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Relevant bibliographies by topics / MUSIC / Religious / Jewish / Books

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Books on the topic 'MUSIC / Religious / Jewish'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Shiloah, Amnon. The dimension of music in Islamic and Jewish culture. Variorum, 1993.

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2

Grian, ed. Ibn Gabirol: (Avicebrón), 1020-1053 : Caballero de la palabra. Editorial Almuzara, 2009.

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3

Ts, A. Ashirah la-H. be-ḥayai: Shirat ḥayeha shel ha-ishah ha-tsadḳanit Marat Mirl Maḥlah Shts'aransḳị, 29 Adar, 727-24 Tamuz, 763. Bet Yaʻaḳov, 2004.

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4

Devorah, Berzon, ed. Boruch learns about shabbos. The Judaica Press, 2014.

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5

Skar̲iyā, Sakkar̲iya, Gamliel Ofira та Johnson Barbara C. 1940-, ред. Yefefiyah: Shirat ha-nashim shel Yehude Ḳeralah, ʻarikhat ha-maḳor bi-Malayalam ṿe-targum le-ʻIvrit. Mekhon Ben-Tsevi le-ḥeḳer ḳehilot Yiśraʼel ba-Mizraḥ, Yad Yitsḥaḳ Ben- Tsevi ṿeha-Universiṭah ha-ʻIvrit bi-Yerushalayim, 2005.

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6

Israel-Charly, Malka, ed. Gan beśamim. Gasṭliṭ, 1993.

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7

Portnoy, Marshall. The art of Torah cantillation: Ta-amei Hamikra = [Ṭaʻame ha-Miḳra] : a step-by-step guide to chanting Torah. UAHC Press, Transcontinental Music Publication, 2000.

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8

Lenard-Cook, Lisa. Dissonance: A novel. SFWP, 2014.

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9

Gamliʼeli, Benny. ʻUri dabri shir: Demut ha-yehudiyah ṿeha-muslemit be-shirat ha-nashim be-Teman. ha-Agudah le-ṭipuaḥ ḥevrah ṿe-tarbut, 2020.

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10

Peter, Baumann Max, Becker Tim 1973-, and Woebs Raphael 1969-, eds. Musik und Kultur im jüdischen Leben der Gegenwart. Frank & Timme, 2006.

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11

1950-, Newsom Carol A., ed. Songs of the Sabbath sacrifice: A critical edition. Scholars Press, 1985.

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12

Curt, Leviant, ed. Ladies and gentlemen, the original music of the Hebrew alphabet, and: Weekend in Mustara : two novellas. University of Wisconsin Press, 2002.

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13

Shelemay, Kay Kaufman. Music, ritual, and Falasha history. Michigan State University Press, 1989.

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14

Hrvatskoj, Glavni Ranibar u., ред. Paljenje svijeá za Hanuku: Seder hadlaḳat nerot Ḥanukah. Glavni Ranibar u Hrvatskoj, 1999.

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15

Mark, Slobin, ed. American klezmer: Its roots and offshoots. University of California Press, 2002.

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16

Institut za etnologii︠a︡ i folkloristika s Etnografski muzeĭ (Bŭlgarska akademii︠a︡ na naukite), ed. Prostranstva na drugostta. Marin Drinov, 2005.

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17

Tegtmeyer, Sha. Jewish Music Traditional : the Art Music of Jewish: Religious Jewish Music. Independently Published, 2021.

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18

Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack. Indiana University Press, 2019.

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19

Cohen, Judah M. Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack. Indiana University Press, 2019.

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20

Cohen, Judah M. Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack. Indiana University Press, 2019.

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21

Cohen, Judah M. Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack. Indiana University Press, 2019.

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22

Cohen, Judah M. Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack. Indiana University Press, 2019.

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23

Sefer ha-piyuṭim: Ḳol Yaʻaḳov : ke-minhag ḳ.ḳ G'ibralṭar ... Mekhon le-hotsaʼat sefarim "Paḥad Yitsḥaḳ", 2007.

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24

Chassidic Ecstasy in Music. Lang, Peter, Gmbh, Internationaler Verlag Der, 2009.

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25

Seroussi, Edwin. Sonic Ruins of Modernity: Judeo-Spanish FolksSongs Today. Taylor & Francis Group, 2022.

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26

Sonic Ruins of Modernity: Judeo-Spanish FolksSongs Today. Taylor & Francis Group, 2022.

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27

Sonic Ruins of Modernity: Judeo-Spanish Folksongs Today. Taylor & Francis Group, 2024.

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28

Project Managinot: Guideplans for Music Education Lesson Plans & Learning Activities for Nursery. Urj Press, 1992.

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29

Music in Conflict. Taylor & Francis Group, 2020.

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30

Rosenfeld-Hadad, Merav. Judaism and Islam One God One Music: The History of Jewish Paraliturgical Song in the Context of Arabo-Islamic Culture As Revealed in Its Jewish Babylonian Sources. BRILL, 2019.

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31

Bradley, Ian. Music of the Night. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197699775.001.0001.

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Abstract The closely related genres of operetta and musical theatre are often dismissed as trivial, shallow, and essentially secular. This book challenges these judgements and seeks to show that there have been clear religious influences and spiritual resonances in some of the best-known and most popular works in both genres. It also points to the darker and more serious side of operetta and musical theatre, as suggested by its title, ‘Music of the Night’. Using hitherto largely neglected sources, Ian Bradley explores the Jewish and Catholic roots of French operetta composers, the impact of Fr

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32

The Miriam tradition: Teaching embodied Torah. University of Illinois Press, 2010.

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33

Sautter, Cia. Miriam Tradition: Teaching Embodied Torah. University of Illinois Press, 2010.

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34

Sautter, Cynthia. Miriam Tradition: Teaching Embodied Torah. University of Illinois Press, 2010.

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35

Bob Dylan: Prophet, mystic, poet. Scribner, 2009.

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36

Cox, Vivia Jean. An investigation of the origin of bells in the western Christian church based upon a study of musical instruments used within worship services at major religious shrines of Europe and the Middle East (500 B.C.E.-800 C.E.): The Parthenon, the Jewish Temple, Hagia Sophia, and St. Peter's. 1990.

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37

Jewish music as Midrash: What makes music Jewish? ECM Books and Music, 2007.

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38

Guesnet, François, Benjamin Matis, and Antony Polonsky, eds. Polin: Studies in Polish Jewry Volume 32. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781906764739.001.0001.

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With its five thematic sections covering genres from cantorial to classical to klezmer, this pioneering multi-disciplinary volume presents rich coverage of the work of musicians of Jewish origin in the Polish lands. It opens with the musical consequences of developments in Jewish religious practice: the spread of hasidism in the eighteenth century meant that popular melodies replaced traditional cantorial music, while the greater acculturation of Jews in the nineteenth century brought with it synagogue choirs. Jewish involvement in popular culture included performances for the wider public, Yi

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39

Belkind, Nili. Music in Conflict: Palestine, Israel and the Politics of Aesthetic Production. Taylor & Francis Group, 2022.

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40

Belkind, Nili. Music in Conflict: Palestine, Israel and the Politics of Aesthetic Production. Taylor & Francis Group, 2022.

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41

Music in Conflict: Palestine, Israel and the Politics of Aesthetic Production. [publisher not identified], 2014.

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42

Music in Conflict: Palestine, Israel and the Politics of Aesthetic Production. Taylor & Francis Group, 2022.

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43

Portnoy, Marshall, and Josee Wolff. The Art of Torah Cantillation: A Step-by-Step Guide to Chanting Torah. Urj Press, 2000.

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44

Werner, Eric. The Sacred Bridge Vol. 2: The Interdependence of Liturgy and Music in Synagogue and Church During the First Millennium. Ktav Pub Inc, 1985.

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45

Lenard-Cook, Lisa. Dissonance. Santa Fe Writers Project, 2014.

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46

Croland, Michael. Oy Oy Oy Gevalt!: Jews and Punk. Bloomsbury Publicing Plc, 2016. http://dx.doi.org/10.5040/9781440832208.

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Step inside a fascinating world of Jews who relate to their Jewishness through the vehicle of punk—from prominent figures in the history of punk to musicians who proudly put their Jewish identity front and center. Provides a fascinating exploration of alternative, against-the-grain expressions of Jewish identity in the contemporary United States as seen in music, documentaries, young adult novels, zines, and more Shows the prominent role of Jewish individuals in the history of punk, including such major bands as the Ramones, the Dictators, the Clash, Bad Religion, and NOFX as well as Malcolm M

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47

Lenard-Cook, Lisa. Dissonance. Santa Fe Writers Project, 2014.

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48

Lenard-Cook, Lisa. Dissonance. Santa Fe Writers Project, 2014.

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49

Dissonance: A novel. University of New Mexico Press, 2003.

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50

Slobin, Mark. Border Traffic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190882082.003.0005.

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This chapter focuses on Detroit’s Jewish community, first taking up its complex, many-layered internal musical life, from religious to politically radical, across a range of initiatives and institutions. Next comes an analysis of how the group used music as a mode of outreach to mainstream Detroit, impacting the city’s cultural life, especially through intense engagement with classical music. The role of the Jews in the survival of the Detroit Symphony Orchestra is outlined. Profiles of key activists’ careers—Julius Chajes, Mischa Mischakoff, Mischa Kottler, Emma Schaver--and the development o

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