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Books on the topic 'Music Perception and cognition'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Iyer, Padma. Music perception and cognition. New Delhi: Vishvabharti Publications, 2004.

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2

L, Harwood Dane, ed. Music cognition. Orlando: Academic Press, 1986.

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3

Rhythm games for perception & cognition. [S.l.]: Volkwein Bros., 1997.

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4

David, Butler. The musician's guide to perception and cognition. New York: Schirmer Books, 1992.

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5

Ockelford, Adam. The cognition of order in music: A metacognitive study. London: ASME, 1999.

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6

Leman, Marc. Embodied music cognition and mediation technology. Cambridge, Mass: MIT Press, 2008.

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7

Desain, Peter. Music, mind, and machine: Studies in computer music, music cognition, and artificial intelligence. Amsterdam: Thesis, 1992.

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8

The cognition of basic musical structures. Cambridge, Mass: MIT Press, 2001.

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9

Analyse musicale: Sémiologie et cognition des formes temporelles. Paris: Harmattan, 2006.

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10

Gabrielsson, Alf. Strong experiences with music: Music is much more than just music. Oxford: Oxford University Press, 2011.

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11

Leman, Marc. Music and schema theory: Cognitive foundations of systematic musicology. Berlin: Springer, 1995.

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12

The cognition of basic musical structures. Cambridge, Mass: MIT Press, 2001.

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13

Music, thought, and feeling: Understanding the psychology of music. Oxford: Oxford University Press, 2008.

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14

Bigand, Emmanuel. L' organisation perceptive d'œuvres musicales tonales. [Paris]: Editions de la Maison des sciences de l'homme, 1993.

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15

Musical implications: Essays in honor of Eugene Narmour. Hillsdale, NY: Pendragon Press, 2013.

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16

Gantly, Noel T. Cognitive behavior of preschoolers on auditory pitch discrimination tasks: A neo-piagetian investigation. [Ann Arbor: s.n.], 1985.

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17

Music, Language, and the Brain. New York: Oxford University Press, 2010.

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18

Music, Language, and the Brain. Oxford: Oxford University Press, 2008.

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19

Die Konstruktion von Musik: Theoretische und experimentelle Studien zu den Prinzipien der musikalischen Kognition. Frankfurt am Main: P. Lang, 1998.

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20

Mondher, Ayari. L' écoute des musiques arabes improvisées: Essai de psychologie cognitive de l'audition. Paris: L'Harmattan, 2003.

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21

Mondher, Ayari. L' écoute des musiques arabes improvisées: Essai de psychologie cognitive de l'audition. Paris: L'Harmattan, 2003.

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22

Harnessed: How language and music mimicked nature and transformed ape to man. Dallas, Tex: BenBella Books, 2011.

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23

Social cognition. London: Routledge, 2000.

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24

E, Taylor Shelley, ed. Social cognition. 2nd ed. New York: McGraw-Hill, 1991.

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25

Spatial cognition: Geographic environments. Dordrecht: Kluwer Academic, 1997.

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26

György, Ádám. Visceral perception: Understanding internal cognition. New York: Plenum Press, 1998.

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27

Siedenburg, Kai, Charalampos Saitis, Stephen McAdams, Arthur N. Popper, and Richard R. Fay, eds. Timbre: Acoustics, Perception, and Cognition. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14832-4.

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28

Dingler, Tilman, and Evangelos Niforatos, eds. Technology-Augmented Perception and Cognition. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-30457-7.

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29

Levy, C. Michael. Laboratory in cognition and perception. 2nd ed. Iowa City, Iowa: CONDUIT, 1988.

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30

Music perception. New York: Springer, 2010.

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31

Riess Jones, Mari, Richard R. Fay, and Arthur N. Popper, eds. Music Perception. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-6114-3.

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32

Tutorials in visual cognition. New York: Psychology Press, 2010.

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33

Chouvel, Jean-Marc, and Xavier Hascher. Esthétique et cognition. Paris: Publications de la Sorbonne, 2013.

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34

Replacement Tape for Music Cognition (Cognition & Perception). Academic Press, 1985.

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35

Irène, Deliège, and Sloboda John A, eds. Perception and cognition of music. Hove, East Sussex: Psychology Press, 1997.

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36

Sloboda, John A., and Irene Deliege. Perception and Cognition of Music. Taylor & Francis Group, 2015.

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37

Forde, Thompson William, and University of Toronto at Mississauga. Dept. of Communication, Culture and Technology., eds. CCT-371H: Music perception and cognition. Mississauga: University of Toronto at Mississauga, 2006.

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38

Deutsch, Diana. The Psychology of Music, Second Edition (Cognition and Perception). 2nd ed. Academic Press, 1998.

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39

Deutsch, Diana. The Psychology of Music, Second Edition (Cognition and Perception). Academic Press, 1998.

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40

Conceptualizing Music: Cognitive Structure, Theory, and Analysis (AMS Studies in Music). Oxford University Press, USA, 2005.

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41

Conceptualizing Music: Cognitive Structure, Theory, and Analysis (Ams Studies in Music Series). Oxford University Press, USA, 2002.

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42

Embodied Music Cognition and Mediation Technology. The MIT Press, 2007.

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43

Music, thought, and feeling: Understanding the psychology of music. Oxford University Press, 2015.

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44

The Cognition of Basic Musical Structures. The MIT Press, 2004.

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45

Dahlstedt, Palle. Action and Perception. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.4.

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Abstract:

While computational models of human music making are a hot research topic, the human side of computer-based music making has been largely neglected. What are our cognitive processes like when we create musical algorithms, and when we compose and perform with them? Musical human–algorithm interaction involves embodied action, perception and interaction, and some kind of internalization of the algorithms in the performer’s mind. How does the cognitive relate to the physical here? Departing from the age-old mind–body problem, this chapter tries to answer these questions and review relevant research, drawing from a number of related fields, such as musical cognition, cognition and psychology of programming, embodied performance, and neurological research, as well as from the author’s personal experience as an artist working in the field.

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46

(Editor), Niall Griffith, and Peter M. Todd (Editor), eds. Musical Networks: Parallel Distributed Perception and Performance. The MIT Press, 1999.

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47

Leman, Marc. Music and Schema Theory: Cognitive Foundations of Systematic Musicology (Springer Series in Information Sciences). Springer, 1996.

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48

Music, Thought, and Feeling: The Psychology of Music. Oxford University Press, 2005.

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49

Margulis, Elizabeth Hellmuth. On Repeat: How Music Plays the Mind. Oxford University Press, Incorporated, 2013.

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50

On Repeat: How Music Plays the Mind. Oxford University Press, 2013.

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