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Journal articles on the topic 'Music – Performance'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

S. Santoso, Dedik. "PENGARUH MUSIK TERHADAP PERFORMANCE FISIK." Jurnal Teknik Industri 4, no. 1 (2004): 1–7. http://dx.doi.org/10.9744/jti.4.1.1-7.

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The main objective of this study, as mentioned on the title, is to determine whether there is any effect of music on physical task performance. Three different kind of music were used in this study: easy listening/slow music, hard rock music, and subject's own favorite music. The same physical task without music was also conducted for every subject as the control. To simulate the physical task, each subject has to walk on a treadmill at a constant speed (3 MPH) and inclination (4º) for six minutes. Enough rest was given after a subject finished each task. Four undergraduate and six graduate st

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2

Raharja, Budi. "Musik Iringan Drama Tari Pengembaraan Panji Inukertapati Bermisi Perdamaian dan Toleransi." Resital: Jurnal Seni Pertunjukan 20, no. 1 (2019): 13–23. http://dx.doi.org/10.24821/resital.v20i1.3459.

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Tujuan penulisan ini untuk mendeskripsikan musik iringan drama tari berjudul “Pengembaraan Panji Inukertapati Bermisi Perdamaian dan Toleransi.” Drama tari tersebut mengisahkan perjalanan Panji Inukertapati menjelajahi beberapa wilayah Nusantara mencari kekasihnya, Dewi Sekartaji. Pembahasan fokus terhadap dinamika pertunjukan, alasan pemilihan bunyi atau lagu, dan hubungan musik dengan gerak tari. Metode interview, observasi, studi literatur, dan studi dokumen digunakanuntuk pengumpulan datanya. Hasil kesimpulan diketahui bahwa musik iringan drama tari tersebut terdiri atas bunyi Dijerido, bu

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3

Hamida, Khairunnisa Putri, Kurnia Rahmad Dhani, and Eki Satria. "Exploring Music Performance Anxiety in Indonesian Music Majors: An Analysis Based on Instrument, Gender, Experience, and School Background and Its Implications for Music Education." JURNAL PAKARENA 9, no. 1 (2024): 1. https://doi.org/10.26858/p.v9i1.53966.

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ABSTRAKKecemasan performa musik (MPA) berdampak negatif bagi performa musisi dalam jangka pendek hingga panjang. Penelitian ini mengukur MPA mahasiswa Jurusan Musik Institut Seni Indonesia Yogyakarta. MPA ditinjau dari pilihan mayor instrumen, jenis kelamin, lama pengalaman musik, dan asal sekolah (SMK Musik dan SMU). Penelitian ini menggunakan metode kuantitatif dengan subjek mahasiswa aktif Jurusan Musik ISI Yogyakarta (N = 133). Penelitian ini menunjukkan bahwa mahasiswi (perempuan) menunjukkan MPA yang lebih tinggi dibanding mahasiswa (laki-laki) (p = 0.03); tidak terdapat perbedaan kecema

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4

Thompson, William Forde, Simone Dalla Bella, and Peter E. Keller. "Music Performance." Advances in Cognitive Psychology 2, no. 2 (2006): 99–102. http://dx.doi.org/10.2478/v10053-008-0048-6.

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5

Palmer, Caroline. "MUSIC PERFORMANCE." Annual Review of Psychology 48, no. 1 (1997): 115–38. http://dx.doi.org/10.1146/annurev.psych.48.1.115.

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Jin, Mi-Hyun, Ju-Hyun Lee, Heon-Ho Choi, et al. "Performance Comparison of 2D MUSIC and Root-MUSIC Algorithms for Anti-jamming in GPS Receiver." Transactions of The Korean Institute of Electrical Engineers 60, no. 11 (2011): 2131–38. http://dx.doi.org/10.5370/kiee.2011.60.11.2131.

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7

Situmeang, Joel Franky, and Agusti Efi. "KAJIAN PERTUNJUKAN MUSIK IRINGAN TARI JOGI DI SANGGAR WARISAN PANTAI BASRI PULAU PANJANG BATAM KEPULAUAN RIAU." Gorga : Jurnal Seni Rupa 12, no. 1 (2023): 11. http://dx.doi.org/10.24114/gr.v12i1.42331.

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This research is a case study of musical performance in the Basri Heritage Beach Group or SWPB. Where SWPB always promotes and performs Jogi music. Jogi is a music and dance performance that tells the story of a wife who is left by her husband when she goes to sea. The form of a musical performance entitled "Ari Dunie Jogi." Jogi music is included in two parts consisting of 1) Dondang with musical accompaniment of the inang rhythm, and 2) Dances with musical accompaniment of Joget silat. The purpose of this research is to study the musical performances of the Basri Beach Heritage Sanggar, whos

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8

Ying, Zhihao. "Teaching Music Performance: A Holistic Process." Pedagogical Almanac 32, no. 2 (2024): 221–24. http://dx.doi.org/10.54664/qlnv8604.

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This research analyzes some representative attributes of holistic teaching. It focuses on the comprehensive development of students, which benefits from the holistic approach of the tuition. The aim of a holistic teacher is to expose alternative ways of performing music. This point of view leads young artists to achieve the wholeness of their performance. The research is based on relevant literature, The author’s own experience as an opera singer, and The observation of various ways of teaching.

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9

Nabijanovna, Rakhimova Mavludakhan. "MUSIC CULTURE IMPORTANCE OF PIANO PERFORMANCE." International Journal of Pedagogics 4, no. 10 (2024): 31–34. http://dx.doi.org/10.37547/ijp/volume04issue10-06.

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This article analyzes the role and importance of piano performance in music culture. The piano, with its unique melodic and dynamic capabilities, offers new perspectives and ways of expression in the performance of musical works. The article shows the history of piano performance, stages of development and its contribution to performance culture, and explores the influence of performers who used this instrument on art and culture. It also provides information on the spread, formation and development of music culture on a global scale through piano performance.

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10

Cohen, Susanna, and Ehud Bodner. "Music performance skills: A two-pronged approach – facilitating optimal music performance and reducing music performance anxiety." Psychology of Music 47, no. 4 (2018): 521–38. http://dx.doi.org/10.1177/0305735618765349.

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11

Putra, Rinaldhi Eka Kurnia, Abdul Rachman, Eko Raharjo, and Suharto Suharto. "Interaksi Simbolik Pada Pertunjukan Musik Keroncong oleh Orkes Keroncong Gunung Jati New Musik di Stasiun Tawang Semarang." Gondang: Jurnal Seni dan Budaya 5, no. 1 (2021): 30. http://dx.doi.org/10.24114/gondang.v5i1.19996.

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The Gunung Jati New Music Keroncong Orchestra is a keroncong orchestra that regularly performs keroncong music at Tawang Station Semarang. During the keroncong music performance there are various kinds of symbolic interactions between the players and also with the audience. The purpose of this study was to determine how the symbolic interaction in keroncong music performances by the Keroncong Gunung Jati New Music Orchestra. The research method used is qualitative. The data collection techniques used were observation, interview and documentation. The data collected through the stages of data r

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12

Almanda, Hafi Hilmiah, Setya Yuwana, and Setyo Yanuartuti. "Kajian pertunjukan musik “Thungka” dalam masyarakat Bawean Gresik (Tinjauan etnomusikologi)." Imaji 21, no. 1 (2023): 30–37. http://dx.doi.org/10.21831/imaji.v21i1.49233.

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Penelitian ini menemukan kajian etnomusikologi pada alat musik thungka, karena peneliti ingin mengetahui segala sesuatu yang terdapat dalam alat musik thangka, baik itu berupa aspek fungsi, musikal, instrumental dan sosial budaya musik tradisional thungka. Dalam penelitian ini metode yang digunakan yaitu metode kualitatif. Fungsi musik Thungka pada dasarnya sebagai alat untuk penumbuk padi dalam acara musim panen disetiap tahun akan tetapi sekarang menjadi sebagai media pertunjukan seni tradisional, acara pernikahan sampai keacara penyambutan tamu turis ke Bawean. Alat musik Thungka ini merupa

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13

Shokirdjanovich, Rakhimov Sayfuddin. "THEORETICAL FUNDAMENTALS OF UZBEK FOLK MUSIC PERFORMANCE." International Journal of Pedagogics 4, no. 10 (2024): 21–25. http://dx.doi.org/10.37547/ijp/volume04issue10-04.

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This article examines the history of traditional methods of Uzbek folk music performance, performance culture and musical works. Uzbek folk music is rich in its own methods and national musical instruments, and these art forms have been passed down from generation to generation. In this article, the preservation and development of folk music through teacher-disciple schools, which were brought up mainly on the basis of oral tradition, as well as the role of these traditions in modern performance are widely discussed. Genres of Uzbek folk music performance, their uniqueness and the role of musi

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14

Sutopo, Oki Rahadianto, and Agustinus Aryo Lukisworo. "Praktik Pertunjukan Musik Mandiri dalam Skena Metal Ekstrem." Resital:Jurnal Seni Pertunjukan 24, no. 2 (2023): 97–111. http://dx.doi.org/10.24821/resital.v24i2.8328.

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Independent Performance Practice in Extreme Metal Scene. Music performance, including extreme metal, is an integral part of music-based youth groups’ socio-cultural practices. The practice and meaning construction of music performance could not be considered as stagnant, but dynamic in its relationship with surrounding objective structure. In order to understand the meaning construction upon music performance, specifically within the extreme metal scene, this research focuses on the dynamics of individual music performance practice in Yogyakarta in the contemporary neoliberal era. This researc

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15

DeLuca, Christopher, and Benjamin Bolden. "Music Performance Assessment." Music Educators Journal 101, no. 1 (2014): 70–76. http://dx.doi.org/10.1177/0027432114540336.

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16

Balzano, Gerald J. "Command performances, performance commands." Contemporary Music Review 4, no. 1 (1989): 437–46. http://dx.doi.org/10.1080/07494468900640471.

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17

Berry, Venise T., and Vanessa Shelton. "Watching Music: Interpretations of Visual Music Performance." Journal of Communication Inquiry 23, no. 2 (1999): 132–51. http://dx.doi.org/10.1177/0196859999023002003.

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18

Doerksen, Paul F. "Aural-Diagnostic and Prescriptive Skills of Preservice and Expert Instrumental Music Teachers." Journal of Research in Music Education 47, no. 1 (1999): 78–88. http://dx.doi.org/10.2307/3345830.

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This study is an investigation of the aural-diagnostic and prescriptive skills of preservice and expert instrumental music teachers. Specifically, the researcher sought to determine how the two groups compared with respect to evaluations for band performances of different music-difficulty and performance-quality levels. Subjects listened to an audiotape recording that comprised four types of performances: Difficult Music and Excellent Performance, Difficult Music and Average Performance, Moderate Music and Excellent Performance, and Moderate Music and Average Performance. For each performance

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19

Adu-Gilmore, Leila. "Accessing marginalized musics through adaptable, culturally sustaining music technology modules." Journal of Popular Music Education 7, no. 3 (2023): 317–34. http://dx.doi.org/10.1386/jpme_00130_1.

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Black music technology has innovated across genres such as dub, hip hop, techno and Afrobeats, redefining music as we know it. Music research subfields (performance, composition, musicology, technology) have historically excluded black musics but music education has begun to include them. Critical Sonic Practice Lab created a culturally-sustaining music technology toolkit and modules in Accra, Ghana. We exploit music technology’s constant evolution, engaging critical sonic practice’s intersectional approaches to the continuum of improvisation and composition, and music theory. Adjusting teachi

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20

Jungers, Melissa Kay. "Performance Priming in Music." Music Perception 24, no. 4 (2007): 395–99. http://dx.doi.org/10.1525/mp.2007.24.4.395.

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PERFORMANCE CUES IN MUSIC can be related to the structure of a production, but can also exist separately from the structural features. Which cues are retained from perception to performance? Pianists listened to melodies containing intensity and articulation cues and performed similar metrically ambiguous target melodies. Pianists' performances persisted in the metrically unrelated articulation cues. Pianists did not perform metrically strong beats with more intensity as in the primes, but they lengthened expected strong beats relative to weak beats. This recoding of meter using articulation c

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21

Zilmi, Fauziatus, Abdul Rachman, and Moh Muttaqin. "Ngeroncongi And Ngepop : A Study Of Popular Song's Vocal Performance In Keroncong Music In Semarang." Jurnal Seni Musik 10, no. 1 (2021): 17–24. http://dx.doi.org/10.15294/jsm.v10i1.46812.

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Keroncong Music is a music that has different character from other musics, including several techniques in vocal performance, such as luk, nggandul, embat, gregeland cengkok. Nowadays keroncong music does not only perform keroncong songs but also performs popular songs accompanied by keroncong music. When performing popular songs accompanied by keroncong music, usually the performance of each singer will be different. This study aims to determine how the vocal performance of popular songs in keroncong music. The research method used was qualitative. Data collection techniques used observation,

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22

Sejati, Irfanda Rizki Harmono, Tejo Bagus Sunaryo, and Sunarto Sunarto. "Seni Pertunjukan dan Kreativitas Kelompok Musik Setabuhan Yogyakarta Indonesia." Resital: Jurnal Seni Pertunjukan 23, no. 2 (2022): 107–16. http://dx.doi.org/10.24821/resital.v23i2.7083.

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ABSTRACT Setabuhan is a musical group consisting of three people who have different musical concepts from the others. The form of Setabuhan group music is rhythmic or percussion music in which two people are percussionists, and the other plays the exploration of vocal sound. The musical instruments used by Setabuhan are drums, percussion and vocal music using digital effects. The form of music used by this Setabuhan music group is not commonly used in structural forms of musical compositions because it does not use melodic musical instruments, and the vocal music does not have lyrics. The form

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23

Habe, Katarina, and Michele Biasutti. "Flow in Music Performance." Psihologijske teme 32, no. 1 (2023): 179–95. http://dx.doi.org/10.31820/pt.32.1.10.

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Flow is a specific state of consciousness when people are completely immersed and concentrated on a task, that they lose the sense of time, and feel as if doing things unconsciously. This article aims to provide a brief overview of the flow in music, focused on music performance, and shed light on aspects such as psychological correlates, occurrence and educational applications. Our objective is to build a bridge between theory and practice examining the implications of flow for improving the musical practice. Several studies analyse flow in various musical activities, including improvisation/

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24

Lee, Sai-Yune. "The meaning of ruling on Japan's music academy royalty and the review of Korea's performance royalty regulations of music academies." Institute for Legal Studies Chonnam National University 45, no. 1 (2025): 191–230. https://doi.org/10.38133/cnulawreview.2025.45.1.191.

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Japan's ruling on ‘music academy royalty’ is a major precedent in the judgment on interpretation of ‘public’ and ‘purpose of performance’. And in this ruling, it is judged that the court's intention was not to collect excessive performance royalty from a music academy, and to exclude learners' performance from performance royalty. Considering that there is a paper requesting the introduction of an American fair use clause through this case in Japan, the application of Article 35-5, Korean Copyright Law, will be a major issue, if a similar case is reviewed in Korean courts. As the most importan

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25

James, Nicholas. "Music, Performance and Identity." Anthropology Today 11, no. 1 (1995): 21. http://dx.doi.org/10.2307/2783322.

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26

Dueweke, Paul W. "Music performance assisting method." Journal of the Acoustical Society of America 91, no. 4 (1992): 2306. http://dx.doi.org/10.1121/1.403575.

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Edmonds, Amy. "Shakespeare, Music And Performance." Music Reference Services Quarterly 21, no. 2 (2018): 103–5. http://dx.doi.org/10.1080/10588167.2018.1454797.

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28

Arnaud.Cabanac, Leonid Perlovsky, Marie-Claude Bonniot-Cabanac, and Michel Cabanac. "Music and academic performance." Behavioural Brain Research 256 (November 2013): 257–60. http://dx.doi.org/10.1016/j.bbr.2013.08.023.

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29

Медушевский, В. В. "Performance Theory of Music." Музыкальная академия, no. 3(783) (September 29, 2023): 216–35. http://dx.doi.org/10.34690/334.

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Автор предлагает свой взгляд на теорию музыки, отмечая ее теснейшую связь с исполнительской практикой. Поднимаются вопросы о том, как воспитать чуткий слух музыканта-исполнителя, опираясь на тонкости гармонического анализа; раскрываются оригинальные понятия синергии и вероятия. Автор подчеркивает особую роль цезуры как важнейшего элемента музыкальной ткани, ее отличия от эмфатического акцента, глубинно связанного с гармонией. В статье выдвигаются критерии онтологизма в музыкальном произведении, а также в его интерпретации исполнителем. The author offers his own view on the theory of music an

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30

Nardi, Carlo, Hillegonda C. Rietveld, and William Echard. "Introduction: Popular Music Performance." IASPM Journal 4, no. 1 (2014): 1–4. http://dx.doi.org/10.5429/694.

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The critical exploration of performance problematizes the theorization of music signification. The contributions in this special issue investigate performance both from the perspective of musicians and from that of their audience by stressing the role of values, norms, meaning and aesthetics in their interaction. In addition, this special issue concerns the relationship between performance and place; performance does not only happen at a place, but is also of and about a place, actively contributing to it and shaping it. Furthermore, the roles of the DJ, music producer and music performer blur

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Azamova, Mukhlisa Azam kizi. "ANCIENT WORLD MUSIC PERFORMANCE." ACADEMIC RESEARCH IN MODERN SCIENCE 1, no. 17 (2022): 151–54. https://doi.org/10.5281/zenodo.7312302.

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This article provides detailed information about the history of the creation of early musical instruments, the appearance of musical instruments, and the procedure for using musical instruments in various ceremonies.

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Mambetkarimov, Atabek. "PERFORMANCE CHARACTERISTIC OF MUSIC." MODERN SCIENCE AND RESEARCH 2, no. 12 (2023): 22–27. https://doi.org/10.5281/zenodo.10258696.

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33

Johnson, Ben A., Yuri I. Abramovich, and Xavier Mestre. "MUSIC, G-MUSIC, and Maximum-Likelihood Performance Breakdown." IEEE Transactions on Signal Processing 56, no. 8 (2008): 3944–58. http://dx.doi.org/10.1109/tsp.2008.921729.

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34

Weidensee, Victor. "Teaching Music Literacy in the Music Performance Ensemble." NASSP Bulletin 70, no. 487 (1986): 100–101. http://dx.doi.org/10.1177/019263658607048724.

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35

De Fretes, Daniel, and Nensi Listiowati. "Pertunjukan Musik dalam Perspektif Ekomusikologi." PROMUSIKA 8, no. 2 (2021): 109–22. http://dx.doi.org/10.24821/promusika.v8i2.4636.

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Artikel ini bertujuan untuk menelaah pertunjukan musik dari perspektif ekomusikologi sebagai refleksi dari pergeseran pertunjukan yang terjadi selama masa pandemi covid 19. Tatanan baru di era pandemi mengubah kodrat pertunjukan dari alam nyata ke jagat maya. Ekomusikologi adalah persinggungan diantara kajian musik dan kajian ekologi yang mengelaborasi bidang kajian musik, budaya, dan lingkungan secara multiperspektif. Studi kasus dalam kajian ini adalah konser serenade bunga bangsa di Auditorium Driyarkara Yogyakarta. Penelitian ini menggunakan kerangka analisis ekomusikologi pertunjukan musi

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36

Dong, Xinyi. "Research on Ancient Instrumental Music Performance." Journal of Education and Educational Research 6, no. 1 (2023): 106–9. http://dx.doi.org/10.54097/jeer.v6i1.14169.

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As we all know, primitive society is a long historical period. The main expression of primitive music is presented in the rich historical records of mankind, including documentary records, various legends, prehistoric remains and archaeological artifacts, etc. According to various studies, it is not difficult to find out that in the ancient society, poetry, music, and dance are integrated and inseparable from each other, and music occupies a dominant position in them. There are many famous figures about instrumental music performance in ancient times, who had a very positive and far-reaching i

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Ihde, Don. "Technologies—Musics—Embodiments." Janus Head 10, no. 1 (2007): 7–24. http://dx.doi.org/10.5840/jh20071012.

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Today recorded music probably accounts for the single largest category of music listening. This essay seeks to re-frame the usual understanding of the role of that type of music. Here the history and phenomenology of instrumentally mediated musics examines pre-historic instruments and their relationship to skilled, embodied performance, to innovations in technologies which produce multistable trajectories which result in different musics. The ancient relationship between the technologies of archery and that of stringed instruments is both historically and phenomenologically examined. This narr

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Tian, Zhaofeng, and Tsetsegdelger. "The Collision and Integration of Classical and Contemporary Instrumental Performance Styles." International Journal of Finance and Investment 1, no. 1 (2024): 78–81. https://doi.org/10.54097/ptr7me96.

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This study explores the mutual influence and integration of classical music and contemporary instrumental performance styles. By analyzing the core characteristics of classical music, such as its rigorous structure, balanced melody and tonal processing, it reveals the profound impact of classical music on modern instrumental performance. In terms of methods, this article shows the collision and integration of classical and contemporary performance styles through the reappearance of classic works, the evolution of playing skills and the blending of Chinese and Western music. Contemporary instru

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Djohan, Djohan, Asep Hidayat Wirayudha, and Aghisna Indah Mawarni. "Efek Reinstrumentasi Karya Organ Js. Bach Melalui Alih Timbre Terhadap Selera Musik." Resital:Jurnal Seni Pertunjukan 24, no. 2 (2023): 136–45. http://dx.doi.org/10.24821/resital.v24i2.9747.

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As today teenagers have less appreciation for instrumental works from Baroque era, the objective of this research is to identify the indicators their music preference through timbre shifting of the musical instrument. In the context of the creative economy, this will open opportunities for art music to compete in the music industry. Music has been studied and observed for centuries, and even today, the works of great composers are associated with timeless creations. One factor that has contributed to the continued existence of music is its strong reliance on conductors during performances, esp

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Rahmat, Sujud Puji Nur, G. R. Lono Lastoro Simatupang, and Harsawibawa Albertus. "Musik Metal dan Nilai Religius Islam: Tinjauan Estetika Musik Bermuatan Islami dalam Penampilan Purgatory." Resital: Jurnal Seni Pertunjukan 18, no. 3 (2019): 133–43. http://dx.doi.org/10.24821/resital.v18i3.3338.

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Musik metal terkait dengan isu kekerasan, pemberontakan, kesewenang-wenangan. Oleh karenanya, band metal juga lekat dengan citra-citra itu. Namun demikian, Purgatory, band metal dari Jakarta, mencoba memunculkan citra yang berbeda. Mereka mengusung nilai-nilai religius islami dalam karya musik dan pertunjukannya. Dalam tulisan ini, penulis berupaya untuk memahami cara band ini tetap memiliki penggemar dengan isu-isu yang diusung tersebut. Penelitian ini menggunakan pendekatan etnografi. Pengumpulan data dilakukan dengan cara observasi-partisipasi. Penulis mengikuti dalam peristiwa-persitiwa pe

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Ihsan, Rivaldi. "Study Of Music Performance The Orches Group Pancaran Senja Melayu Village Batu Besar Nongsa Batam." Gondang: Jurnal Seni dan Budaya 6, no. 2 (2022): 314. http://dx.doi.org/10.24114/gondang.v6i2.39435.

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The study of musical performances in this study focuses on the musical performance itself. Where music performance events are present through two important roles, namely musicians and audiences who are the center when the music performance takes place. The success of a musical performance is through a procession of intense rehearsals, ongoing performances, and evaluations after musical performances. This study is a qualitative analytic description of the Pancaran Senja Malay Orchestra music group at Kampung Melayu Batu Besar Nongsa Batam. The research methods are field observations, interviews

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Hakim, Uswatul, Alrizka Hairi Dilfa, Riri Trinanda, and Hengki Armez Hidayat. "Integrasi Platform Media Sosial Instagram dalam Pertunjukan dan Pembelajaran Musik Gamad di Sendratasik FBS UNP." Resital: Jurnal Seni Pertunjukan 25, no. 2 (2024): 338–56. https://doi.org/10.24821/resital.v25i2.13783.

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Penelitian ini bertujuan untuk mendeskripsikan dan menganalisis integrasi pertunjukan musik Gamad ke dalam platform media sosial dan dampaknya terhadap pembelajaran musik Gamad di Jurusan Pendidikan Drama, Tari, dan Musik (Sendratasik), Fakultas Bahasa dan Seni (FBS), Universitas Negeri Padang (UNP). Penelitian ini berfokus pada bagaimana Instagram, sebuah platform digital populer, dimanfaatkan untuk mengajarkan dan menampilkan musik Gamad, mengeksplorasi perannya dalam mentransformasikan pedagogi musik tradisional. Dengan menggunakan pendekatan studi kasus kualitatif, penelitian ini mengkaji

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Karyawanto, Harpang Yudha, and Moh Sarjoko. "Penyajian Musik Goa Tabuhan di Pacitan Jawa Timur." PROMUSIKA 7, no. 2 (2019): 106–20. http://dx.doi.org/10.24821/promusika.v7i2.3516.

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Goa Tabuhan music in Wareng Village, Punung District, Pacitan Regency, East Java, is a unique musical phenomenon, so that its sustainability needs to be preserved. Since the first appearance of the Goa Tabuhan music tradition community until now, percussion music activity with rocks on the cave wall as its media has become a performance art that is accepted as part of the social life of the community in Pacitan. This study tries to uncover the characteristics and structure of the presentation of the music performance of Goa Tabuhan. Based on the nature of the data to be analyzed, this study us

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Kruglova, Elena. ""Ancient music – Historical singing" ("Alte Musick – Historischer Gesang") in German Music Universities." Философия и культура, no. 2 (February 2023): 12–26. http://dx.doi.org/10.7256/2454-0757.2023.2.39688.

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The article is devoted to the actual problem of historically grounded performance of Baroque vocal music by academic vocalists. Listening activity, the demand for ancient music in Russia raises issues for performers that need to be resolved within the framework of historical performance practice. To fulfill all the conditions, it becomes important to receive an appropriate specialized education. In Russia, little attention is paid to the professional training of academic vocalists in the field of historical singing or baroque singing, whereas in Italy and Germany independent faculties of ancie

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Whiteoak, John. "‘Jazzing’ and Australia's First Jazz Band." Popular Music 13, no. 3 (1994): 279–95. http://dx.doi.org/10.1017/s0261143000007200.

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A growing tendency to study Australian popular musics as an aspect of Australian cultural studies has begun to bear fruit in the form of long overdue appraisal of the socio-cultural and musical significance of these musics. Yet in our justified enthusiasm for the exciting horizons made visible by this development, it is possible to forget that music research can serve more traditional but nevertheless important functions. In the study of popular musics, in particular, knowing how music was played can be more important than knowing what piece of repertoire was performed. For example, discoverin

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Callier, Durell M. "Living in C Minor." Qualitative Inquiry 22, no. 10 (2016): 790–94. http://dx.doi.org/10.1177/1077800416667686.

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This autoethnographic performance interrogates the centrality of music to queering Black masculinity. Theorizing from my lived experience, I highlight how Black girl hand games, countertenor performances in Soul music, and male vocalist performances in Gospel music intervene and provide alternative entryways to understanding Black masculinity. Three pivotal moments from the authors’ life, which span the aforementioned genres of music, are explored to elucidate the subtle and direct messages Black men and boys receive about “proper” gender performance. Through critical engagements with performa

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Ramos, Jr. Amerigo Bernardo. "Effects of background music (Classical, Jazz, and Pop) on students' performance in Science 9 in Akle High School." SDCA Asia-Pacific Multidisciplinary Research Journal 3 (December 27, 2021): 29–33. https://doi.org/10.5281/zenodo.8022199.

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Promoting skills acquisition and improving the performance of students in science is quite a challenge to teachers nowadays. It is imperative to mitigate such problems arising from lack of focus and study habits. This present study aims to determine whether the use of background music in teaching Grade 9 Science will increase the students’ performance. Different background music (Classical, Jazz, and Pop) were utilized in the study among 142 students of Akle High School. A paired t-test result revealed a significant increase in their scores after the use of background music. Specifically

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Cockerton, Tracey, Simon Moore, and Dale Norman. "Cognitive Test Performance and Background Music." Perceptual and Motor Skills 85, no. 3_suppl (1997): 1435–38. http://dx.doi.org/10.2466/pms.1997.85.3f.1435.

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This study examined the effects of background music on test performance. In a repeated-measures design 30 undergraduates completed two cognitive tests, one in silence and the other with background music. Analysis suggested that music facilitated cognitive performance compared with the control condition of no music: more questions were completed and more answers were correct. There was no difference in heart rate under the two conditions. The improved performance under the music condition might be directly related to the type of music used.

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Xu, Yulu, Shuheng Yin, Nuo Xu, and Baiyan Du. "A Brief Discussion on the Impact and Coping Strategies of Performance Anxiety in Music Major College Students." Humanities and Social Science Research 8, no. 1 (2025): p73. https://doi.org/10.30560/hssr.v8n1p73.

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Music performance anxiety is the stress musicians experience during stage performances. This study employs literature analysis to reveal the manifestations of music performance anxiety, the primary factors causing it, its impacts, and specific measures for improvement. Given that performance anxiety is commonly experienced by music major students, it is primarily caused by factors such as perfectionistic personality traits, social anxiety, past performance experiences, and personal musicality. Music performance anxiety can directly or indirectly affect performers both physiologically and psych

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Rendi, Mária, Attila Szabo, and Tamás Szabó. "Performance Enhancement with Music in Rowing Sprint." Sport Psychologist 22, no. 2 (2008): 175–82. http://dx.doi.org/10.1123/tsp.22.2.175.

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The purpose of this study was to investigate the impact of fast- and slow-tempo music on 500-m rowing sprint performances. Twenty-two rowers performed 500-m sprints 3 times: rowing without music, rowing to slow music, and rowing to fast tempo music. Strokes per minute (SPM), time to completion, (TTC), and rated perceived exertion (RPE) were recorded. Although RPE did not differ between the rowing conditions, TTC was shortest in the fast music condition. Further, shorter TTC was observed in the slow music condition in contrast to the control condition, indicating that slow music also enhanced p

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