Relevant bibliographies by topics / Music, mongolian

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Music, mongolian'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Music, mongolian"

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Sharavtseren, Tserenjigmed. "Factors, obstacles, mechanism and development directions for the professional music education in Mongolia." Problems of Modern Education (Problemy Sovremennogo Obrazovaniya), no. 4, 2020 (2020): 225–38. http://dx.doi.org/10.31862/2218-8711-2020-4-225-238.

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The article presents the results of the study of training music art professionals and music teachers in Mongolia. The comparative analysis of music education in Germany, Sweden, Israel, China, Japan and Russia is conducted. Prospective measures of development of professional music education in Mongolia are suggested. Factors, obstacles, mechanism and directions of development of the Mongolian State Conservatory – the first Mongolian academic higher education institution for training professional musicians – have been identified. The mechanism of the development of professional music education
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Wang, Jingbo. "Characteristics of Mongolian piano works and teaching practice." Journal of Education and Educational Research 9, no. 1 (2024): 343–50. http://dx.doi.org/10.54097/5sdt7e13.

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The objectives of this paper are mainly four: first, the cognitive level and performance skills, the comprehension, promotion and development of performance skills and works, and the creation, performance, and teaching of Mongolian style piano works. This paper discusses the performance and teaching practice of piano works in Inner Mongolia, and analyzes the development of piano education and teaching in Inner Mongolia. Through investigation and analysis, find out the problems existing in teaching and the ways to solve them, and make further exploration and analysis; Based on the analysis and
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Ge, Gen, and Sungkyoo Hong. "Analysis of Lyrics of Mongolian Traditional Songs in Modern China." Korean Society of Culture and Convergence 44, no. 5 (2022): 407–40. http://dx.doi.org/10.33645/cnc.2022.5.44.5.407.

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This study sorted out the trend and theme classification of the modernization of Mongolian traditional music in Inner Mongolia, China, and investigated the literary characteristics of the modernization of Mongolian traditional music through the analysis of the lyrics of the selected representative songs of each theme. For this reason, this study refers to the academic literature related to Mongolian music at home and abroad, as well as the works collection of in the modernization of Mongolian traditional music such as “Inner Mongolia folk songs and folk songs” and “grassland new songs”. Based
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Zhou, Xiangdong, and Jing Deng. "Research on Ethnic Culture Presentation of Inner Mongolian Film from Multiple Perspectives." Highlights in Art and Design 1, no. 2 (2022): 90–93. http://dx.doi.org/10.54097/hiaad.v1i2.2245.

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In Inner Mongolian films, heterogeneous culture is not a symbol of consumption to the West/others, but an important medium to explore the true meaning of the national culture. The analysis of Inner Mongolian films from the perspective of landscape aesthetics can give insight into the most distinctive features of The Times. This paper holds that, in terms of story text, Inner Mongolian films is breathing with The Times and sharing the fate with the motherland, constantly reflecting the living conditions of Inner Mongolia people in the great era. In terms of music application, Inner Mongolian fi
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Ihsanusyauqie, Muhammad, and Gilang Nur Alam. "The Impact of Hu’s Music Diplomacy on Mongolia’s Tourism National Branding Program." Jurnal Indonesia Sosial Teknologi 5, no. 9 (2024): 3540–49. http://dx.doi.org/10.59141/jist.v5i9.1743.

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This study aims to analyze the impact of Hu's music diplomacy on Mongolia's national branding program. The study employs a descriptive qualitative method with secondary data analysis from journal articles, books, relevant reports, and media covering The Hu's activities. The results indicate that The Hu, with their unique approach of combining traditional Mongolian music elements with modern rock, has successfully raised global awareness of Mongolian culture and enhanced the country's positive image. Their international performances received awards, and collaborations with renowned musicians ha
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Muhammad Ihsanusyauqie and Gilang Nur Alam. "The Impact of The Hu's Music Diplomacy on Mongolia's Tourism Nation Branding Program." Journal of Law, Politic and Humanities 4, no. 6 (2024): 2411–18. https://doi.org/10.38035/jlph.v4i6.681.

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This study aims to analyze the impact of The Hu's music diplomacy on Mongolia's nation branding program. The study employs a descriptive qualitative method with secondary data analysis from journal articles, books, relevant reports, and media covering The Hu's activities. The results indicate that The Hu, with their unique approach of combining traditional Mongolian music elements with modern rock, have successfully raised global awareness of Mongolian culture and enhanced the country's positive image. Their international performances, received awards, and collaborations with renowned musician
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Yang, Yue. "Resonance of Tradition: A Comprehensive Exploration of the Historical and Cultural Dimensions of Mongolian Ethnic Music in China." Pacific International Journal 7, no. 2 (2024): 28–32. http://dx.doi.org/10.55014/pij.v7i2.559.

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This paper studies the historical evolution and cultural inheritance of Mongolian ethnic music within China, particularly focusing on the nomadic traditions entrenched in Inner Mongolia. Tracing its roots from ancient times to the contemporary era, the research illuminates the profound connection between the musical heritage of the Mongolian people and their nomadic lifestyle. Through a meticulous historical analysis and literature review, the study unfolds the intricate layers of Mongolian ethnic music, showcasing the significance of traditional instruments and vocal techniques. The paper exp
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Et al., HO-WOOG KIM. "Medical Hallyu In Mongolia: A Case Study Of Dr. Kwan-Tae Park’s Spirituality And Medical Service." Psychology and Education Journal 58, no. 1 (2021): 4821–32. http://dx.doi.org/10.17762/pae.v58i1.1643.

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Since the establishment of diplomatic relations between South Korea and Mongolia in 1990, Hallyu (the Korean Wave) has rapidly spread to Mongolia. Korean food and medicine, as well as Korean drama and pop music, are welcomed by Mongolians. The purpose of this study is to examine the influence of Korean medical service on Mongolia, focusing on the Korean medical missionary Kwan-tae Park. We will show that his excellent human relationship as a reason for his fruit-bearing ministry in the Mongolian society, which is somewhat unfriendly to aggressive Christian evangelism. In conclusion, we will ar
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An, Nari. "The fusion of Nei Mongol music and pop music." Transactions on Social Science, Education and Humanities Research 10 (August 29, 2024): 101–7. http://dx.doi.org/10.62051/tc0hdx23.

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With the dissemination and development of diversified pop music, Chinese traditional music has been skillfully fused with it. Music creators combine Nei Mongol traditional music elements with pop music elements, or integrate pop music elements into traditional Mongolian songs, enabling Mongolian music to introduce new ideas and step onto the international stage constantly. Taking the Nine Treasures as an example, a folk metal band singing in Mongolian, this paper studies the creation and adaptation of its music. This paper analyzes how it combines pop music elements such as heavy metal with tr
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Yang, Menghao. "From Grasslands to Global Beats: A Study of Mongolian Ethnic Music Integration in Chinese Pop." Pacific International Journal 7, no. 2 (2024): 109–13. http://dx.doi.org/10.55014/pij.v7i2.583.

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This study goes into the integration of Mongolian Ethnic Music into Chinese pop culture, exploring its historical roots, musical characteristics, and contemporary manifestations. Mongolian Ethnic Music, rooted in millennia of tradition and nomadic heritage, reflects the spiritual essence and cultural richness of the Mongolian people. Through an examination of ancient origins, influences of shamanism and Buddhism, and modern developments, the evolution of Mongolian music is traced, showcasing its diverse melodic, rhythmic, and tonal qualities. The classification of Mongolian music genres and st
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Dissertations / Theses on the topic "Music, mongolian"

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Chu, Xinlei. "Mongolian folklore expressed through music technology original multimedia soundtrack "On Horseback"." Thesis, Duquesne University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1554238.

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<p>I returned to my hometown and recorded Mongolian folk music&mdash;Mongolian Long Song and Mongolian Throat Singing. I wanted to combine technology and traditional folk music and write an electronic piece based on Mongolian vocal materials. I used what I&rsquo;ve sampled, manipulated the sounds, composed the music, gathered the videos together and created this multimedia piece&mdash;On Horseback. The names of the four movements&mdash;Sand, Cloud, Water, and Fire&mdash;are four elements that I chose to represent the lifestyle in Inner Mongolia. </p><p> This thesis covers the journey of how
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Rees, Lucy Miriam. "Mongolian film music during the Socialist era (1921-1990) and its aftermath." Thesis, University of Leeds, 2011. http://etheses.whiterose.ac.uk/2179/.

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A Mongolian film industry was established in the 1930s with the principal aim of disseminating socialist propaganda to the populace, and film music therefore became necessary to score the new Socialist Realist films. Promising young musicians, mostly from rural Mongolia, were chosen to receive formal musical training in the Soviet Union. On their return to Mongolia, they became the official film composers of Mongolia’s only film studio, Mongol Kino. Over time, the Mongol Kino film composers started to combine elements of the music they had learned at Soviet conservatoires with Mongolian musica
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Zhang, Ke. "A Performance Guide to "The Sound of the Prairie Land (Caoyuan Zhige) for Viola and Piano" by Qingwu Guan." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707402/.

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The Sound of the Prairie Land (Caoyuan Zhige) for viola and piano by the Chinese composer Qingwu Guan (b. 1938) has become one of the most popular works in the growing Chinese repertoire for viola. It also exists in another version for viola and viola ensemble, arranged by the Chinese violist Wing Ho, who also expanded the viola part with the composer's approval. The pentatonic work was highly influenced by the landscape and music of Inner Mongolia, a province of China next to the Mongolian border, and incorporates the music of an ode by the Inner Mongolian composer Alatengaole (1942–2011) cal
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Shao, Luyin. "A STUDY OF ACCULTURATION IN CHINESE-MONGOLIAN ER’RENTAI FOLK OPERA." UKnowledge, 2017. http://uknowledge.uky.edu/music_etds/94.

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Er’rentai, or Mongolian dance and song duets, is a genre of folk opera in the Inner Mongolian Autonomous Region. Er’rentai performances can be categorized into two styles—the “western-style” and the “eastern-style.” The aim of this thesis is to explore the acculturation in Chinese-Mongolian er’rentai genre in the following ways. First, I address the historical background of the western-style er’rentai. Then, I draw on fieldwork with Huo Banzhu, a famous er’rentai musician, to introduce contemporary state of er’rentai's development. Finally, I employ musical analysis to demonstrate the borrowin
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Lin, Pei-Chi. "A Performance Guide to Se Enkhbayar's Choral Tone Poem Önchin Botog (A Lonely Baby Camel) for SATB Soloists and SATB Chorus (with Divisions) A Cappella." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157562/.

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Se Enkhbayar (b. 1956) is one of the most important contemporary Mongolian composers in China. His choral tone poem, Önchin Botog, integrates the traditional Mongolian musical elements Urtiin Duu (long song) and Khöömii (throat singing) with modern choral music and is one of the most representative works in the genre of modern Mongolian choral music. The purpose of this study is to provide a performance guidance for non-Mongolian musicians on Se Enkhbayar's work, Önchin Botog, by presenting his biographical and cultural backgrounds, discussing the use of traditional Mongolian singing styles, s
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Curtet, Johanni. "La transmission du höömij, un art du timbre vocal : ethnomusicologie et histoire du chant diphonique mongol." Phd thesis, Université Rennes 2, 2013. http://tel.archives-ouvertes.fr/tel-00949955.

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Cette thèse est une étude ethnomusicologique à dimension historique portant sur la transmission globale du höömij en Mongolie. Pour expliquer l'évolution de cette technique vocale, sont explorés les légendes, les conceptions autochtones, l'histoire des années 1950 au début des années 2010 et la mise en patrimoine pour l'avenir.La première partie montre comment le chant diphonique prend forme dans sa culture. Perçu comme un art du timbre par ses détenteurs, il entretient des relations avec la nature, ainsi qu'un ensemble de techniques vocales et instrumentales issues des contextes rituel et pas
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Marsh, Peter K. "»We’ve Started a Revolution!« A Survey of Rap, Hip-Hop, and the Pop Music Industry in Mongolia." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A72196.

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Gibbs, Levi Samuel. "Beyond the Western Pass: Emotions and Songs of Separation in Northern China." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1248745393.

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林舜堂. "The Mongolian Prairie Dizi's Music Culture Research." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/60311955003416877627.

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碩士<br>國立臺南藝術大學<br>民族音樂學研究所<br>98<br>The dizi starts in 900 years ago to appear approximately in the general Mongolian prairie music world. When Genghis Khan establishes when the Mongol Khanate, at first for the palace orchestra's member, afterwards also spread in the folk. Along with the dynasty prosperity and decline change, several for hundred years dizi on pasts in the palace and the folk, although by no means becomes the Mongolian prairie nationality most important musical instrument, but deep has integrated the Mongolian prairie deeply in music culture, several hundred years get down also
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Phueckhahn, Rebekah. "Musical sociality : the significance of musical engagement among the Mongolian Altai Urianghai." Phd thesis, 2013. http://hdl.handle.net/1885/155976.

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This thesis explores the musical expression of current postsocialist experiences amongst one group of Altai Urianghai people both in and from the rural district of Duut Soum, Hovd Province, Mongolia. This area is renowned for performances of musical genres that are now being locally, regionally and nationally venerated as important links to Mongolia's 'deep past' and upheld as examples of Mongolia's national cultural heritage within a growing heritage sector in Ulaanbaatar. This recognition forms a recent part of a postsocialist Mongolian 'rediscovery' and veneration of Mongolian cultural and
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Books on the topic "Music, mongolian"

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Pegg, Carole. Mongolian music, dance, & oral narrative: Performing diverse identities. University of Washington Press, 2001.

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Daashni︠a︡m, Lu̇ndėgiĭn. Kherlengiĭn bar"i︠a︡a: Dan naĭral duu. Soyombo Printing Co., 2003.

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Bao, Da'erhan. Menggu fo jiao yin yue wen hua de duo yuan xing. Zong jiao wen hua chu ban she, 2002.

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Ȯlziĭ, D. Tuulʹ, erȯȯl, magtaal. "Mȯnkhiĭn U̇sėg" KhKhK, 2003.

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Zhant͡sannorov, N. Khȯgzhmiĭn onogyn nėr tomʹëony khuraanguĭ taĭlbar tolʹ: Oros-Mongol, Mongol-Oros. [s.n.], 1996.

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Zhant︠s︡annorov, N. Urtyn duuny ulamzhlalt zarim nér tom"ëony gargalgaa. Monsudar, 2005.

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Battulga, Togmidyn. Zakhchin ardyn urtyn duu, duulaachid. [s.n.], 2004.

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Dolgorsu̇rėn, G. Mongol ardyn bu̇zhgiĭn dasgaluud. Ulsyn Khėvlėliĭn Gazar, 1985.

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Park, Sohyun. Sin ŭl purŭnŭn norae: Monggol ŭi tʻool = Mongolian epic song, Tuulʾ. Minsokwŏn, 2005.

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T, Gun-Aazhav, Oiu︡͠unbat R, and Navchaa TS︡͠, eds. Mongol ardyn duu =: Mongġol arad-un daġuu. [s.n.], 2003.

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Book chapters on the topic "Music, mongolian"

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Zhang, Xiaohong, and Hongzhong Zhuang. "Language/Music Contacts and Exchanges: Nomadic Mongolian Music Transformations in Ordos Area in the Early Twentieth Century." In Handbook of the Changing World Language Map. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02438-3_198.

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Zhang, Xiaohong, and Hongzhong Zhuang. "Language/Music Contacts and Exchanges: Nomadic Mongolian Music Transformations in Ordos Area in the Early Twentieth Century." In Handbook of the Changing World Language Map. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-73400-2_198-1.

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Lyu, Yaling. "Visualization Communication of Ethnic Music on Short Video Platforms A Case Study of the Mongolian Music on Douyin." In Proceedings of the 2022 5th International Conference on Humanities Education and Social Sciences (ICHESS 2022). Atlantis Press SARL, 2022. http://dx.doi.org/10.2991/978-2-494069-89-3_42.

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Tankosić, Ana, and Sender Dovchin. "New languages and new identities of post-socialist Bosnian and Mongolian popular music artists." In The Routledge Handbook of Language and Youth Culture. Routledge, 2023. http://dx.doi.org/10.4324/9781003166849-25.

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Miller, Terry E., and Andrew Shahriari. "East Asia: China, Mongolia, Korea, Japan, Tibet." In World Music. Routledge, 2020. http://dx.doi.org/10.4324/9780367823498-7.

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Miller, Terry E., and Andrew Shahriari. "East Asia: China, Mongolia, Japan, Tibet." In World Music CONCISE, 3rd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003288848-7.

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An, Da. "A Comparative Study of the Music of the Turghut Mongolians and the Kalmyks of Russia." In Proceedings of the 2nd International Conference on Education, Language and Art (ICELA 2022). Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-004-6_63.

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Post, Jennifer C. "Sound, Music, Pastoralism, and Nature in Mongolian Sound Worlds." In Mongolian Sound Worlds, edited by Jennifer C. Post, Sunmin Yoon, and Charlotte D’evelyn. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044373.003.0003.

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This chapter addresses the sounds, soundscapes, and music that Mongolians use to maintain relationships to pastoralism and nature. The topic is introduced with information on geophysical and social diversity in Mongolia and Inner Mongolia, a discussion of rural social spaces for maintaining established social divisions of labor and responsibility, and values and beliefs about nature that provide pathways to spiritual health. Focus on sonic practices shares information on ways pastoralists use sounds and music in their daily lives and how music expresses valued relationships to the natural worl
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Colwell, Andrew. "Mongolian Music, Globalization, and Nomadism." In Mongolian Sound Worlds, edited by Jennifer C. Post, Sunmin Yoon, and Charlotte D’evelyn. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044373.003.0014.

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This chapter addresses the historical and contemporary relationship of Mongolian musical performers to globalization, detailing how worldly connections developed in Mongolia well before the democratic era of capitalism, which is typically associated with globalization. It addresses cultural tourism and concert touring as two modes of globalizing musical performance; case studies stem from fieldwork professionals in Ulaanbaatar, who concertize in the tourism industry, and with expatriate musicians in southern Germany, who perform for the world music economy. A key theme throughout these case st
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Yoon, Sunmin. "Mongolian Sound Worlds." In Mongolian Sound Worlds, edited by Jennifer C. Post, Sunmin Yoon, and Charlotte D’evelyn. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044373.003.0001.

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The introduction offers the overall background and structure of the volume. Additionally, the chapter includes three short vignettes: Sharav, one of the contemporary composers; Mongolia’s first opera, Uchirtai Gurvan Tolgoi (Three Fateful Hills); and the context and changing performance style of the National Academic State Ensemble. Through these three snapshots, the introduction explores Mongolia’s musical history, reflecting the current musical scene in Ulaanbaatar, aspects of Western art music in Mongolia, and finally the fluid mobility of Mongolia’s culture.
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Conference papers on the topic "Music, mongolian"

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Zhou, Tegusi. "Musical Instruments of “Mongolian Music” and the Reflections." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.011.

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Asalkhanova, Ekaterina V. "MONGOLIAN CHESS, DOMINO, FOLK PAINTINGS (PLAYING CARDS, CALENDARS) AS AN UNIQUE EXPRESSION OF TRADITIONAL CULTURE." In 32nd International Congress on Source Studies and Historiography of Asia and Africa “Russia and the East. Сommemorating 300th anniversary of St. Petersburg State University. St. Petersburg State University, 2024. http://dx.doi.org/10.21638/11701/9785288064135.20.

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The article deals with folk games, which have become widespread in Mongolia, Buryatia, Tuva, Kalmykia: national chess shatar, dominoes (chorlo, chorol), drawn playing cards (khozor, uichuur), calendars. A brief history of their origin, the rules of the game, as well as the peculiarities of manufacturing technology, composition and artistic solution are studied. Everyday life is reflected in the games. Images of animals testify to the observation of folk artists, their knowledge of animal habits. Games are an original expression of folk culture, true works of art. They give an idea of the Mongo
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Wang, Hongyan. "The Study on the Entrepreneurship Direction College Music Majors of Inner Mongolia." In 3rd International Conference on Management Science, Education Technology, Arts, Social Science and Economics. Atlantis Press, 2015. http://dx.doi.org/10.2991/msetasse-15.2015.9.

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Wang, Li. "Reform and Thinking of One's "One Belt, One Road" Development Strategy in Inner Mongolia Minority Music Teaching." In IPEC 2021: 2021 2nd Asia-Pacific Conference on Image Processing, Electronics and Computers. ACM, 2021. http://dx.doi.org/10.1145/3452446.3452698.

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