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Books on the topic 'Music Publishing'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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1

Corp, Music Sales. Music publishing highlights. New York: Music Sales Corp., 1993.

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2

Sellars, Paul. Publishing music online. Bremen, Germany: Exclusive distributors, Music Sales, 2001.

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3

1929-, Krummel D. W., and Sadie Stanley 1930-, eds. Music printing and publishing. London: Macmillan, 1990.

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4

1929-, Krummel Donald William, and Sadie Stanley, eds. Music printing and publishing. New York: W.W. Norton, 1990.

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5

1947-, Enders Bernd, and Gieseking Martin, eds. Digital & Multimedia Music Publishing. Osnabrück: Electronic Publishing, 2006.

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6

Poe, Randy. Music publishing: A songwriter's guide. Cincinnati, Ohio: Writer's Digest Books, 1990.

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7

Poe, Randy. Music publishing: A songwriter's guide. Cincinnati, Ohio: Writer's Digest Books, 1990.

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8

Caroline, Heslop, ed. A Guide to music publishing. London: Rhinegold, 1995.

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9

Hafez, Salam. Investigation into internet music publishing. London: LCP, 2003.

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10

Bunker, Clark J., ed. Music publishing in St. Louis. Warren, Mich: Harmonie Park Press, 1988.

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11

Composers, Association of Professional, ed. The Composer's guide to music publishing. London: APC Publishing Ltd, 1987.

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12

Sobel, Ron. Music publishing: The roadmap to royalties. New York: Routledge, 2008.

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13

American Bar Association. Forum Committee on the Entertainment and Sports Industries., ed. Music publishing and the law, 1989. [Chicago, Ill.?]: American Bar Association, 1994.

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14

Law, Dickinson School of, ed. Forming your own music publishing company. [Carlisle, Pa.] (150 S. College St., Carlisle 17013): Dickinson School of Law, 1989.

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15

Sobel, Ron. Music publishing: The roadmap to royalties. New York: Routledge, 2008.

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16

Sobel, Ron. Music publishing: The roadmap to royalties. New York: Routledge, 2008.

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17

Richard, Elen, and Association of Professional Composers, eds. The composer's guide to music publishing. 2nd ed. London: Association of Professional Composers, 1994.

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18

Whitsett, Tim. Music publishing: The real road to music business riches. Jackson, MS: Midas, 1993.

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19

Wallace, Helen. Boosey & Hawkes, the publishing story. London: Boosey & Hawkes, 2007.

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20

Reed, Victor M. VMR Productions-91 Publishing Company. Nevada: VMR Productions-91 Pub. Co., 1992.

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21

1955-, Poe Randy, ed. The new songwriter's guide to music publishing. 3rd ed. Cincinnati: Writer's Digest Books, 2005.

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22

E, Jones Dorothy, ed. Publishing glad tidings: Essays on Christmas music. New York: Haworth Press, 1998.

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23

Schott & Co. 150 years of music publishing in London. [London]: Schott, 1985.

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24

Wixen, Randall D. The plain and simple guide to music publishing. Milwaukee: H. Leonard, 2005.

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25

Gammons, Helen. The art of music publishing: An entrepreneurial guide to publishing and copyright for the music, film, and media industries. Hoboken: Taylor & Francis, 2012.

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26

Association, International Publishers, and International Group of Scientific, Technical, and Medical Publishers., eds. The Creative role of the music publisher. [S.l.]: Published by IPCC on behalf of IPA and STM, 1992.

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27

Morris, Tony. An introduction to recording and music publishing contracts. London: Arts Publishing International, 1992.

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28

Lappin, Johnny. The need to know guide to music publishing. Dublin: Foxrock Music Productions, 1997.

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29

Wallace, Helen. Boosey & Hawkes, the publishing story. [London]: Boosey & Hawkes, 2007.

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30

Ahonen, Laura. Mediated music makers: Constructing author images in popular music. Helsinki: Finnish Society for Ethnomusicology, 2007.

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31

Krummel, Donald William. The literature of music bibliography: An account of the writings on the history of music printing & publishing. Berkeley, Calif: Fallen Leaf Press, 1992.

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32

Zimmerman, Lee. Music promotion. [Boca Raton, Fla.]: R. Pachter, 1989.

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33

Sobel, Ron. Music Publishing. Routledge, 2008. http://dx.doi.org/10.4324/9780203895689.

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34

Whitsett, Tim. Music Publishing. 5th ed. Mixbooks, 2001.

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35

Sobel, Ron. Music Publishing. Routledge, 2008.

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36

Music Publishing. Routledge, 2008.

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37

Music Publishing. Routledge, 2008.

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38

Lott, Marie Sumner. Publishing Chamber Music. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039225.003.0001.

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This chapter examines the institution of chamber music publishing by looking closely at three internationally significant publishers. In all three cases, publishers sought to balance their production of “monumental” and “ephemeral” products to establish and maintain a reliable source of income and new musical material for themselves and, by extension, the musicians who relied upon them. Individually, the three firms represent different models with diverse priorities and business strategies: a small business established by a chamber music lover and copyright activist (Hofmeister); a larger firm that grew with the musical marketplace, changing hands at several points and evolving to address the needs of a growing public (Peters); and a midsize firm that specialized in practical music for private and public use (Schlesinger, later Lienau-Schlesinger). Together, these three companies provides a picture of the music business as it developed throughout the Romantic era.

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39

Music Publishing 101. Berklee Press, 2004.

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40

Music Publishing and Composers. Brepols Publishers, 2020.

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41

Gammons, Helen. Art of Music Publishing. Taylor & Francis Group, 2019.

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42

Wright, Simon. Music Publishing, Bibles, and Hymnals. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199574797.003.0016.

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The Music Department, which remained in London until 1983, published sheet music, performance scores, hymnals, books, and educational materials, but was increasingly developing into a rights-management business. The chapter chronicles the department’s move to Oxford and subsequent streamlining—the list of titles in print was cut back and editorial control over music books transferred to New York. Under the directorship of Andrew Potter, the department sought out new composers and developed particular strengths in church, choral, and early music. Successful series included Oxford Choral Classics, Musica da Camera, and Carols for Choirs. The publication of bibles, prayer books, and hymnals is also considered in this chapter. Although historically a significant part of the OUP list, bible publishing had declined in relative importance, with management of the list moving from department to department. Important publications included the New English Bible, Revised Standard Version, and the BBC Songs of Praise.

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43

A guide to music publishing. London: Rhinegold Publishing, 1995.

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44

Gammons, Helen. The Art of Music Publishing. Routledge, 2011. http://dx.doi.org/10.4324/9780240522364.

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45

Music publishing: A songwriter's guide. Cincinnati: Writer's Digest Books, 1997.

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46

David J. Spangenberg (Professor Pooch). Songwriters & Music Publishing: Complete Course. Independently Published, 2019.

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47

Whitsett, Tim. The Business of Music Publishing. Artistpro, 2008.

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48

Kashif. Kashif's Music Publishing Source Guide. Brooklyn Boy Books, 2006.

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49

Music publishing: The complete guide. Van Nuys, Ca: Alfred Music, 2013.

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50

Sobel, Ron, and Dick Weissman. Music Publishing: The Roadmap to Royalties. Taylor & Francis Group, 2008.

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