accelerated growth in the early 20th Century. The Etude fostered an image of the private music teacher as a community leader and moral compass, charged with the responsibility of defending 19-century values of Christianity, patriotism, and Victorian mores in the face of rapid upheavals in the social, cultural, and political fabric of the times. Extensive research has e
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17

Vokey, Megan. "Sexualisation of girls in music videos and girls' magazine advertisements: prevalence and consequences." 2015. http://hdl.handle.net/1993/30200.

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Sexualisation occurs when a person’s value (a) comes only from his or her sexual appeal/behaviours; (b) is held to a standard that equates physical attractiveness with being sexy; (c) is sexually objectified; and/or when (d) sexuality is inappropriately imposed (e.g., children) (American Psychological Association, 2007). In 2007, the American Psychological Association created a taskforce concerning the sexualisation of girls in response to concerns that their sexualisation has become a broad, increasing, and harmful practice in our media-saturated culture. Evidence exists that regardless of me
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18

Yang, Yun-Chen, and 楊昀真. "The Diversification Strategy of Taiwan Classical Music Magazine – A Case of MUZIK Group." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/w6rfy3.

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碩士<br>國立臺灣師範大學<br>表演藝術研究所<br>105<br>During its prime time of Taiwan music magazines, there were 8 magazines sold like hotcakes in the market simultaneously, with 4 out of 8 as classical music magazines. However, as the declines of the record industry and the rise of Internet age, magazines had declared to stop publication one by one. Nowadays, the existing music magazines mostly depend on the supports of government resources to maintain the publications. MUZIK International Co., Ltd was established in 2006. In addition to publishing MUZIK Classical Music Magazine and related books, MUZIK publi
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19

Perret, Julie. "Le projet républicain de démocratisations des arts en France entre 1870 et 1914 à sa réalisation en musique." Thesis, 2014. http://www.theses.fr/2014PA040102.

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Dès 1870, dans un contexte politique et social français marqué par un patriotisme, voire un nationalisme antigermanique et revanchard, l’État ressent le besoin de redéfinir la nation et de diffuser jusque dans les arts un nouvel esprit français marqué par les valeurs issues de la Révolution. La chute de l’Empire et l’arrivée des républicains sur la scène politique marquent un tournant idéologique durant lequel un projet de rénovation des arts se dessine. Il a pour objectif de contribuer à la régénération de la société et à la naissance de citoyens nouveaux. En étudiant à la fois le projet théo
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20

Frýdová, Tereza. "Vývoj hudební publicistiky od roku 1963 po současnost." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-438104.

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Diploma thesis The history of music journalism from the year 1963 until now examines the development of domestic music journalism from the year 1963 to the present in three crucial periods. The first period starts by the year 1963 because at this time the first professional music magazine Melodie in the Czechoslovak socialism republic developed. The second period that I study in my thesis was the 1990s, right after the Velvet Revolution, when many new music magazines were established, led by the magazine Rock & Pop. The third period I study in my thesis are the times after the year 2000 which
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21

"Buffo: Das Magazin der Staatsoperette Dresden." Staatsoperette Dresden, 2016. https://slub.qucosa.de/id/qucosa%3A71434.

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22

"Buffo: Das Magazin der Staatsoperette Dresden." Staatsoperette Dresden, 2017. https://slub.qucosa.de/id/qucosa%3A71437.

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23

"Buffo: Das Magazin der Staatsoperette Dresden." Staatsoperette Dresden, 2018. https://slub.qucosa.de/id/qucosa%3A71442.

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24

"Buffo: Das Magazin der Staatsoperette Dresden." Staatsoperette Dresden, 2019. https://slub.qucosa.de/id/qucosa%3A71448.

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25

Dresden, Staatsoperette. "Buffo: Das Magazin der Staatsoperette Dresden." 2015. https://slub.qucosa.de/id/qucosa%3A4997.

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26

"Glanz & Klang: Das Magazin der Sächsischen Staatskapelle Dresden." Staatskapelle Dresden, 2019. https://slub.qucosa.de/id/qucosa%3A36145.

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27

"Glanz & Klang: Das Magazin der Sächsischen Staatskapelle Dresden." Staatskapelle Dresden, 2013. https://slub.qucosa.de/id/qucosa%3A2711.

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28

"Glanz & Klang: Das Magazin der Sächsischen Staatskapelle Dresden." Staatskapelle Dresden, 2017. https://slub.qucosa.de/id/qucosa%3A35343.

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29

"Glanz & Klang: Das Magazin der Sächsischen Staatskapelle Dresden." Staatskapelle Dresden, 2015. https://slub.qucosa.de/id/qucosa%3A4757.

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30

"Glanz & Klang: Das Magazin der Sächsischen Staatskapelle Dresden." Staatskapelle Dresden, 2018. https://slub.qucosa.de/id/qucosa%3A34739.

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31

"Glanz & Klang: Das Magazin der Sächsischen Staatskapelle Dresden." Staatskapelle Dresden, 2016. https://slub.qucosa.de/id/qucosa%3A35339.

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32

Le, Faucheur Christelle Georgette. "Defining Nazi film : the film press and the German cinematic project, 1933-1945." 2012. http://hdl.handle.net/2152/22145.

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This dissertation analyses the roles and functions of the German film press during the Third Reich and explores the changes and tensions that characterized German cinema and, by extension, German society during that time period. A close reading of three major publications -- a trade journal, Film-Kurier, a popular magazine, Filmwelt, and the regime's official publication, Der deutsche Film -- first challenges the traditional view of a monolithic, top down control by the Nazi regime. I show the extent and the limits of the regime's utilization of culture and media and demonstrate how different
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"AUTOREN." SLUB Dresden, 2017. https://slub.qucosa.de/id/qucosa%3A16249.

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