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Relevant bibliographies by topics / Music Publishing

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Academic literature on the topic 'Music Publishing'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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Journal articles on the topic "Music Publishing"

1

Dzyuba, Oleg. "Evolution of music publishing." Вісник Книжкової палати, no. 3 (March 17, 2021): 19–23. http://dx.doi.org/10.36273/2076-9555.2021.3(296).19-23.

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The article proves that the printing of music, which appeared almost at the same time as the first printed book, had a similar effect to the printed word: the information was spread faster, at a lower cost and among more people. This has greatly affected the entire music industry. Composers could now write more music for amateur performers, knowing that it could be distributed and sold to the middle class. Professional musicians could have more music in their repertoire and perform music from different countries. This increased the number of amateurs in whom professional musicians could make m

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Field, Corey, D. W. Krummel, and Stanley Sadie. "Music Printing and Publishing." Notes 47, no. 3 (1991): 725. http://dx.doi.org/10.2307/941861.

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Abdul Rahman, Nurulhamimi, and Alis Suraya Shaharim. "Digitization Impact and Challenges on the Music Publishing Practices of the Malaysian Music." Environment-Behaviour Proceedings Journal 7, SI9 (2022): 517–21. http://dx.doi.org/10.21834/ebpj.v7isi9.4301.

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The purpose of this study is to investigate the digitization impacts and challenges on the music publishing practices of the Malaysian music industry. This research analyzes how music publishers adapt to the changes in music publishing practices due to digitization. It focuses on the factors that changed the roles of music publishers in the digital era, the impacts and challenges brought by the technological innovation in the Malaysian music industry, and the consequences of the effects and challenges.  Keywords: Music Business; Music Industry; Music Publishing; Music Digitization 

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Herissone, Rebecca. "Playford, Purcell, and the Functions of Music Publishing in Restoration England." Journal of the American Musicological Society 63, no. 2 (2010): 243–90. http://dx.doi.org/10.1525/jams.2010.63.2.243.

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Abstract During Purcell's lifetime the music-publishing business in England flourished, thanks mainly to John Playford. Since intellectual property rights did not yet exist, Playford and his successors were able to select music they were confident of selling, predominantly producing multicomposer anthologies of popular tunes. Composers may have benefited little from these publications so it is significant that some took the financial risk of printing their music without an established publisher's support. Analysis suggests that musical self-publication was undertaken for several quite specific

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Rajan, Rekha S. "Publishing in General Music Today." General Music Today 31, no. 3 (2018): 55. http://dx.doi.org/10.1177/1048371318772382.

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King, Alec Hyatt, and James Coover. "Victorian Publishing." Musical Times 127, no. 1718 (1986): 279. http://dx.doi.org/10.2307/965463.

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Yang, Le, Kenny Ketner, Scott Luker, and Matthew Patterson. "A complete system for publishing music-related ETDs." Library Hi Tech 34, no. 1 (2016): 151–63. http://dx.doi.org/10.1108/lht-10-2015-0096.

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Purpose – There is no proposed solution to address the unresolved issues of publishing music-related electronic theses and dissertations (ETDs) pertaining to technology availability, copyright, and preservation. The purpose of this paper is to propose a complete system, including technology development and publishing model, which addresses the existing issues of publishing music-related ETDs. The paper shares the practice of utilizing the system developed by Texas Tech University Libraries known as Streaming Audio and Video Experience (SAVE), and proposes it as a solution for other multimedia

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Łubocki, Jakub Maciej. "Musical sources – meaning of the term in bibliology and museology." Z Badań nad Książką i Księgozbiorami Historycznymi 17, no. 1 (2023): 103–25. http://dx.doi.org/10.33077/uw.25448730.zbkh.2023.759.

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Although it may seem improbable, various types of musical sources can also be found in the collection of the Publishing Art Department of the National Museum in Wrocław. They are not only music sheets and songbooks, but also written documents related to musical works or people of music, and in the future, they could be even printed elements of sound documents or ephemeras related to music life. This was the reason for the general reflection on the understanding of the term “musical sources” (“musicals”) and its meaning in relation to the universes of music and publishing art. Then, basic categ

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Kosaniak, Nataliia. "“Memories of the Idzykowski” as a source in the study of the publishing house “Leon Idzykowski”." Proceedings of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, no. 13(29) (2021): 335–49. http://dx.doi.org/10.37222/2524-0315-2021-13(29)-19.

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A description of the document of the memoir genre “Pamiętniki Idzikowskich” (Memoirs of the Idzikowskis) as a source for the history of book and music publishing in Ukraine in the second half of the XIX – first quarter of the XX century, dedicated to the history of the publishing company and the activities of four generations of members of the Idzykowski family in this matter is characterized. The text of the document combines genre features of memoirs and historical research. The compiler Yuriy Idzykovsky syste¬matized the materials by sections, factual material — by chronological principle o

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Johansen, Guro Gravem, Anna Houmann, and Danielle Treacy. "Introduction: Nordic Research in Music Education Volume 1." Nordic Research in Music Education 1, no. 1 (2020): 1–3. http://dx.doi.org/10.23865/nrme.v1.2674.

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Volume 20 of the Nordic Research in Music Education Yearbook marks the yearbook’s transition from printed physical book to open access publishing under the name Nordic Research in Music Education (NRME), as part of a newly established collaboration between the Norwegian Academy of Music and the Norwegian publishing house Cappelen Damm Akademisk. As editors, we endorse this development towards improved visibility, a better profile, and the widening of access to research in music education to the public.

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Dissertations / Theses on the topic "Music Publishing"

1

Olson, Ted. "Publishing Appalachian Writing." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1119.

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An, Yu Lee. "Music Publishing in London From 1780 to 1837 as Reflected in Music Publishers' Catalogues of Music for Sale: A Bibliography and Commentary." Thesis, University of Canterbury. Music, 2008. http://hdl.handle.net/10092/4197.

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This study documents and analyses the music-selling and publishing industry in London from 1780 to the end of the Georgian period as reflected in publishers' catalogues of music for sale. It assembles the histories and activities of these music publishers in relation to the society they served. Catalogues inform us quite precisely not only of the activities of music publishers, but also the role they played in accommodating, influencing, expanding and educating the contemporary musical taste. In addition, catalogues provide documentary evidence of compositions in issues no longer extant, and e

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3

Carter, Stephanie. "Music publishing and compositional activity in England, 1650-1700." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/music-publishing-and-compositional-activity-in-england-16501700(14b13888-a2be-44d4-9e14-66b0980b3fec).html.

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This thesis focuses on the flourishing music-publishing industry in England in the second half of the seventeenth century, and examines its relationship to and influence on the activities of professional musicians. Music publishing as a commercial entity developed in England during this period, particularly, but not exclusively, through the endeavours of the Playford family. By placing the printed music books within the social and cultural contexts in which they were produced, this thesis explores the consequences of printing on the musical text, understanding the purposes for which the printe

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Carter, Nicholas Paul. "Automatic recognition of printed music in the context of electronic publishing." Thesis, University of Surrey, 1989. http://epubs.surrey.ac.uk/843542/.

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Computers are used to manipulate music in various forms, for example digital sound recordings, digitized images of printed scores and music representational language (M.R.L.) encodings. This work is concerned with producing M.R.L. data automatically from existing printed music scores. A review of work undertaken in the field of manipulating printed music by computer is provided. This shows that software which permits production of high-quality scores is commercially available, but the necessary data has to be entered using some form of keyboard, possibly in conjunction with a pointing device.

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Paulů, Lukáš. "Mezinárodní obchod hudebního vydavatelství Supraphon a hudebního nakladatelství ProVox music publishing." Master's thesis, Vysoká škola ekonomická v Praze, 2007. http://www.nusl.cz/ntk/nusl-2400.

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Přes popis vývoje hudebního průmyslu, jak na domácí scéně, tak v zahraničí, se práce dostává k historii společnosti Supraphon, a. s. a k jejímu současnému působení v rámci České republiky i v mezinárodním obchodě. Charakterizuje současný trend v oblasti mezinárodního obchodu s hudebními nahrávkami a způsob jejich prodeje do zahraničí. Dále pak líčí vznik a vývoj hudebního nakladatelství ProVox music publishing, s. r. o., věnuje se hlavní nakladatelské činnosti, objasňuje terminologii a charakterizuje domácí a zahraniční činnost tohoto nakladatelství.

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Ballantyne, Abigail L. "Writing and publishing music theory in early seventeenth-century Italy : Adriano Banchieri and his contemporaries." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:5567c6ab-360c-47da-8b82-d7f1d4a4d4d7.

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Why write music theory and publish it? In the thesis I investigate the reasons for a seeming over-abundance of practically oriented music treatises in early seventeenth-century Italy. Throughout I challenge our conventional assessment of the study of music theory: I suggest that we can define a music-theoretical text in terms of its material form in addition to its content. Adriano Banchieri (1568-1634) was the most prolific theorist in early seventeenth-century Italy. His music-theory books exemplify contemporary printing patterns, an overt practical focus, and a synthesis of contemporary the

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Punkt, Anita. "Der Friedrich Hofmeister Musikverlag : sein Profil in Geschichte und Gegenwart /." Berlin dissertation.de, 2006. http://d-nb.info/986613649/04.

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Brown, Hugh. "It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/47034/1/Hugh_Brown_Thesis.pdf.

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This thesis explores the business environment for self-publishing musicians at the end of the 20th century and the start of the 21st century from theoretical and empirical standpoints. The exploration begins by asking three research questions: what are the factors affecting the sustainability of an Independent music business; how many of those factors can be directly influenced by an Independent musician in the day-to-day operations of their musical enterprise; and how can those factors be best manipulated to maximise the benefit generated from digital music assets? It answers these questions

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Giselbrecht, Elisabeth Anna. "Crossing boundaries : the printed dissemination of Italian sacred music in German-speaking areas (1580-1620)." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283907.

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Finley, Nathan. "MANAGING CREATIVE INTELLECTUAL PROPERTY IN DISRUPTEDINDUSTRIES: A BUSINESS PLAN FOR ATHENA PUBLISHING LLC." Ohio University Honors Tutorial College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1619186560810578.

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Books on the topic "Music Publishing"

1

Corp, Music Sales. Music publishing highlights. Music Sales Corp., 1993.

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Sellars, Paul. Publishing music online. Exclusive distributors, Music Sales, 2001.

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1929-, Krummel D. W., and Sadie Stanley 1930-, eds. Music printing and publishing. Macmillan, 1990.

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1929-, Krummel Donald William, and Sadie Stanley, eds. Music printing and publishing. W.W. Norton, 1990.

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1947-, Enders Bernd, and Gieseking Martin, eds. Digital & Multimedia Music Publishing. Electronic Publishing, 2006.

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Poe, Randy. Music publishing: A songwriter's guide. Writer's Digest Books, 1990.

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Poe, Randy. Music publishing: A songwriter's guide. Writer's Digest Books, 1990.

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Caroline, Heslop, ed. A Guide to music publishing. Rhinegold, 1995.

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Hafez, Salam. Investigation into internet music publishing. LCP, 2003.

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Bunker, Clark J., ed. Music publishing in St. Louis. Harmonie Park Press, 1988.

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Book chapters on the topic "Music Publishing"

1

Weissman, Dick. "Music Publishing." In Understanding the Music Business. Routledge, 2017. http://dx.doi.org/10.4324/9781315558769-7.

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Snoman, Rick. "Publishing and promotion." In Dance Music Manual. Routledge, 2019. http://dx.doi.org/10.4324/9780429453830-37.

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Amos, Jonny. "What Is Music Publishing?" In The Music Business for Music Creators. Focal Press, 2024. http://dx.doi.org/10.4324/9781003452119-6.

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Brae, C. Michael. "Music Copyright, Publishing and Licensing." In New Channels of Music Distribution. Routledge, 2017. http://dx.doi.org/10.4324/9781315648347-3.

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Fleming, Simon D. I. "Publishing music by subscription in eighteenth-century Edinburgh." In Music by Subscription. Routledge, 2021. http://dx.doi.org/10.4324/9781003163558-5.

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Towse, Ruth. "Copyright and Music Publishing in the UK." In The Artful Economist. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40637-4_8.

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Levi, Erik. "Responding to the Market: Music Publishing in the Third Reich." In Music in the Third Reich. Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-24582-6_6.

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Weissman, Dick. "Copyright, Performing Rights, Summary of Music Publishing Income Streams, and Songwriters’ Organizations." In Understanding the Music Business. Routledge, 2017. http://dx.doi.org/10.4324/9781315558769-6.

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Hamilton, Elina G. "Louise Hanson-Dyer (1884–1962): patroness of music publishing." In The Routledge Handbook of Women's Work in Music. Routledge, 2021. http://dx.doi.org/10.4324/9780429201080-40.

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Rutter, Paul. "Music publishing." In The Music Industry Handbook. Routledge, 2016. http://dx.doi.org/10.4324/9781315692876-5.

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Conference papers on the topic "Music Publishing"

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Dubnjakovic, Ana. "From Monks to Mutopia: Changing Landscape in Sheet Music Publishing." In Charleston Conference. Against the Grain Press, 2012. http://dx.doi.org/10.5703/1288284314824.

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Liu, Xuhong, Yunmei Shi, Peng Liu, and Ning Li. "A Method on Single Source Publishing for Music in DITA." In 2nd International Conference on Computer and Information Applications (ICCIA 2012). Atlantis Press, 2012. http://dx.doi.org/10.2991/iccia.2012.76.

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Kružíková, Lenka. "Muzikofiletické přístupy v hudební výchově." In Musica viva in schola. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p280-0028-2021-8.

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The subject of the paper is an insight into the music philetic practice with theoretical and practical grounding. The theoretical part informs about research and publishing activities, innovative principles and presents foreign music-expressive concepts and methods applicable in the Czech music education environment. The practical part conceives the musical techniques of music philetic work with clear descriptions and case studies. The author focuses on individual music-interaction areas. Since we should be based on the needs and individuality of the student in the educational and formative pr

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Etinger, Darko. "A Task-Technology Fit Model for Digital Audio Workstations Evaluation." In Intelligent Human Systems Integration (IHSI 2023) Integrating People and Intelligent Systems. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002867.

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Music industry changes in the last decade largely shifted the music production tasks from big established studios to music artists. With the addition of online music streaming platforms, an end-to-end process of music creation, publishing, delivery, and consummation is achieved. This phenomenon emphasizes music artists as content creators to handle music production. Digital audio workstation systems enabled end users to compose, record, mix and master music. This research focuses on identifying the fit between various tasks music artists must perform during music creation and the technical cha

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Grünbacher, Paul. "A Study on Variability for Multi-Device Rendering in Digital Music Publishing." In VaMoS '22: 16th International Working Conference on Variability Modelling of Software-Intensive Systems. ACM, 2022. http://dx.doi.org/10.1145/3510466.3510482.

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Reports on the topic "Music Publishing"

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Nucera, Diana J., and Catalina Vallejo. Media-making Pedagogies for Empowerment & Social Change: An Interview with Diana J. Nucera (AKA Mother Cyborg). Just Tech, Social Science Research Council, 2022. http://dx.doi.org/10.35650/jt.3022.d.2022.

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" As part of our “What Is Just Tech?” series, we invited several social researchers–scholars, practitioners, artists, and activists—to respond to a simple yet fundamental question: “What is just technology?” This interview was conducted by Just Tech program officer Catalina Vallejo, who spoke with Diana J. Nucera, AKA Mother Cyborg, a multimedia artist, educator, and organizer based in Detroit, Michigan. Nucera (she/her) uses music, performance, DIY publishing, community-organizing tactics, and popular education methods to elevate collective technological consciousness and agency. Her art draw

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Cunningham, Stuart, Marion McCutcheon, Greg Hearn, Mark Ryan, and Christy Collis. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Sunshine Coast. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.136822.

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The Sunshine Coast (unless otherwise specified, Sunshine Coast refers to the region which includes both Sunshine Coast and Noosa council areas) is a classic regional hotspot. In many respects, the Sunshine Coast has assets that make it the “Goldilocks” of Queensland hotspots: “the agility of the region and our collaborative nature is facilitated by the fact that we're not too big, not too small - 330,000 people” (Paddenburg, 2019); “We are in that perfect little bubble of just right of about everything” (Erbacher 2019). The Sunshine Coast has one of the fastest-growing economies in Australia.

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