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Journal articles on the topic 'Music product features'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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1

Askin, Noah, and Michael Mauskapf. "What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music." American Sociological Review 82, no. 5 (2017): 910–44. http://dx.doi.org/10.1177/0003122417728662.

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In this article, we propose a new explanation for why certain cultural products outperform their peers to achieve widespread success. We argue that products’ position in feature space significantly predicts their popular success. Using tools from computer science, we construct a novel dataset allowing us to examine whether the musical features of nearly 27,000 songs from Billboard’s Hot 100 charts predict their levels of success in this cultural market. We find that, in addition to artist familiarity, genre affiliation, and institutional support, a song’s perceived proximity to its peers influ
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Diaz Soria, Inmaculada, Asunción Blanco-Romero, and Gemma Canoves I. Valiente. "Emporda music festivals as tourism diversification tools." International Journal of Event and Festival Management 5, no. 3 (2014): 297–310. http://dx.doi.org/10.1108/ijefm-11-2013-0036.

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Purpose – The purpose of this paper is to focus on territorial dynamics generated by five music festivals in the Emporda region (Spain) and its tourism sector. Design/methodology/approach – Using qualitative methodology, 10 qualified informants were interviewed. Their answers were coded and analysed. Findings – Territorial features favour the organisation of festivals. Promoters wish to offer some added value using local products. Festivals broadcast local identity to the world. Festivals’ features as tourist products explain how they are perceived as innovative. Practical implications – These
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Chin, Yu-Hao, Chang-Hong Lin, Ernestasia Siahaan, and Jia-Ching Wang. "Music Emotion Detection Using Hierarchical Sparse Kernel Machines." Scientific World Journal 2014 (2014): 1–7. http://dx.doi.org/10.1155/2014/270378.

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For music emotion detection, this paper presents a music emotion verification system based on hierarchical sparse kernel machines. With the proposed system, we intend to verify if a music clip possesses happiness emotion or not. There are two levels in the hierarchical sparse kernel machines. In the first level, a set of acoustical features are extracted, and principle component analysis (PCA) is implemented to reduce the dimension. The acoustical features are utilized to generate the first-level decision vector, which is a vector with each element being a significant value of an emotion. The
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Suharyono, Suharyono, and Ajeng Suasti Astuti. "The Impact of Brand Image, Product Quality, Price, and Promotion on Premium Plan Purchase Decisions on the Spotify Music Streaming App." FOCUS 1, no. 1 (2020): 1–11. http://dx.doi.org/10.37010/fcs.v1i1.265.

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Digitalization in every industry continues to develop, which is also happened to the music industry. Music streaming applications are a technology that is in great demand today. Spotify is an on-demand music service application that is popular among music lovers. Spotify offers a free package and paid (premium) package services. The difference between the two service models lies in the quality and different service features. The purpose of this thesis is to analyze the influence of brand image, product quality, price, and promotion on premium package purchase decisions on the Spotify music str
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Tifferet, Sigal, Ofir Gaziel, and Yoav Baram. "Guitar increases male facebook attractiveness: Preliminary support for the sexual selection theory of music." Letters on Evolutionary Behavioral Science 3, no. 1 (2012): 4–6. http://dx.doi.org/10.5178/lebs.2012.18.

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Music is a universal phenomenon that has genetic and brain-localized features. As such, it warrants adaptive evolutionary explanations. While some scholars believe that music arose as a by-product of other adaptations, others argue that music is likely to have served some adaptive function, for example in coalition signaling or mother-child bonding. The sexual selection theory of music suggests that music serves as a signal in mate selection. While this claim is prevalent, it lacks empirical evidence. A facebook experiment revealed that women replied more positively to friendship requests from
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Kennerley, David. "Music, Politics, and History: An Introduction." Journal of British Studies 60, no. 2 (2021): 362–74. http://dx.doi.org/10.1017/jbr.2020.245.

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AbstractMusic has been steadily rising up the historical agenda, a product of the emergence of sound studies, the history of the senses, and a mood of interdisciplinary curiosity. This introductory article offers a critical review of how the relationship between music and politics has featured in extant historical writing, from classic works of political history to the most recent scholarship. It begins by evaluating different approaches that historians have taken to music, summarizes the important shifts in method that have recently taken place, and advocates for a performance-centered, conte
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Kostiuk, E. V. "Mass music as a cultural phenomenon of the XX century." Vestnik of Saint Petersburg State University of Culture, no. 3 (44) (September 2020): 63–67. http://dx.doi.org/10.30725/2619-0303-2020-3-63-67.

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The article considers mass music as a socio-artistic phenomenon in the culture of the XX century. The article covers the issues of socio-cultural and technological factors that contributed to the development of music as a mass phenomenon in the XX century. The phenomenon of mass music is interpreted in comparison with the elite, academic direction in music, and the features of the social customer are studied. Evaluation of mass music as an artistic and social phenomenon leads to the conclusion that entertainment, as its main function, has a number of features over the course of the century: fr
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Kinkar, Ketki. "Product Recommendation System: A Systematic Literature Review." International Journal for Research in Applied Science and Engineering Technology 9, no. VII (2021): 3330–39. http://dx.doi.org/10.22214/ijraset.2021.37024.

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In today's world, we find a wide variety of search options and we may have difficulty selecting what we really need. The recommendation System plays an important part in dealing with these problems. A recommender system is a framework that is a filtering system that filters the data with various algorithms and recommends the user with the most relevant data. Recommendation systems are productive customization mechanisms, often up-to-date and recommendations based on current consumer preferences. These systems have shown to be extremely helpful in different areas of e-commerce, education, movie
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Atay, Bilge, Tülün Malkoç, and Hakan Bağcı. "Investigation of the correlation of academic motivation and music performance anxiety levels." Cypriot Journal of Educational Sciences 15, no. 6 (2020): 1599–613. http://dx.doi.org/10.18844/cjes.v15i6.5320.

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This research was carried out to measure the academic motivation levels of pre-service music teachers as well as the music performance anxiety levels to investigate potential correlations between them. The sample group of this scanning modelled study is comprised of 241 students studying at departments of music education at Niğde Ömer Halis Demir University, Pamukkale University, Konya Necmettin Erbakan University and Karadeniz Technical University. To determine the demographic features of the students taking part in the study, a demographic information form was used. In order to measure stude
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Holbrook, Morris B., and Punam Anand. "The Effects of Situation, Sequence, and Features on Perceptual and Affective Responses to Product Designs: The Case of Aesthetic Consumption." Empirical Studies of the Arts 10, no. 1 (1992): 19–31. http://dx.doi.org/10.2190/u8t0-kvr3-64xg-yp3a.

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This article proposes a general model in which various situational and sequential aspects of consumer behavior combine with features of a product to determine perceptions and their affective consequences. It illustrates this model by means of an example from applied empirical aesthetics and investigates the effects of tempo on perceptual and affective aesthetic responses to music. In particular, a new analysis of some data drawn from consumer aesthetics demonstrates the intervening role of perceived activity in mediating the effects of musical tempo on affect across a sequence of listening exp
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Labbé, Carolina, Donald Glowinski, and Didier Grandjean. "The effect of ensemble and solo performance on affective experiences induced by music." Psychology of Music 45, no. 4 (2016): 600–608. http://dx.doi.org/10.1177/0305735616659551.

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Scherer and Zentner (2001) propose that affective experiences might be the product of a multiplicative function between structural, performance, listener, and contextual related features. Yet research on the effects of structure, and particularly texture, has mostly focused on perceived emotions. We therefore sought to test the effects of structural features on subjective musical experiences in a listening study by manipulating the performance, solo versus ensemble, of five segments of a piece for string quartet, while also exploring the impact of listener features such as musical training, li
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van Leeuwen, Theo. "The semiotics of movement and mobility." Multimodality & Society 1, no. 1 (2021): 97–118. http://dx.doi.org/10.1177/2634979521992733.

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The paper presents a framework for the distinctive feature analysis of movement and mobility in texts, performances and semiotic artefacts, showing its applicability to the analysis of meaning-making in dance, music, animated and live action film and video, and product design. Emphasis is placed on the role of movement and mobility in identity design. Identity design is realized by the style in which movements are performed and can be analysed in terms of the gradable distinctive features present in any movement – direction, expansiveness, velocity, force, angularity, fluidity, directedness an
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Kamarudin, Hanis, Nur Ain Abdul Malek, Siti Ainul Ayzan Ayub, Izlin Mohamad Ghazali, and Wan Nazihah Wan Mohamed. "PowerToon Clues." International Journal of Modern Languages And Applied Linguistics 2, no. 3 (2018): 30. http://dx.doi.org/10.24191/ijmal.v2i3.7624.

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Reading is an important learning area which ESL learners should master for interaction and academic purposes. However, ESL students are facing many difficulties in English reading skills particularly contextual clues. Hence, this product aims to ease the teaching and learning of inferring word meaning – contextual clues, to enrich the students’ vocabulary bank and to motivate the students to engage in reading. The challenge in teaching contextual clues is that the current technology-integrated teaching method has lost its way to cater students’ interest in reading. This product is believed to
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14

Canonne, Clément. "Listening to Improvisation." Empirical Musicology Review 13, no. 1-2 (2019): 2. http://dx.doi.org/10.18061/emr.v13i1-2.6118.

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Is there something peculiar in our appreciation of improvised music? How does knowing that the music we are listening to is improvised affect our experience? As a first step in answering these questions, I have conducted an experiment in which an audio recording of the very same piece of music – a saxophone/clarinet freely improvised duet – was presented to 16 listeners, either as an improvisation ("IMPRO" condition), or as the live performance of a composition for saxophone and clarinet ("COMPO" condition). Listeners were encouraged both to reflect on their listening experience and to describ
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Ismail, Lizah. "Films on Demand Master Academic Video Collection." Charleston Advisor 21, no. 4 (2020): 27–30. http://dx.doi.org/10.5260/chara.21.4.27.

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Streaming media has reached a ubiquitous threshold, easily accessible in a variety of platforms for the general consumer in pursuit of entertainment. Streaming media in the educational context is not far behind. Films on Demand Master Academic Collection (FODMAC), an Infobase product (<<ext-link ext-link-type="uri" xlink:href="https://www.infobase.com/">https://www.infobase.com/</ext-link>>), is a popular option for many academic institutions. FODMAC’s content partners include many highly acclaimed and award- winning content producers such as PBS, BBC, TED, Bill Moyers, ABC,
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Iofis, Boris, and Qiu Xiaona. "Classical Harmony in the Music-Theoretical Education in the People’s Republic of China." Musical Art and Education 7, no. 4 (2019): 44–64. http://dx.doi.org/10.31862/2309-1428-2019-7-4-44-64.

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Thearticle is devoted to the problem of mastering by students from the People’s Republic of China the classical harmony as the basic section of the most important musical­theoretical discipline. It identifies the causes of difficulties appearing in this process. They are related to the peculiarities of the interpretation of the category “harmony” in Chinese musicology. Due to the civilizational features reflected in the language and cultural traditions of China, the aesthetic meaning of this concept is considered in isolation from the technological and educational­academic, which are of priori
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Ismara, Ketut Ima, Amin Suharjono, and Didi Supriadi. "Ubiquitous learning in occupational health and safety for vocational education." International Journal of Evaluation and Research in Education (IJERE) 10, no. 1 (2021): 285. http://dx.doi.org/10.11591/ijere.v10i1.20823.

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<span>This research aimed to develop instructional media for occupational safety and health android-based for vocational schools. The second aim is to determine the feasibility of instructional media and student responses. The type of research is research and development (R&D) with the Analysis, Design, Development, Implementation, Evaluation (ADDIE) method, namely, analysis, design, development, implementation, and evaluation. The instrument used for data collection was a questionnaire with fourth scales. Data collection used an assessment questionnaire for two experts and 103 u
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Sveshchynska, Natalia. "THE PROCESS OF FORMATION OF VALUE ORIENTATIONS PERSONALITIES IN PRACTICAL TRAINING." Academic Notes Series Pedagogical Science 1, no. 195 (2021): 123–27. http://dx.doi.org/10.36550/2415-7988-2021-1-195-123-127.

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The article considers the process of formation of personality value orientations in practical activities during higher education, identifies the stages of this process, analyzes each stage, offers a theoretical analysis of practical activities for the formation of personality value orientations in the educational process. The phenomenon of culture as a second nature, which is created by man and in turn is its product, constantly brings to life many theories that try to understand the diversity of cultures, to determine the patterns of its development. They explain the features of the cultural-
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19

Lajic-Mihajlovic, Danka. "Ethnomusicological biography of the traditional folk musician: Biography of the gusle-player." Muzikologija, no. 8 (2008): 225–40. http://dx.doi.org/10.2298/muz0808225l.

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With the development of ethnomusicology from a comparative discipline to an anthropologically oriented science there has been an increase in the significance of the biography of folk musicians as scientific sources. The intention of the anthropological thought to accept and theoretically consider human nature as open and dynamic, has been realized in the ethnomusicological plane through the understanding of music as a product of thinking and behaviour of a particular musician in given circumstances. The concept of an artist is especially complex in the field of oral music culture, where creati
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Netti, S. Yollis Michdon, and Irwansyah Irwansyah. "Spotify: Aplikasi Music Streaming untuk Generasi Milenial." Jurnal Komunikasi 10, no. 1 (2018): 1. http://dx.doi.org/10.24912/jk.v10i1.1102.

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The large population in Indonesia has become a huge market for many products, including streaming music-based technology products, to reach the target audience of young people. One of the applications that is becoming a trend at the moment is Spotify. A streaming music platform that has many interesting features, and is widely used by millenial generation around the world, including in Indonesia to listen to music. This paper aims to explain clearly and detail about Spotify as the world's largest streaming music platform, how the business model used by Spotify, how Spotify helps musicians to m
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MUNTON, ALAN. "Misreading Morrison, Mishearing Jazz: A Response to Toni Morrison's Jazz Critics." Journal of American Studies 31, no. 2 (1997): 235–51. http://dx.doi.org/10.1017/s0021875897005653.

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Toni Morrison's fiction, we have been repeatedly told, embodies features taken from jazz. Her books have a “jazzy prose style,” express a “jazz aesthetic,” or are “literary jazz.” Critics propose that jazz riffs can be found in her writing, and that she improvises in prose in a manner comparable to an improvising jazz musician. None of this seems to me to be true. To establish a relationship between music and prose fiction would be difficult under any circumstances. It is all the more difficult when the critics concerned show themselves to be unaware of the basic formal structures of jazz. The
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SILLA, CARLOS N., ALESSANDRO L. KOERICH, and CELSO A. A. KAESTNER. "A FEATURE SELECTION APPROACH FOR AUTOMATIC MUSIC GENRE CLASSIFICATION." International Journal of Semantic Computing 03, no. 02 (2009): 183–208. http://dx.doi.org/10.1142/s1793351x09000719.

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In this paper we present an analysis of the suitability of four different feature sets which are currently employed to represent music signals in the context of the automatic music genre classification. To such an aim, feature selection is carried out through genetic algorithms, and it is applied to multiple feature vectors generated from different segments of the music signal. The feature sets used in this paper, which encompass time-domain and frequency-domain characteristics of the music signal, comprise: short-time Fourier transform, Mel frequency cepstral coefficient, beat-related feature
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Spahiu, Artan, and Fatma Spahiu. "The Copyright in Albania and its Legal Protection under National Law." European Journal of Social Sciences Education and Research 5, no. 1 (2015): 143. http://dx.doi.org/10.26417/ejser.v5i1.p143-153.

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It is a fact that the entire history of existence and development of human society has been founded on products of intellectual creativity of the human mind, which have been used to solve different problems of the time.We all have witnessed how the human imagination in the world has made possible the development in the field of science, technology and especially in Arts. Scientific innovations and the artistic activities, such as the music, painting or literature are created by individuals who have the ability to see and to express things in new and innovative ways.Intellectual property is a l
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LAPIN, ANDREY V., and ELENA D. AGANINA. "NEW HEROES OF MASS CULTURE (CASE STUDY OF THE MAIN CHARACTER OF THE COMPUTER GAME CYCLE “GOD OF WAR”)." Study of Religion, no. 3 (2020): 106–11. http://dx.doi.org/10.22250/2072-8662.2020.3.106-111.

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The concept of “mass culture” and its content are becoming the subject of reflection of philosophers, religious scholars, culturologists and sociologists. Taking into account the fact that mass culture is a specific type of spiritual production, one of its main features is the possibility of widespread replication of the product. Popular culture is extremely dynamic, influencing the basic feelings of the consumer, it can generate new cultural constants that change the norms and values that have developed over centuries. The constituent elements of mass culture are usually called the media, cin
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Ismanto, Brizky Ramadhani, Tubagus Maulana Kusuma, and Dina Anggraini. "Indonesian Music Classification on Folk and Dangdut Genre Based on Rolloff Spectral Feature Using Support Vector Machine (SVM) Algorithm." IJCCS (Indonesian Journal of Computing and Cybernetics Systems) 15, no. 1 (2021): 11. http://dx.doi.org/10.22146/ijccs.54646.

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Music Genre Classification is one of the interesting digital music processing topics. Genre is a category of artistry, in this case, especially music, to characterize and categorize music is now available in various forms and sources. One of the applications is in determining the music genre classification on folk songs and dangdut songs.The main problem in the classification music genre is to find a combination of features and classifiers that can provide the best result in classifying music files into music genres. So we need to develop methods and algorithms that can classify genres appropr
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Filonenko, Anastasia. "Reality Show in Modern System of Mass Communication (Based on Ukrainian Reality Shows)." Current Issues of Mass Communication, no. 22 (2017): 8–18. http://dx.doi.org/10.17721/2312-5160.2017.22.08-18.

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The purpose of our study was to understand the nature of the reality show phenomenon in the system of mass communication through analysis of Ukrainian media market of reality shows. For this purpose we have used a broad methodological base: a descriptive method for identifying the features of reality show and journalism, a bibliographic method for processing scientific sources, an inductive method to determine the functioning of reality show, the method of comparative analysis to understand relationship between journalism and reality show, historic-typological method to classify reality shows,
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BASKIN, Sami. "Which Cultural Aspects do The Textbooks of Teaching Turkish to Foreigners Transfer?" Advances in Language and Literary Studies 9, no. 2 (2018): 131. http://dx.doi.org/10.7575/aiac.alls.v.9n.2p.131.

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Teaching a foreign language aims at not only teaching the language and language skills, but transferring the culture of the target language. The main reason for that is people learn the target language as a standby in addition to learning the language. It is important that the more individuals learn the cultural features of the country the more they understand the language better. It is an undeniable fact that language and culture are inseparable parts, so culture should be learned simultaneously while learning that language. Because of that relationship between language and culture, language
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28

Mettler, Peter. "Music in Film: Film as Music." Cinémas 3, no. 1 (2011): 34–42. http://dx.doi.org/10.7202/1001178ar.

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Film and music hae the same communicative capacity, according to Toronto filmmaker Peter Mettler. By adopting the musical rhythms and procedures as creative vectors, the filmmaker, who is also the camaraman and the editor, acquires the means to produce a cinema of the unconscious, of the intuitive, either with or without a narrative structure. Mettler describes his musical approach to film and its application in three of his features: Scissere (1982), Eastern Avenue (1985), and The Top of His Head (1990).
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Gao, Andrea. "Catching the Earworm: Understanding Streaming Music Popularity Using Machine Learning Models." E3S Web of Conferences 253 (2021): 03024. http://dx.doi.org/10.1051/e3sconf/202125303024.

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The digitization of music has fundamentally changed the consumption patterns of music, such that the music popularity has been redefined in the streaming era. Still, production of hit music that capture the lion’s share of music consumption remains the central focus of business operations in music industry. This paper investigates the underlying mechanism that drives music popularity on a popular streaming platform. This research uses machine learning models to examine the predictability of music popularity in terms of its embedded information: audio features and artists. This paper further co
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He, Suli, Min Liu, and Liguo Dong. "Research on Music Adaptive Method Based on Dance Robots." E3S Web of Conferences 233 (2021): 01066. http://dx.doi.org/10.1051/e3sconf/202123301066.

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Music adaptive method, one of the important directions of dance robot research, will improve the robot's intelligence and adaptive ability, thereby greatly enriching people's growing spiritual and cultural life. From the current point of view, an overly complex adaptive method used, a large amount of computer resources will be encroached on, and the dance robot system will freeze or even crash. The dance robot is a kind of embedded device. Under the premise of saving system resources, how to make the robot do different actions according to different music and how to make it produce movements i
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Shirinkina, Mariya A. "Formats and genres of media communication of the executive power." International Journal “Speech Genres” 29, no. 1 (2021): 66–77. http://dx.doi.org/10.18500/2311-0740-2021-1-29-66-77.

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The article presents a general description of the system of the executive power media resources from the point of view of its genre organization. The author offers a literature review on computer-mediated communication and the sphere of public relations and gives a definition of a genre in connection with the Internet. It is argued that an important characteristic of a media genre is its format regarded as a sum total of discourse and media aspects determined by the technical capacity of various Internet services. On the basis of executive power official websites, their press service publics a
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Nittono, Hiroshi. "Background Instrumental Music and Serial Recall." Perceptual and Motor Skills 84, no. 3_suppl (1997): 1307–13. http://dx.doi.org/10.2466/pms.1997.84.3c.1307.

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Although speech and vocal music are consistently shown to impair serial recall for visually presented items, instrumental music does not always produce a significant disruption. This study investigated the features of instrumental music that would modulate the disruption in serial recall. 24 students were presented sequences of nine digits and required to recall the digits in order of presentation. Instrumental music was played either forward or backward during the task. Forward music caused significantly more disruption than did silence, whereas the reversed music did not. Some higher-order f
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Setiaji, Denis. "Internalisasi dimensi interkultural permainan gendang dalam komunitas Dangdut Koplo: Sebuah kajian konstruksi sosial." Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni 14, no. 1 (2019): 19–27. http://dx.doi.org/10.33153/dewaruci.v14i1.2533.

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Penelitian ini difokuskan untuk melihat proses terkonstruksinya dimensi interkultural pada pola permainan gendang terhadap pelaku dan para pecinta Dangdut Koplo. Pendekatan yang digunakan mengadopsi dari Ilmu Sosial yakni teori konstruksi sosial Peter L. Berger yang terdiri dari eksternalisasi, objektivasi, dan internalisasi. Penelitian yang dilakukan menggunakan metode fenomenologi dengan melakukan studi lapangan ke sejumlah wilayah pertunjukan Dangdut Koplo di Solo Raya terutama Taman Hiburan Rakyat (THR) Sriwedari dengan objek kelompok musik Areva sebagai bahan studi kasus. Proses konstruks
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Beveridge, Scott, and Don Knox. "Popular music and the role of vocal melody in perceived emotion." Psychology of Music 46, no. 3 (2017): 411–23. http://dx.doi.org/10.1177/0305735617713834.

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The voice plays a crucial role in expressing emotion in popular music. However, the importance of the voice in this context has not been systematically assessed. This study investigates the emotional effect of vocal features in popular music. In particular, it focuses on nonverbal characteristics, including vocal melody and rhythm. To determine the efficacy of these features, they are used to construct a computational Music Emotion Recognition (MER) system. The system is based on the circumplex model that expresses emotion in terms of arousal and valence. Two independent studies were used to d
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Schubert, Emery. "Modeling Perceived Emotion With Continuous Musical Features." Music Perception 21, no. 4 (2004): 561–85. http://dx.doi.org/10.1525/mp.2004.21.4.561.

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The relationship between musical features and perceived emotion was investigated by using continuous response methodology and time-series analysis. Sixty-seven participants responded to four pieces of Romantic music expressing different emotions. Responses were sampled once per second on a two-dimensional emotion space (happy-sad valence and aroused-sleepy). Musical feature variables of loudness, tempo, melodic contour, texture, and spectral centroid (related to perceived timbral sharpness) were coded. Musical feature variables were differenced and used as predictors in two univariate linear r
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Wang, Lanmei, Le Yang, Guibao Wang, Zhihai Chen, and Minggao Zou. "Uni-Vector-Sensor Dimensionality Reduction MUSIC Algorithm for DOA and Polarization Estimation." Mathematical Problems in Engineering 2014 (2014): 1–9. http://dx.doi.org/10.1155/2014/682472.

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This paper addresses the problem of multiple signal classification- (MUSIC-) based direction of arrival (DOA) and polarization estimation and proposes a new dimensionality reduction MUSIC (DR-MUSIC) algorithm. Uni-vector-sensor MUSIC algorithm provides estimation for DOA and polarization; accordingly, a four-dimensional peak search is required, which hence incurs vast amount of computation. In the proposed DR-MUSIC method, the signal steering vector is expressed in the product form of arrival angle function matrix and polarization function vector. The MUSIC joint spectrum is converted to the f
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Nurmoldayev, S., B. Nussipzhanova, and G. Begembetova. "Marketing and its application in music in professional training in the higher education system." Pedagogy and Psychology 46, no. 1 (2021): 93–100. http://dx.doi.org/10.51889/2021-1.2077-6861.12.

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This article discusses the issues of the essence of marketing and marketing activities, their features in the non-profit service sector, namely in a higher musical educational institution. The marketing activity of modern institutions of music education has been studied. The experience of marketing activities in musical education institutions is summarized. The necessary and sufficient formal and substantial characteristics of marketing activities have been identified. In addition, the authors made a bias towards the features of educational services that form the features of music marketing in
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Jiddy Abdillah, Ibnu Asror, and Yanuar Firdaus Arie Wibowo. "Emotion Classification of Song Lyrics using Bidirectional LSTM Method with GloVe Word Representation Weighting." Jurnal RESTI (Rekayasa Sistem dan Teknologi Informasi) 4, no. 4 (2020): 723–29. http://dx.doi.org/10.29207/resti.v4i4.2156.

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The rapid change of the music market from analog to digital has caused a rapid increase in the amount of music that is spread throughout the world as well because music is easier to make and sell. The amount of music available has changed the way people find music, one of which is based on the emotion of the song. The existence of music emotion recognition and recommendation helps music listeners find songs in accordance with their emotions. Therefore, the classification of emotions is needed to determine the emotions of a song. The emotional classification of a song is largely based on featur
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Albarracín-Molina, David D., Alfredo Raglio, Francisco Rivas-Ruiz, and Francisco J. Vico. "Using Formal Grammars as Musical Genome." Applied Sciences 11, no. 9 (2021): 4151. http://dx.doi.org/10.3390/app11094151.

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In this paper, we explore a generative music method that can compose atonal and tonal music in different styles. One of the main differences between regular engineering problems and artistic expressions is that goals and constraints are usually ill-defined in the latter case; in fact the rules here could or should be transgressed more regularly. For this reason, our approach does not use a pre-existing dataset to imitate or extract rules from. Instead, it uses formal grammars as a representation method than can retain just the basic features, common to any form of music (e.g., the appearance o
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Djatmiko, Sigit. "FENOMENOLOGI MUSIK." Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan 15, no. 28 (2016): 108–13. http://dx.doi.org/10.32795/ds.v15i28.63.

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The Kraftwerk music group from Dusseldorf, Germany, began to be famous since 1974. The prominent feature of the Kraftwerk is that they were trying to be the pioneer of the alteration from the acoustic and electric music into the electronic music. Their mission was dehumanizing the music to produce impersonal sounds and with the “musicians” which would rather be considered as machine tools than as human. The works of the Kraftwerk arguably became the blueprint for the sort of avantgarde music, the prototype for kinds of music that celebrated the shift from the sounds of the guitar strings and t
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Khoshghadam, Leila, Elika Kordrostami, and Yuping Liu-Thompkins. "Experiencing nostalgia through the lens of life satisfaction." European Journal of Marketing 53, no. 3 (2019): 524–44. http://dx.doi.org/10.1108/ejm-10-2017-0806.

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PurposeThis paper aims to examine the role of life satisfaction in consumers’ reaction to nostalgic music in an advertisement in terms of attitude toward the brand and purchase intention. It suggests that life satisfaction forms the lens through which individuals interpret and reconstruct past emotional experiences evoked by nostalgia. It further investigates the role of product category involvement in the interplay between life satisfaction and nostalgic music.Design/methodology/approachTwo experiments were conducted. The first study featured a 2 (nostalgic vs non-nostalgic music) × 2 (high v
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Elmgren, Heidi. "Merit-based exclusion in Finnish music schools." International Journal of Music Education 37, no. 3 (2019): 425–39. http://dx.doi.org/10.1177/0255761419843990.

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In this article I analyse merit-based exclusion in Finnish music schools for children and young people. I base my study on my earlier research on meritocracy and written data collected online from current and former music school students in the autumn and winter of 2015–2016. I am able to show there are implicit and explicit merit-based hierarchies in the music school. Hierarchies and exclusion are shown to be connected to the institution’s meritocratic features. As the hierarchies are merit-based, it is hard to question them. The hierarchies justify excluding students from certain practices s
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Deutsch, Diana. "The Puzzle of Absolute Pitch." Current Directions in Psychological Science 11, no. 6 (2002): 200–204. http://dx.doi.org/10.1111/1467-8721.00200.

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Absolute pitch—the ability to name or produce a note of particular pitch in the absence of a reference note—is generally considered to be extremely rare. However, it has been found that native speakers of two different tone languages—Mandarin and Vietnamese—display a remarkably precise form of absolute pitch in enunciating words. Given these findings, it is proposed that absolute pitch may have evolved as a feature of speech, analogous to other features such as vowel quality. It is also conjectured that tone–language speakers generally acquire this feature during the 1st year of life, in the c
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Berger, Karol. "The Ends of Music History, or: The Old Masters in the Supermarket of Cultures." Journal of Musicology 31, no. 2 (2014): 186–98. http://dx.doi.org/10.1525/jm.2014.31.2.186.

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This article begins with a description of the essential features and current state of the social practice called art music, concluding that as recently as the late twentieth century it was in excellent shape, as documented by a series of canonic masterpieces. I continue with an outline of the principal questions pursued by, and the current state of, music history, demonstrating that it too was flourishing in the same period, producing work of enduring worth. In conclusion, I consider the main dangers that currently threaten a successful cultivation of music history. These include our inability
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Mazur, Olexander. "Sound recordings from radio archives: the restoration of music in digits." Obraz 35, no. 1 (2021): 142–51. http://dx.doi.org/10.21272/obraz.2021.1(35)-142-151.

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A holistic historical and informational analysis was conducted in the scientific context of the synergy of two systems – sound recording and radio broadcasting. Methodological support of the study was based on the use of general scientific and special methods. Taking into account the experience of «BBC Radio 1» in creating a unique collection of sound recordings and areas of use of music collections as objects of archival storage, the features of recording music sessions in recording studios of radio stations are revealed. The main methods of restoration, restoration and digitization of stock
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Valiquette Moreau, Nina. "Musical Mimesis and Political Ethos in Plato’s Republic." Political Theory 45, no. 2 (2016): 192–215. http://dx.doi.org/10.1177/0090591715591587.

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This essay argues that Plato’s Republic includes a widely overlooked meditation on the affective dimension of political judgment. This meditation occurs in the passages on music. In music, Plato identifies the possibility of an extra-rational aesthetic activity that prepares the soul for reasoned judgment: he makes musical mimesis the precondition to logos (speech, reasoned account) because of its ability to actualize in the soul the very ethos required of sound judgment. Music is able to do this because it is not imagistic; music does not produce mediated representations but rather produces a
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Jansson, Johan, and Brian J. Hracs. "Conceptualizing curation in the age of abundance: The case of recorded music." Environment and Planning A: Economy and Space 50, no. 8 (2018): 1602–25. http://dx.doi.org/10.1177/0308518x18777497.

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The contemporary marketplace for cultural products, such as music, fashion and film, features an abundance of goods, services and experiences. While producers struggle to differentiate and monetize their offerings, some consumers are overwhelmed by the amount of choice and information available to them. As a result, many consumers are turning to a range of intermediaries who help them make sense of the marketplace. While intermediation is nothing new, its value is increasing and there has been a shift in relative importance from those who create products to those who curate products. As curati
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Ben Messaoud, Mohamed Anouar, and Aïcha Bouzid. "Pitch estimation of speech and music sound based on multi-scale product with auditory feature extraction." International Journal of Speech Technology 19, no. 1 (2015): 65–73. http://dx.doi.org/10.1007/s10772-015-9325-1.

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Puspitasari, Nia Budi, Aries Susanty, and Muhammad Faiz Aji Prakoso. "Analysis of Customer Behavior Factors on Subscription-Based Music Services." E3S Web of Conferences 125 (2019): 21003. http://dx.doi.org/10.1051/e3sconf/201912521003.

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Piracy is a problem that has been faced by various companies, one of which is music service software. Even though piracy gives a benefit to consumers, the losses obtained by the producer cannot be ignored. To overcome these problems, there are music services that can provide services easily and cheaply for consumers, commonly called the Subscription Based Music Service (SBMS). Although there is a service that can replace pirated products (SBMS), there is no guarantee that consumers will use it. This study aims to determine the factors that influence consumers in using SBMS music services. To a
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Osadtsia, Olga. "Music publications in Galicia in the 19th — beginning of the 20th centuries: production, advertising, pricing." Proceedings of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, no. 11(27) (2019): 481–99. http://dx.doi.org/10.37222/2524-0315-2019-11(27)-20.

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The main forms and methods of distribution of music publications in Galicia in the XIX — early XX centuries are scrutinized. The demand for the relevant music production is one of the determining factors in the formation of the musical publishing repertoire, its structure and special features in the process of the existence of music publications in society. It is noted that export-import trade in books has become especially widespread in Galicia; there are facts about the links between publishers and booksellers in Lviv and Warsaw. The basic types of presentation of book advertising of music p
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