Log in

Relevant bibliographies by topics / Music – Performance / Books

To see the other types of publications on this topic, follow the link: Music – Performance.

Books on the topic 'Music – Performance'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Music – Performance.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Koslovsky, John, and Michiel Schuijer. Music Performance Encounters. Routledge, 2023. http://dx.doi.org/10.4324/9781003295785.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Dunsby, Jonathan. Performing music: Shared concerns. Clarendon Press, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Mayer, Brown Howard, and Sadie Stanley, eds. Performance practice: Music after 1600. Norton, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Barclay, Bill, and David Lindley, eds. Shakespeare, Music and Performance. Cambridge University Press, 2017. http://dx.doi.org/10.1017/9781316488768.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Pattie, David. Rock Music in Performance. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230593305.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Gabrielli, Leonardo, and Stefano Squartini. Wireless Networked Music Performance. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0335-6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Mayer, Brown Howard, and Sadie Stanley, eds. Performance practice. Macmillan, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

(Firm), Universitas, ed. Syndrom Pogorelicia: Muzyka, opera, performatywność. Towarzystwo Autorów i Wydawców Prac Naukowych "Universitas", 2020.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Siṃha, Gajendranārāyaṇa. Mahaphila. Bihāra Hindī Grantha Akādamī, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Gordon, Stewart. Mastering the art of performance: A primer for musicians. Oxford University Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Mayer, Brown Howard, and Sadie Stanley, eds. Performance practice. W.W. Norton, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Dunsby, Jonathan. Performing music: Shared concerns. Clarendon Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Berry, Wallace. Musical structure and performance. Yale University Press, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Neumann, Frederick. New essays on performance practice. UMI Research Press, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Webb, Barrie. Contemporary performance. Routledge, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Stewart, Gordon. Mastering the Art of Performance. Oxford University Press, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Harnoncourt, Nikolaus. Baroque music today: Music as speech : ways to a new understanding of music. Amadeus Press, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Kenny, Dianna T. The psychology of music performance anxiety. Oxford University Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Sinnamon, Sarah. Achieving Peak Performance in Music. Routledge, 2020. http://dx.doi.org/10.4324/9781003037804.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Cook, Nicholas. Music, performance, meaning: Selected essays. Ashgate, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Mayer, Brown Howard, and Sadie Stanley, eds. Performance practice: Music before 1600. Macmillan Press, Music Division, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

S, Bratton J., ed. Music hall: Performance and style. Open University Press, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Falola, Toyin, and Tyler Fleming. Music, performance and African identities. Routledge, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Christine, Kohler. Music performance: Vocals and band. Rosen Pub., 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Janet, Wheeler, ed. Music workshop: Dance performance pack. BBC, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Mayer, Brown Howard, and Sadie Stanley 1930-, eds. Performance practice: Music before 1600. Norton & Company, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Cypess, Rebecca, Estelí Gomez, and Rachael Lansang. Historical Performance and New Music. Routledge, 2023. http://dx.doi.org/10.4324/9781003300229.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

1903-, Arrau Claudio, ed. Arrau on music and performance. Dover, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Music Performance. Rosen Publishing Group, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Howe, Blake. Disabling Music Performance. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.30.

Full text

Abstract:

When a performer’s disability directly affects the execution of a musical script, the “dual performances of music and disability” (Straus 2011) are intertwined, so that one directly influences the other. This chapter uses the termsaudibleandsilent disabilitiesas aural analogues to the more commonly used termsvisibleandinvisible disabilities. In music performance, aural disabilities stem frommusical impairments, which emerge from conflicts with three interrelated sets of conventions associated with musical instruments, performance practices and musical scores (in nonimprovised performances), an

APA, Harvard, Vancouver, ISO, and other styles

31

Renaissance Music. Taylor & Francis Group, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Renaissance music. Ashgate, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Renaissance Music. Taylor & Francis Group, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Dunsby, Jonathan. Performing Music: Shared Concerns. Oxford University Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Double, Oliver. Popular Performance. Bloomsbury Publishing Plc, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Double, Oliver, Louise Peacock, and Adam Ainsworth. Popular Performance. Bloomsbury Publishing Plc, 2018.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Double, Oliver. Popular Performance. Bloomsbury Publishing Plc, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Double, Oliver. Popular Performance. Bloomsbury Publishing Plc, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

(Editor), Howard Mayer Brown, and Stanley Sadie (Editor), eds. Performance Practice: Music Before 1600 (Norton/Grove Handbooks in Music). W. W. Norton & Company, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Beech, Nic, and Charlotte Gilmore. Organising Music. Cambridge University Press, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

undifferentiated, David Lindley, and Bill Barclay. Shakespeare, Music and Performance. Cambridge University Press, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Vargas, Alejandro Alberto Téllez. Disability and Music Performance. Taylor & Francis Group, 2020.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Juslin, Patrik N., and Erik Lindström. Emotion in Music Performance. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780198722946.013.36.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Cohen, Annabel J. Music in Performance Arts. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780198722946.013.43.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Juslin, Patrik N. Emotion in music performance. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199298457.013.0035.

Full text

Abstract:

There are several features that we have come to expect from an expert performance: technical mastery, confidence, originality, flexibility, and a true understanding of the musical style. Yet the feature that both performers and listeners appear to regard as the most important is that the performer is expressive. The most-loved artists are commonly the ones that are able to express and evoke emotions in listeners. Previous studies have mainly concerned how performers express emotions, and this article focuses on this question. The article first provides working definitions of key concepts (e.g.

APA, Harvard, Vancouver, ISO, and other styles

46

Cohen, Annabel J. Music in performance arts. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199298457.013.0041.

Full text

Abstract:

This article considers the psychology of music in the contexts of performance arts, in particular the arts of the moving image, drama, and dance. Research in the psychology of music far exceeds psychological research in any of the other arts. Within music psychology, research on the role of music in film and television constitutes a small but vibrant subdomain. The growing research on the psychology of film music reveals that the role of music in the context of other performance arts is amenable to psychological investigation. Similar progress can be envisioned for a psychology of music in the

APA, Harvard, Vancouver, ISO, and other styles

47

Fabian, Dorottya, Renee Timmers, and Emery Schubert, eds. Expressiveness in music performance. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780199659647.001.0001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

McPherson, Gary Edward, Oscar Casanova, Francisco Javier Zarza-Alzugaray, Guadalupe López-Íñiguez, and Laura Herrero, eds. Cognition and Music Performance. Frontiers Media SA, 2022. http://dx.doi.org/10.3389/978-2-88976-499-0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Gabrielli, Leonardo, and Stefano Squartini. Wireless Networked Music Performance. Springer London, Limited, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Vargas, Alejandro Alberto Téllez. Disability and Music Performance. Taylor & Francis Group, 2018.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!