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Relevant bibliographies by topics / Music of peasant roots

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Academic literature on the topic 'Music of peasant roots'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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Journal articles on the topic "Music of peasant roots"

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Светлана Ильинична, Савенко,. "Igor Stravinsky's Oeuvre in Boris Asafiev's Studies." Музыкальная академия, no. 4(780) (December 26, 2022): 116–33. http://dx.doi.org/10.34690/274.

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Статья посвящена исследованиям музыки И. Ф. Стравинского, принадлежащим одному из крупнейших отечественных музыковедов — академику Б. В. Асафьеву (псевдоним Игорь Глебов). Асафьев начал писать о Стравинском в середине 1910-х годов, результатом этой работы стала «Книга о Стравинском» (1929) — одна из первых монографий о композиторе. В статье она охарактеризована как выдающееся музыковедческое исследование творчества Стравинского, начиная от раннего периода вплоть до созданных в конце 1920-х годов сочинений («Царь Эдип», «Аполлон Мусагет», «Поцелуй феи»). Асафьев изучил русский генезис музыки Ст

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JOUBERT, ESTELLE. "SONGS TO SHAPE A GERMAN NATION: HILLER’S COMIC OPERAS AND THE PUBLIC SPHERE." Eighteenth Century Music 3, no. 2 (2006): 213–30. http://dx.doi.org/10.1017/s1478570606000583.

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In this article I assert that our modern understanding of the singspiel as a genre has been shaped not by eighteenth-century principles but rather by nineteenth-century notions of ‘romantic’ German opera. In contrast to a later through-composed ideal, Johann Adam Hiller’s comic operas, often viewed as the prototype of the German comic genre, were designed precisely in order that the songs might easily be detached from the spoken dialogue, disseminated outside of the public opera house and sung by audiences in various other contexts. The express purpose of these songs, as articulated by librett

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KOROL, Oksana. "THE FORMATION OF UKRAINIAN CREATIVE GROUPS IN STRYI AND THE STRYI REGION IN THE EARLY TWENTIETH CENTURY: ARTISTIC AND CULTURAL DIMENSION." Bulletin of the Lviv University. Series of Arts Studies 199, no. 23 (2022): 41–48. http://dx.doi.org/10.30970/vas.23.2022.12193.

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The article discusses the evolution of public concerts in Galicia during the 19th century, which were primarily of two types: commemorative events and entertainment concerts. Concert programs were diverse, featuring vocal and inStrumental performances, as well as recitations of poems and popular science lectures. An important mileStone in the development of concert life in WeStern Ukraine were the evenings dedicated to the memory of T. G. Shevchenko. These events Stimulated various forms of artiStic performance and their significance for the development of musical culture in WeStern Ukraine is

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Manuel, Luna Samperio. "Las cuadrillas del Mediterráneo: estabilidad y cambio en los territorios identitarios de las músicas de raíz campesina." Música Oral del Sur, no. 5 (March 4, 2002): 53–65. https://doi.org/10.5281/zenodo.4629455.

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Este articulo es una reflexión sobre el concepto de trasculturalidad, aplicado a las músicas tradicionales de origen campesino en áreas del sur de Europa, en particular el Sureste de la Península Ibérica. Repertorios procedentes del mundo rural y de espacios de tradicional filiación subalterna en barrios urbanos, que constituyen la matriz de lo que he dado en llamar músicas campesinas a fin de marcar la distancia con los géneros interpretados por grupos folklóricos que bebieron del pensamiento romántico o de las corrientes d

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van Elteren, Mel. "Roots Music." Popular Music and Society 36, no. 4 (2013): 544–47. http://dx.doi.org/10.1080/03007766.2012.740995.

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Dniprovska, N. S. "Rachmaninov. “Six choirs for children’s or women’s voices”: specific of interpretation of the genre." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 55, no. 55 (2019): 105–21. http://dx.doi.org/10.34064/khnum1-55.08.

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Introduction. In the article the cycle of children’s choruses of S.Rachmaninov is considered, his characteristic features in subjects, figurative disclosure, the special role of lofty spiritualized lyric poetry; for the first time the appearance in the choral works of the composer of the themes “Dies irae”, “katabasis”; the spiritually-aesthetic value of Rachmaninov “Six Choruses” for secular children’s choral singing and performance is revealed. “Six choirs for children’s or women’s voices” op. 15 were written by S. Rachmaninov in 1895, the date of which he indicated in a letter to B. Asafiev

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Šentevska, Irena. "The Peasant Ghetto." Lidé města 19, no. 2 (2017): 191–210. http://dx.doi.org/10.14712/12128112.3320.

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This paper traces the development of the Serbian hip-hop scene in its ever-changing social context from the late socialist 1980s, through the wartime 1990s, to the transitional 2000s, focusing on local conceptualizations of the notion of the ghetto and different ways in which hip-hop reflects the rural-urban divide in Serbian society. From rapping in rural dialects to satirically praising narco-agriculture, Serbian rappers have made quite a unique contribution to the hip-hop “Internationale” as a global movement with distinct origins in the New York City neighborhood of the South Bronx. Their

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Jääts, Indrek. "Eesti etnograafid lõunavepsa külades 1965–1969." Eesti Rahva Muuseumi aastaraamat, no. 61 (October 11, 2018): 44–79. http://dx.doi.org/10.33302/ermar-2018-002.

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Estonian ethnographers in southern Vepsian villages, 1965–1969 Estonian ethnographers have taken an interest in Finno-Ugric peoples since the dawn of ethnography, and to the extent possible, they have made trips to the regions in question to study their culture. Starting in the 1960s, the State Ethnography Museum of the Estonian SSR in Tartu (the past and present Estonian National Museum) became the hub of Finno-Ugric ethnography under its director, Aleksei Peterson. Expeditions to the linguistic relatives in the east began at the initiative and with the support of linguists (chiefly, Paul Ari

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SENCHENKOV, NIKOLAI P., and TATIANA A. PANKOVA. "THE CONTRIBUTION OF S. A. RACHINSKY IN MUSIC AND ART EDUCATION IN SMOLENSK PROVINCE OF THE LATE XIX CENTURY." Cherepovets State University Bulletin 4, no. 109 (2022): 197–207. http://dx.doi.org/10.23859/1994-0637-2022-4-109-17.

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The article examines the organization features of music and art education in Smolensk province at the end of the 19th century based on Tatevskaya School by S. A. Rachinsky. The authors highlight the principles of musical and art education of peasant children; determine pedagogical conditions, contributing to the primary art education for talented peasant children at school of S. A. Rachinsky. The article concludes that the ideas of teaching at Tatevskaya School of S. A. Rachinsky contributed to the development of music and art education in Smolensk province of the 19th century, since it was at

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Barton, Gregory A. "The Myth of the Peasant in the Global Organic Farming Movement." Itinerario 41, no. 1 (2017): 75–91. http://dx.doi.org/10.1017/s0165115317000080.

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Organic farming activists have promoted the idea that ancient peasant wisdom informed the basic principles or Albert Howard’s Indore method, and of organic farming generally. The myth of the peasant origins of organic farming has influenced environmental activists and historians alike and concealed the remarkable contributions of Albert Howard and his first and second wives, Gabrielle and Louise Howard. A few statements made by Howard himself, and by his second wife, Louise, inspired the myth of peasant origins of organic wisdom. But a closer look at the published and unpublished writings of t

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Dissertations / Theses on the topic "Music of peasant roots"

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Noll, William Henry. "Peasant music ensembles in Poland : a culture history /." Thesis, Connect to this title online; UW restricted, 1986. http://hdl.handle.net/1773/11368.

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Marx, Aaron J. "THE ROOTS OF SUFFERING." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1155839549.

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Retish, Aaron Benyamin. "A quest for justice : the roots of peasant resistance in European Russia, 1870-1907." Connect to resource, 1996. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1191538003.

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Olson, Ted S. "Interpreting Roots Music for the General Public." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/5526.

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Bidgood, Lee, and Bill and the Belles. "Performance at Bristol Rhythm and Roots Reunion." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1056.

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Bidgood, Lee, and ETSU Old Time Band. "Performance at Rhythm and Roots Reunion Festival." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1078.

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Berberian, Marina. "Exploring Armenian keyboard music : roots to modern times." FIU Digital Commons, 2010. http://digitalcommons.fiu.edu/etd/1604.

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The extended program notes include historical facts of the composers and characteristics of the pieces being performed. The thesis also includes information about Armenian composers starting from 18th to the 20th century, composition's historical background, brief biographies of the composers as well as analysis of form and structure. The graduate piano recital comprised the following compositions: Sayat Nova - R. Andriasian Yes Mi Kharib Blbuli Pes; Komitas - R. Andriasian Garun a, Shoker Jan, Dzirani Dzar, Gakavik; A. Khachaturyan Poem; A. Babadjanyan Elegy in Commemoration of A. Khachaturya

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Hanson, Bradley Everett William A. "T Bone Burnett, roots music, and the O Brother phenomenon." Diss., UMK access, 2005.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2005.<br>"A thesis in music history and literature." Typescript. Advisor: William Everett. Vita. Title from "catalog record" of the print edition Description based on contents viewed June 23, 2006. Includes bibliographical references (leaves 151-160). Online version of the print edition.

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Shenasi, Solmaz Yasamin. "The Roots of Music Therapy| Healing the Wounds of the Psyche." Thesis, Pacifica Graduate Institute, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1692137.

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<p> This thesis examines the impact of music on people from a depth-psychological perspective and explores how music can deeply touch and change clients’ lives and allow for healing. In so doing, this thesis will contribute to increased understanding of the need for music therapeutically. Utilizing qualitative methodology and a hermeneutic approach, this thesis considers the significant impact of music on the body, brain, mind, spirituality, and emotions, and examines how music can be used as a healing power. The research question guiding this thesis is: How can music be used in a client

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Anderson, Brian Keith. "Afro-Cuban percussion, its roots and role in popular Cuban music." Kansas State University, 2016. http://hdl.handle.net/2097/32617.

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Master of Music<br>Department of Music, Theatre, and Dance<br>Craig B. Parker<br>This Master’s Report will address questions about Afro-Cuban music, focusing on Afro-Cuban percussion and music in the late 1800s and early 1900s. The first two chapters will address congas and timbales, which are two Afro-Cuban percussion instruments at the center of Cuban culture and music. The next three chapters will address danzón, rumba, and son. These chapters will provide analysis into the influences that shaped the music as well as analysis of the music itself. Chapter 6 of this report addresses Cuba’s im

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Books on the topic "Music of peasant roots"

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(Firm), Ginger Group, ed. American roots music. Ginger Group, 2003.

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Kris, Kristofferson, Ginger Group (Firm), Palm Pictures, et al., eds. American roots music. Palm Pictures [distributor], 2001.

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Robert, Santelli, George-Warren Holly, and Brown Jim 1950-, eds. American roots music. H.N. Abrams, 2001.

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Deadbeat. Roots and wire. Wagon Repair, 2008.

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Burgess, Keith. Establishing roots: A beginner's guide to performing roots music in Canada. K. Burgess, 1996.

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Lawrence, Clayton, and Specht Joe W. 1945-, eds. The roots of Texas music. Texas A&M University Press, 2003.

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1944-, Collins John, ed. West African pop roots. Temple University Press, 1992.

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Mazzola, Guerino. The Topos of Music IV: Roots. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64495-0.

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1950-, Seal Graham, and Willis Rob, eds. Verandah music: Roots of Australian tradition. Curtin University Books, 2003.

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A, Bulger Peggy, and Southern Arts Federation (U.S.), eds. Musical roots of the South. Southern Arts Federation, 1991.

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Book chapters on the topic "Music of peasant roots"

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Bernhard, H. Christian. "Roots." In Managing Stress in Music Education. Routledge, 2020. http://dx.doi.org/10.4324/9781003003366-8.

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Hanser, Suzanne. "Roots of Healing Music." In Integrative Health through Music Therapy. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-38477-5_5.

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Watanabe, Shoichi. "The Japanese Feeling of Security: Ancestral Roots. The Soil." In The Peasant Soul of Japan. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20242-3_3.

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Mazzola, Guerino, Maria Mannone, and Yan Pang. "Roots, Logarithms, and Normal Forms." In Computational Music Science. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-42937-3_13.

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Urbanek, Nikolaus. "Writing Electroacoustic Music." In Xenakis - Back to the Roots. transcript Verlag, 2024. https://doi.org/10.14361/9783839474297-002.

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White, Lynn T. "Ex-peasant industrialists end most socialist planning." In Rural Roots of Reform Before China’s Conservative Change. Routledge, 2018. http://dx.doi.org/10.4324/9781351247696-3.

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Williams, Sean. "Roots and Branches of Gaelic Ireland." In Focus: Irish Traditional Music. Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-3.

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"Roots Music." In Encyclopedia of Quality of Life and Well-Being Research. Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-0753-5_103593.

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"Roots Music." In Encyclopedia of Quality of Life and Well-Being Research. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17299-1_303854.

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"The Roots of Ambivalence:." In Peasant Dreams and Market Politics. University of Pittsburgh Press, 1998. http://dx.doi.org/10.2307/jj.362386.6.

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Conference papers on the topic "Music of peasant roots"

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Hyde, Joseph. "Tracing Music Technology to its Interdisciplinary Roots." In Rethinking the History of Technology-based Music. University of Huddersfield, 2022. http://dx.doi.org/10.5920/tracingmusic.

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Yang, Tingting. "Reshaping and Revelation: Structural Constructions in Philip Glass’s „Trilogy of Vocal Symphonies“." In Ninth International Conference on Music and Minimalism. Institute of Musicology SASA, 2024. https://doi.org/10.46793/mininters.158y.

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In the modernist symphonic form of the late 20th century, there is a conspicuous lack of reliance on segmented form for thematic elements. From this situation, Philip Glass (born 31 January 1937) departed from the inherent thinking of minimalism, finding roots in the expansive symphonic genre. To date, he has composed fourteen symphonic works, which showcase the collision between minimalist techniques and the traditional form and content of symphonies. This article selects his monumental mid-period trilogy of symphonies: Symphony No. 5 – Requiem, Bardo, Nirmanakaya, Symphony No. 6 – Plutonian

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Marrucci, Luca, and Erika Piazzoli. "Evaluating Learner Engagement in Arts Education: Perspectives from Music and Drama in Education." In Third International Conference on Higher Education Advances. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/head17.2017.5516.

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In this paper we aim to investigate learner engagement and how it can be evaluated, in the context of higher education research. Specifically we consider learner engagement evaluation in Arts Education, where the educational focus is on the process, rather than the product – drawing on music and drama in education research and practice. First, we position the notion of evaluation as opposed to assessment, with attention to its etymological roots. Second, we discuss the multifaceted notion of engagement as process, exploring the nature of learner engagement and a number of possible engagement i

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Galaicu, Violina. "Byzantine religious chanting between oral and written tradition." In Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.15.

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Those who scrutinized the historical development of Byzantine liturgical chanting could notice the late codification of this music. With the transition to the written tradition, a clear tendency to preserve orality in the new hypostasis emerged. Proto-Byzantine chanting circulated orally, this being conditioned by the original orality of the evangelical tradition. When the Eastern promoters of Christian liturgical chanting felt the need to codify the cultic repertoire, they resorted to the Ekphonetic notation, and later to the Diastematic one. Ekphonetic notation is a rudimentary notation, it

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Güray, Cenk. "Safevi Sarayı’nda XVI. yüzyıl’da müzik teorisi kaynakları üzerinden Şâh İsmail Hatayi’nin düşünce dünyasının tahayyül edilmesi." In 1st International Shah Ismail Khatai Symposium. Namiq Musalı, 2024. https://doi.org/10.59402/ees02202425.

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Sources of music theory in Medieval Islam Period named as “edvâr” sources, are of great importance for the cultural history of the region not only for having contained some music theory information about the historical period they belong to such as the tuning system, melodic structures, rhythmic structures, but also reflecting a strong “cosmic perception” by establishing a connection with the “theory of cycles”. The principles of medieval Islamic states of establishing the relationship between “belief and music” through the contradiction or reconciliation of the “madrasah-tekke” traditions uti

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Nivat, Georges. "“TRACTS OF RUSSIAN MEMORY” OR THE MAIN “NESTS” OF MEMORY IN RUSSIA." In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.02.

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In this text, are given the plan and main contributions that are gathered in a collective work directed by Prof. Georges Nivat, Les sites de la mémoire russe. The first volume, Géographie de la mémoire russe, was published in 2007, the second one, Histoire et mythes de la mémoire russe, in 2019. The word “site” is meant as a prominent detail in the landscape and translated into Russian as “Uročišča”. The aim is to give a view of the main “sites” and debates that have arisen along Russian historiography since the 18th century. The “invention” of the “Chronicles” is one spectacular example. It g

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Tsai, Naomi, and Javier Gastón-Greenberg. "Decoding Cultural Narratives through Project-Based Learning." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-029.

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We at Educurious have collaborated with the United States Library of Congress to develop a freely available Ethnic Studies project-based curricular series that uses cultural expression as a lens to navigate complex factors that have shaped diverse identities in the United States, encompassing migration, colonization, imperialism, and the experiences of indigenous and black communities globally. The objective is to facilitate students' comprehension of various groups' origins and efforts to preserve cultural heritage, evolve expressions of identity, and transform society. The project proposes a

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Pedret, K., and L. H. Shu. "Informing Design Defixation Using Interventions for Psychiatric Disorders." In ASME 2019 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/detc2019-98277.

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Abstract Design fixation has been extensively studied in the context of engineering design, leading to several interventions to reduce its negative effects. The concept of mental fixation has roots in diverse psychological contexts from Freudian psychoanalysis to Gestaltism and eating disorders. Although the underlying concepts are similar, the phenomenon has different names, including mental set, rumination, functional fixedness, obsession, etc. Mental fixation in its various forms is always a barrier to problem solving, whether the problem is a psychological disorder or an engineering-design

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Reports on the topic "Music of peasant roots"

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma

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