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1

Borczon, Ronald M. Music therapy: Group vignettes. Barcelona Publishers, 1997.

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2

Writing music. Faber and Faber, 2009.

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3

Daniel, Peggy. Tanglewood: A group memoir. Amadeus Press, 2008.

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4

Kowalski, Emma. The story of Mosley Music Group. Mason Crest Publishers, 2012.

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5

Ian, Howarth, ed. A music group in your Church?: How to start and run a Church music group. Methodist Publishing House, 1995.

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6

Randall, Mac. Exit music: The Radiohead story. Omnibus, 2000.

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7

Randall, Mac. Exit music: The Radiohead story. Delta Trade Paperbacks, 2000.

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8

Pinson, Joe. Involving senior citizens in group music therapy. Jessica Kingsley Publishers, 2013.

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9

Higgins, Lee. Free to be musical: Group improvisation in music. Rowman & Littlefield Education, 2010.

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10

Peter, Howard. How to form your own successful music group. P. Howard, 1985.

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11

Wallner, Rosemary. Wynonna Judd: Country music star. Abdo & Daughters, 1991.

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12

How to create a successful music ensemble: Running your group & arranging the music. Rhinegold Education, 2012.

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13

Talking Heads' Fear of music. Continuum, 2012.

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14

Wallner, Rosemary. New Kids on the Block!: Pop music group. Abdo, 1990.

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15

Wallner, Rosemary. New Kids on the Block!: Pop music group. Abdo, 1990.

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16

The creative use of music in group therapy. 2nd ed. C.C. Thomas, 1996.

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17

Weitz, Jay. Cataloger's judgment: Music cataloging questions and answers from the Music OCLC Users Group newsletter. Libraries Unlimited, 2004.

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18

Kaplan, Phyllis R. Cooperative learning in music. Music Educators National Conference, 1994.

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19

Abba: The music still goes on : the complete story. Castle Communications, 1994.

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20

Corbisier, Isabelle. Music for vagabonds: The Tuxedomoon chronicles. OpenMute, 2008.

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21

Manzo, V. J. Max/MSP/Jitter for Music. Oxford University Press, 2011. http://dx.doi.org/10.1093/oso/9780199777679.001.0001.

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In Max/MSP/Jitter for Music, expert author and music technologist V. J. Manzo provides a user-friendly introduction to a powerful programming language that can be used to write custom software for musical interaction. Through clear, step-by-step instructions illustrated with numerous examples of working systems, the book equips you with everything you need to know in order to design and complete meaningful music projects. The book also discusses ways to interact with software beyond the mouse and keyboard through use of camera tracking, pitch tracking, video game controllers, sensors, mobile devices, and more. This book will be of special value for everyone who teaches music at any level, from classroom instructors to ensemble directors to private studio instructors. Whether you want to create simple exercises for beginning performers or more complex programs for aspiring composers, this book will show you how to write customized software that can complement and even inspire your instructional objectives. No specialist foreknowledge is required to use this book to enliven your experience with music technology. Even musicians with no prior programming skills can learn to supplement their lessons with interactive instructional tools, to develop adaptive instruments to aid in composition and performance activities, and to create measurement tools with which to conduct research. This book allows you to: -Learn how to design meaningful projects for composition, performance, music therapy, instruction, and research -Understand powerful software through this accessible introduction, written for beginners -Follow along through step-by-step tutorials -Grasp the principles by downloading the extensive software examples from the companion website This book is ideal for: -Music educators at all levels looking to integrate software in instruction -Musicians interested in how software can improve their practice and performance -Music composers with an interest in designing interactive music -Music therapists looking to tailor programs to the needs of specific groups or individuals And all who are interested in music technology. Visit the companion website at www.oup.com/us/maxmspjitter
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22

Creating a Music Website. PC Publishing, 2001.

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23

Stent, Keith. Music Group Choruses. Kevin Mayhew Ltd, 1996.

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24

Music Group Courses. Kevin Mayhew Ltd, 1997.

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25

Stent, Keith. Music Group Choruses. Kevin Mayhew Ltd, 1996.

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26

Stent, Keith. Music Group Carols. Kevin Mayhew Ltd, 1997.

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27

Stent, Keith. Music Group Choruses. Kevin Mayhew Ltd, 1996.

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28

Davies, Alison. Group Music Therapy. Routledge, 2014. http://dx.doi.org/10.4324/9781315752570.

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29

Group Analytic Music Therapy. Barcelona Publishers, 2007.

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30

Pavlicevic, Mercedes. Group Music Therapy Reconsidered. Edited by Jane Edwards. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199639755.013.9.

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Group music therapy, while acknowledged professionally as a powerful therapeutic format, remains relatively undocumented and untheorized in the literature. This historical scarcity is puzzling, given that music therapists do group work in a range of formats as part of their service delivery in schools, care homes, health centers, hospitals, cafes, and community centers. In this chapter a range of approaches to group work in music therapy will be presented. Four key texts providing information about group work in music therapy are reviewed and discussed in order to show how group work offers opportunities for differences, opportunities for attachment, for different kinds of simultaneous roles, relationships, and transferences, and different combinations of self-and-others, with larger groups, and with offering opportunities for the person to become themselves by contributing to the group.
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31

Music for the Catholic Choir and Music Group. Kevin Mayhew Ltd, 1997.

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32

Music for the Catholic Choir and Music Group. Kevin Mayhew Ltd, 1997.

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33

Tate, Joseph. Music And Art Of Radiohead (Ashgate Popular & Folk Music) (Ashgate Popular & Folk Music). Ashgate Pub Ltd, 2005.

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34

Exit Music. Random House Publishing Group, 2009.

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35

Davies, Alison, Eleanor Richards, and Nick Barwick. Group Music Therapy: A Group Analytic Approach. Taylor & Francis Group, 2014.

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36

Group Music Therapy: A Group Analytic Approach. Taylor & Francis Group, 2014.

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37

Lyke, James, and Geoffrey Haydon. Ensemble Music for Group Piano. 4th ed. Stipes Pub Llc, 2002.

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38

Sawyer, R. Keith. Group Creativity: Music, Theater, Collaboration. Lawrence Erlbaum, 2003.

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39

Group Creativity: Music, Theater, Collaboration. Lawrence Erlbaum, 2003.

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40

Ternström, Sten, Harald Jers, and John Nix. Group and Ensemble Vocal Music. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199730810.013.0035.

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41

Tanglewood: A Group Memoir. Amadeus Press, 2008.

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42

Henshaw, Lee. Oasis: Revealed (Music Books). Parragon Publishing, 1996.

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43

Group Songbook. Group Publishing, 1993.

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44

Group Songbook. Group Publishing, 1993.

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45

Group Songbook. Group Publishing, 1993.

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46

Inc, Group Publishing. Group Songbook. Group Publishing, 1993.

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47

Group Songbook. Group Publishing, 1993.

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48

Group Songbook. Group Publishing, 1993.

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49

Carousel: Primary music : group discussion book. Ginn, 1996.

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50

Carousel: Primary music : group discussion book. Ginn, 1996.

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