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Journal articles on the topic 'Music of peasant roots'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Светлана Ильинична, Савенко,. "Igor Stravinsky's Oeuvre in Boris Asafiev's Studies." Музыкальная академия, no. 4(780) (December 26, 2022): 116–33. http://dx.doi.org/10.34690/274.

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Статья посвящена исследованиям музыки И. Ф. Стравинского, принадлежащим одному из крупнейших отечественных музыковедов — академику Б. В. Асафьеву (псевдоним Игорь Глебов). Асафьев начал писать о Стравинском в середине 1910-х годов, результатом этой работы стала «Книга о Стравинском» (1929) — одна из первых монографий о композиторе. В статье она охарактеризована как выдающееся музыковедческое исследование творчества Стравинского, начиная от раннего периода вплоть до созданных в конце 1920-х годов сочинений («Царь Эдип», «Аполлон Мусагет», «Поцелуй феи»). Асафьев изучил русский генезис музыки Ст

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2

JOUBERT, ESTELLE. "SONGS TO SHAPE A GERMAN NATION: HILLER’S COMIC OPERAS AND THE PUBLIC SPHERE." Eighteenth Century Music 3, no. 2 (2006): 213–30. http://dx.doi.org/10.1017/s1478570606000583.

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In this article I assert that our modern understanding of the singspiel as a genre has been shaped not by eighteenth-century principles but rather by nineteenth-century notions of ‘romantic’ German opera. In contrast to a later through-composed ideal, Johann Adam Hiller’s comic operas, often viewed as the prototype of the German comic genre, were designed precisely in order that the songs might easily be detached from the spoken dialogue, disseminated outside of the public opera house and sung by audiences in various other contexts. The express purpose of these songs, as articulated by librett

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KOROL, Oksana. "THE FORMATION OF UKRAINIAN CREATIVE GROUPS IN STRYI AND THE STRYI REGION IN THE EARLY TWENTIETH CENTURY: ARTISTIC AND CULTURAL DIMENSION." Bulletin of the Lviv University. Series of Arts Studies 199, no. 23 (2022): 41–48. http://dx.doi.org/10.30970/vas.23.2022.12193.

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The article discusses the evolution of public concerts in Galicia during the 19th century, which were primarily of two types: commemorative events and entertainment concerts. Concert programs were diverse, featuring vocal and inStrumental performances, as well as recitations of poems and popular science lectures. An important mileStone in the development of concert life in WeStern Ukraine were the evenings dedicated to the memory of T. G. Shevchenko. These events Stimulated various forms of artiStic performance and their significance for the development of musical culture in WeStern Ukraine is

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Manuel, Luna Samperio. "Las cuadrillas del Mediterráneo: estabilidad y cambio en los territorios identitarios de las músicas de raíz campesina." Música Oral del Sur, no. 5 (March 4, 2002): 53–65. https://doi.org/10.5281/zenodo.4629455.

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Este articulo es una reflexión sobre el concepto de trasculturalidad, aplicado a las músicas tradicionales de origen campesino en áreas del sur de Europa, en particular el Sureste de la Península Ibérica. Repertorios procedentes del mundo rural y de espacios de tradicional filiación subalterna en barrios urbanos, que constituyen la matriz de lo que he dado en llamar músicas campesinas a fin de marcar la distancia con los géneros interpretados por grupos folklóricos que bebieron del pensamiento romántico o de las corrientes d

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5

van Elteren, Mel. "Roots Music." Popular Music and Society 36, no. 4 (2013): 544–47. http://dx.doi.org/10.1080/03007766.2012.740995.

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6

Dniprovska, N. S. "Rachmaninov. “Six choirs for children’s or women’s voices”: specific of interpretation of the genre." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 55, no. 55 (2019): 105–21. http://dx.doi.org/10.34064/khnum1-55.08.

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Introduction. In the article the cycle of children’s choruses of S.Rachmaninov is considered, his characteristic features in subjects, figurative disclosure, the special role of lofty spiritualized lyric poetry; for the first time the appearance in the choral works of the composer of the themes “Dies irae”, “katabasis”; the spiritually-aesthetic value of Rachmaninov “Six Choruses” for secular children’s choral singing and performance is revealed. “Six choirs for children’s or women’s voices” op. 15 were written by S. Rachmaninov in 1895, the date of which he indicated in a letter to B. Asafiev

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7

Šentevska, Irena. "The Peasant Ghetto." Lidé města 19, no. 2 (2017): 191–210. http://dx.doi.org/10.14712/12128112.3320.

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This paper traces the development of the Serbian hip-hop scene in its ever-changing social context from the late socialist 1980s, through the wartime 1990s, to the transitional 2000s, focusing on local conceptualizations of the notion of the ghetto and different ways in which hip-hop reflects the rural-urban divide in Serbian society. From rapping in rural dialects to satirically praising narco-agriculture, Serbian rappers have made quite a unique contribution to the hip-hop “Internationale” as a global movement with distinct origins in the New York City neighborhood of the South Bronx. Their

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8

Jääts, Indrek. "Eesti etnograafid lõunavepsa külades 1965–1969." Eesti Rahva Muuseumi aastaraamat, no. 61 (October 11, 2018): 44–79. http://dx.doi.org/10.33302/ermar-2018-002.

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Estonian ethnographers in southern Vepsian villages, 1965–1969 Estonian ethnographers have taken an interest in Finno-Ugric peoples since the dawn of ethnography, and to the extent possible, they have made trips to the regions in question to study their culture. Starting in the 1960s, the State Ethnography Museum of the Estonian SSR in Tartu (the past and present Estonian National Museum) became the hub of Finno-Ugric ethnography under its director, Aleksei Peterson. Expeditions to the linguistic relatives in the east began at the initiative and with the support of linguists (chiefly, Paul Ari

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9

SENCHENKOV, NIKOLAI P., and TATIANA A. PANKOVA. "THE CONTRIBUTION OF S. A. RACHINSKY IN MUSIC AND ART EDUCATION IN SMOLENSK PROVINCE OF THE LATE XIX CENTURY." Cherepovets State University Bulletin 4, no. 109 (2022): 197–207. http://dx.doi.org/10.23859/1994-0637-2022-4-109-17.

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The article examines the organization features of music and art education in Smolensk province at the end of the 19th century based on Tatevskaya School by S. A. Rachinsky. The authors highlight the principles of musical and art education of peasant children; determine pedagogical conditions, contributing to the primary art education for talented peasant children at school of S. A. Rachinsky. The article concludes that the ideas of teaching at Tatevskaya School of S. A. Rachinsky contributed to the development of music and art education in Smolensk province of the 19th century, since it was at

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10

Barton, Gregory A. "The Myth of the Peasant in the Global Organic Farming Movement." Itinerario 41, no. 1 (2017): 75–91. http://dx.doi.org/10.1017/s0165115317000080.

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Organic farming activists have promoted the idea that ancient peasant wisdom informed the basic principles or Albert Howard’s Indore method, and of organic farming generally. The myth of the peasant origins of organic farming has influenced environmental activists and historians alike and concealed the remarkable contributions of Albert Howard and his first and second wives, Gabrielle and Louise Howard. A few statements made by Howard himself, and by his second wife, Louise, inspired the myth of peasant origins of organic wisdom. But a closer look at the published and unpublished writings of t

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11

La Chapelle, Peter, Lawrence Clayton, and Joe W. Specht. "The Roots of Texas Music." Western Historical Quarterly 35, no. 3 (2004): 398. http://dx.doi.org/10.2307/25443039.

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12

Crist, Elizabeth B., Lawrence S. Clayton, and Joe W. Specht. "The Roots of Texas Music." American Music 23, no. 1 (2005): 111. http://dx.doi.org/10.2307/4153045.

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13

Trainor, Laurel. "The neural roots of music." Nature 453, no. 7195 (2008): 598–99. http://dx.doi.org/10.1038/453598a.

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Bărbulescu, Constantin, and Roland Clark. "The Ignored Peasants of Romanian Ethnology: Ovid Densusianu, Henri H. Stahl, and the Recalibration of Research on Rural Romania." Journal of Romanian Studies 5, no. 2 (2023): 131–54. http://dx.doi.org/10.3828/jrns.2023.9.

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The present study attempts to capture and explain a somewhat paradoxical theme: the way in which the national ethnology of the nineteenth century “ignored” the peasant world. Why did a science dedicated to the peasant world ignore the “voices” of peasants for a long period of time? Throughout the nineteenth century the ethnologist’s agenda did not overlap at all with that of the peasant in front of him: the urban researcher was interested in folk literature, music, dance, and dress, while the peasant wanted to talk about rural poverty and its causes. The ethnologist was engaged in building the

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15

Grabner, Julia V., Anna E. Kempf, Alma M. N. Nederlof, Judith M. Varkevisser, and Michelle J. Spierings. "Rhythmic roots." Psihologijske teme 34, no. 1 (2025): 1–24. https://doi.org/10.31820/pt.34.1.1.

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Isochrony, or the regular timing of sounds, is a prominent rhythmic feature of human music and can also be found in the vocalisations of non-human animals. In the evolution of music and language, the capacity for vocal learning is hypothesised to have played a key role, with vocal learning species thought to have more advanced rhythmic capabilities. However, studies show that vocal isochrony is also present in vocal non-learners, indicating that it is perhaps a highly conserved property providing adaptive benefits across taxa. As mechanisms that are shared across multiple species are likely to

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16

Richter, Pál. "Dance house under the socialist regime in Hungary." Studia Musicologica 56, no. 4 (2015): 407–15. http://dx.doi.org/10.1556/6.2015.56.4.8.

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At the beginning of the 1970s there was a drastic turn in the history of Hungarian folklorism brought by the ‘dance house’ [táncház] movement. This movement, based on civil initiative, aimed to evoke and revive the patterns of peasant dance and music culture of local communities, preserving its aesthetic values. Within its confines, many young people followed the example of the initiators, Ferenc Sebő and Béla Halmos through the intensive appropriation of instrumental folk music. Their professional leaders were such folklore researchers as Lajos Vargyas, Imre Olsvai, and György Martin, later t

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17

Longuet-Higgins, Christopher. "Music and the Psychologists, or the Poet and the Peasant." Psychology of Music 15, no. 1 (1987): 3–6. http://dx.doi.org/10.1177/0305735687151002.

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18

Sinaga, Fajry Sub'haan Syah, and Syahrul Syah Sinaga. "Musical Facts and Sustainability of Trunthung Music in Eco-cultural Studies." Harmonia: Journal of Arts Research and Education 21, no. 2 (2022): 278–89. http://dx.doi.org/10.15294/harmonia.v21i2.31528.

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This study aims to review the sustainability of Trunthung Music that shapes an ecosystem within the context of eco-culture. The study belongs to the nature of qualitative research with an interdisciplinary approach and several ecological concepts that reflect the culture of the peasant community over the slope of Merbabu Mountain in Magelang. The study itself is conducted in Warangan Hamlet and Gejayan Hamlet, the Regency of Magelang. The data are gathered through observation, documentation, and in-depth interviews with the informants related to the Trunthung Music. Then, the source triangulat

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19

Doss, Katherine, and Laurie Kay Sommers. "Rhythm and Roots: Southern Music Traditions." Journal of American Folklore 121, no. 482 (2008): 493. http://dx.doi.org/10.2307/20487634.

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20

Düx, Sascha. "Roots&Routes - Music meets Media." merz | medien + erziehung 54, no. 1 (2010): 37–38. https://doi.org/10.21240/merz/2010.1.16.

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Der nachfolgende Artikel beschäftigt sich mit der Rolle der Musik in der Medienpädagogik. Der Artikel bezieht sich auf das 2001 enstandene Konzept für Medienprojekte aus dem Roots&Routes hervortrat. Mithilfe dieses Projektes können Jugendliche eine Woche lang mit Prominenten Lieder schreiben, Tänze einstudieren und Videos aufnehmen. (DIPF/J.E.).

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21

Houser, Don. "Sharing Teaching Ideas: Roots in Music." Mathematics Teacher 95, no. 1 (2002): 16–17. http://dx.doi.org/10.5951/mt.95.1.0016.

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Mathematics and music? In college, as a mathematics major with a music minor, I never realized that connections between the two–other than mundane applications of fractions to note values–might exist. Subsequent teaching experiences have furnished me with delightful and teachable connections that I enthusiastically share with my students. I have even observed that the musicians “perk up” when I do so.

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22

WAGNER, Marek. "Brothers Berens. A contribution to the history of Polish Lutheranism in the 17th century." Historia i Świat 7 (June 30, 2018): 195–98. http://dx.doi.org/10.34739/his.2018.07.13.

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The Lutheran family of Berens (Behrens) came from Denmark, probably had peasant or bourgeois roots, while in the 16th century its members lived in the area of Ducal Prussia. In the mid-17th century, four brothers were identified – Jan, Jakub, Jerzy, also Paweł, who served in the army of the Polish-Lithuanian Commonwealth and who, thanks to their own abilities and royal protection, reached high military levels.

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23

Kunej, Drago, and Rebeka Kunej. "Dancing For Ethnic Roots:." Musicological Annual 55, no. 2 (2019): 111–31. http://dx.doi.org/10.4312/mz.55.2.111-131.

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Folk dance ensembles within minority ethnic communities (Albanian, Bosniak, Montenegrin, Croatian, Macedonian and Serbian) in Slovenia were formed in the 1990s, after the breakup of Yugoslavia. The authors present the key reasons for the folklore activities that contributed to the emergence of the so-called minority folk dance ensembles, describe their beginnings and how they eventually became organized, institutionalized, and integrated into the amateur culture system in Slovenia. The goal of minority folk dance ensembles is to dance for ethnic roots, but at the same time, the desire to enric

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24

Witmer, Robert, Jeremy Marre, and Hannah Charlton. "Roots, Rock, Reggae [Film]." Latin American Music Review / Revista de Música Latinoamericana 11, no. 2 (1990): 310. http://dx.doi.org/10.2307/780130.

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Wilczyńska, Elwira. "Peasant diary as a text of folklore?" Łódzkie Studia Etnograficzne 62 (October 20, 2023): 35–50. http://dx.doi.org/10.12775/lse.2023.62.03.

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The article attempts to answer the question of the genological status of peasant diaries. These texts were certainly being written from the beginning of the nineteenth century, but it is not impossible that peasants recorded their reflections earlier as well. The genre flourished in the post-war years, when organisers of numerous competitions encouraged the villagers to write their autobiographies, and lasted essentially until the late 1970s. The source material makes it possible to study the transformations that the texts themselves underwent over the period of a century, as well as the way t

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Fülemile, Ágnes. "Social Change, Dress and Identity." Acta Ethnographica Hungarica 65, no. 1 (2020): 107–86. http://dx.doi.org/10.1556/022.2020.00007.

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The article, based on extensive ethnographic fieldwork, studies the process of the disintegration of the traditional system of peasant costume in the 20th century in Hungary in the backdrop of its socio-historic context. There is a focused attention on the period during socialism from the late 1940s to the end of the Kádár era, also called Gulyás communism. In the examined period, the wearing and abandonment of folk costume in local peasant communities was primarily characteristic of women and an important part of women’s competence and decision-making. There was an age group that experienced

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Loite, Kersti. "Intervjuu: Rahvarõivaste komplekteerimise poliitiline kunst / Interview: The Political Art of the Assembly of Folk Costume Sets." Studia Vernacula 7 (November 4, 2016): 161–79. http://dx.doi.org/10.12697/sv.2016.7.161-179.

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Kersti Loite (MA in traditional technologies) spoke to ethnographer and researcher of national costumes Igor Tõnurist. Tõnurist has been active as a lecturer on Estonian national costumes since the 1970s and was a member and later the chairman of the national costume unit of the Office of the General Song Festival of the Estonian Soviet Socialist Republic. From 1971–1992, he was the artistic director of the famous Estonian folk music ensemble Leegajus.The discussion concentrated on the ideas and ideologies that have influenced the completion of Estonian national costume sets. The museum collec

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Loite, Kersti. "Intervjuu: Rahvarõivaste komplekteerimise poliitiline kunst / Interview: The Political Art of the Assembly of Folk Costume Sets." Studia Vernacula 7 (November 4, 2016): 161–79. http://dx.doi.org/10.12697/sv.2016.7.161-179.

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Kersti Loite (MA in traditional technologies) spoke to ethnographer and researcher of national costumes Igor Tõnurist. Tõnurist has been active as a lecturer on Estonian national costumes since the 1970s and was a member and later the chairman of the national costume unit of the Office of the General Song Festival of the Estonian Soviet Socialist Republic. From 1971–1992, he was the artistic director of the famous Estonian folk music ensemble Leegajus.The discussion concentrated on the ideas and ideologies that have influenced the completion of Estonian national costume sets. The museum collec

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29

Anderson, Leslie. "Mixed Blessings: Disruption and Organization among Peasant Unions in Costa Rica." Latin American Research Review 26, no. 1 (1991): 111–43. http://dx.doi.org/10.1017/s0023879100034932.

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One of the most urgent issues in contemporary Latin America is the popular struggle against rural poverty. Because Latin American states have failed to alleviate rural impoverishment, the poor have undertaken to solve their own problems. One fruitful way of improving their conditions has proved to be forming grass-roots peasant organizations outside state auspices. This approach, however, can bear fruit only under a democratic regime or in states that provide some political space in which peasants can act without being crushed.

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franklin, sara b. "Manioc: A Brazilian Chef Claims Her Roots." Gastronomica 12, no. 3 (2012): 40–45. http://dx.doi.org/10.1525/gfc.2012.12.3.40.

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The manioc root (also commonly known as yuca and cassava) has been vital to Brazil's inhabitants for millenia. Native to the Amazon River basin, manioc has long been used by Brazilian native peoples and became the lifeblood of the Portuguese colonists who settled there as well. Though manioc is commonly looked upon as a peasant or “vernacular” food, Rio de Janeiro-born-and-based chef and activist Teresa Corção argues that the root is a crucial tenet of Brazilian cuisine and identity. Corção, who has been in the restaurant business for more than thirty-five years, came slowly to the realization

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Koryś, Piotr, and Maciej Tymniński. "The unwanted legacy. In search of historical roots of corruption in Poland." Sociologija 58, no. 2 (2016): 203–19. http://dx.doi.org/10.2298/soc1602203k.

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The paper deals with different interpretations of roots of contemporary Polish corruption. The authors discuss two competing theories developed by Polish scholars. The first one links the sources of corruption with both the culture of corruption developed in the peasant society and the inefficiency of the political institutions of the Polish-Lithuanian Commonwealth. The second one connects them mostly with institutional changes that happened during the Communist period. Recent data and the path of evolution of corruptive behavior after Communism suggest that the latter interpretation is more p

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Grandy, David. "The Musical Roots of Western Mathematics." Journal of Interdisciplinary Studies 5, no. 1 (1993): 3–24. http://dx.doi.org/10.5840/jis199351/22.

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Alfred North Whtiehead stated that mathematics and music compete with each other for the honor of being the most novel achievement of the human imagination. Actually, there is no rivalry or competition, for the two enterprises interpenetrate once the investigation is pursued far enough. Though on opposite ends of the science-humanities spectrum, each discipline points toward the other and elicits the same sort of reverential puzzlement. This essay considers the seminal interconnection between music and mathematics and concludes that this unexpected conjunction of opposites bespeaks a higher, u

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Grandy, David. "The Musical Roots of Western Mathematics." Journal of Interdisciplinary Studies 5, no. 1 (1993): 3–24. http://dx.doi.org/10.5840/jis199351/22.

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Alfred North Whtiehead stated that mathematics and music compete with each other for the honor of being the most novel achievement of the human imagination. Actually, there is no rivalry or competition, for the two enterprises interpenetrate once the investigation is pursued far enough. Though on opposite ends of the science-humanities spectrum, each discipline points toward the other and elicits the same sort of reverential puzzlement. This essay considers the seminal interconnection between music and mathematics and concludes that this unexpected conjunction of opposites bespeaks a higher, u

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34

Szilágyi, Levente. "“This Is Our Bank”: Agricultural Associations and Their Role in Two Swabian Villages in Satu Mare From the Regime Change to the Present." Acta Ethnographica Hungarica 66, no. 1 (2022): 181–200. http://dx.doi.org/10.1556/022.2021.00015.

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Abstract The study examines the impact of the agricultural associations of two Swabian settlements – Mezőfény (Foieni) and Mezőpetri (Petrești) – on the local economy and society. Agricultural associations played an important role at the beginning of the process of agrarian transformation after the regime change in Romania. The successor organisations of the socialist agricultural associations, now established on a voluntary basis, were able to counteract the impoverishment caused by the reparcelling or forced reparcelling of land during the long transitional period, while at the same time exp

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35

Winarjo, Wahyudi, and Tutik Sulistyowati. "Roots of stagnation of the peasants’ social movement in Kalibakar, South Malang." AMCA Journal of Community Development 2, no. 1 (2022): 7–14. http://dx.doi.org/10.51773/ajcd.v2i1.99.

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This paper embodies the complete results of our field research on the stagnation of the peasant movement in Kalibakar, South Malang. It aims to reveal the reasons behind the stagnation of Kalibakar peasant movement, and how it should be responded considering the peasants’ struggle since the New Order era. The stagnation has severely hit the movement organization, Forum Komunikasi Petani Malang Selatan/ FORKOTMAS (The South Malang’s Peasants Communication Forum), the spirit of the peasants, and the support from the involving networks. Such stagnation has directly impacted the sustainability of

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BALDOLI, CLAUDIA. "‘With Rome and with Moscow’: Italian Catholic Communism and Anti-Fascist Exile." Contemporary European History 25, no. 4 (2016): 619–43. http://dx.doi.org/10.1017/s0960777316000448.

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This article aims to explore the interplay between religion and political radicalism in Europe by focusing on the case of Italian ‘White Leagues’ (Catholic trade unions) in the interwar period. Interest in this movement stems partly from the opinion that the understanding of politics in early twentieth-century Europe has often been distorted by the historiographical focus on the political polarisation between communism and fascism, which has led to the neglect of the complex ideological area in between. The article will focus in particular on the main organiser of the peasant ‘White’ unions in

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Stapley, Kathryn. "Mizwid: An Urban Music With Rural Roots." Journal of Ethnic and Migration Studies 32, no. 2 (2006): 243–56. http://dx.doi.org/10.1080/13691830500487407.

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Eija Stark. "Sibling Rivalry and Family Conflicts: Narratives of Finnish Peasant Poverty." Journal of Folklore Research 55, no. 3 (2018): 25. http://dx.doi.org/10.2979/jfolkrese.55.3.02.

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Illés, Péter. "Changing vineyard communities and post-peasant viticulture and viniculture." Acta Ethnographica Hungarica 58, no. 2 (2013): 297–313. http://dx.doi.org/10.1556/aethn.58.2013.2.4.

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Killian, Janice N. "On Roots and Connections." Journal of Music Teacher Education 23, no. 1 (2013): 7–9. http://dx.doi.org/10.1177/1057083713495170.

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Miyajima, Hiroshi. "THE EMERGENCE OF PEASANT SOCIETIES IN EAST ASIA." International Journal of Asian Studies 2, no. 1 (2004): 1–23. http://dx.doi.org/10.1017/s147959140500001x.

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In the recent debates about Confucianism and its role in East Asian economic development, there has been little discussion about why East Asian societies embraced Confucian values in the first place. Here, “Confucian” refers particularly to the ideas of the Song dynasty Zhu Xi school (neo-Confucianism) which became associated in China with the shidafu scholar-bureaucrat class. Zhu Xi political philosophy was anchored in a centralized governing bureaucracy under the emperor, and differed markedly from political ideals underlying medieval feudal society in Europe, for example. Land-ownership was

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Krieger, Marcos. "Spanish Roots: Music in Iberia and Latin America." Eighteenth Century Music 21, no. 1 (2024): 107–9. http://dx.doi.org/10.1017/s1478570623000325.

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Mike, Ádám. "The Reform of Leo Kestenberg – Kodály Parallels in the German Music Education of the 20th Century." Studia Universitatis Babeş-Bolyai Musica 68, no. 1 (2023): 101–10. http://dx.doi.org/10.24193/subbmusica.2023.1.07.

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"Music education in Hungary has proven German roots. German textbooks and terminology were used in Hungary until the first decade of the 20th century, and German was the official language of music education. In this dissertation, we shall attempt to present the work and philosophy of Leo Kestenberg (1882-1962), and hereby an analogy with Kodály principles can appear. The two prominent music pedagogical reformers of the 20th century formulated essentially similar goals on several points. This proves that not only the common roots, but also the reform measures of the 20th century form a strong b

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Shepeleva, Maria, and Angelina Pen'kova. "CHANGES IN THE SOCIAL STRUCTURE OF THE PEASANT POPULATION OF THE KURSK REGION (1917-1920S)." Advances in Law Studies 8, no. 3 (2020): 51–55. http://dx.doi.org/10.29039/2409-5087-2020-8-3-51-55.

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The analysis of changes in the social structure of Russian society allows us to give a deeper and more comprehensive assessment of the formation and development of society and its individual social groups, to determine the social roots, and to consider the place and role of state policy. The object of the analysis is the social groups included in the peasant population of Kursk society in the critical period of history after 1917. Through the work of the authors synthesize theoretical, logical and statistical methods.

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Duran, Lucy. "Key to N'Dour: roots of the Senegalese star." Popular Music 8, no. 3 (1989): 275–84. http://dx.doi.org/10.1017/s0261143000003561.

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Overland travel in Senegal and Gambia is the best introduction to local music. Blaring out from every market stall, taxi radio-cassette and record shop in every town along the trans-Gambian highway, is the music of Youssou N'Dour, Baaba Maal, Ismael Lo, Super Diamono, Toure Kunda or some kora player. The smells of perfumed incense and smoked fish mingle with the rich inflections of Youssou's voice. You stop to buy a piece of tie-dye cloth, or maybe you are waiting at Farafenni to catch the ferry across the river. ‘I like his music too much,’ says a Gambian standing next to you, listening to Yo

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Huang, Hao. "Why Chinese people play Western classical music: Transcultural roots of music philosophy." International Journal of Music Education 30, no. 2 (2011): 161–76. http://dx.doi.org/10.1177/0255761411420955.

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Cross, Ian. "The Origins of Music." Music Perception 24, no. 1 (2006): 79–82. http://dx.doi.org/10.1525/mp.2006.24.1.79.

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It is argued that approaches to music that employ evolutionary theory must seek to define ‘music’ as explicitly as possible. Without such a definition, the relationships between music and other domains of human and animal behavior must remain underspecified, limiting the generality of any claims that can be made concerning its evolutionary roots.

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Kovács, József. "The liquidation of traditional peasant society in hungary 1948–1961." Acta Ethnographica Hungarica 58, no. 1 (2013): 3–19. http://dx.doi.org/10.1556/aethn.58.2013.1.2.

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Moritz, Mark. "A Critical Examination of Honor Cultures and Herding Societies in Africa." African Studies Review 51, no. 2 (2008): 99–117. http://dx.doi.org/10.1353/arw.0.0052.

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Abstract:African pastoralists have historically used aggression strategically to restock after major losses. On the basis of anthropological studies of African pastoral societies, cultural psychologists have linked the psychological roots of pastoral aggression to the cultural complex of honor. This article is a critical examination of this link. It argues, first, that honor cultures are likely to be found among peasant pastoralists, but not among tribal pastoralists. It also argues that honor psychology and the pastoral personality are two analytically distinct psychological profiles, each of

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Sharpe, Kenan Behzat. "Poetry, Rock ’n’ Roll, and Cinema in Turkey’s 1960s." Turkish Historical Review 12, no. 2-3 (2021): 353–78. http://dx.doi.org/10.1163/18775462-bja10028.

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Abstract Using developments in poetry, music, and cinema as case studies, this article examines the relationship between left-wing politics and cultural production during the long 1960s in Turkey. Intellectual and artistic pursuits flourished alongside trade unionism, student activism, peasant organizing, guerrilla movements. This article explores the convergences between militants and artists, arguing for the centrality of culture in the social movements of the period. It focuses on three revealing debates: between the modernist İkinci Yeni poets and young socialist poets, between left-wing p

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