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Journal articles on the topic 'Music ministers'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Pa, Pa Khaing Oo. "The Reflection of Lives of the Authors in Nyaungyann Age." Dagon University Research Journal Vol.3, no. 2011 (2019): Pg.1–9. https://doi.org/10.5281/zenodo.3542317.

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This paper concerns with the works of the Minister Padetharājā who was a famous minister in the days of Hantharwaddyyaut-min (King Hantharwaddyyaut). The King was the last one in the Nyaungyann Dynasty. Minister Padetharājā wrote classical poems, literature, music, poems and verses for the children of the king. In addition, this paper consists of the reflection of the lives of Ministers, Padetharājā, Mintheikpann and Hantharwaddyyaut-min related to the poem, verses, etc. Studying the reflection of their lives will be an aid to the record of their literature and history.

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Durso, Pamela R. "This is what a minister looks like: The expanding Baptist definition of minister." Review & Expositor 114, no. 4 (2017): 520–25. http://dx.doi.org/10.1177/0034637317737512.

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In 1956, H. Richard Niebuhr and Daniel D. Williams asserted that to the traditional definition of minister as pastor-preacher must be added teacher, chaplain, missionary, evangelist, counselor, and countless others. What Niebuhr and Williams observed as happening within American churches in general was also true within Baptist churches. Beginning sometime around mid-century, Baptist churches hired staff members to lead and plan their music programs; to work with preschoolers, children, teenagers, college students, and senior adults; and to oversee administration, education, and recreational ac

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Prof. Mellitus N. WANYAMA; Prof. Frederick B. J. A. NGALA, Joyce M. MOCHERE;. "The Relevance of University Music Curricula to the Requirements of Church Music Job Market in Kenya." Editon Consortium Journal of Curriculum and Educational Studies 2, no. 1 (2020): 250–74. http://dx.doi.org/10.51317/ecjces.v2i1.161.

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In the prevailing global church music job market, church worship ministers or music directors are on high demand as they play a crucial role in church liturgy and other church musical events. Globally, many universities offer programmes on music training and pastoral leadership. In Kenya, such training is predominantly in theological schools with few universities offering such programmes. Currently, there is a growing interest of church musicians in Kenya due to the need to spread the gospel beyond the church walls and to promote ecumenism. For example, churches participate in church crusades,

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Ciptoningtyas, Sheila Vallenta, and Bagus Susetyo. "The Symbolic Interaction between the Worship Leader and the Music Ministers in Christian Accompaniment Music at Isa Almasih Church, Deliksari Gunungpati, Semarang." Jurnal Seni Musik 13, no. 1 (2024): 20–26. https://doi.org/10.15294/jsm.v13i1.4600.

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Music is an important component of Christian worship in churches, which serves as the accompanying music. This is particularly true in charismatic churches, which primarily use contemporary music that evolves with current trends. In charismatic Christian worship, music plays a role in accompanying and creating the atmosphere for praise and worship songs. This research addresses the issue of symbolic interaction between worship leader and the accompanying music in Christian worship at Isa Almasih Church, Deliksari Gunungpati Semarang. This research employed descriptive qualitative method and us

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Udok, Ekaette C. "Reflections on ethos and tenets of music in the Assemblies of God Uyo district, Akwa Ibom State." Journal of the Association of Nigerian Musicologists 16, no. 1 (2022): 141–57. http://dx.doi.org/10.4314/janm.v16i1.11.

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Music has always been an indispensable tool in any church setting. In Nigeria, the early missionaries appropriated music in liturgical services in form of hymn singing, chant and anthem as part of worship in the church. With continual apt growth of Christianity in Nigeria, Assemblies of God church evolved from the Pentecostal movement, with emphasis on the activity of the Holy Spirit and on holy living. Hence, contents and styles of music were made to suit the pattern and beliefs of Assemblies of God such as spirit motivated songs, evangelistic songs, mission songs and salvation songs other th

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Fasipe, Emmanuel Olusola. "The Church and Music Ministry." Journal of Advances in Education and Philosophy 8, no. 07 (2024): 447–52. http://dx.doi.org/10.36348/jaep.2024.v08i07.001.

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The music ministry is an invaluable ministry of the church. A church music ministry exists to develop a comprehensive music programme that ministers to all areas of the church’s life. An effective music ministry, therefore, provides the church with good music that members may use for worship, education and evangelism. The study adopts literary and theological approaches and engages pertinent scholarly literature. It discusses the value of music ministry to the congregation, the choir, the instrumentalists who play musical instruments and individuals who lead in the ministry. Furthermore, the s

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Davis, Joanne. "Family Trees: Roots and Branches – The Dynasty and Legacy of the Reverend Tiyo Soga." Studies in World Christianity 21, no. 1 (2015): 20–37. http://dx.doi.org/10.3366/swc.2015.0103.

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The Reverend Tiyo Soga, ordained as a minister in the United Presbyterian Church of Scotland in December 1856, is a remarkable figure in many ways. However, one area not yet commented on in the scholarly literature on Soga is the legacy of his family within the ministry. This paper examines the role of Soga's parents, ‘Old Soga’ and NoSuthu, in his conversion and introduces his wife, Janet Soga, and their seven surviving children, of whom two sons – William Anderson and John Henderson – were ordained ministers and missionaries, and two daughters – Isabelle McFarlane and Francis Maria Anne – wo

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Vasic, Aleksandar. "Review of music: Forgotten musical magazine of inter-war Belgrade." Muzikologija, no. 19 (2015): 119–33. http://dx.doi.org/10.2298/muz1519119v.

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The monthly magazine Review of Music was published six times in Belgrade from January to June 1940. Each edition comprised thirty-two pages, half of which were devoted to a sheet-music supplement, popular compositions of the time for voice and piano. Review of Music published 222 articles and scores in total. The aim of the magazine was to popularise classical music, but it also encompassed jazz, films and film music, theatre, literature, fashion, and even sport. Review of Music was different from all other Serbian inter-war music magazines, not only because of its wide range of topics, but al

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Richardson, Paul A. "Book Review: Creating Four-Part Harmony: Effective Ideas for Ministers of Music." Review & Expositor 88, no. 1 (1991): 121–22. http://dx.doi.org/10.1177/003463739108800144.

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Pokharel, Ramesh. "Classical Music in the Shah and Rana Era: 1768 - 1951 A.D." SIRJANĀ – A Journal on Arts and Art Education 6, no. 1 (2019): 62–71. http://dx.doi.org/10.3126/sirjana.v6i1.39674.

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The tradition of classical music was more justified during the Shah and Rana Dynasty’s ruling. During the time the cultural import from neighboring India and the wide appreciation of music by kings and the Royal Palace of Nepal show the influence of Classical music among the Shah and Rana families. Some Rana Prime Ministers wanted to promote classical music but in practice most music was limited to the Royal palace and Rana family. Music Education, as well as all kinds of formal education were banned for the citizens of Nepal during the Rana regime. Those who were close to the Rana family and

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Eko AgusSetiawan. "PERANAN ARANSEMEN MUSIK GEREJA MODEREN TERHADAP DINAMIKA IBADAH." JURNAL TABGHA 4, no. 1 (2023): 46–55. http://dx.doi.org/10.61768/jt.v4i1.68.

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Music arrangement is one of the important things to pay attention to its use in worship by everyone who is expected to make a positive contribution to the development of music specifically for the church, and in general for the Indonesian people in the future. This is one of the ways in which popular culture works in the modern church based on the author's understanding of the general values developed in worship by the church today as the foundation for the development of music at a later stage. This study uses a descriptive qualitative method with the process of collecting data through interv

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Simanjuntak, Jack Arthur. "Field Recording Approach of Traditional Music Arts for Ruwatan Bumi G20 Culture Performance: A Case Study in West Java." Panggung 34, no. 1 (2024): 17. http://dx.doi.org/10.26742/panggung.v34i1.2678.

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The Ruwatan Bumi ceremony, part of the G20 Culture Ministers Meeting and Indonesia Festival Bertutur 2022, took place at Borobudur Temple, Central Java, in September 2022. Featuring a traditional ruwatan ritual, the event showcased live prayers, songs, and music from diverse Indonesian regions. Recording traditional music, vital for performance and rehearsal, was undertaken through a field recording approach. Beluk, tarawangsa, and Ronggeng Gunung were recorded using stereo and close-range methods. Employing a descriptive qualitative approach, the study emphasized the significance of mastering

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Achikeh, Cordis-Mariae, and Raphael Umeugochukwu. "The value of good liturgical music." UJAH: Unizik Journal of Arts and Humanities 20, no. 3 (2020): 133–50. http://dx.doi.org/10.4314/ujah.v20i3.8.

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It is disturbing that in recent times, the worshiping community in the capacity of some church ministers, composers and musicians have deviated from the specifications of liturgical music even as recommended by Vatican Council II (The Constitution of The Sacred Liturgy). Also misunderstood and misappropriated is the idea of inculturation that permits composers in different countries to write music using the language of the locality as well as the indigenous instruments. This is partly due to inadequate enlightenment and training on the part of the liturgical music practitioners on the real mea

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Sugiarta, Nugraha, Hanafi Hanafi, and Amos Amos. "Symbol of Communication between Worship Leader and Music Priest in Maintaining Harmonization of Worship Music at GBI Lembang Bandung." JISIP (Jurnal Ilmu Sosial dan Pendidikan) 8, no. 2 (2024): 1264. http://dx.doi.org/10.58258/jisip.v8i2.6729.

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Music has an important role in Christian worship. Harmonious music is solemnity if the Worship leader and musician church can carry out their duties properly. Worship leader and musician communicate using symbols when leading worship. This research aims to determine how the meaning of the communication symbols of church music groups in maintaining the harmonization of worship music. This research uses qualitative method with a symbolic interaction study approach. Data was collected through observation, interviews and documentation. The informant determination technique used is purposive sampli

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Benita Cardoso. "Music in the Cathedral of Córdoba (1236-16th century)." ENDLESS : International Journal of Future Studies 1, no. 2 (2018): 38–60. http://dx.doi.org/10.54783/endless.v1i2.8.

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The present article tries to explore the origins of music in the cathedral of Cordoba since it is consecrated as a Christian temple, as well as the beginning and consolidation of the groups and ministers who daily play the Gregorian chant in the Catholic Mass and in the different hours of the divine office, and, extraordinarily, polyphony in the great liturgical solemnities, taking as its starting point the very institution of the cathedral lobby which is the one that makes this sound reality possible. On the other hand, we inquired in the beginnings of the instrumental musical practice from t

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Endong, Floribert Patrick Calvain. "Religiosity versus Spirituality in the Contemporary Nigerian Gospel Music." Human and Social Studies 5, no. 2 (2016): 116–32. http://dx.doi.org/10.1515/hssr-2016-0017.

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Abstract There have been remarkable (r)evolutions in the Nigerian gospel music industry for the past decades. These revolutions have led to the emergence and survival of various modern and controversial musical cultures/traditions, modes and performances including worldliness and paganism in the industry. In view of these relatively nefarious musical cultures, a good number of scholars and observers tend to arguably redefine and (re)brand Christian communication in general and Nigerian gospel music in particular. It is in following this premise that this paper examines the phenomenon of religi

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Mulder, André. "Meeting Metalheads." Journal of Youth and Theology 17, no. 1 (2018): 21–39. http://dx.doi.org/10.1163/24055093-01701004.

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This article explores the world view, social position and psychological make-up of people who listen to metal music (metalheads) and the cultural reactions to this genre in order to prepare for an encounter with metalheads in religious education and youth ministry. Only when teachers and youth ministers can connect with the world view of young people can they fulfil their hermeneutical-didactical task of fostering religious identity. Using the spiritual model of Waaijman, the concept of ‘meeting a stranger’ is introduced as a spiritual exercise for teachers to open themselves to the questions

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Ellis, Katharine. "Singing through Anticlerical Storms." Journal of Musicology 42, no. 1 (2025): 31–62. https://doi.org/10.1525/jm.2025.42.1.31.

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Amid nationwide debates in Third Republic France as to whether good Catholics could serve the church but also “rally” to the Republic, a project to set up a municipal/national music school in Moulins, to the financial detriment of the local cathedral choir school, suggests an environment of straightforward musical and confessional antagonism. The close-up view is more complex, however. Long-standing alliances among musicians and clerics turn out to be at odds with separatism at the town council, ministerial inspectors become choir school defenders, and at the national level we find different m

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Said, Shannon. "White Pop, Shiny Armour and a Sling and Stone: Indigenous Expressions of Contemporary Congregational Song Exploring Christian-Māori Identity." Religions 12, no. 2 (2021): 123. http://dx.doi.org/10.3390/rel12020123.

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It has taken many years for different styles of music to be utilised within Pentecostal churches as acceptable forms of worship. These shifts in musical sensibilities, which draw upon elements of pop, rock and hip hop, have allowed for a contemporisation of music that functions as worship within these settings, and although still debated within and across some denominations, there is a growing acceptance amongst Western churches of these styles. Whilst these developments have taken place over the past few decades, there is an ongoing resistance by Pentecostal churches to embrace Indigenous mus

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20

Zaslaw, Neal. "Scylla et Glaucus: A case study." Cambridge Opera Journal 4, no. 3 (1992): 199–228. http://dx.doi.org/10.1017/s0954586700003773.

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The policies of centralisation pursued by Louis XIV and his ministers affected most aspects of French life and culture. From 1645 opera had been imported from Italy by Louis' minister Cardinal Mazarin, originally out of political motives. When it had become ‘naturalised’, assuming its characteristic French guise under the despotic direction of Lully's Académie Royale de Musique, it continued to serve political purposes. In return for a monopoly on theatre music, Lully saw to it that opera served not only as entertainment for the nobility and bourgeoisie, but also as propaganda for the state an

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Jorritsma, Marie. "The Significance of Small Journeys: Travel and the Congregational Music of Kroonvale, South Africa." Nineteenth-Century Music Review 16, no. 02 (2018): 229–47. http://dx.doi.org/10.1017/s1479409817000672.

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In James Clifford’s influential text, Routes (1997), he makes the point that, contrary to the entrenched belief that only the ethnographer is a traveller to faraway places, the local people and communities are also travellers. This article takes his notion as its point of departure and investigates the implications of travel within the context of my research among the members of three church congregations of coloured people in Kroonvale, South Africa, where I undertook fieldwork in 2004 and 2005. Historically, the international journeys of colonial officials, European missionaries and slaves f

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Jamieson, J. T. "Home Work: Religious Nationalism and the American Home Missionary Society." Early American Studies: An Interdisciplinary Journal 21, no. 4 (2023): 629–66. http://dx.doi.org/10.1353/eam.2023.a912123.

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ABSTRACT: In the early nineteenth century, missionary organizations emerged at the forefront of American civil society. Centering the perspectives of the American Home Missionary Society (AHMS), its administrators, and the ministers who belonged to it, this article argues that evangelical Protestants sensed tension between foreign, national, and local religious projects. As a domestic organization, the AHMS hoped the American public would focus on the evangelization of national rather than foreign space. Despite close relationships with foreign missions, many of its representatives believed th

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D'ALVARENGA, JOÃO PEDRO. "‘TO MAKE OF LISBON A NEW ROME’: THE REPERTORY OF THE PATRIARCHAL CHURCH IN THE 1720S AND 1730S." Eighteenth Century Music 8, no. 2 (2011): 179–214. http://dx.doi.org/10.1017/s1478570611000042.

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ABSTRACTThe elevation of the Portuguese Royal Chapel to the rank of Patriarchal Church in 1716 was part of a larger process of ‘Romanization’ – that is, of assimilation and adaptation of Roman models within Portuguese music and culture. This involved the training of numerous chaplain-singers and young Portuguese composers in Rome, as well as the importation of chant books, ministers, singers and even the maestro di cappella of the Cappella Giulia, Domenico Scarlatti. According to the anonymous ‘Breve rezume de tudo o que se canta en cantochaõ, e canto de orgaõ pellos cantores na santa igreja p

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Tetelea, Margarita. "THE NONFORMAL APPROACH OF THE ART EDUCATION SYSTEM IN MOLDOVA IN THE LIGHT OF GLOBAL REFORMS." Review of Artistic Education 30 (May 30, 2025): 363–65. https://doi.org/10.35218/rae-2025-0048.

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Abstract: The article is dedicated to the proceedings of the World Conference "Cultural and Artistic Education", organized by UNESCO and hosted by the United Arab Emirates in its capital Abu Dhabi, which brought together almost 1,000 stakeholders from culture and education - including 90 ministers, 125 representatives of UNESCO member states. As the main outcome of this World Forum, UNESCO member states unanimously adopted a new global FRAMEWORK for cultural and artistic education, strengthening their commitment to integrated approaches to culture and education. The new UNESCO Framework emphas

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Bottino, Daniel, and Hannah Peterson. "“I Hope I Have a Treasure in Heaven, Because My Heart Is There”: Salvation and Damnation in the Conversion Narrative of Patience Boston." Early American Studies: An Interdisciplinary Journal 21, no. 3 (2023): 380–427. http://dx.doi.org/10.1353/eam.2023.a904221.

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abstract: This essay considers the 1738 conversion narrative of Patience Boston, a young Native woman executed for murder in York, Maine, in 1735. Titled A Faithful Narrative of the Wicked Life and Remarkable Conversion of Patience Boston , it contains Patience’s first-person account of her religious experiences while in York’s prison awaiting execution and was edited and published by York’s two ministers, Samuel Moody and his son Joseph. We analyze this text as a composite work of Patience Boston, Samuel Moody, and Joseph Moody, arguing that the evangelical piety of the two ministers resulted

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Milanovic, Biljana. "Politics in the context of the “Opera question” in the national theatre before the first world war." Muzikologija, no. 12 (2012): 37–61. http://dx.doi.org/10.2298/muz120202002m.

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Part of the history of the National Theatre in Belgrade in the decade before the First World War relates to processes of discontinuity in the professionalization and modernization of the musical section in this institution and its repertoire. It had to do with abrupt changes reflected in three short-lived phases: improvements in musical ensemble and opera performances (1906-1909), the annulment of these efforts and results with a return to the old repertoire, and then again a new beginning once more with a fresh attempt to establish the Opera (1913-14). These dynamics were affected by the soci

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Ivanenko, Alina, and Kateryna Pichyk. "Generative Models of Artificial Intelligence as an Effective Tool for Optimizing Business Processes." Empirio 1, no. 1 (2024): 112–21. http://dx.doi.org/10.18523/3041-1718.2024.1.112-121.

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In today’s world, Artificial Intelligence has become one of the most popular terms. It already creates a significant amount of digital content, including texts, pictures, music, videos, etc. According to some forecasts, by 2035, Artificial Intelligence will bring 15.7 trillion dollars to the world economy. In December 2020, the Cabinet of Ministers of Ukraine approved the concept of Artificial Intelligence development until 2030. For Ukraine, this direction is quite new, but with the help of such a step, the Ministry of Digital Transformation of Ukraine hopes to attract billions of investments

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Yunita, Ayu Tresna, Ayub Prasetiyo, and Aditya Tri Anggara Astanta. "Implementasi Materi Musik Berdasarkan Kurikulum Tematik 2013 Sekolah Dasar di Kecamatan Sewon Bantul Yogyakarta." PROMUSIKA 9, no. 1 (2021): 39–50. http://dx.doi.org/10.24821/promusika.v9i1.5774.

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Berdasarkan Peraturan Menteri Pendidikan dan Kebudayaan Republik Indonesia No. 81A Tahun 2013 tentang Implementasi Kurikulum 2013, maka sekolah dari tingkat Sekolah Dasar hingga Sekolah Menengah Tingkat Atas mulai memberlakukan kurikulum 2013. Kurikulum tematik 2013 untuk Sekolah Dasar terdiri dari kompetensi inti dan kompetensi dasar. Pembelajaran seni khususnya seni musik termasuk dalam mata pelajaran Seni Budaya dan Prakarya (SBDP). Penelitian tentang implementasi pelajaran seni musik berdasarkan kurikulum tematik 2013 di sekolah dasar yang berada di kecamatan Sewon Bantul Yogyakarta bertuj

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Sułkowski, Wiesław, Kalina Owczarek, and Jurek Olszewski. "Contemporary noise-induced hearing loss (NIHL) prevention." Otolaryngologia Polska 71, no. 4 (2017): 1–7. http://dx.doi.org/10.5604/01.3001.0010.2241.

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Hearing impairment caused by noise, traditionally called – depending on the duration of exposure - acute or chronic acoustic trauma, includes, in addition to presbyacusis, the most common adult population of hearing impaired. In Poland - according to the report of the Central Statistical Office (GUS, 2011), the number of workers employed in NDN exceeded the noise level (85 dB) is about 200 thousand, the highest in the mining, metal and metal products production, textiles and wood production. According to the Regulation of the Council of Ministers of on June 30, 2009, on the list of occupationa

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Basson, Willem Diederick, and Daleen Kruger. "Persepsies oor die sinodebesluite en aard van die psalms binne die GKSA." Koers - Bulletin for Christian Scholarship 81, no. 3 (2016): 2–9. http://dx.doi.org/10.19108/koers.81.3.2261.

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Perceptions regarding synod decisions and the nature of psalms in the RCSA. Since its inception in 1859, the Reformed Church in South Africa has been singing only psalms, scriptural hymns and Biblical songs. Currently, there are two official versifications of the psalms in use within the Reformed Church, namely the so-called Totius versification of 1936 and the 2001 rhymed version of psalm texts, mainly by T.T. Cloete. A study of members’ perceptions of synod decisions and the nature of the psalms in the Reformed Church shows that the psalms are not fully utilised. Synods decide what type of s

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Битерякова, Е. В. "К биографии Натальи Ивановны Жемчужиной". OPERA MUSICOLOGICA 17 / 1, № 2025. 17 /1 (2025): 78–95. https://doi.org/10.26156/operamus.2025.17.1.005.

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Задача статьи — дополнение сведений о жизни и деятельности Натальи Ивановны Жемчужиной (1904 — не ранее 1963), музыковеда-фольклориста, выпускницы Ленинградской консерватории, представительницы научной школы Б. В. Асафьева — Е. В. Гиппиуса. Недавние публикации В. В. Виноградова и Е. В. Долматовой, посвященные фигуре Н. И. Жемчужиной, подробные и основательно документированные архивными материалами из Санкт-Петербургской государственной консерватории имени Н. А. Римского-Корсакова и Российского института истории искусств, вместе с тем не претендуют на исчерпывающее освещение темы. Привлечение м

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이상일. "A Study on Senior Pastors’ Consciousness on the Music Minister and on the System of the Music Minister: Centering on the Presbyterian Church of Korea." Korea Presbyterian Journal of Theology 46, no. 4 (2014): 419–48. http://dx.doi.org/10.15757/kpjt.2014.46.4.016.

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Ludden, Yawen. "Making Politics Serve Music: Yu Huiyong, Composer and Minister of Culture." TDR/The Drama Review 56, no. 2 (2012): 152–68. http://dx.doi.org/10.1162/dram_a_00172.

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Often viewed as a period of cultural famine by Western scholars, China's Cultural Revolution was in fact a heyday for those arts that served its new goals. In particular, yangbanxi, a derivative form of traditional Beijing opera, flourished during this era and continues to influence opera in China today.

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Levi, Erik. "Atonality, 12–Tone Music and the Third Reich." Tempo, no. 178 (September 1991): 17–21. http://dx.doi.org/10.1017/s0040298200013978.

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These extensively quoted statements, emanating from two of the most vociferous cultural ideologists of the Third Reich, give the impression that the Nazi regime formulated a highly consistent attitude towards ‘modernist’ trends in contemporary music. In reality, however, perceptions of the exact nature of ‘atonality’ and the ‘atonal’ movement in music remained notoriously imprecise. Six months before Rosenberg's address, for example, Hitler's Propaganda Minister Goebbels had erroneously denounced Hindemith as an ‘atonal musician’ who had succumbed to the ‘biting dissonances of musical bankrupt

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Selman, Victor, Ruth Corey Selman, Jerry Selman, and Elsie Selman. "The Mozart Effect II And Other Communication/Learning Links." College Teaching Methods & Styles Journal (CTMS) 3, no. 2 (2011): 41. http://dx.doi.org/10.19030/ctms.v3i2.5280.

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I believe that a nation that allows music to be expendable is in danger of becoming expendable itself.Richard Dreyfuss, star of Mr. Hollands Opus @ the Grammy Awards (1996)Canst thou not minister to a mind diseased, Pluck from the memory a rooted sorrow,Raze out the written troubles of the brain, And with some sweet oblivious antidote,Cleanse the full bosom of that perilous stuff Which weights upon the heart . . .Macbeth, reflecting on music in Macbeth, ShakespeareIs a soul greater than the hum of its parts?Douglas Hofstadter, The Minds Eye

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SCHEDING, FLORIAN. "‘Who Is British Music?’ Placing Migrants in National Music History." Twentieth-Century Music 15, no. 3 (2018): 439–92. http://dx.doi.org/10.1017/s1478572218000257.

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In 2013, trucks and vans were driving across London, bearing the message ‘In the UK illegally? Go home or face arrest.’ These mobile billboards declared the number of arrests that had taken place ‘in your area’ in the previous week and provided a number to which people could text the message ‘HOME’ to initiate voluntary repatriation. In 2016, Theresa May, who had organised this scheme as home secretary, became prime minister, following the upheaval caused by the country's plebiscite to leave the European Union. One of the main strands of argument of the successful ‘Brexit’ campaign centred on

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Mahiet, Damien. "The Musical Diplomacy of Metternich." Diplomatica 3, no. 2 (2021): 244–77. http://dx.doi.org/10.1163/25891774-03020003.

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Abstract That festivities are woven into the historical image of the Austrian diplomat, foreign minister, and state chancellor Clemens von Metternich (1773–1859) is in part the byproduct of his investment in music. As an amateur performer, passionate connoisseur, attentive patron, and frequent host, Metternich cultivated an international soundworld that presented opportunities for cooperative performances. Ensemble music and collective listening provided experiences of international concert that gained significance in the context of multilateral congresses and meetings. Musical exchanges, sust

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Dobroń, Agnieszka. "The comparison of the method of harpsichord teaching included in the textbook by Jean Nandi entitled "Starting on the Harpsichord" with the principles of the present core curriculum for primary music schools." Notes Muzyczny 2, no. 12 (2019): 99–114. http://dx.doi.org/10.5604/01.3001.0013.7169.

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The article touches on the comparison of the method of teaching included in the book entitled Starting on the Harpsichord by Jean Nandi with the principles of the present core curriculum for primary music schools in harpsichord classes. The book is one of not many available teaching materials related to harpsichord playing. The publication is aimed at comparing the topics presented in the textbook with the guidelines set out by the Minister of Culture and National Heritage. The article also includes a short description written by the author and a presentation of the content of the textbook plu

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Potvin, Noah, and Cathleen Flynn. "Music Therapy as a Psychospiritual Ministry of Intercession During Imminent Death." Music Therapy Perspectives 37, no. 2 (2019): 120–32. http://dx.doi.org/10.1093/mtp/miz002.

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Abstract Imminent death is a critical stage in end-of-life care requiring a shared attention to the preparatory needs of both patient and caregiver(s). For many patients and caregivers who identify as Christian, the Holy Spirit can be an integral resource capable of facilitating a healthy death experience. Music therapy, as a resource-oriented practice, has the potential to be a ministry facilitating access to the Holy Spirit for patients and caregivers to use for unique purposes. Drawing from both music therapy and theological concepts and identifying their intersections, this paper frames an

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Cerha, Gertraud. "New Music in Austria Since 1945." Tempo, no. 161-162 (September 1987): 36–51. http://dx.doi.org/10.1017/s0040298200023330.

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Vienna, they say, is synonymous with music. Worldwide public opinion, responding to the New Year's Day Concert and the Vienna Boys’ Choir, confirms it.Confronted by the multifarious political and economic scandals of recent times, the Austrian Minister for Education and the Arts has declared that our art and culture is the only ‘export’ to have survived intact. But as far as 20th-century music is concerned, its ‘export’ has received little official encouragement. Apart from a 1972 ballet production by Aurel Miloss with music by Schoenberg, and a performance of Gottfried von Einem's Kabale und

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Robinson, Paul. "Fidelio and the French Revolution." Cambridge Opera Journal 3, no. 1 (1991): 23–48. http://dx.doi.org/10.1017/s0954586700003359.

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Fidelio has always posed difficulties for operatic interpreters. On the literal level it is straight-forward enough, much more so, certainly, than its great Mozartian predecessor, The Magic Flute. All three of its versions tell the unproblematical story of a wife, Leonore, who disguises herself as a boy in order to rescue her unjustly imprisoned husband. In the prison she obtains a job with the jailor, Rocco, whose daughter proceeds to fall in love with her (in spite of being promised to the prison gatekeeper). The central action is triggered when the governor of the prison, Don Pizarro, learn

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Jeż, Tomasz. "The Music Repertoire of the Society of Jesus in the Polish-Lithuanian Commonwealth (1565–1773)." Musicology Today 13, no. 1 (2016): 32–40. http://dx.doi.org/10.1515/muso-2016-0002.

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Abstract The paper presents the research project coordinated by the University of Warsaw and financed by the Minister of Science and Higher Education as part of the “Tradition 1a” module of the National Programme for the Development of Humanities. The main task of this research project is the documentation of the Jesuit music repertory produced and disseminated on the territory of the Polish-Lithuanian Commonwealth. The results of the project work will be published in a new editorial series, which will include catalogues of sources and music iconography, monographs, databases and critical edit

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Kang, Eun-Young. "Banquets that appear in the International relations of ancient East Asia." Korea Association of World History and Culture 68 (September 30, 2023): 97–128. http://dx.doi.org/10.32961/jwhc.2023.09.68.97.

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The materials that provide a glimpse into ancient Japan’s drinking culture are the Manyoshu and Kaifumo. Alcohol in both collections of poetry is overwhelmingly related to banquets. Among these, the banquets held at diplomatic occasions were not simply drinking parties. Music, drinks, issues between the two countries, and the international situation were discussed in the informal meeting set up by the Prime ministe.In this article, I will explore the international situation in East Asia in the 8th century through banquets held at the private residence of King Nagaya in 724 and at the private r

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Rodkey, Christopher Demuth. "The practice of music in youth ministry and the mystery of the Divine." Journal of Youth and Theology 5, no. 2 (2006): 47–62. http://dx.doi.org/10.1163/24055093-90000150.

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How do musical preferences of youth influence conceptions of transcendence and imminence of the Divine? This article will address this question based upon responses of teens to a Life Meaning Inventory administered by the Youth Theological Initiative at Candler School of Theology. The teens' responses will point toward important philosophical questions that wrest the foundations of Christian theology; this is to say that these questions position the youth minister in a unique position to address the polarity of transcendence and immanence in Christian thought. As such, this essay suggests that

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Dr., Rosino da Cruz Lic.Dir.MD. "Authorities of the President of the Municipal In Urban Management System." International Journal of Arts and Social Science 5, no. 6 (2023): 22–29. https://doi.org/10.5281/zenodo.7752190.

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Presidente Autoridade Município (PAM) in carrying out its function as a representative of the central government must be regulated by law, as well as in the role and authority of the PAM in the urban management system. The Timor-Leste Council of Ministers has decreed Government Regulation No 2/2016 concerning Estatuto dos Presidentes da AutoridadesMunicipais i dos AdministradoresMunicipais where the existence of this Government Regulation further regulates the estate and authority of an envoy or deputy and president at the municipal to district level under the auspices of the Ministry o

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Carbajar Vaca, Irma Susana, and Gunter Kreutz. "A promising German-Mexican cooperation for music education and research." DOCERE, no. 16 (June 30, 2017): 23–24. http://dx.doi.org/10.33064/2017docere161416.

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Con el propósito de ampliar la internacionalización de la educación superior, en junio de 2016, la Universidad Autónoma de Aguascalientes (UAA) y la Universidad de Oldenburg, Alemania firmaron un convenio de cooperación académica. Esto lo realizan el Departamento de Música de la UAA y el Instituto para la Música de la Universidad de Oldenburg, cuyo director es la Profa. Dra. Susanne Binas-Preisendörfer, experta en Música y Medios de Comunicación. El contacto principal para realizar el acuerdo fue el Prof. Dr. Gunter Kreutz, especialista en Ciencias Sistemáticas de la Música y actual subdirecto

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Felix, Danso Kwofie, and Essel Bright. "The Difficulty of Handling the Music Aspect of Creative Art and Design at the Junior High School in the Kabre South District, Ashanti Region-Ghana." International Journal of Social Science and Humanities Research 12, no. 1 (2024): 205–10. https://doi.org/10.5281/zenodo.10753373.

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<strong>Abstract:</strong> The purpose of the study was to identify the difficulty of handling the music aspect of creative art and design at the junior High School in the Kabre South District, Ashanti Region. The research design was a descriptive survey design. The target population were 16 teachers from the junior High School in the Kabre South District, Ashanti Region. The primary instrument for data collection used was an interview. It was found out that the majority of the teachers at the junior high school level have degrees in other subjects other than music and this has affected their

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Grymes, James. "“Dohnányi was not—and could not have possibly been—a war criminal” the Hungarian defense of Ernő Dohnányi, 1945–1949." Studia Musicologica 54, no. 3 (2013): 301–17. http://dx.doi.org/10.1556/smus.54.2013.3.4.

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In the years following World War II, Ernő Dohnányi was falsely accused of being a war criminal. Although scholars have assumed that this smear campaign was the result of a conspiracy by the entire Hungarian musical community, this widely accepted belief overlooks a number of prominent Hungarian musicians who consistently came to Dohnányi’s defense. In 1945, Zoltán Kodály led a delegation of musicians from the Franz Liszt Academy of Music who convinced the Hungarian Minister of Justice to remove Dohnányi’s name from an unofficial list of war criminals. In the following year, Kodály and Ede Zath

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Oosterman, Allison. "REVIEW: Everybody's uncle." Pacific Journalism Review 18, no. 1 (2012): 225. http://dx.doi.org/10.24135/pjr.v18i1.300.

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Review of: Scrim – the man with a mike, by William Renwick. Wellington: Victoria University Press, 2011, 308 pp. ISBN 978-0864736956Biography is currently one of the most popular literary genres but New Zealand writers seem to choose their subjects from quite a narrow range of sportsmen and military figures. Few have chosen to write about historic media individuals. The last one I recall was Facing the Music: Charles Baeyertz and the Triad, by Joanna Woods (2008).Renwick sets out to put the record straight on some of the myths surrrounding this controversial broadcaster, a methodist minister,

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Bramantyo, Triyono, and Suryati Suryati. "Historical Accounts of the Indonesian 16th-Century Music Road." Harmonia: Journal of Arts Research and Education 23, no. 2 (2023): 235–45. http://dx.doi.org/10.15294/harmonia.v23i2.45796.

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This research aims to seek clarity from a historical perspective to trace back the transmission and the remains of Gregorian chants in eastern Indonesia. This study also seeks clarity from a historical perspective to trace back the Indonesian situation prior to the arrival of the Portuguese. The Madjapahit Empire (1293-c1520) dominated historical events as the first attempts to unify the country. The research method employed in this study was a critical historical method to analyze treatises of Gregorian chants in eastern Indonesia, with the remains still being found today and known as the Hol

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