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Books on the topic 'Music, Norwegian'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

musikkinformasjon, Norsk, ed. Woodwinds: Contemporary Norwegian chamber music. Norwegian Music Information Centre, 1996.

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2

musikkinformasjon, Norsk, ed. Choir: Contemporary Norwegian choral music. Norwegian Music Information Centre, 1996.

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3

musikkinformasjon, Norsk, ed. Piano: Contemporary Norwegian piano music. Norwegian Music Information Centre, 1996.

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4

musikkinformasjon, Norsk, ed. Brass: Contemporary Norwegian brass music. Norwegian Music Information Centre, 1996.

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5

musikkinformasjon, Norsk, ed. Mixed: Contemporary Norwegian chamber music. Norwegian Music Information Centre, 1996.

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6

musikkinformasjon, Norsk, ed. Guitar: Contemporary Norwegian guitar music. Norwegian Music Information Centre, 1996.

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7

musikkinformasjon, Norsk, ed. Harp: Contemporary Norwegian harp music. Norwegian Music Information Centre, 1996.

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8

musikkinformasjon, Norsk, ed. Organ: Contemporary Norwegian organ music. Norwegian Music Information Centre, 1996.

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9

musikkinformasjon, Norsk, ed. Percussion: Contemporary Norwegian chamber music. Norwegian Music Information Centre, 1996.

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10

musikkinformasjon, Norsk, ed. Accordion: Contemporary Norwegian accordion music. Norwegian Music Information Centre, 1996.

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11

Mattes, Arnulf. The Nordic ingredient: European nationalisms and Norwegian music since 1905. Waxmann, 2019.

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12

Eggum, Jan. Norsk pop & rock leksikon: Populærmusikk i hundre år. Vega, 2005.

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13

Levy, Morten. The world of the gorrlaus slåtts: A morphological investigation of a branch of Norwegian fiddle music tradition. Kragen, 1989.

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14

Aarset, Ane-Charlotte Five. Utvandreren: Brakte sangen om Norge over havet. Kolofon, 2012.

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15

Bergan, Jon Vidar. Store rock-og popleksikon. Kunnskapsforlaget, 2007.

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16

Sons of Norway (U.S.), ed. Dances from Norway. Sons of Norway, 1988.

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17

Korsten, Bjarne. 19 verk av 14 komponister: Rapport fra en safari i moderne norsk kammer- og orkestermusikk = 19 works of 14 composers : report of a safari in contemporary Norwegian chamber- and orchestral music. Author, 2001.

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18

Bakka, Egil. Springar and pols: Variation, dialect and age : pilot project on the methodology for determining traditions structures and historical layering of old Norwegian couple dances. Rådet for folkemusikk og folkedans, Rff Center, 1995.

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19

Jenstad, Tor Erik. Ein repetis i obligadur: Folkemusikkterminologi i norske dialektar ; med vekt på feletradisjonen. Novus, 2001.

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20

Halbakken, Sverre. Så surr nå, kjæring!: Musikk- og dansetradisjoner i Sor- Østerdal og Våler. Blåmann, 1997.

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21

Kvalshaug, Vidar, Inger Merete Hobbelstad, and Morten Ståle Nilsen. Norske klassikere: Bøker, filmer, musikk, radio og TV fra 1945 til i dag. Spartacus, 2012.

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22

Norwegian Native Art: Cultural Identity in Norwegian Metal Music. LIT Verlag, 2017.

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23

Piano: Contemporary Norwegian piano music. Norwegian Music Information Centre, 1989.

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24

Band: Contemporary Norwegian band music. Norwegian Music Information Centre, 1996.

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25

A history of Norwegian music. University of Nebraska Press, 1991.

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26

Lanz, David. David Lanz - Norwegian Rain. Leonard Corporation, Hal, 2016.

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27

GRIEG: MUSIC, LANDSCAPE AND NORWEGIAN IDENTITY. BOYDELL PRESS, 2006.

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28

Strings: Contemporary Norwegian music for strings. Norwegian Music Information Centre, 1996.

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29

Grimley, Daniel M. Grieg: Music, Landscape and Norwegian Identity. Boydell Press, 2006.

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30

Grimley, Daniel. Grieg: Music, Landscape and Norwegian Identity. Boydell & Brewer, Incorporated, 2006.

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31

Grieg, Edvard. Norwegian Dances and Other Works. Dover Publications, 1991.

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32

Music Playlist Paper: Book Norwegian Forest Cat. Independently Published, 2019.

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33

Music Playlist Paper: Book Norwegian Forest Cat. Independently Published, 2019.

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34

Grieg: Lyric Pieces for Piano Solo, Op.12 (Kalmus Edition). Alfred Publishing Company, 1985.

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35

Wedding Day at Troldhaugen, Op. 65, No. 6. Alfred Music, 1987.

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36

Grieg, Edvard. Holberg Suite and Other Orchestral Works in Full Score. Dover Publications, 2001.

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37

44 Norwegian Folk Songs and Dances - Sheet Music for Piano. Read Books, 2017.

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38

Sibelius, Jean. Symphony No. 5 in E-Flat Major, Op. 82, in Full Score. Dover Publications, 2001.

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39

Norwegian American Music from Minnesota/Book and Record (Minnesota Musical Traditions). Minnesota Historical Society Pr, 1989.

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40

Ludvig Irgens-Jensen: The Life and Music of a Norwegian Composer. Toccata Press, 2014.

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41

Novelty, Blue Cloud. Always Be Yourself Unless You Can Be a Norwegian Buhund Then Be a Norwegian Buhund: Blank Sheet Music - 10 Staves. Independently Published, 2019.

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42

Et eget århundre = Music in a free state: Norsk orkestermusikk 1905-2005 = Norwegian orchestral music 1905-2005. Press, 2000.

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43

Hoffin, Kevin. 'TRVE' : The Norwegian Black Metal Scene: A Subcultural Study of Transgression through Music. CreateSpace Independent Publishing Platform, 2017.

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44

Hawkins, Stan. Masculinity, Race, and Transculturalism in a Norwegian Context. Edited by Fabian Holt and Antti-Ville Kärjä. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.16.

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This chapter explores transcultural perspectives on popular music aesthetics and gender in Norway through case studies of male celebrities born around 1980: the duo Madcon, Jarle Bernthoft, Lars Vaular, and Sondre Lerche. The analysis focuses on the practices of self-fashioning a persona in the realm of the popular, involving the aesthetics of masquerade, the ordinary, and escapism. Conceptually, the chapter draws from Bakhtin, Eyerman, Frith, and other influential voices in the literature on cultural performance and identity. The discussion also sheds light on fundamental issues in popular mu

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45

McClary, Susan. Making Sense of Music. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197779798.001.0001.

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Abstract Why do we listen to music? How does it produce its effects? Neither historical records nor conventional modes of analysis nor even the neurosciences addresses these fundamental questions. In Making Sense of Music, Susan McClary engages with problems in music interpretation in readings based on metaphors of the body, gesture, temporality, sexuality, and subjectivity. Her chapters focus variously on ribald songs of the Renaissance, the performance of Bach fugues, time-bending in seventeenth-century keyboard works, Grieg’s Norwegian swerve, Florence Price’s mergers of the spiritual with

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46

Arrangement, arenaer og aktører i Norsk samtidsmusikk =: Arrangements, arenas and actors in contemporary Norwegian music. Norsk Komponistforening, 1992.

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47

Solli, Kristin. Tales of the West. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040832.003.0024.

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This essay examines “country music,” its fans in Norway, and its complicated message about “Europeanization.” It shows how sporting “American” symbols such as cowboy hats and U.S. flags was common practice among fans of “country music” in Norway at the turn of the 21st century, and argues that these acts represent a rural Norwegian embrace of the U.S. as a way of protesting “Europeanization.” Solli is careful to argue that it never meant embracing U.S. foreign policy in general nor an urban Norwegian pro-Americanism, but she does suggest that taking Norway as a case study is helpful in thinkin

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48

Norsk samtidsmusikk gjennom 25 år: Temaer, tendenser og talenter = 25 years of contemporary Norwegian music : themes, trends andtalents. Norsk Komponistforening, 1992.

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49

Whitmore, Aleysia K. World Music and the Black Atlantic. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190083946.001.0001.

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In the mid-twentieth century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and ’70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African–Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them—from

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50

Goertzen, Chris. Fiddling for Norway: Revival and Identity. University of Chicago Press, 2007.

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