Relevant bibliographies by topics / Music Motion pictures and music

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Music Motion pictures and music'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Music Motion pictures and music"

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Haines. "Stephen Foster’s Music in Motion Pictures and Television." American Music 30, no. 3 (2012): 373. http://dx.doi.org/10.5406/americanmusic.30.3.0373.

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Taranto, Cheryl, and Sharon Almquist. "Opera Mediagraphy: Video Recordings and Motion Pictures." Notes 52, no. 1 (1995): 81. http://dx.doi.org/10.2307/898803.

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Riethmüller, Albrecht. "Musik als Emblem in Billy Wilders Film The Emperor Waltz (1948)." Archiv für Musikwissenschaft 76, no. 3 (2019): 166. http://dx.doi.org/10.25162/afmw-2019-0008.

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Ringle, Carter. "Mind, Music, and Motion Pictures: The Making and Remaking of the Sensuous Consumer." Enterprise & Society 16, no. 2 (2015): 446–63. http://dx.doi.org/10.1353/ens.2015.0016.

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Simonton, Dean Keith. "Film music: Are award-winning scores and songs heard in successful motion pictures?" Psychology of Aesthetics, Creativity, and the Arts 1, no. 2 (2007): 53–60. http://dx.doi.org/10.1037/1931-3896.1.2.53.

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Tan, Siu-Lan, Matthew P. Spackman, and Elizabeth M. Wakefield. "The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene." Music Perception 34, no. 5 (2017): 605–23. http://dx.doi.org/10.1525/mp.2017.34.5.605.

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Previous studies have shown that pairing a film excerpt with different musical soundtracks can change the audience’s interpretation of the scene. This study examined the effects of mixing the same piece of music at different levels of loudness in a film soundtrack to suggest diegeticmusic (“source music,” presented as if arising from within the fictional world of the film characters) or to suggest nondiegetic music (a “dramatic score” accompanying the scene but not originating from within the fictional world). Adjusting the level of loudness significantly altered viewers’ perceptions of many e
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Rusinova, Elena A. "Music in the Metadigetic Space of the Motion Picture." Journal of Flm Arts and Film Studies 9, no. 2 (2017): 80–87. http://dx.doi.org/10.17816/vgik9280-87.

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This extension of the authors previous article udiovisual Means of Creating Metadiegetic Space in Cinema (see Vestnik VGIK #1 (31), 2017) is a historic survey of the sound design techniques which make it possible to use musical expressive means for designating the films subjective space (metadiegesis) and separating the metadiegesis from diegesis by means of music.
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Durst, Samantha L., and Charldean Newell. "Two Thumbs Up: The Media Are the Message." Public Voices 3, no. 3 (2017): 29. http://dx.doi.org/10.22140/pv.352.

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This account is a commentary on efforts to incorporate a "creative" project into a graduate-level public management course. Students must complete an "Images of the Public Sector" project for which they review, reflect on, and analyze the effect of specific media images of the public sector on public perceptions. The students select the images from books, music, television, motion pictures, or other art or literary form.
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Schubert, Linda. "Plainchant in Motion Pictures: The "Dies irae" in Film Scores." Florilegium 15, no. 1 (1998): 207–29. http://dx.doi.org/10.3138/flor.15.011.

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Several summers ago, the album Chant, a collection of plainsong performed by the monks of Santo Domingo de Silos, hit the top of the popular music charts, triggering the release and reissue of more chant albums by other groups. These included Greatest Hits—Chant, Mad About the Monks, and Chill to the Chant. In the meantime, the monks of Santo Domingo de Silos have followed up Chant with several other albums (Chant Noel, Chant II, Easter), and there is also a Chant video (see Chant, Visions, and Requiem). Though it may seem that plainchant has only just been discovered in popular culture, it ha
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Bolivar, Valerie J., Annabel J. Cohen, and John C. Fentress. "Semantic and formal congruency in music and motion pictures: Effects on the interpretation of visual action." Psychomusicology: A Journal of Research in Music Cognition 13, no. 1-2 (1994): 28–59. http://dx.doi.org/10.1037/h0094102.

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Dissertations / Theses on the topic "Music Motion pictures and music"

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Trainer, Adam. "Rock'n'roll cinema." Trainer, Adam (2005) Rock'n'roll cinema. PhD thesis, Murdoch University, 2005. http://researchrepository.murdoch.edu.au/364/.

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Popular music and film are separate media, framed by specific discourses, histories of distribution and reception, semiotic relationships and literacies. Through these divergent manifestations and ideologies nodes of convergence exist. At moments of connection, new and innovative textual and contextual possibilities emerge, transforming the ways in which audiences both engage and read these media. Whilst often driven by capitalist goals, both popular music and film capture and tether personal expression and collective memory. Through these processes of signification, popular cultural texts bel
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Schweitzer, Dennis C. "Ton & traum : a critical analysis of the use of sound effects and music in contemporary narrative film /." Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1108483481.

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Steele, Geoge. "Scoring silent film : music/nation/affect /." View online ; access limited to URI, 2009. http://0-digitalcommons.uri.edu.helin.uri.edu/dissertations/AAI3380539.

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Glover, Kristin Lynn. "Connections making sense of the world around us (the use of music in documentary films) /." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2009/glover/GloverK0809.pdf.

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Thesis (MFA)--Montana State University--Bozeman, 2009.<br>Typescript. Chairperson, Graduate Committee: Walter Metz. Troubador is a DVD accompanying the thesis. Includes bibliographical references (leaf 31).
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Mui, Yee-man, and 梅綺雯. "The Hong Kong soundscape: music and sound in Johnnie To's PTU." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44517087.

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Mollaghan, Aimée. "The musicality of the visual music film." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/3205/.

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This thesis explores the concept and expression of musicality in the absolute visual music film, in which visual presentations are given musical attributes such as rhythmical form, structure and harmony. The role of music has, in general, been neglected when analysing visual music textually and if discussed it has been examined predominantly from the academic vantage points of art and avant-garde film theory. To adequately scrutinise these texts I consider it essential to look at them not only in terms of their existence as moving pictures but also to give equal weight to their aural aspect an
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Onofre, Cintia Campolina de. "O zoom nas trilhas da Vera Cruz : a trilha musical da Companhia Cinematografica Vera Cruz." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284784.

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Orientador: Claudiney Rodrigues Carrasco<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-04T20:40:37Z (GMT). No. of bitstreams: 1 Onofre_CintiaCampolinade_M.pdf: 3572761 bytes, checksum: 7391a9a61d53c2f98a83ba31d5a3f58d (MD5) Previous issue date: 2005<br>Resumo: A presente dissertação de mestrado elabora um panorama das trilhas musicais dos filmes da Companhia Vera Cruz e contribui para o preenchimento de uma lacuna bibliográfica sobre trilhas musicais brasileiras da década de 50. Com esse estudo, verificamos como algun
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Jansen, Rhyno. "The alchemy of sound : creating unbelievable believability through audiovisual fusion." Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6561.

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Thesis (MPhil (Music))--University of Stellenbosch, 2011.<br>ENGLISH ABSTRACT: This thesis represents an attempt to explore the use of metadiegetic film sound and its connection with qualities displayed by human physiology. Metadiegesis is chosen as the focus of this study, in order to point out the potential of film sound to be representative and not to slavishly imitate its visual counterpart. Therefore, because metadiegetic sound is deictic in nature, the first hurdle to clear was to navigate through a terminological minefield, allowing a clear glimpse of its true meaning and its conne
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Garwood, Ian. "Pop music and characterisation in narrative film." Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/4263/.

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This thesis discusses the use of pop songs in narrative films, with particular attention paid to their role in characterisation. My argument concerns the potential for pop to retain its specificity as a certain type of music whilst it carries out functions normally attributed to a composed score. Many commentators have assumed that, because a song may be known before it is used in a film, its narrative meanings are "pre-packaged". I combine an appreciation of pop music's propensity to come to a film already 'known' with an attempt to demonstrate how individual narratives ask songs to perform d
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Seidel, Sebastian Martin. "A portfolio of compositions and an investigation into electroacoustic compositional techniques and aesthetics in cinematic film." HKBU Institutional Repository, 2014. https://repository.hkbu.edu.hk/etd_oa/98.

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The purpose of this study is to investigate the occurrences of electroacoustic content in and its relation to cinematic film. Key research questions include: What pioneering techniques and aesthetic positions used by creators of early electroacoustic music have found their way into mainstream cinema? Where and when have they been developed? In which films do they appear, and how are they distributed among film genres? The findings of this study assert the idea that many techniques that are part of sound design of contemporary cinematic film (the process and result of mixing and manipulating s
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Books on the topic "Music Motion pictures and music"

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Soviet film music: An historical survey. Harwood Academic Pub., 1997.

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Orton, Mark. Nebraska: Music from the motion picture. Milan Records, 2013.

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Pop, Iggy. Trainspotting: [music from the motion picture]. Capitol, 1996.

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Alexander, Arthur. Muscle Shoals: Original motion picture soundtrack. Republic Records, 2013.

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Musica e immagine: Il fondamentale contributo della colonna sonora nella storia del cinema. CEDAM, 2005.

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Henry Mancini: Reinventing film music. University of Illinois Press, 2012.

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Hyman, Jackie. Danger music. Five Star, 2004.

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Dickinson, Kay. Off key: When film and music won't work together. Oxford University Press, 2008.

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Veʺ, ʼOṅʻ. ʼEʺ mra mra mīʺ lyhaṃ. Sīha Ratanā Cā pe, 2003.

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Dale, Dick. Pulp fiction: [music from the motion picture]. MCA, 1994.

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Book chapters on the topic "Music Motion pictures and music"

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Greco, Albert N. "The US Government and the Entertainment Industries Confront the War: Motion Pictures, Music, and Book Publishing." In The Marketing of World War II in the US, 1939-1946. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39519-3_4.

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Abels, Birgit. "Bodies in motion." In Music as Atmosphere. Routledge, 2019. http://dx.doi.org/10.4324/9780815358718-9.

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Thomson, Katja. "World In Motion ensemble." In Expanding Professionalism in Music and Higher Music Education. Routledge, 2021. http://dx.doi.org/10.4324/9781003108337-11.

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Spada, Danilo, and Emmanuel Bigand. "Coupling Music and Motion." In The Routledge Companion to Embodied Music Interaction. Routledge, 2017. http://dx.doi.org/10.4324/9781315621364-29.

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Mazierska, Ewa. "Introduction: Setting Popular Music in Motion." In Relocating Popular Music. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137463388_1.

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Rousseau, George. "(Nervously) Grappling with (Musical) ‘Pictures in the Mind’: A Personal Account." In Music and the Nerves, 1700–1900. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137339515_2.

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Jensenius, Alexander Refsum. "Methods for Studying Music-Related Body Motion." In Springer Handbook of Systematic Musicology. Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-55004-5_38.

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Godøy, Rolf Inge. "Postures and Motion Shaping Musical Experience." In The Routledge Companion to Embodied Music Interaction. Routledge, 2017. http://dx.doi.org/10.4324/9781315621364-13.

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Perez-Carrillo, Alfonso, Josep-Lluis Arcos, and Marcelo Wanderley. "Estimation of Guitar Fingering and Plucking Controls Based on Multimodal Analysis of Motion, Audio and Musical Score." In Music, Mind, and Embodiment. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-46282-0_5.

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Nusseck, Manfred, Marcelo M. Wanderley, and Claudia Spahn. "Body Movements in Music Performances: The Example of Clarinet Players." In Handbook of Human Motion. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-30808-1_107-1.

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Conference papers on the topic "Music Motion pictures and music"

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Lehtiniemi, Arto, and Jukka Holm. "Using Animated Mood Pictures in Music Recommendation." In 2012 16th International Conference on Information Visualisation (IV). IEEE, 2012. http://dx.doi.org/10.1109/iv.2012.34.

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Bretherton, Beatrice, and Roger J. Watt. "Music and Motion." In Electronic Visualisation and the Arts (EVA 2014). BCS Learning & Development, 2014. http://dx.doi.org/10.14236/ewic/eva2014.24.

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Shinjo, Yuto, Teruhisa Hochin, and Hiroki Nomiya. "Detecting changes of music impressions for changing pictures." In 2017 18th IEEE/ACIS International Conference on Software Engineering, Artificial Intelligence, Networking and Parallel/Distributed Computing (SNPD). IEEE, 2017. http://dx.doi.org/10.1109/snpd.2017.8022775.

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Cardle, Marc, Stephen Brooks, Loic Barthe, Mo Hassan, and Peter Robinson. "Music-driven motion editing." In ACM SIGGRAPH 2002 conference abstracts and applications. ACM Press, 2002. http://dx.doi.org/10.1145/1242073.1242235.

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Bak, Jakob, William Verplank, and David Gauthier. "Motors, Music and Motion." In TEI '15: Ninth International Conference on Tangible, Embedded, and Embodied Interaction. ACM, 2015. http://dx.doi.org/10.1145/2677199.2680590.

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Laichuthai, Auttawut, and Pizzanu Kanongchaiyo. "Synchronization between motion and music using motion graph." In 2011 8th International Conference on Electrical Engineering/Electronics, Computer, Telecommunications and Information Technology (ECTI-CON 2011). IEEE, 2011. http://dx.doi.org/10.1109/ecticon.2011.5947883.

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Shi, Xiang-Bin, Dian-Xing Zhang, Dan Wu, and Jian-Yu Zhao. "A Method of Determine Music-Motion Correspondence." In 2011 International Conference on Internet Technology and Applications (iTAP). IEEE, 2011. http://dx.doi.org/10.1109/itap.2011.6006355.

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Benatan, Matt, Sam Bultitude, Stuart Heather, Ian Symonds, and Kia Ng. "MiMic: a motion control interface for music." In Electronic Visualisation and the Arts (EVA 2010). BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/eva2010.33.

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Martelli, Alessandro, Giordano-Bruno Arato, and Enrico Bellani. "Advanced Tested Technology for Earthquakes and the Shapes of Memory: A Short Film and a Motion-Picture Developed in the Framework of the MUSICA Project." In ASME 2002 Pressure Vessels and Piping Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/pvp2002-1435.

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This paper provides updated information, with respect to that already given at the 2001 ASME-PVP Conference, on the Project MUSICA (Multimedia for the Development of Innovative Systems for Anti-Seismic Constructions). This project was jointly undertaken by the Italian Agency for New Technology, Energy and the Environment (ENEA) and other partners associated in the Italian Working Group on Seismic Isolation (GLIS) in May 2000, to contribute to information and training on the modern passive control techniques of seismic vibrations through a better, modern use of media. It consists in the develop
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Wang, Xiao. "“Pipa in the Period of Five Dynasties and Ten Kingdoms” in Music Pictures." In Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/iccese-19.2019.80.

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Reports on the topic "Music Motion pictures and music"

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Rysjedal, Fredrik. Frozen Moments in Motion. Universitetet i Bergen KMD, 2019. http://dx.doi.org/10.22501/kmd-ar.31524.

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What are the concepts of motion in digital comics? What types of motion can be used in comics and how does motion affect the presentation, the story and even the reader/viewer? This project is a part of the Norwegian Programme for Artistic Research, and it's executed at the Bergen Academy of Art and Design, today called Faculty of Fine Art, Music and Design at the University of Bergen.
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