Relevant bibliographies by topics / Music ministers

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Music ministers'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Music ministers"

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Pa, Pa Khaing Oo. "The Reflection of Lives of the Authors in Nyaungyann Age." Dagon University Research Journal Vol.3, no. 2011 (2019): Pg.1–9. https://doi.org/10.5281/zenodo.3542317.

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This paper concerns with the works of the Minister Padetharājā who was a famous minister in the days of Hantharwaddyyaut-min (King Hantharwaddyyaut). The King was the last one in the Nyaungyann Dynasty. Minister Padetharājā wrote classical poems, literature, music, poems and verses for the children of the king. In addition, this paper consists of the reflection of the lives of Ministers, Padetharājā, Mintheikpann and Hantharwaddyyaut-min related to the poem, verses, etc. Studying the reflection of their lives will be an aid to the record of their literature and history.
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Durso, Pamela R. "This is what a minister looks like: The expanding Baptist definition of minister." Review & Expositor 114, no. 4 (2017): 520–25. http://dx.doi.org/10.1177/0034637317737512.

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In 1956, H. Richard Niebuhr and Daniel D. Williams asserted that to the traditional definition of minister as pastor-preacher must be added teacher, chaplain, missionary, evangelist, counselor, and countless others. What Niebuhr and Williams observed as happening within American churches in general was also true within Baptist churches. Beginning sometime around mid-century, Baptist churches hired staff members to lead and plan their music programs; to work with preschoolers, children, teenagers, college students, and senior adults; and to oversee administration, education, and recreational ac
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Prof. Mellitus N. WANYAMA; Prof. Frederick B. J. A. NGALA, Joyce M. MOCHERE;. "The Relevance of University Music Curricula to the Requirements of Church Music Job Market in Kenya." Editon Consortium Journal of Curriculum and Educational Studies 2, no. 1 (2020): 250–74. http://dx.doi.org/10.51317/ecjces.v2i1.161.

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In the prevailing global church music job market, church worship ministers or music directors are on high demand as they play a crucial role in church liturgy and other church musical events. Globally, many universities offer programmes on music training and pastoral leadership. In Kenya, such training is predominantly in theological schools with few universities offering such programmes. Currently, there is a growing interest of church musicians in Kenya due to the need to spread the gospel beyond the church walls and to promote ecumenism. For example, churches participate in church crusades,
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Ciptoningtyas, Sheila Vallenta, and Bagus Susetyo. "The Symbolic Interaction between the Worship Leader and the Music Ministers in Christian Accompaniment Music at Isa Almasih Church, Deliksari Gunungpati, Semarang." Jurnal Seni Musik 13, no. 1 (2024): 20–26. https://doi.org/10.15294/jsm.v13i1.4600.

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Music is an important component of Christian worship in churches, which serves as the accompanying music. This is particularly true in charismatic churches, which primarily use contemporary music that evolves with current trends. In charismatic Christian worship, music plays a role in accompanying and creating the atmosphere for praise and worship songs. This research addresses the issue of symbolic interaction between worship leader and the accompanying music in Christian worship at Isa Almasih Church, Deliksari Gunungpati Semarang. This research employed descriptive qualitative method and us
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Udok, Ekaette C. "Reflections on ethos and tenets of music in the Assemblies of God Uyo district, Akwa Ibom State." Journal of the Association of Nigerian Musicologists 16, no. 1 (2022): 141–57. http://dx.doi.org/10.4314/janm.v16i1.11.

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Music has always been an indispensable tool in any church setting. In Nigeria, the early missionaries appropriated music in liturgical services in form of hymn singing, chant and anthem as part of worship in the church. With continual apt growth of Christianity in Nigeria, Assemblies of God church evolved from the Pentecostal movement, with emphasis on the activity of the Holy Spirit and on holy living. Hence, contents and styles of music were made to suit the pattern and beliefs of Assemblies of God such as spirit motivated songs, evangelistic songs, mission songs and salvation songs other th
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Fasipe, Emmanuel Olusola. "The Church and Music Ministry." Journal of Advances in Education and Philosophy 8, no. 07 (2024): 447–52. http://dx.doi.org/10.36348/jaep.2024.v08i07.001.

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The music ministry is an invaluable ministry of the church. A church music ministry exists to develop a comprehensive music programme that ministers to all areas of the church’s life. An effective music ministry, therefore, provides the church with good music that members may use for worship, education and evangelism. The study adopts literary and theological approaches and engages pertinent scholarly literature. It discusses the value of music ministry to the congregation, the choir, the instrumentalists who play musical instruments and individuals who lead in the ministry. Furthermore, the s
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Davis, Joanne. "Family Trees: Roots and Branches – The Dynasty and Legacy of the Reverend Tiyo Soga." Studies in World Christianity 21, no. 1 (2015): 20–37. http://dx.doi.org/10.3366/swc.2015.0103.

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The Reverend Tiyo Soga, ordained as a minister in the United Presbyterian Church of Scotland in December 1856, is a remarkable figure in many ways. However, one area not yet commented on in the scholarly literature on Soga is the legacy of his family within the ministry. This paper examines the role of Soga's parents, ‘Old Soga’ and NoSuthu, in his conversion and introduces his wife, Janet Soga, and their seven surviving children, of whom two sons – William Anderson and John Henderson – were ordained ministers and missionaries, and two daughters – Isabelle McFarlane and Francis Maria Anne – wo
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Vasic, Aleksandar. "Review of music: Forgotten musical magazine of inter-war Belgrade." Muzikologija, no. 19 (2015): 119–33. http://dx.doi.org/10.2298/muz1519119v.

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The monthly magazine Review of Music was published six times in Belgrade from January to June 1940. Each edition comprised thirty-two pages, half of which were devoted to a sheet-music supplement, popular compositions of the time for voice and piano. Review of Music published 222 articles and scores in total. The aim of the magazine was to popularise classical music, but it also encompassed jazz, films and film music, theatre, literature, fashion, and even sport. Review of Music was different from all other Serbian inter-war music magazines, not only because of its wide range of topics, but al
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Richardson, Paul A. "Book Review: Creating Four-Part Harmony: Effective Ideas for Ministers of Music." Review & Expositor 88, no. 1 (1991): 121–22. http://dx.doi.org/10.1177/003463739108800144.

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Pokharel, Ramesh. "Classical Music in the Shah and Rana Era: 1768 - 1951 A.D." SIRJANĀ – A Journal on Arts and Art Education 6, no. 1 (2019): 62–71. http://dx.doi.org/10.3126/sirjana.v6i1.39674.

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The tradition of classical music was more justified during the Shah and Rana Dynasty’s ruling. During the time the cultural import from neighboring India and the wide appreciation of music by kings and the Royal Palace of Nepal show the influence of Classical music among the Shah and Rana families. Some Rana Prime Ministers wanted to promote classical music but in practice most music was limited to the Royal palace and Rana family. Music Education, as well as all kinds of formal education were banned for the citizens of Nepal during the Rana regime. Those who were close to the Rana family and
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Dissertations / Theses on the topic "Music ministers"

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Sharp, Brian Emory. "Selected Resources for Ministers of Music in Evangelical Christian Churches." Digital Commons @ East Tennessee State University, 2007. https://dc.etsu.edu/etd/2261.

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Ministers of music in Evangelical Christian churches today are usually trained as choral conductors but take positions that require them to unexpectedly be an instrumental conductor, administrator, counselor, recruiter, evangelist, and even associate pastor. There was no central resource for information to assist these musicians, thus this annotated bibliography was developed. It includes books and magazine articles on vocal and instrumental pedagogy, conducting, hymnology, theology, musical terminology, leadership skills, evangelism, and administration. Because of time limitations, only sourc
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Palionis, Solveiga. "Formation of pastoral musicians in Lithuania pastoral project : intensive one week summer course /." Theological Research Exchange Network (TREN) Theological Research Exchange Network (TREN) Access this title online, 2006. http://www.tren.com.

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Bunnell, John H. "An open-ended database guide to assist ministers of music and vocal soloists to select solos that will match and enhance the lectionary readings during the Easter cycle (year "A")." Theological Research Exchange Network (TREN), access this title online, 2006. http://dx.doi.org/10.2986/tren.089-0073.

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Prest, Vallen L. "Developing worship leaders as servant artists at Woodside Bible Church, Troy, Michigan." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p089-0141.

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Siddons, Kyle. "Utilizing North American Art Song Settings of Psalm Texts in Worship Services: an Annotated Guide for Singers, Voice Instructors, and Music Ministers." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500200/.

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This dissertation provides a guide for appropriate use of North American art song settings of biblical psalms for solo voice written after 1950 in the worship services of Christian faiths. The songs analyzed are for all voice parts and a variety of accompanying ensembles. The placement of each song on a specific calendar day is guided by the individual church calendars and lectionaries, on the prevalent themes of the text, and the characteristics of the musical setting. Performance of these songs only in a concert setting limits their usefulness for singers, voice teachers, and music direct
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Thomas, Stuart. "Enabling ministers and musicians to develop music in parish worship : enabling the shortfall in ministerial support and training in the Church of England." Thesis, Bangor University, 2015. https://research.bangor.ac.uk/portal/en/theses/enabling-ministers-and-musicians-to-develop-music-in-parish-worship--enabling-the-shortfall-in-ministerial-support-and-training-in-the-church-of-england(f8590664-8c36-40fc-a9df-64819e5a69f1).html.

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Church ministers often lack confidence in making musical choices, negotiating with musicians, or knowing how to make best use of often limited musical resources. Building on my experience as a part-time liturgy tutor for a diocesan ministry course, as training incumbent, and leader of workshop and seminars, and on investigations into the current provision of ministerial training, available resources, and the responses of new and experienced ministers from the Church of England and from the Lutheran Church, the outcome is a Musical Toolkit intended to support ministers. There are three chapters
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Nguyễn, Xuân-Thaʼo Joseph. "Music ministry the inculturation of liturgical vocal music in Vietnam /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p033-0807.

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Gillis, Leslie Myers. "Contemporary practices in Southern Baptist Church music: a collective case study of worship, ministry design and music education." Thesis, Boston University, 2013. https://hdl.handle.net/2144/11001.

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Thesis (D.M.A.)--Boston University<br>The widespread popular music-based modem worship movement begun in the 1960's brought the styles and sounds of popular music into worship as churches sought to increase cultural connection in their worship. The worship transformation brought significant challenges. Church musicians trained in traditional skills had to adapt and incorporate skills associated with popular musics. Music ministers had to train themselves and ministry musicians. The worship transformation altered the design of many music ministries, changing personnel, practices, repertoire, an
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Story, Brandon H. "Gospel According to Bristol: The Life, Music, and Ministry of Ernest Phipps." [Johnson City, Tenn. : East Tennessee State University], 2003. https://dc.etsu.edu/etd/766.

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Thesis (M.A.)--East Tennessee State University, 2003.<br>Title from electronic submission form. ETSU ETD database URN: etd-0331103-141813. Includes bibliographical references. Also available via Internet at the UMI web site.
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Newman, Eleanor Marjorie Carleton University Dissertation Canadian Studies. "An analysis of Canadian content in vocal music textbooks authorized by the Ontario Ministry of Education." Ottawa, 1988.

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Books on the topic "Music ministers"

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1953-, Turner Paul, ed. Guide for music ministers. 2nd ed. Liturgy Training Publications, 2010.

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United Methodist Church (U.S.). Division of Diaconal Ministry, ed. Certification of directors of music ministry, ministers of music, associates in music ministry. Division of Diaconal Ministry, General Board of Higher Education and Ministry, The United Methodist Church, 1985.

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1952-, Tufano Victoria M., ed. Music and the Mass: A practical guide for ministers of music. Liturgy Training Publications, 1998.

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Kaiser, Glenn. Music, musicians, and ministry. Cornerstone Press, 1986.

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Fred, Bock, ed. Creating four-part harmony: Effective ideas for ministers of music. Hope Pub. Co., 1989.

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Johansson, Calvin M. Discipling music ministry: Twenty-first century directions. Hendrickson Publishers, 1992.

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Harris, Jacob. The dos & don'ts of music ministry and more. Outskirts Press, 2009.

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Harris, Jacob. The dos & don'ts of music ministry and more. Outskirts Press, 2009.

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Elsbeth, Fassler Margot, ed. Musicians for the churches: Reflections on vocation and formation. Institute of Sacred Music at Yale University, 2001.

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Patrick, Peterson, and Hertenstein Jane 1958-, eds. More like the Master: A Christian musician's reader. Cornerstone Press Chicago, 1996.

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Book chapters on the topic "Music ministers"

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da Correa, Delia Sousa. "Music and the Woman Question: The ‘Minister of Domestic Concord’ and ‘the Most Sensuous of Accomplishments’." In George Eliot, Music and Victorian Culture. Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230598010_3.

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Newsholme, Richard. "5. The Interregnum and Managing the Aftermath of Civil War (1646–60)." In Music, Religion and Politics at Worcester Cathedral, 680-1950. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0437.05.

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During the Interregnum, cathedral services were led by the Independent minister, Simon Moore. The services seem to have followed the pattern prescribed by the Directory that was issued to replace the Book of Common Prayer. The city had been damaged by the war and citizens were impoverished by the loss of wage-earning men and the quartering of Royalist soldiers in private homes. Money was raised by selling roofing lead, in particular that of the ‘leaden steeple’, a free-standing campanile near the cathedral. However, problems were caused by the presence of frustrated and angry Parliamentary sol
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Frendo, Anthony J., and Kurstin Gatt. "Honouring a Gentleman, A Scholar, a Teacher, and a Pastor." In Semitic Languages and Cultures. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0445.01.

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This chapter honors the multifaceted legacy of Martin R. Zammit, a distinguished scholar, teacher, pastor, and mentor whose contributions to Semitic Studies and Arabic linguistics have left an indelible mark. Born in Valletta in 1958, Martin's journey into academia was inspired by early exposure to Maltese linguistic texts and a self-driven pursuit of Arabic, despite its absence in formal education in Malta. His career began with roles involving Arabic translation and cultural liaison, notably as private secretary to the Maltese Prime Minister, Dom Mintoff, where he deepened his engagement wit
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"Ministers: Where Have All the Characters Gone?" In Whatever Happened to the Music Teacher? McGill-Queen's University Press, 2013. http://dx.doi.org/10.1515/9780773588035-005.

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"Ministry, Music, and Meaning: The Religious Context." In Traditional Tunes and Lived Religion in the Protestant Church on the Central Moluccas, Indonesia. Amsterdam University Press, 2025. https://doi.org/10.5117/9789463729796_ch02.

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The Moluccan Protestant church is historically based on Dutch Reformed Protestantism. The organizational structure of the church consists of hierarchical roles, such as the synod board, regional boards, and church councils. Ministers are educated at the theological university. The theological vision of generations of ministers represents the curriculum over the years, including the recent contextual approach. The liturgical structure is fixed, and the church buildings have a similar appearance. The author describes the history of hymnbooks and musical accompaniment in the church, as well as pr
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Holman, Peter. "‘Ministers of Pastime’ The String Consort 1540-1558." In Four and Twenty Fiddlers. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198161455.003.0004.

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Abstract IN the summer of 1539 Henry VIII was once again preparing for marriage. In June the French ambassador reported that: The King, who in some former years has been solitary and pensive, now gives himself up to amusement, going to play every night upon the Thames, with harps, chanters and all kind of music and pastime. He evidently delights now in painting and embroidery, having sent men to France, Flanders, Italy and elsewhere for masters of this art, and also for musicians and other ministers of pastime. All his peo le think this is a sign of his desire to marry if he should find an agr
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"The Progression of the Message of Hip-Hop Including the Religious and Its Process of Evangelization." In Achieving Social Justice Through Music. IGI Global Scientific Publishing, 2025. https://doi.org/10.4018/979-8-3693-5888-7.ch004.

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This chapter looks at the eras or growth of hip-hop over time with a brief discussion of rappers within hip hop included. Just as the artist's music progressed, hip hop as a culture has progressed. The reader will read about its precursors in the form of spoken word poets and political leaders who spoke as griots, wrote poetry and rhymes and even gave “toasts, “beginnings, the golden era, the era of corporatization and commercialization, as well as its current state. One will be able to see that hip hop was used as a social justice tool to address a myriad of issues such as inequalities, polic
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Bartenstein, Fred. "Using My Bible for a Roadmap." In Industrial Strength Bluegrass. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043642.003.0006.

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Musicians, ministers, evangelical churches, music promoters, recording studios, and radio made southwestern Ohio an epicenter for sacred bluegrass. Worship services, revivals, homecomings, church concerts, WPFB’s Hymns from the Hills and WYSO’s Rise When the Rooster Crows played sacred bluegrass music. The Brown’s Ferry Four and King’s Sacred Quartet recorded at King. Shannon Grayson, Flatt and Scruggs, Jim and Jesse, Reno and Smiley, Sonny Osborne, Red Allen, the Stanley Brothers, Moore and Napier, and J.D. Jarvis also recorded in Cincinnati. Lillimae Haney Whitaker headed the Dixie Gospel-Ai
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Woodfield, Ian. "The Encounter with Indian Music." In Music of the Raj. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198164333.003.0006.

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Abstract The background to the intense fashion for Indian songs and instruments that swept through Anglo-Indian society in the 1780s lies in the expansion of the East India Company ‘s interests into the central and northern provinces of lndia. It is noteworthy that although Indian tunes were performed and published in Calcutta, they were rarely collected there. Calcutta was perceived as what it was—an English creation. To experience truly ‘authentic ‘ Indian culture, it was widely recognized that a journey inland would be necessary, and an ideal location existed—the kingdom of Oudh. A voyage o
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Booker, Vaughn A. "“Jazzing Religion”." In Lift Every Voice and Swing. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479892327.003.0002.

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This chapter discusses the Afro-Protestant mainline in the era when jazz emerged as a distinct profession. In the 1920s and 1930s, religious race professionals provided editorial commentary on African American entertainment and social gatherings through their denominational newspapers and the black press. Jazz competed with middle-class African American religious leaders for the minds, time, and even finances of African American youth. At the same time, these churches and clergy were already facing the criticisms of African American intellectuals who questioned the aims of their ministries as
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Conference papers on the topic "Music ministers"

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Tseng, Hua Hui. "THE RELATIONS BETWEEN MUSICIANSHIP AND CORE COMPETENCIES IN PROFESSIONAL MUSIC TRAINING—THE TUT EXPERIENCE." In International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end003.

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After being asked to respond to the Arts Education Act of 2015 by the Ministry of Education, Taiwan, concerning curricula and their impact on music education, what follows are some observations and reflections from the Tainan University of Technology (TUT), Taiwan, about its educators' experiences of teaching undergraduate music and music degrees. The idea put forward isthatskills/knowledge competency reflects an emergent sensibility in contemporary music cultures, and this represents an opportunity for music educators to reconfigure and strengthen their pedagogical approaches. By recognizing
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Selimian, Haroutioun. "Սուրիոյ Հայ Աւետարանական Համայնքի Գործունէութիւնը (2005-2017ի Ամփոփ Պատկեր)". У Սուրիոյ Հայերը. HU Press, 2018. http://dx.doi.org/10.62811/adrc.aos.hs.001.

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The Armenian evangelical community of Syria has a significant presence in the Armenian spiritual, cultural, and national space of Syria. From the early 1990’s, the community was further and more actively incorporated into the Syrian Armenian space. The community is present in Aleppo, Kesab, Homs and Damascus and is administered by the Central Committee of the Near East Armenian Evangelical Church Union, the Administrative Body of the Armenian Evangelical Community and the Educational Council of the Armenian Evangelical Community. The report highlights the milestones of the community in Syria a
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Manzar, Osama, and Saurabh Srivastava. "Developing Indigenous Women Leaders through Digital Mentorship: Experiences from the GOAL Program, India." In Tenth Pan-Commonwealth Forum on Open Learning. Commonwealth of Learning, 2022. http://dx.doi.org/10.56059/pcf10.4544.

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Critical social and organisational skills are increasingly becoming a desired quality in most of the service sector jobs in India. Personality development, self-improvement and public speaking are now marketed in urban India through several educational enterprises that charge an exorbitant amount of money from the customers. People from rural and marginalised backgrounds often lack the sophistication and confidence to compete with their privileged counterparts in urban India despite having technical and vocational skills. Digital Empowerment Foundation (DEF) initiated the program Going Online
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Camplone, Stefania, Ivo Spitilli, and Giuseppe Di Bucchianico. "Exploring Inner Landscapes Through Material." In 2025 Intelligent Human Systems Integration. AHFE International, 2025. https://doi.org/10.54941/ahfe1005858.

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Today’s youth are confronted with a complex and ever-changing reality, filled with stimuli and contradictions that challenge their inner world and render them more vulnerable to the demands of daily life. Their “interior landscapes,” shaped by the digital age, are increasingly heterogeneous and contradictory, highlighting fragilities and insecurities that can hinder their educational journey. However, verbal expression and the sharing of emotions, whether positive or negative, is a complex and sometimes painful process, often leading to the internalisation of their discomfort.This paper presen
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Forni, M., A. Martelli, A. Poggianti, et al. "Development of Innovative Anti-Seismic Systems for Civil and Industrial Structures: New Achievements of ENEA." In ASME 2002 Pressure Vessels and Piping Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/pvp2002-1436.

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As described at previous ASME-PVP Conferences, large efforts have been devoted by the Italian Agency for New Technology, Energy and the Environment (ENEA), with the cooperation of several further members of the Italian Working Group on Seismic Isolation (GLIS), to the development, validation and application of innovative anti-seismic (IAS) techniques since 1988. Considered have been base and floor seismic isolation systems, energy dissipation systems consisting of various types of passive devices (elastic-plastic, viscous, visco-elastic and electro-inductive dampers), hydraulic coupling system
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