Relevant bibliographies by topics / Music Performance Research Centre

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Music Performance Research Centre'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 January 2023

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Journal articles on the topic "Music Performance Research Centre"

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Swithinbank, Christopher. "INTO THE LION'S DEN: HELMUT LACHENMANN AT 75." Tempo 65, no. 257 (2011): 52–61. http://dx.doi.org/10.1017/s004029821100026x.

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In April 2010, the Guildhall School of Music recognized German composer Helmut Lachenmann's expertise in extended instrumental techniques, inviting him to give the keynote speech at a research day dedicated to contemporary performance practice; in May, he had a Fellowship of the Royal College of Music conferred upon him for his achievements as a composer; in June, the London Symphony Orchestra performed Lachenmann's Double (Grido II) for string orchestra, in doing so becoming the first non-BBC British orchestra to have performed his music; and in October, the Southbank Centre presented two day
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Dąbek, Karolina. "The Metaphor of Movement and Its Materialisation in Twentieth-Century Spatial Music." Kwartalnik Młodych Muzykologów UJ, no. 47 (4) (2020): 177–95. http://dx.doi.org/10.4467/23537094kmmuj.20.047.13920.

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The article concerns the issue of experiencing spatial music. While discussing movement and space in music, Bohdan Pociej draws attention to two types of spatiality in a music work: the ‘internal’ and ‘external’ spatiality. The former derives from the nature of the sound material and the interaction of elements; it remains in the sphere of impressions and metaphors. The latter involves the physical parameters and actual performance of the piece. I demonstrate that the works of twentieth-century composers tend to break through from the internal space, transforming it into the external one. The
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Yu, Zhao. "Research on Multimodal Music Emotion Recognition Method Based on Image Sequence." Scientific Programming 2021 (December 6, 2021): 1–10. http://dx.doi.org/10.1155/2021/7087588.

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The work of music performance system is to control the light change by identifying the emotional elements of music. Therefore, once the identification error occurs, it will not be able to create a good stage effect. Therefore, a multimodal music emotion recognition method based on image sequence is studied. The emotional characteristics of music are analyzed, including acoustic characteristics, melody characteristics, and audio characteristics, and the feature vector is constructed. The recognition and classification model based on neural network is trained, the weight and threshold of each la
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Blackburn, Andrew, and Jean Penny. "Imaginary Spaces: New Malaysian performance contexts for intercultural exploration." Organised Sound 19, no. 2 (2014): 164–72. http://dx.doi.org/10.1017/s1355771814000107.

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The Imaginary Space: Developing models for an emergent Malaysian/Western electroacoustic music is a Fundamental Research Grant Scheme project funded by the Malaysian government in which intercultural investigation is centred within an electroacoustic performance environment. A unique series of music outcomes and potential models reflecting a symbiosis of Malaysian and Western art music through composition and performance are emerging for instrument(s) and electronics. This paper focuses on the first and second phases of the project investigating Western flute, Malaysian serunai and pensol nose
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Becker, Nancy, Catherine Chambliss, Cathy Marsh, and Roberta Montemayor. "Effects of Mellow and Frenetic Music and Stimulating and Relaxing Scents on Walking by Seniors." Perceptual and Motor Skills 80, no. 2 (1995): 411–15. http://dx.doi.org/10.2466/pms.1995.80.2.411.

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Previous research has yielded an inconclusive picture of the effects of music and scent on walking. Few laboratory studies have detected a beneficial effect of music; olfactory research has shown performance is positively affected for repetitive tasks but not yet on walking. The influence of these two types of stimuli in efficiency of exercise among seniors was assessed by measuring distance walked on an indoor course. Using a 3 × 3 factorial design [mellow music in 4:4 time, frenetic music in 2:8 time, and white noise by stimulating, relaxing, and control scent conditions], each of 20 volunte
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Ostashewski, Marcia, Heather Fitzsimmons Frey, and Shaylene Johnson. "Youth-Engaged Art-Based Research in Cape Breton: Transcending Nations, Boundaries and Identities." Jeunesse: Young People, Texts, Cultures 10, no. 2 (2018): 100–125. http://dx.doi.org/10.3138/jeunesse.10.2.100.

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2017, in conjunction with celebrations of 150 years of Canadian Confederation and with funding from government programs, young people from across Cape Breton Island were invited to participate in a performance creation project to explore narratives and experiences of migration and encounter. Youth (ranging in age from seven to nineteen) from disparate places, including Membertou First Nation (a reserve), Chéticamp (an Acadian, francophone town), Étoile de l’Acadie (a francophone school and community centre in Sydney), and Whitney Pier (a district of Sydney that is home to diverse immigrant cul
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Hartono, Sugiarto. "Perancangan Sistem Informasi Akademik Lembaga Kursus Demi Music Center." ComTech: Computer, Mathematics and Engineering Applications 6, no. 1 (2015): 44. http://dx.doi.org/10.21512/comtech.v6i1.2285.

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Evolution of technology will bring companies to have appropriate information systems to boost their businesses. Computerized information system is also needed by training courses like Demi Music Center. Demi Music Center realizes that computerized academic information system will help to optimize their business process. The purpose of this research is to analyze the operational business processes and academic administration at the DMC to determine deficiencies and problems occurred, then to provide a draft proposal of the new system in the DMC.. The method used is the method of analysis and de
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Turner, Craig, Peter Visentin, Deanna Oye, Scott Rathwell, and Gongbing Shan. "Pursuing Artful Movement Science in Music Performance: Single Subject Motor Analysis With Two Elite Pianists." Perceptual and Motor Skills 128, no. 3 (2021): 1252–74. http://dx.doi.org/10.1177/00315125211003493.

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Piano performance motor learning research requires more “artful” methodologies if it is to meaningfully address music performance as a corporeal art. To date, research has been sparse and it has typically constrained multiple performance variables in order to isolate specific phenomena. This approach has denied the fundamental ethos of music performance which, for elite performers, is an act of interpretation, not mere reproduction. Piano performances are intentionally manipulated for artistic expression. We documented motor movements in the complex task of performance of the first six measure
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Burd, Gary. "The musical brain: A meeting of minds." Biochemist 24, no. 6 (2002): 16–17. http://dx.doi.org/10.1042/bio02406016.

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The Royal Institution's special summer event this year was a day-long public forum on one of the most rapidly developing fields of human research. The examination of the relationship between music and brain-function has been going on in earnest for around a decade. Several leading experts in the field gave presentations, and following the forum, there were two evening performances by the National Youth Orchestra and the Orpheus Centre. The event was sponsored by the International Foundation for Music Research and the Kohn Foundation. Baroness Susan Greenfield demonstrated the role of the Royal
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Neuenfeldt, Karl, and Steve Mullins. "‘The Saving Grace of Social Culture’: Early Popular Music and Performance Culture on Thursday Island, Torres Strait, Queensland." Queensland Review 8, no. 2 (2001): 1–20. http://dx.doi.org/10.1017/s1321816600006796.

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This article explores the dissemination of globalised popular culture forms into the “white culture” of colonial Thursday Island (henceforth TI), the administrative centre of Torres Strait in northern Queensland. The analysis draws on a variety of media sources from approximately 1881 to 1906. It is grounded in an historical understanding of Torres Strait as a place of cultural convergence and also a society affected profoundly by the transnational flows and connections of popular culture forms, such as music, used in part to popularise British Imperialism (MacKenzie, 1992). Both “high” and “l
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Dissertations / Theses on the topic "Music Performance Research Centre"

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Ellsworth, Campbell H. (Campbell Harrison). "Approaching the new : a center for the research and performance of contemporary music." Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/73299.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1989.<br>Includes bibliographical references (p. 66-68).<br>This thesis examines the idea that the spatial experience of a place can make the activity of being in the presence of a new art form more understandable, more meaningful and more powerful. The premise is that contemporary art is significant for it reflects the goals and spirit of an era, and that it is important for us all to be conscious of and to participate in that spirit. The vehicle for this thesis is the design of a center for the research and perf
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Stolp, Mareli. "Contemporary performance practice of art music in South Africa : a practice-based research enquiry." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/71885.

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Thesis (PhD)--Stellenbosch University, 2012.<br>Sensitive areas within this text have been blacked out. Please refer to the attachment.<br>ENGLISH ABSTRACT: In this dissertation, I examine contemporary South African art music performance practice and the social function it fulfils. Performance practice is understood in this study to mean an art practice or cultural item constituted by three types of 'role-players': performers of art music, composers of works in the art music genre and audiences that assimilate and respond to these works when performed. My own position as a performing artist in
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de, Bruin Nutley Natalie, and University of Lethbridge Faculty of Arts and Science. "Novel exposure to concurrent music compromises locomotor performance in Parkinson's disease." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2008, 2008. http://hdl.handle.net/10133/745.

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The effect of concurrent music on gait was investigated amongst Parkinson‟s disease (PD) patients and age-matched control subjects. Ten people (mean age 66.6 ± 6.5 years) with idiopathic Parkinson‟s disease and ten healthy age-matched (mean age 65.4 ± 6.3 years) control subjects completed steady state gait, dual task and obstacle negotiation trials in two differing test conditions; no music and whilst listening to music. Testing conditions were counterbalanced between subjects. The gait performance of PD patients was detrimentally affected by concurrently listening to music during steady state
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Laporte, Jean-Francois. "Feedback : iterative research-creation processes between instrument-building, composition and performance." Thesis, University of Huddersfield, 2018. http://eprints.hud.ac.uk/id/eprint/34777/.

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This text is a commentary on my preoccupations over the course of my doctoral research from 2013 to 2017. It accompanies a portfolio of works realized and submitted as part of this doctoral thesis, which looks more specifically at feedback as an iterative process between myself as instrument-builder, composer and performer. This approach, which puts sound center stage as the primary material, emphasizes the organic and bidirectional internal influences among these three creative poles. This thesis is devoted to the main subject of my doctoral research: the notion of creative feedback among ins
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Zelenak, Michael S. "Self-Efficacy in Music Performance: Measuring the Sources Among Secondary School Music Students." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3419.

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The purpose of this study was to develop a greater understanding of self-efficacy in music performance. I sought to (a) contribute to fundamental knowledge of self-efficacy in music performance, (b) determine whether scores from the Music Performance Self-Efficacy Scale (MPSES) were valid and reliable, and (c) provide insights for developing self-efficacy among secondary school music students. Participants (N = 290) were middle and high school students in band, chorus, and string orchestra ensembles from 10 schools in the southeast and western regions of the United States. Participants complet
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Lu, Shu-Ling. "The influence of scholarly research on the orchestral performance practice of Raymond Leppard." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1233200.

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The purpose of this study is to determine the influence of scholarly research on the orchestral performance practice of conductor Raymond Leppard.This study presents, with supporting evidence, what an international conductor does today to incorporate the results of research into the interpretation of music. From this study, the writer has presented the influence scholarly research has had on orchestral performance practice, how one of today's conductor and orchestras deal with the issues raised and how they are carried into current performances, and to what degree do musicologists influence hi
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Carpenter, Aubrey W. "Songs from the Willow Tree: Staging Collective Inspiration for Creative Songwriting." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/honors/365.

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The songwriting process, inspiration to song, can take many forms. This project explores a highly structured approach, using themes derived from reported individual experience to direct the creation of musical ends addressing common experience.
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Burchfield, Rebekah Lynn. "Pressed between the Pages of My Mind: Tangibility, Performance, and Technology in Archival Popular Music Research." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277073992.

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Gunarathne, Duleeka. "Optimization of the performance ofdown-draft biomass gasifier installedat National Engineering Research &Development (NERD) Centre ofSri Lanka." Thesis, KTH, Kraft- och värmeteknologi, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-78994.

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Using biomass gasification to produce combustible gas is one of the promising sustainable energy optionsavailable for many countries. At present, a few small scale community based power generation systemsusing biomass gasifiers are in operation in Sri Lanka. However, due to the lack of proper knowledge, thesesystems are not being operated properly in full capacity. This stands as an obstacle for further expansionof the use of gasifier technology.The objective of this study was to identify the most influential parameters related to fuel wood gasificationwith a down draft gasifier in order to im
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Cilingir, H. Zeynep. "The Relationship of Oral Anatomy and Trumpet Performance: Prediction of Physical Talent." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1353087983.

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Books on the topic "Music Performance Research Centre"

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Research, Centre for Performance. Centre for Performance Research: An introductory listing. Dartington College of Arts, 1985.

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Harrison, Scott D., ed. Research and Research Education in Music Performance and Pedagogy. Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-7435-3.

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Association, Music Library, ed. Spirituals: A multidisciplinary bibliography for research and performance. Co-published by Music Library Association and A-R Editions, Inc., 2015.

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Deliège, Irène. Musical creativity: Multidisciplinary research in theory and practice. Psychology Press, 2006.

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Roman, Hankeln, and Norges teknisk-naturvitenskapelige universitet. Senter for middelalderstudier., eds. The offertory and its verses: Research, past, present and future : proceedings of an international symposion [sic] at the Centre for Medieval Studies, Trondheim, 25 and 26 September 2004. Tapir Academic Press, 2007.

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Rosanoff, Ivan. Essays on problems of rhythm in Germany in the XVIII-th century: Overdotting and the so-called Taktenlehre (a research of sources). Musik-Ed. L. Galland, 1996.

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L, Francken, Beuving E, Molenaar A. A. A, et al., eds. Reflective cracking in pavements: Design and performance of overlay systems : proceedings of the Third International RILEM Conference, organized by Centre for Research and Contract Standardization in Civil and Traffic Engineering (CROW), Delft University of Technology, and Belgian Road Research Centre, Maastricht, The Netherlands, 2-4 October 1996. E & FN Spon, 1996.

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Smith, C. Rodney. Evaluation of the effect of tree-length and full-tree harvesting on the performance of three scarifiers: A joint report of the Great Lakes Forest Research Centre and the Forest Engineering Research Institute of Canada. Great Lakes Forest Research Centre, 1985.

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International Congress on Condition Monitoring and Diagnostic Engineering Management (4th 1992 Senlis, France). Condition monitoring and diagnostic engineering management: Recueil des conférences présentées lors de COMADEM 92, Quatrième Congrès international sur les techniques de surveillance, de diagnostic et de maintenance, organisé au Centre technique des industries mécaniques (CETIM), Senlis, France, du 15 au 17 juillet 1992 = proceedings of COMADEM 92, Forth [sic] International Congress on Condition Monitoring and Diagnostic Engineering Management, held at CETIM (the Technical Research Center of the Mechanical Engineering Industry), Senlis, France, 15-17 July 1992. CETIM, 1992.

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International Congress on Condition Monitoring and Diagnostic Engineering Management. (4th 1992 Senlis, France). Condition monitoring and diagnostic engineering management: Proceedings of COMADEM 92, Fourth international congress on condition monitoring and diagnostic engineering management held at CETIM (the technical research center of the mechanical engineering industry) Senlis, France 15-17 july 1992 = Quatrième congrès international sur les techniques de surveillance de diagnostic et de maintenance : recueil de conférences présentées lors de COMADEM 92, quatrième congrès international sur les techniques de surveillance, de diagnostic et de maintenance, organisé au Centre technique des industries mécaniques (CETIM) Senlis, France du 15 au 17 juillet 1992. CETIM, Centre Technique des Industries Mécaniques, 1992.

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Book chapters on the topic "Music Performance Research Centre"

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Schippers, Huib. "Practitioners at the Centre: Concepts, Strategies, Processes and Products in Contemporary Music Research." In Research and Research Education in Music Performance and Pedagogy. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7435-3_1.

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Odena, Oscar. "Some Challenges of Practice Based/Centred Enquiry." In Research and Research Education in Music Performance and Pedagogy. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7435-3_9.

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Zelenak, Michael S. "Self-Efficacy in Music Performance." In Scholarly Research in Music, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003153924-17.

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Hardwick, Dustin, Matthew Lazinski, Stephanie L. Carey, and Sang-Hie Lee. "Measuring the Performer and Performance." In Scholarly Research in Music, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003153924-16.

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Sundberg, J. "Music performance research: An overview." In Music, Language, Speech and Brain. Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-12670-5_16.

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Doğantan-Dack, Mine. "Practice-as-Research in Music Performance." In The SAGE Handbook of Digital Dissertations and Theses. SAGE Publications, Inc., 2012. http://dx.doi.org/10.4135/9781446201039.n16.

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Dybo, Tor. "Doctoral scholarship in popular music performance." In Perspectives on Research Assessment in Architecture, Music and the Arts. Routledge, 2017. http://dx.doi.org/10.4324/9781315526652-7.

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Leong, Samuel. "Creative Arts Research Assessment and Research Training in Hong Kong." In Research and Research Education in Music Performance and Pedagogy. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7435-3_11.

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Burnard, Pam. "Addressing the Politics of Practice-Based Research and Its Potential Contribution to Higher Music Education." In Research and Research Education in Music Performance and Pedagogy. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7435-3_10.

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O’Neill, Susan A. "Complicated Conversation: Creating Opportunities for Transformative Practice in Higher Education Music Performance Research and Pedagogy." In Research and Research Education in Music Performance and Pedagogy. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7435-3_12.

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Conference papers on the topic "Music Performance Research Centre"

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Loureiro, Maurício, Tairone Magalhaes, Davi Mota, Thiago Campolina, and Aluizio Oliveira. "A retrospective of the research on musical expression conducted at CEGeME." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10440.

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CEGeME - Center for Research on Musical Gesture and Expression is affiliated to the Graduate Program in Music of the Universidade Federal de Minas Gerais (UFMG), hosted by the School of Music, Belo Horizonte, Brazil, since 2008. Focused on the empirical investigation of music performance, research at CEGeME departs from musical content information extracted from audio signals and three-dimensional spatial position of musicians, recorded during a music performance. Our laboratories are properly equipped for the acquisition of such data. Aiming at establishing a musicological approach to differe
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Costalonga, Leandro, and Marcus Vinícius das Neves. "Relatório de Pesquisa NESCoM 2021." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19465.

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The NESCoM is a multidisciplinary research centre formed by musicians, engineers and computer scientists. This paper reports the ongoing projects and developments over the last two years, thus it is an update over the research report published in 2019. As a Brazilian research group, with solid international collaboration, we have opted to intercalate the language used to write the report, therefore the 2021 version is written in Portuguese. The main projects developed in these two years timeframe are related to interaction design based on (bio)musicality, robotic music performance, and ubiquit
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Ogorodnov, D. M., S. A. Evdokimov, and Yu D. Kropotov. "The research of neuroplasticity by the Visual Continuous Performance Tasks in teaching by the method of complex music and vocal education." In VIII Vserossijskaja konferencija s mezhdunarodnym uchastiem «Mediko-fiziologicheskie problemy jekologii cheloveka». Publishing center of Ulyanovsk State University, 2021. http://dx.doi.org/10.34014/mpphe.2021-156-159.

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The Methodology of Comprehensive Music and Vocal Education (CMVE) is a powerful pedagogical instrument which helps a person's to improve its voice and musicality. Because several zones, such is auditory, somatosensory, motor (mainly due to the inclusion of hands and speech motor apparatus) and visual are actively involved, which is active contributes to a change in the picture of the dominant centers of the cortex, stimulates and develops such cognitive functions as attention, speech, memory, praxis. Neuroplasticity is closely related to music education, as indicated, for example, by such work
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Orange, Chris. "Reconceptualising Tertiary Contemporary Music Performance Assessment." In Rangahau Horonuku Hou – New Research Landscapes, Unitec/MIT Research Symposium 2021. Unitec ePress, 2022. http://dx.doi.org/10.34074/proc.2206006.

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Contemporary music performances are typically assessed by criteria such as Musicianship, Accuracy, Technique, Professionalism and Contribution. These measures continue to be used despite low discrimination between them and specific items on the assessment schedules (Thompson &amp; Williamon, 2003). In addition, there is a lack of objective evidence that assessment is truly comprehensive. Greater transparency in domain definition and comprehensiveness may aid understanding of the rubric, and lead to better assessment. This study investigated whether popular-music performance assessment criteria
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"Research on the Music Style of Clarinet Performance." In 2017 International Conference on Humanities, Arts and Language. Francis Academic Press, 2018. http://dx.doi.org/10.25236/humal.2017.43.

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"Research on the Whole Teaching of Vocal Music Course in College Music Performance." In 2019 International Conference on Arts, Management, Education and Innovation. Clausius Scientific Press, 2019. http://dx.doi.org/10.23977/icamei.2019.082.

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Chen, Xilin, and Tao Xi. "Cross-Cultural Management of Chinese Traditional Theatre Industry Based on Broadway Operation Model." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001860.

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Broadway, as one of the leading commercial show districts in the West, has a mature commercial experience and operation model. The theatre industry on Broadway is different from other places, and its production and marketing methods have also proven to be highly successful. This paper analyses the business model, artistic concept, communication strategy, and user research of Western theatre based on Broadway at the academic level. At the practical level, the paper investigates the cross-cultural management and communication model of the Chinese theatre industry. The Broadway theatre management
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Bie, Zhian. "Research on the Music Performance of the Sheep Horn-bell." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.77.

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Yu, Kaixi, Limin Han, Zehua Liu, Chenhao Shao, and Jing Wen. "The Unique Aesthetic Research of Chinese National Music in Public Performance." In 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.014.

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"Research on the Role of Piano Performance Skills in Music Emotions." In 2018 4th International Conference on Economics, Management and Humanities Science. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ecomhs.2018.044.

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Reports on the topic "Music Performance Research Centre"

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Havrilova, Liudmyla H., Olena Ye Ishutina, Valentyna V. Zamorotska, and Darja A. Kassim. Distance learning courses in developing future music teachers’ instrumental performance competence. [б. в.], 2019. http://dx.doi.org/10.31812/123456789/3265.

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The scientific and methodological background of creation and development of the distance learning courses for the future music teachers is substantiated. The components and structure of future music teachers’ instrumental performance competence are defined; the content of the course is revealed. The materials are based on the authors’ teaching experience within the distance learning course “Basic Musical Instrument (Piano)”. The main blocks of the distance course design and development are considered among them to be theoretical, practical, individual work, and control blocks. The specificity
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Crispin, Darla. Artistic Research as a Process of Unfolding. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.503395.

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As artistic research work in various disciplines and national contexts continues to develop, the diversity of approaches to the field becomes ever more apparent. This is to be welcomed, because it keeps alive ideas of plurality and complexity at a particular time in history when the gross oversimplifications and obfuscations of political discourses are compromising the nature of language itself, leading to what several commentators have already called ‘a post-truth’ world. In this brutal environment where ‘information’ is uncoupled from reality and validated only by how loudly and often it is
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Mayas, Magda. Creating with timbre. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.686088.

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Unfolding processes of timbre and memory in improvisational piano performance This exposition is an introduction to my research and practice as a pianist, in which I unfold processes of timbre and memory in improvised music from a performer’s perspective. Timbre is often understood as a purely sonic perceptual phenomenon. However, this is not in accordance with a site-specific improvisational practice with changing spatial circumstances impacting the listening experience, nor does it take into account the agency of the instrument and objects used or the performer’s movements and gestures. In m
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Dudoit, Alain, Molivann Panot, and Thierry Warin. Towards a multi-stakeholder Intermodal Trade-Transportation Data-Sharing and Knowledge Exchange Network. CIRANO, 2021. http://dx.doi.org/10.54932/mvne7282.

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The performance of supply chains used to be mainly the concern of academics and professionals who studied the potential efficiencies and risks associated with this aspect of globalisation. In 2021, major disruptions in this critical sector of our economies are making headlines and attracting the attention of policy makers around the world. Supply chain bottlenecks create shortages, fuel inflation, and undermine economic recovery. This report provides a transversal and multidisciplinary analysis of the challenges and opportunities regarding data interoperability and data sharing as they relate
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