Relevant bibliographies by topics / Music – Performance

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Music – Performance'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Music – Performance"

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S. Santoso, Dedik. "PENGARUH MUSIK TERHADAP PERFORMANCE FISIK." Jurnal Teknik Industri 4, no. 1 (2004): 1–7. http://dx.doi.org/10.9744/jti.4.1.1-7.

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The main objective of this study, as mentioned on the title, is to determine whether there is any effect of music on physical task performance. Three different kind of music were used in this study: easy listening/slow music, hard rock music, and subject's own favorite music. The same physical task without music was also conducted for every subject as the control. To simulate the physical task, each subject has to walk on a treadmill at a constant speed (3 MPH) and inclination (4º) for six minutes. Enough rest was given after a subject finished each task. Four undergraduate and six graduate st
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Raharja, Budi. "Musik Iringan Drama Tari Pengembaraan Panji Inukertapati Bermisi Perdamaian dan Toleransi." Resital: Jurnal Seni Pertunjukan 20, no. 1 (2019): 13–23. http://dx.doi.org/10.24821/resital.v20i1.3459.

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Tujuan penulisan ini untuk mendeskripsikan musik iringan drama tari berjudul “Pengembaraan Panji Inukertapati Bermisi Perdamaian dan Toleransi.” Drama tari tersebut mengisahkan perjalanan Panji Inukertapati menjelajahi beberapa wilayah Nusantara mencari kekasihnya, Dewi Sekartaji. Pembahasan fokus terhadap dinamika pertunjukan, alasan pemilihan bunyi atau lagu, dan hubungan musik dengan gerak tari. Metode interview, observasi, studi literatur, dan studi dokumen digunakanuntuk pengumpulan datanya. Hasil kesimpulan diketahui bahwa musik iringan drama tari tersebut terdiri atas bunyi Dijerido, bu
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Hamida, Khairunnisa Putri, Kurnia Rahmad Dhani, and Eki Satria. "Exploring Music Performance Anxiety in Indonesian Music Majors: An Analysis Based on Instrument, Gender, Experience, and School Background and Its Implications for Music Education." JURNAL PAKARENA 9, no. 1 (2024): 1. https://doi.org/10.26858/p.v9i1.53966.

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ABSTRAKKecemasan performa musik (MPA) berdampak negatif bagi performa musisi dalam jangka pendek hingga panjang. Penelitian ini mengukur MPA mahasiswa Jurusan Musik Institut Seni Indonesia Yogyakarta. MPA ditinjau dari pilihan mayor instrumen, jenis kelamin, lama pengalaman musik, dan asal sekolah (SMK Musik dan SMU). Penelitian ini menggunakan metode kuantitatif dengan subjek mahasiswa aktif Jurusan Musik ISI Yogyakarta (N = 133). Penelitian ini menunjukkan bahwa mahasiswi (perempuan) menunjukkan MPA yang lebih tinggi dibanding mahasiswa (laki-laki) (p = 0.03); tidak terdapat perbedaan kecema
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Thompson, William Forde, Simone Dalla Bella, and Peter E. Keller. "Music Performance." Advances in Cognitive Psychology 2, no. 2 (2006): 99–102. http://dx.doi.org/10.2478/v10053-008-0048-6.

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Palmer, Caroline. "MUSIC PERFORMANCE." Annual Review of Psychology 48, no. 1 (1997): 115–38. http://dx.doi.org/10.1146/annurev.psych.48.1.115.

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Jin, Mi-Hyun, Ju-Hyun Lee, Heon-Ho Choi, et al. "Performance Comparison of 2D MUSIC and Root-MUSIC Algorithms for Anti-jamming in GPS Receiver." Transactions of The Korean Institute of Electrical Engineers 60, no. 11 (2011): 2131–38. http://dx.doi.org/10.5370/kiee.2011.60.11.2131.

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Situmeang, Joel Franky, and Agusti Efi. "KAJIAN PERTUNJUKAN MUSIK IRINGAN TARI JOGI DI SANGGAR WARISAN PANTAI BASRI PULAU PANJANG BATAM KEPULAUAN RIAU." Gorga : Jurnal Seni Rupa 12, no. 1 (2023): 11. http://dx.doi.org/10.24114/gr.v12i1.42331.

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This research is a case study of musical performance in the Basri Heritage Beach Group or SWPB. Where SWPB always promotes and performs Jogi music. Jogi is a music and dance performance that tells the story of a wife who is left by her husband when she goes to sea. The form of a musical performance entitled "Ari Dunie Jogi." Jogi music is included in two parts consisting of 1) Dondang with musical accompaniment of the inang rhythm, and 2) Dances with musical accompaniment of Joget silat. The purpose of this research is to study the musical performances of the Basri Beach Heritage Sanggar, whos
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Ying, Zhihao. "Teaching Music Performance: A Holistic Process." Pedagogical Almanac 32, no. 2 (2024): 221–24. http://dx.doi.org/10.54664/qlnv8604.

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This research analyzes some representative attributes of holistic teaching. It focuses on the comprehensive development of students, which benefits from the holistic approach of the tuition. The aim of a holistic teacher is to expose alternative ways of performing music. This point of view leads young artists to achieve the wholeness of their performance. The research is based on relevant literature, The author’s own experience as an opera singer, and The observation of various ways of teaching.
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Nabijanovna, Rakhimova Mavludakhan. "MUSIC CULTURE IMPORTANCE OF PIANO PERFORMANCE." International Journal of Pedagogics 4, no. 10 (2024): 31–34. http://dx.doi.org/10.37547/ijp/volume04issue10-06.

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This article analyzes the role and importance of piano performance in music culture. The piano, with its unique melodic and dynamic capabilities, offers new perspectives and ways of expression in the performance of musical works. The article shows the history of piano performance, stages of development and its contribution to performance culture, and explores the influence of performers who used this instrument on art and culture. It also provides information on the spread, formation and development of music culture on a global scale through piano performance.
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Cohen, Susanna, and Ehud Bodner. "Music performance skills: A two-pronged approach – facilitating optimal music performance and reducing music performance anxiety." Psychology of Music 47, no. 4 (2018): 521–38. http://dx.doi.org/10.1177/0305735618765349.

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Dissertations / Theses on the topic "Music – Performance"

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Fernandez, David. "Music Performance Thesis." FIU Digital Commons, 2001. http://digitalcommons.fiu.edu/etd/3222.

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This recital is comprised of music written and arranged by the performer. The compositions were designed as vehicles for the saxophone to express its capability as a solo instrument in the jazz idiom-rhythm, melody, and harmony.
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Fernandez, Carlos. "American music / Cuban music: influences and connections." FIU Digital Commons, 2002. http://digitalcommons.fiu.edu/etd/3231.

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This thesis will demonstrate the effects of American music, specifically jazz, on the different styles of Cuban music. It will be presented chronologically, explaining decade by decade, how American music penetrated the Cuban culture in almost all musical genres.
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Wrigley, William Joseph. "Improving Music Performance Assessment." Thesis, Griffith University, 2005. http://hdl.handle.net/10072/367747.

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This study investigated ways to improve the quality of music performance evaluation in an effort to address the accountability imperative in tertiary music education. Severe difficulties with meeting the increasingly market-driven demand in Australian tertiary education for the demonstration of accountability, fairness and improvement in teaching and learning outcomes, particularly in music performance assessment contexts, have resulted from an absence of a commonly accepted set of criteria and standards to measure performance. Significant theoretical, empirical and measurement limitations and
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Harvey, James. "Elder Music, Instrumental Music Performance and Affirmative Aging." Thesis, Griffith University, 2017. http://hdl.handle.net/10072/366040.

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Elder Music, Instrumental Music Performance and Affirmative Aging is a Practice-led research project in Community Music performance. A phenomenological, autoethnographic critique of lived musical experience by a senior, former professional musician returning to an accomplished instrumental music performance practice after a playing hiatus of twenty-four years. Research that arose in response to this personal aesthetic process resulted in a performance-led community music investigation, detailing the journey of a musician returning to active performance, without claiming to be either unique or
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Nathan, Micaela. "Being in music: music performance dysfunction through guided imagery and music." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/11642.

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Music performance dysfunction in professionally trained elite musicians is a broad, pervasive, yet oft times narrow and temporary phenomenon, situated in a culture rarely understood by those outside the field of professional music. This project explored the meaning of music performance dysfunction in professional musicians by addressing how musicians understand themselves in the field of music and through their relationship to music. The nature of inquiry for this project used an overarching ethnographic and sociological paradigm upon which was set a conceptual framework encouraged by the work
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Correia, de Verdier Leo. "Om konserter som ritual och performance." Thesis, Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2538.

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Chantler, John. "No Such Array : Developing a material and practice for electronic music performance." Thesis, Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4170.

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I have been designing and building a set of battery powered hybrid synthesizer speaker objects that can be deployed in any location without the need for any additional infrastructure. Composing for and performing with the resulting system has become the focus of my artistic practice. This project brings together my interests in composition, design, synthesis, politics and performance to investigate new methods for performing and experiencing electronic music. The work takes the idea of the impossibility of an objective listener as its starting position and generates environments that give agen
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Loehr, Janeen. "Temporal coordination in music performance." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=95043.

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This thesis investigates temporal coordination in music performance. Previous investigations of temporal coordination have focused on people's coordination of simple movements with experimenter-controlled stimulus sequences or with other people performing similar movements. The research presented here focuses instead on coordination of the rhythmically and sequentially complex sequences required of music performance. The study presented in Chapter 2 shows that musicians adapt the timing of their movements relative to a stimulus sequence in response to sensory information that occurs in the int
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Adeney, Roland William. "The HarmonyGrid : music, space and performance in grid music systems." Thesis, Queensland University of Technology, 2011. https://eprints.qut.edu.au/46602/1/Roland_Adeney_Thesis.pdf.

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This research explores music in space, as experienced through performing and music-making with interactive systems. It explores how musical parameters may be presented spatially and displayed visually with a view to their exploration by a musician during performance. Spatial arrangements of musical components, especially pitches and harmonies, have been widely studied in the literature, but the current capabilities of interactive systems allow the improvisational exploration of these musical spaces as part of a performance practice. This research focuses on quantised spatial organisation of mu
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Belda, Angel. "PAINTING MUSIC : Creating a new performance to explore the relation between music and painting." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4206.

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This work seeks to explore the relationship between two arts: music and painting. The aim of this thesis is the creation and execution of an interdisciplinary performance in which music and painting dialogue live, "Painting music", to investigate how both arts relate and influence each other when they are part of a single artistic act and how performers and audience perceive this relationship. To do so, we will investigate interdisciplinary performances, synesthesia (union of perceptions) and the different ways in which painting and music can relate to each other.
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Books on the topic "Music – Performance"

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Koslovsky, John, and Michiel Schuijer. Music Performance Encounters. Routledge, 2023. http://dx.doi.org/10.4324/9781003295785.

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Dunsby, Jonathan. Performing music: Shared concerns. Clarendon Press, 1996.

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Mayer, Brown Howard, and Sadie Stanley, eds. Performance practice: Music after 1600. Norton, 1990.

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Barclay, Bill, and David Lindley, eds. Shakespeare, Music and Performance. Cambridge University Press, 2017. http://dx.doi.org/10.1017/9781316488768.

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Pattie, David. Rock Music in Performance. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230593305.

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Gabrielli, Leonardo, and Stefano Squartini. Wireless Networked Music Performance. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0335-6.

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Mayer, Brown Howard, and Sadie Stanley, eds. Performance practice. Macmillan, 1990.

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(Firm), Universitas, ed. Syndrom Pogorelicia: Muzyka, opera, performatywność. Towarzystwo Autorów i Wydawców Prac Naukowych "Universitas", 2020.

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Siṃha, Gajendranārāyaṇa. Mahaphila. Bihāra Hindī Grantha Akādamī, 2002.

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Gordon, Stewart. Mastering the art of performance: A primer for musicians. Oxford University Press, 2010.

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Book chapters on the topic "Music – Performance"

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Chen, Kuang Yu, Zhenhao Song, Yuan Liu, and Matthew Anderson. "Music Performance." In Reading of Shāng Inscriptions. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-6214-3_113.

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Sinnamon, Sarah. "Music performance." In Achieving Peak Performance in Music. Routledge, 2020. http://dx.doi.org/10.4324/9781003037804-2.

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Hodges, Donald A. "Music Performance." In Music in the Human Experience, 2nd ed. Routledge, 2019. http://dx.doi.org/10.4324/9780429507779-16.

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Hodges, Donald A., and Gary E. McPherson. "Music Performance." In Music in the Human Experience, 3rd ed. Routledge, 2025. https://doi.org/10.4324/9781003460244-16.

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Gartmann, Thomas. "Can we conserve music?" In Performance. Routledge, 2024. http://dx.doi.org/10.4324/9781003467809-5.

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Iorwerth, Miriam. "Online music teaching and community music." In Networked Music Performance. Focal Press, 2023. http://dx.doi.org/10.4324/9781003268857-5.

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Dickstein, Rachel. "Embodied Music." In Towards Embodied Performance. Routledge, 2024. http://dx.doi.org/10.4324/9781003341840-11.

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Mazzola, Guerino, Maria Mannone, and Yan Pang. "Performance." In Computational Music Science. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-42937-3_32.

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Gabrielli, Leonardo, and Stefano Squartini. "Networked Music Performance." In SpringerBriefs in Electrical and Computer Engineering. Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-10-0335-6_2.

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Mazzola, Guerino. "Performance Scores." In Computational Music Science. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-11838-8_20.

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Conference papers on the topic "Music – Performance"

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Tsioutas, Konstantinos, Yannis Thomas, Fotios Bistas, Ioannis Barous, George Xylomenos, and George C. Polyzos. "Network Music Performance Beyond 4G." In 2025 International Wireless Communications and Mobile Computing (IWCMC). IEEE, 2025. https://doi.org/10.1109/iwcmc65282.2025.11059620.

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Diao, Xingjian, Chunhui Zhang, Tingxuan Wu, et al. "Learning Musical Representations for Music Performance Question Answering." In Findings of the Association for Computational Linguistics: EMNLP 2024. Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.findings-emnlp.159.

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Romani, Michele, Gregorio Andrea Giudici, Domenico Stefani, Devis Zanoni, Alberto Boem, and Luca Turchet. "BCHJam: a Brain-Computer Music Interface for Live Music Performance in Shared Mixed Reality Environments." In 2024 IEEE 5th International Symposium on the Internet of Sounds (IS2). IEEE, 2024. http://dx.doi.org/10.1109/is262782.2024.10704087.

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Sun, Haoxiang. "A collaborative filtering-based algorithm for music platform recommendations." In Fourth International Conference on High Performance Computing and Communication Engineering (HPCCE 2024), edited by Tai Fei. SPIE, 2025. https://doi.org/10.1117/12.3059529.

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Jordà, Sergi. "Reactable performance." In ACM SIGGRAPH 2009: Music & Audio. ACM Press, 2009. http://dx.doi.org/10.1145/1597983.1597989.

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Rovan, Joseph Butch. "SIGGRAPH 2009 envyCODE lecture/performance notes." In ACM SIGGRAPH 2009: Music & Audio. ACM Press, 2009. http://dx.doi.org/10.1145/1597983.1597986.

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Colangelo, Dave, Niusha Manavi Namaghi, Nicholas Silver, and Tomás Cotik. "Ombra Musici II: Classical Music Performance and Public Space." In MAB '23: Media Architecture Biennale 2023. ACM, 2023. http://dx.doi.org/10.1145/3627611.3627617.

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Hayes, Lauren. "Live Electronic Music Performance." In MOCO '18: 5th International Conference on Movement and Computing. ACM, 2018. http://dx.doi.org/10.1145/3212721.3212891.

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Delasanta, Lana J. "Information specification during singing: A theoretical approach to music performance." In Future Directions of Music Cognition. The Ohio State University Libraries, 2021. http://dx.doi.org/10.18061/fdmc.2021.0039.

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Orange, Chris. "Reconceptualising Tertiary Contemporary Music Performance Assessment." In Rangahau Horonuku Hou – New Research Landscapes, Unitec/MIT Research Symposium 2021. Unitec ePress, 2022. http://dx.doi.org/10.34074/proc.2206006.

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Contemporary music performances are typically assessed by criteria such as Musicianship, Accuracy, Technique, Professionalism and Contribution. These measures continue to be used despite low discrimination between them and specific items on the assessment schedules (Thompson & Williamon, 2003). In addition, there is a lack of objective evidence that assessment is truly comprehensive. Greater transparency in domain definition and comprehensiveness may aid understanding of the rubric, and lead to better assessment. This study investigated whether popular-music performance assessment criteria
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Reports on the topic "Music – Performance"

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Möllenkamp, Andreas. Paradigms of Music Software Development. Staatliches Institut für Musikforschung, 2014. http://dx.doi.org/10.25366/2022.99.

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On the way to a more comprehensive and integrative historiography of music software, this paper proposes a survey of the main paradigms of music software development from the 1950s to the present. Concentrating on applications for music composition, production and performance, the analysis focusses on the concept and design of the human-computer-interaction as well as the implicit user.
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Havrilova, Liudmyla H., Olena Ye Ishutina, Valentyna V. Zamorotska, and Darja A. Kassim. Distance learning courses in developing future music teachers’ instrumental performance competence. [б. в.], 2019. http://dx.doi.org/10.31812/123456789/3265.

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The scientific and methodological background of creation and development of the distance learning courses for the future music teachers is substantiated. The components and structure of future music teachers’ instrumental performance competence are defined; the content of the course is revealed. The materials are based on the authors’ teaching experience within the distance learning course “Basic Musical Instrument (Piano)”. The main blocks of the distance course design and development are considered among them to be theoretical, practical, individual work, and control blocks. The specificity
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Feller-Simmons, Paul G., and Cesar D. Favila. The Virgin Mary's Essence in New Spanish Song. Society for Seventeenth-Century Music, 2025. https://doi.org/10.53610/bdlm1317.

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This edition features thirteen villancicos transcribed from the Sánchez Garza Collection held in Mexico City’s Centro Nacional de Investigación, Documentación e Información Musical Carlos Chávez (CENIDIM). Their publication provides ensembles music for performance that was originally notated for and performed by women, in this case the nuns of Puebla’s Santísima Trinidad convent. This convent was founded in the seventeenth century in colonial Mexico (New Spain) and left behind the largest collection of women’s notated music from New Spain. The novel organization of this edition, featuring vill
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Pham, Tien, Shihab Shamma, and Phil Brown. Performance Comparison between Stereausis and Incoherent Wideband Music for Localization of Ground Vehicles. Defense Technical Information Center, 1999. http://dx.doi.org/10.21236/ada393713.

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Xu, Shouyuan, QiFeng Lou, Aiyu Yu, Yufeng Tong, and Qi Ding. Viable Strategies for Enhancing Golf Performance Through Music: A Mixed-Methods Systematic Review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2025. https://doi.org/10.37766/inplasy2025.4.0115.

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Buene, Eivind. Intimate Relations. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481274.

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Blue Mountain is a 35-minute work for two actors and orchestra. It was commissioned by the Ultima Festival, and premiered in 2014 by the Danish National Chamber Orchestra. The Ultima festival challenged me – being both a composer and writer – to make something where I wrote both text and music. Interestingly, I hadn’t really thought of that before, writing text to my own music – or music to my own text. This is a very common thing in popular music, the songwriter. But in the lied, the orchestral piece or indeed in opera, there is a strict division of labour between composer and writer. There a
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Pan, Xiaoyang, Kim Geok Soh, and Kim Lam Soh. Can Music Restore Mental Fatigue and Enhance Sports Performance? A Systematic Review and Conceptual Framework. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2024. http://dx.doi.org/10.37766/inplasy2024.11.0095.

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Duch, Michael. Performing Hanne Darboven's Opus 17a and long duration minimalist music. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481276.

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Hanne Darboven’s (1941-2009) Opus 17a is a composition for solo double bass that is rarely performed due to the physical and mental challenges involved in its performance. It is one of four opuses from the composers monumental 1008 page Wünschkonzert (1984), and was composed during her period of making “mathematical music” based on mathematical systems where numbers were assigned to certain notes and translated to musical scores. It can be described as large-scale minimalism and it is highly repetitive, but even though the same notes and intervals keep repeating, the patterns slightly change t
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Mayas, Magda. Creating with timbre. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.686088.

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Unfolding processes of timbre and memory in improvisational piano performance This exposition is an introduction to my research and practice as a pianist, in which I unfold processes of timbre and memory in improvised music from a performer’s perspective. Timbre is often understood as a purely sonic perceptual phenomenon. However, this is not in accordance with a site-specific improvisational practice with changing spatial circumstances impacting the listening experience, nor does it take into account the agency of the instrument and objects used or the performer’s movements and gestures. In m
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Ding, Cong, Soh Kim Geok, and He Sun. Does Listening to Music During Warm-up Impact Subsequent physical and skill Performance? A Systematic Review and Meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2024. http://dx.doi.org/10.37766/inplasy2024.5.0062.

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