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Dissertations / Theses on the topic 'Music of peasant roots'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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Consult the top 31 dissertations / theses for your research on the topic 'Music of peasant roots.'

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1

Noll, William Henry. "Peasant music ensembles in Poland : a culture history /." Thesis, Connect to this title online; UW restricted, 1986. http://hdl.handle.net/1773/11368.

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2

Marx, Aaron J. "THE ROOTS OF SUFFERING." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1155839549.

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3

Retish, Aaron Benyamin. "A quest for justice : the roots of peasant resistance in European Russia, 1870-1907." Connect to resource, 1996. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1191538003.

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4

Olson, Ted S. "Interpreting Roots Music for the General Public." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/5526.

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5

Bidgood, Lee, and Bill and the Belles. "Performance at Bristol Rhythm and Roots Reunion." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1056.

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6

Bidgood, Lee, and ETSU Old Time Band. "Performance at Rhythm and Roots Reunion Festival." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1078.

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7

Berberian, Marina. "Exploring Armenian keyboard music : roots to modern times." FIU Digital Commons, 2010. http://digitalcommons.fiu.edu/etd/1604.

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The extended program notes include historical facts of the composers and characteristics of the pieces being performed. The thesis also includes information about Armenian composers starting from 18th to the 20th century, composition's historical background, brief biographies of the composers as well as analysis of form and structure. The graduate piano recital comprised the following compositions: Sayat Nova - R. Andriasian Yes Mi Kharib Blbuli Pes; Komitas - R. Andriasian Garun a, Shoker Jan, Dzirani Dzar, Gakavik; A. Khachaturyan Poem; A. Babadjanyan Elegy in Commemoration of A. Khachaturya

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8

Hanson, Bradley Everett William A. "T Bone Burnett, roots music, and the O Brother phenomenon." Diss., UMK access, 2005.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2005.<br>"A thesis in music history and literature." Typescript. Advisor: William Everett. Vita. Title from "catalog record" of the print edition Description based on contents viewed June 23, 2006. Includes bibliographical references (leaves 151-160). Online version of the print edition.

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9

Shenasi, Solmaz Yasamin. "The Roots of Music Therapy| Healing the Wounds of the Psyche." Thesis, Pacifica Graduate Institute, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1692137.

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<p> This thesis examines the impact of music on people from a depth-psychological perspective and explores how music can deeply touch and change clients’ lives and allow for healing. In so doing, this thesis will contribute to increased understanding of the need for music therapeutically. Utilizing qualitative methodology and a hermeneutic approach, this thesis considers the significant impact of music on the body, brain, mind, spirituality, and emotions, and examines how music can be used as a healing power. The research question guiding this thesis is: How can music be used in a client

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10

Anderson, Brian Keith. "Afro-Cuban percussion, its roots and role in popular Cuban music." Kansas State University, 2016. http://hdl.handle.net/2097/32617.

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Master of Music<br>Department of Music, Theatre, and Dance<br>Craig B. Parker<br>This Master’s Report will address questions about Afro-Cuban music, focusing on Afro-Cuban percussion and music in the late 1800s and early 1900s. The first two chapters will address congas and timbales, which are two Afro-Cuban percussion instruments at the center of Cuban culture and music. The next three chapters will address danzón, rumba, and son. These chapters will provide analysis into the influences that shaped the music as well as analysis of the music itself. Chapter 6 of this report addresses Cuba’s im

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11

Brown, Maya Olivia. "EMPOWERMENT THROUGH ACKNOWLEDGEMENT:CONTEMPORARY STRING BANDS AND THE BLACK ROOTS MUSIC REVIVAL." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1532894230322707.

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12

Olson, Ted. "Perspectives on the Location Concept of Country Roots Recording Sessions in the 1920s and 1930s." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1116.

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13

Symons, Andrew Allan. "Male control and female resistance in American roots music recordings of the interwar period." Thesis, Northumbria University, 2018. http://nrl.northumbria.ac.uk/37657/.

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This thesis examines themes of male control and female resistance in commercially recorded American roots music of the interwar period, focusing primarily on recordings made in the years 1920-1940. It argues that much of the roots music recorded during this period communicated powerful messages about gendered and racial hierarchies to consumers. Rooted in close textual analysis of song lyrics and visual marketing materials for a plethora of commercially available roots music, the thesis deploys methodologies drawn from history, literary, cultural studies, and musicology. It questions why schol

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14

Macaulay, David E. (David Edward). "Word, sound and power : Rastafari and conceptions of musical meaning in roots reggae music." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69634.

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Reggae is a popular musical form that originated in Jamaica in the late 1960's and soon came to be closely associated with the oppositional, Afrocentric Rastafarian movement. During the 1970's it achieved global popularity and is now produced in many locations around the world. In Montreal, reggae is produced by and for a cosmopolitan community; however, certain conceptions of the distinctiveness of this music as an effective intervention in social processes, derived from Rastafarian philosophy, are maintained by its performers. This thesis examines reggae song lyrics and elements of discourse

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15

Moreland, Kathleen A. "Of Thee We Sing: Roots of the American Songbook." University of Akron / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=akron1428148686.

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16

Langley, Mikaela. "Exploring Authenticity in Old-Time Music." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/honors/603.

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This thesis focuses on the question of authenticity in old-time music, and the ways in which it is studied in ETSU’s Bluegrass, Old-Time, and Country Music Studies program. In an academic setting, old-time is often studied in more of a historical or anthropological context and less as a specific style of music. Arguments for authenticity in this music have been made since the popularity of such films as “O Brother, Where Art Thou?” and “Cold Mountain”, which brought a lot of outside attention to the genres of bluegrass and old-time music, as well as defining the aesthetics associated with them

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17

Crespo, Bojorque Paola 1985. "Biological foundations of consonance perception : exploring phylogenetic roots and neural mechanisms." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/481992.

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La consonancia es una de las características más salientes de la música. A pesar de su papel fundamental en la música occidental, sus orígenes siguen siendo controversiales. Por lo tanto, la comprensión de los mecanismos implicados en la percepción de un acorde como consonante (estable) o disonante (inestable), se ha convertido en una cuestión pendiente en la investigación de la percepción musical. La presente tesis doctoral está dedicada a explorar las bases biológicas de la percepción de la consonancia a través de dos enfoques, comparativo y neurofisiológico. Los resultados de varios experi

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18

Madsen, Eric. "The genesis of Suzuki : an investigation of the roots of talent education." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22406.

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In its short history, Talent Education, also known as the Suzuki Method, has had a profound impact on the teaching of music to the young. However, despite continued guidance from its founder, Shinichi Suzuki, misconceptions about the method persist among both its practitioners and critics. One route to understanding of pedagogical theory is to look at its origins. To that end, this thesis makes a study of history of the method and its founder, drawing on available sources. Further investigation is carried out on the philosophy and teaching techniques. An exploration is then undertaken of the p

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19

Pace, Ian. "The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45)." Thesis, Cardiff University, 2018. http://orca.cf.ac.uk/111692/.

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This thesis is an analysis of the development of new music in occupied Germany from the end of World War Two, on 8 May 1945, until the end of 1946, in terms of the creation of institutions for the propagation of new music, in the form of festivals, concert series, radio stations, educational institutions and journals focusing on such a field, alongside an investigation into technical and aesthetic aspects of music being composed during this period. I argue that a large number of the key decisions which would affect quite fundamentally the later trajectory of new music in West Germany for some

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20

Frechette, Erinn E. "The Pedagogy of Walfrid Kujala: The American Flute School and its Roots in the French Flute School of the Late Nineteenth Century." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin14915589673882.

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21

Godoy, Jr Martin. "Flute Music of Cristóbal Halffter: His Roots in Spanish Tradition and Place in the Avant-Garde Generación del 51." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703350/.

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Cristóbal Halffter, born in 1930, established himself as an important figure in Spanish avant-garde composition in the middle of the twentieth-century. As one of the prominent leaders of the Generación del 51, he helped establish modernity in music as a part of Spain's identity. His compositional style mixing tradition with the avant-garde was built on the success and breakthrough of Manuel de Falla, a composer with close ties to Halffter's family and served as a 'father figure' to the Generación del 51. This study begins with a discussion on Falla's work and reception, as he lay the groundwor

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22

Meyerson-Knox, Saul. ""African Blues": The Sound and History of a Transatlantic Discourse." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378194952.

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23

Lee, Gui Hwan. "The Roots of Texture as a Structural Agent in Luciano Berio’s Sincronie for String Quartet (1964), as Seen in His Early 1960s Orchestral Works, Nones, Tempi Concertati, Allez-hop, and Epifanie as well as Late 1960s Work, Sinfonia." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504801778724386.

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24

Tzu-Chi, Lin, and 林姿綺. "The Application of Hungary Peasant Music Elements." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/51437601471949973420.

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碩士<br>國立臺南藝術大學<br>音樂表演與創作研究所<br>98<br>Béla Bartók (1881-1945) was a Hungarian composer, pianist, and an outstanding ethnomusicologist. He was deeply attracted by the primitive beauty and expressiveness of the Hungarian peasant music that finally led him to a broader interest in the peasant music of other countries as well, especially the ones that can be traced to an ancient origin. Out of this enthusiasm, Bartók spent more than ten years with full energy on extensive field works that covered an expanding area, collecting and analyzing folk songs. The results of this laborious and ingenious wo

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25

(9807665), Elisabeth Jensen. "Cross-genre marketing of Australian Roots music." Thesis, 2008. https://figshare.com/articles/thesis/Cross-genre_marketing_of_Australian_Roots_music/13462907.

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"Explores the dilemma of cross-genre marketing within the Australian roots music industry, citing established marketing principles utilised within the industry as documented via interviews with industry professionals. Fifteen Australian music industry professionals (five each from the roots music sub-components of country, blues, and folk music) will be questioned regarding their views on genre identity"--Introduction.

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26

Ng, Nicholas Francis. "Celestial roots : the music of Sydney's Chinese, 1954-2004." Phd thesis, 2008. http://hdl.handle.net/1885/150469.

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27

Miller, Blajchman Lisa Miller Blajchman Lisa. "Exploring one's roots : integrating Klezmer and other world music into the Western compositional palette /." 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29275.

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Thesis (M.A.)--York University, 2007. Graduate Programme in Music.<br>Typescript. Includes bibliographical references (leaves 60-67). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29275

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28

Metz, Kathryn Ann 1978. "Music from Amazonia : roots, cosmopolitanism, and regional expression in Iquitos, Peru." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-08-1621.

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This study explores the construction of regional identities through music performance and mediated forms of public culture in the urban Amazon of Peru, focusing on the city of Iquitos. A fast-developing metropolis, Iquitos's increasing industrial, ecological and economic importance on the national scale has driven a population explosion, drawing migrants from the surrounding jungle whose traditional communities are disintegrating. Urban musicians respond to these changes by attempting to create an inclusive, Amazonian regional community through public culture. A local folkloric genre called pa

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29

Grieve, Stephen C. "Jazzed up blues (and) roots : a musical exploration of space, genre, and hybridity." Thesis, 2017. http://hdl.handle.net/1959.7/uws:44968.

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Jazz, blues, folk and roots hybrids are an increasingly popular and prominent feature of popular music around the world. In this context, a small number of scholars have identified and described the emergence of a pastoral strain of hybridity in jazz which is characterised as evoking a more rural, spacious and relaxed sound in contrast to the more urbane and strident sounds of bebop derivations. This research focusses on relationships between jazz, genre hybridity and the use and evocation of space, explored in the context of the musical characteristics of pastoral expression. The study is con

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30

Gavito, Cory Michael. "The alfabeto song in print, 1610-ca. 1665 : Neopolitan roots, Roman codification, and "Il gusto popolare" /." Thesis, 2006. http://www.lib.utexas.edu/etd/d/2006/gavitoc11533/gavitoc11533.pdf#page=3.

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31

Weimer, Jade B. "The roots of early Christian music : an historical analysis of the influences that shaped the musical practices of the early Christian communities." 2008. http://hdl.handle.net/1993/21325.

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