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Relevant bibliographies by topics / Music, mongolian / Dissertations / Theses

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Dissertations / Theses on the topic 'Music, mongolian'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Chu, Xinlei. "Mongolian folklore expressed through music technology original multimedia soundtrack "On Horseback"." Thesis, Duquesne University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1554238.

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<p>I returned to my hometown and recorded Mongolian folk music—Mongolian Long Song and Mongolian Throat Singing. I wanted to combine technology and traditional folk music and write an electronic piece based on Mongolian vocal materials. I used what I’ve sampled, manipulated the sounds, composed the music, gathered the videos together and created this multimedia piece—On Horseback. The names of the four movements—Sand, Cloud, Water, and Fire—are four elements that I chose to represent the lifestyle in Inner Mongolia. </p><p> This thesis covers the journey of how

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2

Rees, Lucy Miriam. "Mongolian film music during the Socialist era (1921-1990) and its aftermath." Thesis, University of Leeds, 2011. http://etheses.whiterose.ac.uk/2179/.

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A Mongolian film industry was established in the 1930s with the principal aim of disseminating socialist propaganda to the populace, and film music therefore became necessary to score the new Socialist Realist films. Promising young musicians, mostly from rural Mongolia, were chosen to receive formal musical training in the Soviet Union. On their return to Mongolia, they became the official film composers of Mongolia’s only film studio, Mongol Kino. Over time, the Mongol Kino film composers started to combine elements of the music they had learned at Soviet conservatoires with Mongolian musica

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3

Zhang, Ke. "A Performance Guide to "The Sound of the Prairie Land (Caoyuan Zhige) for Viola and Piano" by Qingwu Guan." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707402/.

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The Sound of the Prairie Land (Caoyuan Zhige) for viola and piano by the Chinese composer Qingwu Guan (b. 1938) has become one of the most popular works in the growing Chinese repertoire for viola. It also exists in another version for viola and viola ensemble, arranged by the Chinese violist Wing Ho, who also expanded the viola part with the composer's approval. The pentatonic work was highly influenced by the landscape and music of Inner Mongolia, a province of China next to the Mongolian border, and incorporates the music of an ode by the Inner Mongolian composer Alatengaole (1942–2011) cal

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4

Shao, Luyin. "A STUDY OF ACCULTURATION IN CHINESE-MONGOLIAN ER’RENTAI FOLK OPERA." UKnowledge, 2017. http://uknowledge.uky.edu/music_etds/94.

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Er’rentai, or Mongolian dance and song duets, is a genre of folk opera in the Inner Mongolian Autonomous Region. Er’rentai performances can be categorized into two styles—the “western-style” and the “eastern-style.” The aim of this thesis is to explore the acculturation in Chinese-Mongolian er’rentai genre in the following ways. First, I address the historical background of the western-style er’rentai. Then, I draw on fieldwork with Huo Banzhu, a famous er’rentai musician, to introduce contemporary state of er’rentai's development. Finally, I employ musical analysis to demonstrate the borrowin

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5

Lin, Pei-Chi. "A Performance Guide to Se Enkhbayar's Choral Tone Poem Önchin Botog (A Lonely Baby Camel) for SATB Soloists and SATB Chorus (with Divisions) A Cappella." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157562/.

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Se Enkhbayar (b. 1956) is one of the most important contemporary Mongolian composers in China. His choral tone poem, Önchin Botog, integrates the traditional Mongolian musical elements Urtiin Duu (long song) and Khöömii (throat singing) with modern choral music and is one of the most representative works in the genre of modern Mongolian choral music. The purpose of this study is to provide a performance guidance for non-Mongolian musicians on Se Enkhbayar's work, Önchin Botog, by presenting his biographical and cultural backgrounds, discussing the use of traditional Mongolian singing styles, s

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6

Curtet, Johanni. "La transmission du höömij, un art du timbre vocal : ethnomusicologie et histoire du chant diphonique mongol." Phd thesis, Université Rennes 2, 2013. http://tel.archives-ouvertes.fr/tel-00949955.

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Cette thèse est une étude ethnomusicologique à dimension historique portant sur la transmission globale du höömij en Mongolie. Pour expliquer l'évolution de cette technique vocale, sont explorés les légendes, les conceptions autochtones, l'histoire des années 1950 au début des années 2010 et la mise en patrimoine pour l'avenir.La première partie montre comment le chant diphonique prend forme dans sa culture. Perçu comme un art du timbre par ses détenteurs, il entretient des relations avec la nature, ainsi qu'un ensemble de techniques vocales et instrumentales issues des contextes rituel et pas

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7

Marsh, Peter K. "»We’ve Started a Revolution!« A Survey of Rap, Hip-Hop, and the Pop Music Industry in Mongolia." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A72196.

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8

Gibbs, Levi Samuel. "Beyond the Western Pass: Emotions and Songs of Separation in Northern China." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1248745393.

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9

林舜堂. "The Mongolian Prairie Dizi's Music Culture Research." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/60311955003416877627.

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碩士<br>國立臺南藝術大學<br>民族音樂學研究所<br>98<br>The dizi starts in 900 years ago to appear approximately in the general Mongolian prairie music world. When Genghis Khan establishes when the Mongol Khanate, at first for the palace orchestra's member, afterwards also spread in the folk. Along with the dynasty prosperity and decline change, several for hundred years dizi on pasts in the palace and the folk, although by no means becomes the Mongolian prairie nationality most important musical instrument, but deep has integrated the Mongolian prairie deeply in music culture, several hundred years get down also

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10

Phueckhahn, Rebekah. "Musical sociality : the significance of musical engagement among the Mongolian Altai Urianghai." Phd thesis, 2013. http://hdl.handle.net/1885/155976.

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This thesis explores the musical expression of current postsocialist experiences amongst one group of Altai Urianghai people both in and from the rural district of Duut Soum, Hovd Province, Mongolia. This area is renowned for performances of musical genres that are now being locally, regionally and nationally venerated as important links to Mongolia's 'deep past' and upheld as examples of Mongolia's national cultural heritage within a growing heritage sector in Ulaanbaatar. This recognition forms a recent part of a postsocialist Mongolian 'rediscovery' and veneration of Mongolian cultural and

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11

SHEN, MING-FANG, and 申明芳. "The Study of Possible Role of Cello in Chinese Music Pieces - Mongolian Fantasy." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/74123553236382681091.

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12

"Höömii-Tsol-Thinking Computer: Applying Selected Ancient Mongolian Vocal Practices to Contemporary Computer Music Composition." Doctoral diss., 2016. http://hdl.handle.net/2286/R.I.41244.

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abstract: Mongolian overtone singing (höömii) and Mongolian wrestling songs (tsols) are vocal styles that evoke physical and mental strength in the vocalist through the accessing of nature. The phrase “höömii-tsol-thinking computer” conveys my end-goal while composing, performing, and researching for my original composition strong.mng. I wanted to create a work in which the computer would be informed by the performance methods and philosophies employed during Mongolian höömii and tsols. Strong.mng is a 25-minute production for dancer, live digital illustrator, and overtone singer with a l

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13

Narmandakh, Bayarmaa, and 巴雅瑪. "Thermal Comfort Enhancement & Energy Saving Using Double Skin Façade - A study case of Mongolian music and dance college." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/68740154606927994534.

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碩士<br>國立中興大學<br>土木工程學系所<br>105<br>During the winter in Mongolia, temperature will drop down to minus 30 degrees; thus, how to effectively enhance thermal comfort and prevent heat lose in a building is an important issue. This paper presents a case study of Energy simulation using Building information modeling (BIM) method on an academic building and using Double skin facade system to simulate and compare building energy simulation performance. Final Section discusses various technical and cost challenges associated with energy consumption feedback and using such analysis to support retrofit de

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14

Hes, Jiří. "Magtál - Mongolská oslavná píseň, její jazyková a kulturní specifika." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-336508.

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The subject of this M.A. thesis is magtaal (or mongolian praise song) in the context of mongolian traditional oral folklore a the main focus of the thesis lies in its linguistic specifics and its role in mongolian rural environment. The thesis is is solved in two main parts. First one provides a general characteristics of this genre with emphasis on its ethnolinguistic, sociolinguistic and performance aspects. Further division to subgenres is also provided. The second part deals with each particular subgenre based on an analysis built around translation of parts of praise songs and referential

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15

Lee, Chiu-jung, and 李秋蓉. "The Study of Mongolia Instrument and Music: Horse - Head Fiddle." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/28979063320697481524.

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16

Giron, Gabrielle Chimene Bakan Michael B. "Norovbanzad's legacy Contemporary concert long song in Mongolia /." Diss., 2007. http://etd.lib.fsu.edu/theses/available/etd-10262007-063924/.

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Thesis (M.M.) Florida State University, 2007.<br>Advisor: Michael B. Bakan, Florida State University, College of Music. Title and description from dissertation home page (viewed 2007). Document formatted into pages; contains 116 pages. Includes biographical sketch. Includes bibliographical references.

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