Journal articles: 'Music piracy'

1

Burnett, Rachel. "Internet music piracy." ITNOW 48, no. 5 (September 1, 2006): 34. http://dx.doi.org/10.1093/itnow/bwl065.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Reardon, James, Denny McCorkle, Anita Radon, and Desalegn Abraha. "A global consumer decision model of intellectual property theft." Journal of Research in Interactive Marketing 13, no. 4 (November 20, 2019): 509–28. http://dx.doi.org/10.1108/jrim-07-2018-0093.

Full text

Abstract:

Purpose Intellectual property theft amounts to billions of dollars per year worldwide. The first step in stemming this loss is to understand the underlying precursors of this behavior. This paper aims to propose and test a model of consumer choice to purchase or pirate intellectual property, specifically music. This paper combines and applies the theory of reasoned action (TRA) and Becker’s theory of crime to develop a more comprehensive model of digital piracy behavior. Culture was tested as an antecedent to the attitudes and the perceptions of risk associated with music piracy. Design/methodology/approach A survey of 4,618 participants was conducted across 23 countries. Construct measures were validated using confirmatory factor analysis in LISREL. A conceptual model was tested using logistic structural equation modeling in MPlus. Respondents were asked about the last music they acquired to test a behavioral model of music piracy. Findings The results indicated that culture, specifically rule orientation and uncertainty avoidance, had a significant impact on attitudes toward the music industry, ethical perceptions of music piracy and risk perceptions. Respondents’ ethical perceptions of downloading had the highest impact on music piracy behavior. The personal/copy risk associated with the illegal downloading of music had a significant impact while the relative channel risk did not. The market value, quality and selection also had a significant impact on downloading behavior, as did the respondent's ability to find and download music. Research limitations/implications While this paper was limited by focusing on the illegal downloading of music, the results can provide guidance in the design of future research concerning the piracy and unlicensed downloading of other types of intellectual properties such as movies/videos, TV, paywall content and e-books. Practical implications In recent years, improved access to music and video through online streaming and online stores has significantly decreased music piracy. This research indicated that further inroads into this behavior could be made through better online purchase access and through consumer education about the ethics and results of digital downloading. Further, efforts are more efficient by targeting cultures with lower levels of rule orientation with ethics education and targeted risk messages in countries with higher uncertainty avoidance. Social implications Yearly losses to the music industry amount to about $5-29bn. Many find music and video downloading and “sharing” as acceptable. The model developed in this research has implications to affect this mass loss of revenue to the music industry and perhaps the societal view of downloading behavior that is illegal but commonly accepted. Originality/value This model is the first to integrate cultural aspects into models of digital piracy. In addition, the model is developed from a strong theoretical base (TRA and Becker’s theory of crime) to integrate multiple antecedents to intellectual property theft research.

APA, Harvard, Vancouver, ISO, and other styles

3

Lau, Eric, and Suki Yao. "MUSIC PIRACY IN CHINA." California Business Review 3, no. 2 (October 1, 2015): 47–54. http://dx.doi.org/10.18374/cbr-3-2.7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Condry, Ian. "Cultures of Music Piracy." International Journal of Cultural Studies 7, no. 3 (September 2004): 343–63. http://dx.doi.org/10.1177/1367877904046412.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Bonner, Steven, and Eleanor O'Higgins. "Music piracy: ethical perspectives." Management Decision 48, no. 9 (October 19, 2010): 1341–54. http://dx.doi.org/10.1108/00251741011082099.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Popham, James. "Factors influencing music piracy." Criminal Justice Studies 24, no. 2 (May 3, 2011): 199–209. http://dx.doi.org/10.1080/1478601x.2011.561648.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Fahmi, Khairil. "Perlindungan Hukum Terhadap Karya Cipta Lagu “Hilang” Atas Tindakan Perbanyakan Atas Karya Cipta Tanpa Perjanjian Lisensi (Studi Putusan Mahkamah Agung Republik Indonesia Nomor 192 PK/Pdt.Sus/2010)." Jurnal Hukum Kaidah: Media Komunikasi dan Informasi Hukum dan Masyarakat 19, no. 1 (September 30, 2019): 94–113. http://dx.doi.org/10.30743/jhk.v19i1.1910.

Full text

Abstract:

The development of human creativity in creating a work that can have economic value requires legal protection. This protection is very important to encourage the creative enthusiasm of people. There are some basic principles of the copyright law protection of the sound recordings results in its protection that need to be considered, such as what is protected by copyright is an idea that has been tangible and original. As a result of law enforcement efforts against piracy song or music copyright is regulated in the Article 72 where the law enforcement efforts by the government by providing criminal sanctions and civil sanctions with claims for compensation, the Supreme Court considers the reasons of the Petitioner for Review that these reasons cannot be justified, because the judex juris did not commit an error or a real mistake in deciding the a quo case . In general, the forms of Song or Music copyright piracy are divided into several categories, namely Pirate, Couterfeit and Bootleging. The motive for the piracy is for commercial interests in the form of financial gain. The role of the government in law enforcement dealing with piracy is to provide strict sanctions in the form of confiscation and destruction of goods resulting from Copyright piracy carried out by the government. Keywords: Legal Protection, Copyright, Songs, Propagation Actions, License.

APA, Harvard, Vancouver, ISO, and other styles

8

Cesareo, Ludovica, and Alberto Pastore. "Consumers’ attitude and behavior towards online music piracy and subscription-based services." Journal of Consumer Marketing 31, no. 6/7 (November 4, 2014): 515–25. http://dx.doi.org/10.1108/jcm-07-2014-1070.

Full text

Abstract:

Purpose – This paper analyzes consumers’ attitudes and behaviors towards online piracy and their willingness to try subscription-based music services. The objective is to develop and test an attitude-intention model which includes ethical considerations in consumers’ decision making process regarding music consumption. Design/methodology/approach – The study analyzes 505 consumer questionnaires using a structural equations model. Findings – Attitude toward online piracy is positively determined by economic and hedonic benefits and negatively by moral judgment. A favorable attitude toward online piracy, in turn, negatively influences consumers’ willingness to try subscription-based music services, which is also directly determined by their interest and involvement with the services themselves. Research limitations/implications – The limitations of the paper are linked mainly to the adapted scales, to the analysis of just two subscription-based music services (Napster and Spotify) and to the fact that all respondents came from one country. Practical implications – The results call for a greater commitment by music industry actors to educate consumers about the consequences and implications of online music piracy, while also stressing the value added and hedonic benefits offered by subscription-based music services. Originality/value – This paper is the first to focus on consumers’ propensity toward online piracy and their willingness to try subscription-based music services as a possible alternative to the phenomenon, through the development and test of an attitude-intention model that includes ethical considerations.

APA, Harvard, Vancouver, ISO, and other styles

9

Anak Robert KIP, Beatrice Stella, Yin Yung Lim, and Ee Shiang Lim. "COMMITTING DIGITAL MUSIC PIRACY: A STUDY IN PENANG." JOURNAL OF ECONOMICS AND SUSTAINABILITY 4, No.1 (January 31, 2022): 58–72. http://dx.doi.org/10.32890/jes2022.4.1.5.

Full text

Abstract:

Piracy is one of the primary challenges facing the music industry. Music piracy has accounted for substantial revenue losses in this industry in Malaysia, a country in which intellectual property regimes are deemed as a matter of concern. If music piracy is left unchecked, it may destroy the value chain of the music industry. This study aims to explore the extent to which digital music copyright violations prevails in society and examine the characteristics of copyright violators. The analysis was carried out using primary data collected from a survey carried out in Penang, a highly urbanised state in Malaysia. A descriptive approach was used for the analysis. The findings from this study offer insights into the phenomenon of music piracy in Malaysia. The incidence of violating copyright was high, with seven out of ten persons involved in illegally using digital music. Copyright violators have distinguishing characteristics that differentiate them from non-copyright violators. The results found that awareness about intellectual property rights was rather low among violators and that they had misconceptions about music piracy. While most participants agreed that effective enforcement was critical in reducing illegal music activities, fewer perceived the risks of being caught and the high costs associated with punishment. Policies aimed at increasing awareness and understanding of intellectual property rights and the possible societal implications of copyright issues were discussed. The need to enhance copyright enforcement protection in the country is also highlighted.

APA, Harvard, Vancouver, ISO, and other styles

10

Bustinza, Oscar F., Ferran Vendrell‐Herrero, Glenn Parry, and Vasileios Myrthianos. "Music business models and piracy." Industrial Management & Data Systems 113, no. 1 (March 11, 2013): 4–22. http://dx.doi.org/10.1108/02635571311289638.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Briggs, Kristie, Joshua Eiermann, Thomas Hodgson, and Elizabeth McNamara. "Reducing copyright piracy using entrepreneurial intermediary platforms." Journal of Entrepreneurship and Public Policy 3, no. 2 (October 14, 2014): 306–16. http://dx.doi.org/10.1108/jepp-05-2013-0019.

Full text

Abstract:

Purpose – The purpose of this paper is to examine the role of intermediary platforms, such as Pandora and Spotify, in reducing piracy of digital music. Design/methodology/approach – The authors modify a predator-prey theoretical framework of copyright piracy to account for the impact of intermediary platforms on the consumption of original works and illegal copies. Findings – The theory shows that an increase in the number of legal alternative platforms available to consumers of digital music results in an unambiguous increase in the consumption of legitimate music and an unambiguous decrease in the consumption of unauthorized copies. Practical implications – The results suggest that policies to encourage entrepreneurship by intermediary platforms in the music industry serve as a complement to other policies currently being employed to combat piracy of digital music. Originality/value – The paper is the first of its kind to analyze the important role of intermediary platforms in reducing piracy of digital music while encouraging innovation by artists. Historically, entrepreneurship in this field has been controversial, given the gray areas surrounding what is and is not copyright infringement in the ever-evolving digital age. This paper highlights that once copyright laws are clearly defined, business growth in this area can be a highly effective solution to the piracy problem.

APA, Harvard, Vancouver, ISO, and other styles

12

Lalović, Gordana, Saule Amirebayeva Reardon, Irena Vida, and James Reardon. "Consumer Decision Model of Intelectual Property Theft in Emerging Markets." Organizations and Markets in Emerging Economies 3, no. 1 (May 31, 2012): 58–74. http://dx.doi.org/10.15388/omee.2012.3.1.14275.

Full text

Abstract:

The increasing importance of digital piracy has prompted research on the behavioural and economics origins of illegal downloading activities. This research focuses on the potential impact of various economic, psychological and social factors on the consumer decision whether to buy or to steal music in emerging markets. These markets present specific difficulties for owners of intellectual property rights due to the high level of both downloading and ‘sharing’ of digital property. Results indicate impacts of price, downloaded music quality, ease of Internet use, attitudes toward music industry and ethical perception of music downloading on consumer purchase or pirate decision.

APA, Harvard, Vancouver, ISO, and other styles

13

Adermon, Adrian, and Che-Yuan Liang. "Piracy and music sales: The effects of an anti-piracy law." Journal of Economic Behavior & Organization 105 (September 2014): 90–106. http://dx.doi.org/10.1016/j.jebo.2014.04.026.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Chiu, Hung Chang, Yuh May Lin, Monle Lee, Min En Nieh, and Hsiang Chun Chen. "How to discourage online music piracy." International Journal of Management and Enterprise Development 5, no. 6 (2008): 723. http://dx.doi.org/10.1504/ijmed.2008.021192.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Ingram, Jason R., and Sameer Hinduja. "Neutralizing Music Piracy: An Empirical Examination." Deviant Behavior 29, no. 4 (April 7, 2008): 334–66. http://dx.doi.org/10.1080/01639620701588131.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Papies, Dominik, and Harald J. van Heerde. "The Dynamic Interplay between Recorded Music and Live Concerts: The Role of Piracy, Unbundling, and Artist Characteristics." Journal of Marketing 81, no. 4 (July 2017): 67–87. http://dx.doi.org/10.1509/jm.14.0473.

Full text

Abstract:

The business model for musicians relies on selling recorded music and selling concert tickets. Traditionally, demand for one format (e.g., concerts) would stimulate demand for the other format (e.g., recorded music) and vice versa, leading to an upward demand spiral. However, the market for recorded music is under pressure due to piracy and the unbundling of albums, which also entail threats for the traditional demand spiral. Despite the fundamental importance of recorded music and live concerts for the multibillion-dollar music industry, no prior research has studied their dynamic interplay. This study fills this void by developing new theory on how piracy, unbundling, artist fame, and music quality affect dynamic cross-format elasticities between record demand and concert demand. The theory is tested with a unique data set covering weekly concert and recorded music revenues for close to 400 artists across more than six years in the world's third-largest music market, Germany. The cross-format elasticity of record on concert revenue is much stronger than the reverse elasticity of concert on record revenue. The results show the key role of piracy, unbundling, and artist characteristics on these cross-format elasticities, which have implications for the business model of the music industry.

APA, Harvard, Vancouver, ISO, and other styles

17

Koh, Byungwan, B. P. S. Murthi, and Srinivasan Raghunathan. "Shifting Demand: Online Music Piracy, Physical Music Sales, and Digital Music Sales." Journal of Organizational Computing and Electronic Commerce 24, no. 4 (October 2, 2014): 366–87. http://dx.doi.org/10.1080/10919392.2014.956592.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Arli, Denni, Fandy Tjiptono, and Rebecca Porto. "The impact of moral equity, relativism and attitude on individuals’ digital piracy behaviour in a developing country." Marketing Intelligence & Planning 33, no. 3 (May 5, 2015): 348–65. http://dx.doi.org/10.1108/mip-09-2013-0149.

Full text

Abstract:

Purpose – The purpose of this paper is to explore the impact of moral equity, relativism, and attitude towards digital piracy behaviour in a developing country. End-user piracy is more difficult to detect than commercial piracy. Thus, an effective strategy to combat piracy needs a comprehensive understanding of both the supply and demand sides of piracy. The current study focuses on the demand side by investigating the impact of moral equity, relativism, and attitude on consumer piracy behaviour in Indonesia. Design/methodology/approach – Using a convenient sample in Yogyakarta, Indonesia, questionnaires were distributed in a large private university. In addition, through snowball sampling techniques, the surveys were also distributed to other adults who live within a walking distance from the campus. The data collection resulted in 222 usable surveys (a response rate of 68 per cent). Findings – In Indonesia, moral equity had a negative and significant impact on purchases of illegal copies of music CDs and pirated software. Relativism affects the purchase of pirated software positively, but its effect on purchases of illegal copies of CDs is insignificant. Attitude towards the act was negatively impacted by moral equity for CDs and software. Relativism only significantly affects the purchase of pirated software but in the opposite direction while it has failed to reach significance for illegal music CD purchases. Attitude towards the software piracy and purchases of illegal copies of music CDs positively affect consumer’s digital piracy behaviour. Finally, Indonesian consumers feel more morally wrong to purchase illegal copies of CDs than to buy pirated software. Practical implications – In the context of Indonesia, higher moral equity has affected piracy behaviour negatively. Therefore, efforts to reduce piracy should focus on highlighting the importance of fairness and justice. One of the main drivers of digital piracy (e.g. buying, downloading, copying, and sharing digital materials illegally) is overpriced products. It has led many Indonesians to believe that it is acceptable to purchase pirated software and illegal copies of CDs. Nonetheless, if companies are able to lower prices; thus make it affordable to consumers, consumers will perceive fairness and justice in purchasing original copies of software and CDs. Originality/value – There are very limited studies investigating factors impacting the purchase of pirated software and CDs in the developing countries specifically Indonesia, the fourth most populous nation in the world and one of the biggest markets for counterfeit products. This is one of first few studies exploring this issue in Indonesia.

APA, Harvard, Vancouver, ISO, and other styles

19

Ullman, Joanne R., and N. Clayton Silver. "Perceived Effectiveness of Potential Music Piracy Warnings." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 62, no. 1 (September 2018): 1353–57. http://dx.doi.org/10.1177/1541931218621309.

Full text

Abstract:

Because music piracy from the internet imposes fines upon individuals, it is important to construct and test warnings in an effort to curb potentially illegal behavior. Each icon contained an eighth note to denote music, action symbol ( upload or download), a prohibition symbol ( slash or cross), and/or a computer for context. Four icons that initially met the ISO 67% comprehension rate were combined with various signal word and consequence messages, yielding 60 test stimuli. Results revealed that participants generally viewed the icon with a computer for context and download symbol with a prohibitive slash as opposed with a cross (“X”) symbol as more effective, than icons with an upload symbol. Signal words conveying the presence of a risk (i.e., IMPORTANT and STOP) received higher perceived effectiveness ratings than NOTICE. Increasing the number of consequences in the warning led to greater perceived warning effectiveness ratings. Hence, a possible warning for music piracy is suggested, with its implications discussed.

APA, Harvard, Vancouver, ISO, and other styles

20

Dörr, Jonathan, Thomas Wagner, Alexander Benlian, and Thomas Hess. "Music as a Service as an Alternative to Music Piracy?" Business & Information Systems Engineering 5, no. 6 (October 31, 2013): 383–96. http://dx.doi.org/10.1007/s12599-013-0294-0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Mitchell, David M., C. Patrick Scott, and Keneth H. Brown. "Did the RIAA’s Prosecution of Music Piracy Impact Music Sales?" Atlantic Economic Journal 46, no. 1 (January 30, 2018): 59–71. http://dx.doi.org/10.1007/s11293-017-9567-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Panagarso, Iwan Sandi, and Calvindo Bagas. "ASPEK HUKUM PENGCOVERAN LAGU DITINJAU DARI UNDANG-UNDANG HAK CIPTA." Jurnal Justiciabelen 2, no. 2 (August 19, 2020): 44. http://dx.doi.org/10.30587/justiciabelen.v2i2.1638.

Full text

Abstract:

Factors affecting the violation of copyright in songs or music in Indonesia are economic factors, socio-cultural factors, educational factors, weak law enforcement against violators. The forms of copyright infringement in Indonesia, namely Bootleg, namely piracy committed when the singer performs (Live Show). Counterfeit is a song hijacking done by copying directly, copying the cover and packaging exactly and Pirate is done by using various songs and various record albums that sell in the market.

APA, Harvard, Vancouver, ISO, and other styles

23

De Beukelaer, Christiaan. "Music Piracy: a Rich but Narrow History." Cultural Studies 30, no. 2 (April 15, 2014): 346–48. http://dx.doi.org/10.1080/09502386.2014.909864.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Gopal, Ram D., G. Lawrence Sanders, Sudip Bhattacharjee, Manish Agrawal, and Suzanne C. Wagner. "A Behavioral Model of Digital Music Piracy." Journal of Organizational Computing and Electronic Commerce 14, no. 2 (June 2004): 89–105. http://dx.doi.org/10.1207/s15327744joce1402_01.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Collins, John. "Copyright, folklore and music piracy in Ghana." Critical Arts 20, no. 1 (July 2006): 158–70. http://dx.doi.org/10.1080/02560040608557784.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Brown, Steven C., and Amanda E. Krause. "Psychological predictors of engagement in music piracy." Creative Industries Journal 10, no. 3 (September 2, 2017): 226–37. http://dx.doi.org/10.1080/17510694.2017.1373884.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Herjanto, Halimin, Richard P. Bagozzi, and Sanjaya S. Gaur. "The Role of Shame and Virtues in the Self-Regulation of Decisions to Engage in Digital Piracy." Australasian Marketing Journal 29, no. 1 (February 2021): 15–28. http://dx.doi.org/10.1177/1839334921998515.

Full text

Abstract:

Digital piracy of DVDs, software, and music is a prevalent behavior worldwide and has significant financial and social costs for society. Yet legal remedies and technological ways of controlling digital piracy are expensive and often do not work. To address a need for study of moral reasoning in digital piracy decisions, we develop and test a model of moral behavior that relies on self-control. Two kinds of shame are examined in separate experiments: indirect shame, where a shamed person overhears a friend condemning digital piracy but the friend is unware that the person overhearing the criticism has in fact committed digital piracy, and direct shame where a person becomes aware that his or her friend has in fact committed digital piracy and reprimands him or her. Findings show that both kinds of felt shame can be induced to affect such behaviors as decisions to discontinue digital piracy, giving advice or discouraging others not to engage in digital piracy, giving money to anti-digital piracy causes, reporting people who commit acts of digital piracy, signing a petition against digital piracy, and supporting legislation and fines against digital piracy. We examine two boundary conditions of felt shame: values of personal ambition and equality that function as automatic cognitions regulating the shame and through it digital piracy. Hypotheses were tested on a sample of 300 adults.

APA, Harvard, Vancouver, ISO, and other styles

28

Kribs, Kaitlyn. "Same as it ever was." Stream: Interdisciplinary Journal of Communication 12, no. 1 (December 15, 2020): 53–69. http://dx.doi.org/10.21810/strm.v12i1.283.

Full text

Abstract:

In this paper, I outline how the “piracy panic narrative” (Arditi, 2015) has repositioned the fan/musician dynamic in the digital era, from one between maker and listener to one between labourer and thief. The paper questions if the press has fairly assessed the fan/musician dynamic in the digital era and examines who has directly benefited from the reorganization of the relations between producer and consumer. The article provides a contemporary history of the American and Canadian music industries’ response to file sharing, crisis and piracy. Drawing on data from the 2017 Music Canada report on the Value Gap, the essay ultimately concludes that those most affected by the repositioning of the producer/consumer dynamic are not the various stakeholders whose voices are most frequently heard, but actually the musicians. The piracy panic narrative is thus nothing but an exercise in creating smoke and mirrors; music industries depict themselves as victims, all the while quietly rearranging their business practices to maintain a long-held position as gatekeeper.

APA, Harvard, Vancouver, ISO, and other styles

29

Sanitnarathorn, Pannawit. "An Analysis of Music Fan Towards Music Streaming Purchase Intention of Thailand's Music Industry." Journal of Education and Training Studies 6, no. 3a (April 1, 2018): 78. http://dx.doi.org/10.11114/jets.v6i3a.3161.

Full text

Abstract:

Digital music streaming are climbing but overall music revenue is declining with digital music piracy being blamed as the culprit. In a 10 year period from 2003 to 2013, global music sales dropped from $US23.3 to $US15 billion dollars with Thailand’s music industry following the trend dropping from $US 304 million in 2010 to $US 279 million in 2014. The study therefore used a structural equation model to analyze the variables affecting digital music piracy and fan music streaming's purchase intention. From the seven point Likert scale questionnaire, 350 music fans were surveyed concerning their digital music streaming activities. The qualitative research was conducted with 10 executives in music industry by the use of purposive sampling. Partial Least Square Graph software was used for model verification with the results showing that fan idolatry has the highest influence on the overall decision to stream music digitally. The results showed that the results of quantitative research is practical and acceptable hypothesis significance at p ≤ 0.05 by factors that have a direct influence positive peak and overall influence is the highest passion to affect their willingness to stream music digitally to consumers. The findings of this study concluded that the artist's passion for their music fans is the key factor in music lover’s intent to stream and pay for digital music. Fans are ultimately the most important sector of the industry and unfortunately it is one which the industry forgets about. Labels or artists who focus on only ‘looking good’ while not engaging their fan audiences are destined for a continuing decline in their sales numbers.

APA, Harvard, Vancouver, ISO, and other styles

30

Cummings, A. S. "Pop Song Piracy: Disobedient Music Distribution since 1929." Journal of American History 99, no. 2 (August 20, 2012): 646. http://dx.doi.org/10.1093/jahist/jas214.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Ki, Eyun-Jung, Byeng-Hee Chang, and Hyoungkoo Khang. "Exploring Influential Factors on Music Piracy Across Countries." Journal of Communication 56, no. 2 (April 26, 2006): 406–26. http://dx.doi.org/10.1111/j.1460-2466.2006.00026.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Malin, Jenessa, and Blaine J. Fowers. "Adolescent self-control and music and movie piracy." Computers in Human Behavior 25, no. 3 (May 2009): 718–22. http://dx.doi.org/10.1016/j.chb.2008.12.029.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Chiou, Jyh-Shen, Chien-yi Huang, and Hsin-hui Lee. "The Antecedents of Music Piracy Attitudes and Intentions." Journal of Business Ethics 57, no. 2 (March 2005): 161–74. http://dx.doi.org/10.1007/s10551-004-5263-6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Ponelis, S. R., and J. J. Britz. "The Ethics of Piracy in the Music Industry." Journal of Information Ethics 18, no. 2 (September 1, 2009): 14–26. http://dx.doi.org/10.3172/jie.18.2.14.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Phau, Ian, Aaron Lim, Johan Liang, and Michael Lwin. "Engaging in digital piracy of movies: a theory of planned behaviour approach." Internet Research 24, no. 2 (April 1, 2014): 246–66. http://dx.doi.org/10.1108/intr-11-2012-0243.

Full text

Abstract:

Purpose – The purpose of this paper is to identify the antecedents affecting digital piracy of movies, and evaluate them in the context of the theory of planned behaviour (TPB). It will also determine via a proxy measurement, if individuals’ intentions to engage in digital piracy will translate into actual engagement in digital piracy of movies. Design/methodology/approach – In all, 404 students at a large Western Australian University were surveyed using self-administered surveys. The data were analysed via a path analysis using structural equation modelling in order to identify the influences of antecedent factors on individual attitudes and intentions to engage in digital piracy. Finally, through the proxy measurement, actual engagement in digital piracy of movies was evaluated against consumer intentions to perform that behaviour. Findings – The results confirm the identified antecedents (affect, moral judgement, social habit and self-efficacy) as appropriate in evaluating an individual's intentions to engage in digital piracy of movies. The findings indicated that social habit, self-efficacy and attitude towards digital piracy had a positive effect on individual intentions to engage in digital piracy of movies. It also showed that affect is an antecedent factor to attitudes towards digital piracy but also directly influences individual intentions to engage in digital piracy. Moral judgement and social habits was also found to have negative and positive influences on an individual's engagement in digital piracy of movies. Practical implications – This study reinforces previous studies in showing that the neutralisation theory and TPB are effective in explaining attitudes towards digital piracy of movies and intentions to engage in it. It has also sought to ascertain if intentions to engage in digital piracy of movies would significantly influence behaviour to engage in digital piracy of movies via a proxy measurement. Originality/value – This study adds to the literature of piracy in software and music downloads. In terms of digital movies, this study uncovers other possible factors that may affect engagement in digital piracy of movies, which could serve as the basis for future research into the phenomenon of digital piracy.

APA, Harvard, Vancouver, ISO, and other styles

36

Cuadrado-García, Manuel, María José Miquel-Romero, and Juan D. Montoro-Pons. "PIRACY REVISITED: EXPLORING MUSIC USERS IN THE AGE OF TECHNOLOGY DEPENDENCY." Scientific Annals of Economics and Business, Special Issue (2019): 25–35. http://dx.doi.org/10.47743/saeb-2019-0019.

Full text

Abstract:

This paper empirically investigates and characterizes users of recorded music, both downloaders and purchasers. To this end we analyse the role of the variables defining the different segments of music users. In doing so, we have considered two main traits influencing the use of music. First, objective variables such as demographics, music consumption habits, music genres and technology. Second, subjective variables such as motives and attitudes towards piracy. Using data from a personal survey, subsequent latent class and fuzzy analyses show that while the former characteristics are relevant in those getting music for free from the Internet, the latter don´t pay any special part, contrary to what literature had suggested. Specifically, we find evidence of age, gender, technology, and genre of music confirming previous studies carried out on this topic before the existing gap in the literature. However, there is no evidence of these variables defining patterns of purchase behaviour.

APA, Harvard, Vancouver, ISO, and other styles

37

Borja, Karla, and Suzanne Dieringer. "Streaming or stealing? The complementary features between music streaming and music piracy." Journal of Retailing and Consumer Services 32 (September 2016): 86–95. http://dx.doi.org/10.1016/j.jretconser.2016.06.007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Borja, Karla, Suzanne Dieringer, and Jesse Daw. "The effect of music streaming services on music piracy among college students." Computers in Human Behavior 45 (April 2015): 69–76. http://dx.doi.org/10.1016/j.chb.2014.11.088.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Puspitasari, Nia Budi, Aries Susanty, and Muhammad Faiz Aji Prakoso. "Analysis of Customer Behavior Factors on Subscription-Based Music Services." E3S Web of Conferences 125 (2019): 21003. http://dx.doi.org/10.1051/e3sconf/201912521003.

Full text

Abstract:

Piracy is a problem that has been faced by various companies, one of which is music service software. Even though piracy gives a benefit to consumers, the losses obtained by the producer cannot be ignored. To overcome these problems, there are music services that can provide services easily and cheaply for consumers, commonly called the Subscription Based Music Service (SBMS). Although there is a service that can replace pirated products (SBMS), there is no guarantee that consumers will use it. This study aims to determine the factors that influence consumers in using SBMS music services. To achieve that, the Structural Equation Modeling method is used with AMOS software. The research was conducted in two countries, Indonesia and Germany with the aim to find out whether or not different countries affect consumer behavior. From the results of research in Indonesian and German respondents, the most influencing factor in the desire to use SBMS is the interest in the application. It can be concluded that the more music users know the service features and services provided by SBMS, the music users will be encouraged to use SBMS.

APA, Harvard, Vancouver, ISO, and other styles

40

Tewari, Tribhuwan Kumar. "Audio Watermarking Art of Hiding Copyright Information for Piracy Control." International Journal of Sensors, Wireless Communications and Control 10, no. 2 (September 15, 2020): 276–89. http://dx.doi.org/10.2174/2210327909666190409124959.

Full text

Abstract:

Background & Objective: Revolution in digital multimedia is a boon to music industries, music creators for decades as digital music can be created, stored replicated and transferred easily and efficiently. But digitalization of multimedia becomes a curse when the multimedia content is illegally and freely distributed, shared across the network online or offline. Countering the illegal copying and distribution of digital media is the driving force behind the evolution of copyright protection and digital watermarking techniques. Methods: This paper presents the problem of piracy and the overview of the evolution of different digital audio watermarking techniques in time, transformed and compression domains to counter the problem of music piracy. The limitations of the audio watermarking techniques and the future scope for improvement are also presented. Results & Conclusion: This paper summarizes the evolution of audio watermarking techniques and reviews the existing watermarking techniques applied on audios. The limitations of the audio watermarking techniques and the future scope for improvement are also proposed. Additionally, the preliminaries for audio and brief of the properties which are exploited for watermarking of audio are presented.

APA, Harvard, Vancouver, ISO, and other styles

41

Cornford, Stephen. "Digital Economy Action: Composition by Participatory Piracy." Leonardo Music Journal 21 (December 2011): 9–10. http://dx.doi.org/10.1162/lmj_a_00051.

Full text

Abstract:

The author discusses the inspiration and design of an as-yet-unrealized composition in which participants serve in the roles of composer, performer and consumer all at the same time. Provoked by the passage of a law restricting sharing and distribution of music files, he explores the potential for file sharing as a compositional process.

APA, Harvard, Vancouver, ISO, and other styles

42

Akulavičius, Marius, and Edverdas Vaclovas Bartkus. "Possibilities of Digital Piracy Management in Music Records Industry." Procedia - Social and Behavioral Sciences 213 (December 2015): 716–21. http://dx.doi.org/10.1016/j.sbspro.2015.11.492.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Jeong, Bong-Keun, Kexin Zhao, and Moutaz Khouja. "Consumer Piracy Risk: Conceptualization and Measurement in Music Sharing." International Journal of Electronic Commerce 16, no. 3 (April 2012): 89–118. http://dx.doi.org/10.2753/jec1086-4415160304.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Sinha, Rajiv K., and Naomi Mandel. "Preventing Digital Music Piracy: The Carrot or the Stick?" Journal of Marketing 72, no. 1 (January 2008): 1–15. http://dx.doi.org/10.1509/jmkg.72.1.001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Sinha, Rajiv K., and Naomi Mandel. "Preventing Digital Music Piracy: The Carrot or the Stick?" Journal of Marketing 72, no. 1 (January 2008): 1–15. http://dx.doi.org/10.1509/jmkg.72.1.1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Bacache-Beauvallet, Maya, Marc Bourreau, and François Moreau. "Piracy and creation: the case of the music industry." European Journal of Law and Economics 39, no. 2 (September 12, 2012): 245–62. http://dx.doi.org/10.1007/s10657-012-9360-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Henderson, Katherine Andrews. "Deconstructing the RIAA's Litigious Solution to Online Music Piracy." Journal of Information Ethics 13, no. 2 (September 1, 2004): 24–37. http://dx.doi.org/10.3172/jie.13.2.24.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Vandaele, Stijn, Jelle Janssens, and Tom Vander Beken. "The Music Industry on (the) Line? Surviving Music Piracy in a Digital Era." European Journal of Crime, Criminal Law and Criminal Justice 17, no. 2 (2009): 77–96. http://dx.doi.org/10.1163/157181709x429105.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Noviani, Dini, Raenita Pratiwi, Silvia Silvianadewi, Mohammad Benny Alexandri, and Marsha Aulia Hakim. "Pengaruh Streaming Musik Terhadap Industri Musik di Indonesia." JURNAL BISNIS STRATEGI 29, no. 1 (July 1, 2020): 14–25. http://dx.doi.org/10.14710/jbs.29.1.14-25.

Full text

Abstract:

Music streaming service has become one of the most influential factors in Indonesian music consumption patterns where the music industry can no longer depend on physical products and consumers are now more selective in enjoying music. This study discusses how the development of the use of steaming music platforms has an impact on consumption patterns and music marketing. The method used in this study is a qualitative method by means of descriptions in the form of words and language. The results of this study indicate that the movement of Z as the main connoisseurs of digital music in Indonesia has shown that the music industry players are very supportive of digitalization to facilitate marketing their music and help protect their intellectual property by reducing piracy.

APA, Harvard, Vancouver, ISO, and other styles

50

Mushi, Hellena Mohamedy. "Intention, Government Regulation, Self-Regulatory Efficacy, Subjective Norm, Idolatry and Consumer Behaviour in Purchasing Pirated Compact Disks (CDs) in Mainland Tanzania." Mediterranean Journal of Social Sciences 11, no. 5 (September 23, 2020): 9. http://dx.doi.org/10.36941/mjss-2020-0050.

Full text

Abstract:

This study is conducted to explore the factors influencing purchase behaviour and to explain the magnitude of such factors on buying behaviour in Tanzania. Based on a systematic review of literature, a research framework was developed from Theory of Planned Behaviour (TPB). The casual model was empirically tested by using partial least-square structural equation modelling (PLS-SEM). The survey is comprised of 491 usable samples, collected from Generation Y consumers as the main music users in Tanzania. Result suggest that the model is significant and adequate. All antecedents of intention appears to be significant except for idolatry. Self-regulatory efficacy and subjective norm are contributing factors to intention construct. Intention, along with self-regulatory efficacy is found to have significant impact on consumer buying behaviour. Government Regulation is found to have non- significant moderating impacts on the relationship between intention and consumer buying behaviour. In addition to theoretical implication, a number of managerial implications are observed. Marketers need to enhance consumers buying behaviour in various stakeholders , reduce music piracy through motivation on self-regulatory efficacy and subjective norm to Generation Y. Overall, the study is expected to confer value to music industry through discourage music piracy by researchers and marketers.

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Music piracy'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles