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Relevant bibliographies by topics / Music score

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Academic literature on the topic 'Music score'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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Journal articles on the topic "Music score"

1

Kostagiolas, Petros A., Charilaos Lavranos, Konstantina Martzoukou, and Joseph Papadatos. "Keeping the score." Library Management 36, no. 6/7 (2015): 495–510. http://dx.doi.org/10.1108/lm-06-2014-0063.

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Purpose – The purpose of this paper is to study the role of academic music libraries in financially straitened times. The academic music library aims to cover the information needs of the academic community; yet the unique nature of music information also allows academic libraries to develop services for a broad spectrum of different user groups. Design/methodology/approach – The theoretical analysis is supported by empirical evidence from a nationwide survey in Greece. The survey was carried out from July to September 2013 and presents results from interviews with the directors of all academi

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Zhang, Xiang-Yi, and Jia-Lien Hsu. "Full-Scale Piano Score Recognition." Applied Sciences 15, no. 5 (2025): 2857. https://doi.org/10.3390/app15052857.

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Sheet music is one of the most efficient methods for storing music. Meanwhile, a large amount of sheet music-image data is stored in paper form, but not in a computer-readable format. Therefore, digitizing sheet music is an essential task, such that the encoded music object could be effectively utilized for tasks such as editing or playback. Although there have been a few studies focused on recognizing sheet music images with simpler structures—such as monophonic scores or more modern scores with relatively simple structures, only containing clefs, time signatures, key signatures, and notes—in

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Platte, Nathan. "Music for Spellbound (1945): A Contested Collaboration." Journal of Musicology 28, no. 4 (2011): 418–63. http://dx.doi.org/10.1525/jm.2011.28.4.418.

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Production files detailing the construction of the musical score for the film Spellbound reveal an intense and complicated collaboration involving music editor Audray Granville, director Alfred Hitchcock, composer Miklós Rózsa, and producer David O. Selznick. Tracing the formation of the score from initial outlines through composition and editing shows how these four individuals contributed to the score’s development. Conflicting instructions from Hitchcock and Selznick as well as Granville’s preview score influenced Rózsa’s compositional decisions, and Granville’s revisions of Rózsa’s recorde

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Yang, Jing. "RESEARCH ON PIPA SCORE ACROSS NATIONAL BOUNDARIES: "YUHEXUAN PIPA SCORE" AND "NANGONG PIPA SCORE" FROM JAPAN." Scientific heritage, no. 143 (August 27, 2024): 9–15. https://doi.org/10.5281/zenodo.13378537.

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The "Yuhexian Pipa Score" compiled by Wang Lu, a descendant of the Northern School Pipa, in 1900 is a representative work of the Northern School Pipa. Some of the scores were first published in the "Music Magazine" of Peking University (1919-1921). Due to Mr. Wang's unresolved hand condition and subsequent illness, it was not possible to publish all the scores, and some of them were scattered among the public. After several generations of efforts to excavate and organize, in 1991, the People's Music Publishing House published the selected songs of "Yuhexian Pipa Score" in the form of a simplif

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Lin, Qin. "Music Score Recognition Method Based on Deep Learning." Computational Intelligence and Neuroscience 2022 (July 7, 2022): 1–12. http://dx.doi.org/10.1155/2022/3022767.

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In recent years, the recommendation application of artificial intelligence and deep music has gradually become a research hotspot. As a complex machine learning algorithm, deep learning can extract features with value laws through training samples. The rise of deep learning network will promote the development of artificial intelligence and also provide a new idea for music score recognition. In this paper, the improved deep learning algorithm is applied to the research of music score recognition. Based on the traditional neural network, the attention weight value improved convolutional neural

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Sherk, Warren. "Dimitri Tiomkin’s Music Score for Resurrection." Journal of Film Music 11, no. 2 (2025): 73–95. https://doi.org/10.1558/jfm.26821.

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Dimitri Tiomkin’s first music score for a dramatic film was for Resurrection. The film was released in January 1931, at a tumultuous time in the early history of sound films. This article traces the production history of the music for the film through published material in newspapers and trade publications, including interviews with Tiomkin, and draws on some correspondence with the composer.

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Mulyadi, Ahmad Wisnu, Carmadi Machbub, Ary S. Prihatmanto, and Bong-Kee Sin. "Design of Music Learning Assistant Based on Audio Music and Music Score Recognition." Journal of Korea Multimedia Society 19, no. 5 (2016): 826–36. http://dx.doi.org/10.9717/kmms.2016.19.5.826.

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Geysen, Frans. "Toetsenstuk voor Lucien Goethals [Music Score]." Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 54 (2000): 127. http://dx.doi.org/10.2307/3686883.

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Boulez, Pierre. "Fragment de "Sur Incises" [Music Score]." Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 52 (1998): 33. http://dx.doi.org/10.2307/3686910.

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Anderson, Gillian B., and James L. Limbacher. "Keeping Score: Film Music, 1972-1979." American Music 3, no. 3 (1985): 354. http://dx.doi.org/10.2307/3051478.

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Dissertations / Theses on the topic "Music score"

1

Buck, Wayne A. "Triad fantasy : score and analysis /." View online, 2010. http://repository.eiu.edu/theses/docs/32211131527718.pdf.

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Real, Nicolas. "Flute Concerto [Score]." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/252808.

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Music Performance<br>D.M.A.<br>A doctoral thesis based on the Concerto No. 1 for Flute, String Orchestra and Percussion by Nicolas Real. Historic background and musical analysis of the work.<br>Temple University--Theses

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deLise, Louis Anthony. "Marimba Rossa [score I]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19940.

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Music Composition<br>Ph.D.<br>ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical traditio

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deLise, Louis Anthony. "Marimba Rossa [score II]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19952.

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Music Composition<br>Ph.D.<br>ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical traditio

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deLise, Louis Anthony. "Marimba Rossa [score III]." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19970.

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Music Composition<br>Ph.D.<br>ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical traditio

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Corlis, Timothy David Graham. "Documentation to accompany the music score : Missa Pax." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/47103.

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The Missa Pax (Peace Mass) is a nine-movement, thirty-three minute work for SATB chorus and large orchestra. The musical work resides within the tradition of the concert mass, an adjunct art form to the liturgical high-church mass. Through the use of style in rhythmic and harmonic language and through orchestration, the composer challenges aspects of the traditional form. These challenges to the boundaries of the art form create a strong metanarrative when considered from within the high-church tradition. This document serves three main purposes: (a) to offer a background into the composer’s o

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Li, Chenyin. "Piano performance : strategies for score memorisation." Thesis, City University London, 2007. http://openaccess.city.ac.uk/8530/.

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Accurate live performance demands that player equip him/herself with a secure memorisation of the work. Most professional pianists are familiar with the four aspects of music memory, namely Kinaesthetic, Aural, Visual and Analytical Memories. However, these may not be enough in themselves to ensure freedom from momentary memory lapses on the stage. After a discussion of issues concerned with psychological memory and music cognitive memory, the dissertation outlines a memory technique, here labelled MM, which draws on the use of music mnemonics. The technique is intended to help pianists retrie

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Bezzerides, Marianthe E. "Score analysis for music written for "Dead Man's Bluff"." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10024094.

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<p> The process of writing music for a film involves preliminary discussions between the composer and filmmakers where decisions are made on how to create an effective score that supports the story. This project report explores the composition process of <i>Dead Man’s Bluff</i>, a short film noir story directed by Franklin Guerrero, Jr., produced by Calvin Green, Sandra McCurdy and Matt Carmody. In this project, one musical motive representing the <i>femme fatale</i> character is used to create the framework for the entire score. Variations in the musical motive demonstrate nuances in

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Tronerud, Nathanael D. ""Maly Trebacz"| An original score for a short animated film." Thesis, California State University, Long Beach, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1524171.

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<p> This project report will provide a description and analysis of the original musical score, as composed and arranged by the author, for the short animated film <i>Ma&lstrok;y Tre¸bacz,</i> which was produced in collaboration with the film's director, Monica Kozlowski. It will detail the process of the music's composition, including those decisions which were made whilst scoring the picture, the reasons and justifications for so doing, a scene-by-scene analysis of the film and accompanying music, background information concerning the film's origins and influences (including the histori

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Skinner, Julian Harry. "A new score for Pandora's Box (Pabst, 1929)." Thesis, Bournemouth University, 2011. http://eprints.bournemouth.ac.uk/18394/.

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This work considers the relationship between music and silent film focussing particularly on the areas that inform the composition of a new score for the film Pandora’s Box (Pabst, 1929). The paper begins with a consideration of the origins of the narrative and a discussion about the relationships between Wedekind’s originating plays and Pabst’s film. The discourse explores the way in which the new score is informed by the understanding of Pabst’s work as being both modernising and reductive. Through an examination of the organisation of the plot, it establishes the rationale behind the organi

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Books on the topic "Music score"

1

Liang, Hai Ying. A music score editor. UMIST, 1997.

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1952-, Schwarz David, Kassabian Anahid, and Siegel Lawrence, eds. Keeping score: Music, disciplinarity, culture. University Press of Virginia, 1997.

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King, Jeff, and Richard Williams. Conductor Score. Neil A. Kjos Music Company, 1998.

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West Sussex County Council Library Service. Music score sets arranged by composer: A list of music score scores available for loan from West Sussex Libraries. West Sussex County Council, 1996.

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Exploring Music Literature - Score Anthology (Exploring Music Literature, Score Anthology). Schirmer Books, 1999.

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Exploring Music Literature - Score Anthology (Exploring Music Literature, Score Anthology). Schirmer Books, 1999.

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Elegy: Score. Faber & Faber, Limited, 2010.

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Ravel, Maurice. La Valse: In Full Score (Dover Miniature Scores). Dover Publications, 2004.

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Bennighof, James. Silent Music: Vocal Score. Oxford University Press, 2001.

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Arrighini, Vincenzo. Pentagram - Music Score: Vertical. Independently Published, 2019.

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Book chapters on the topic "Music score"

1

Feldman, Evan, and Ari Contzius. "Score Study." In Instrumental Music Education. Routledge, 2020. http://dx.doi.org/10.4324/9780429028700-12.

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Szafranski, Bartosz. "Score Scroll." In Innovation in Music. Routledge, 2019. http://dx.doi.org/10.4324/9781351016711-21.

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Feldman, Evan, and Ari Contzius. "Score Study." In Instrumental Music Education, 4th ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003366157-14.

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Rowley, Jennifer, Dawn Bennett, and Anna Reid. "Rewriting the score." In Expanding Professionalism in Music and Higher Music Education. Routledge, 2021. http://dx.doi.org/10.4324/9781003108337-6.

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Pazel, Donald P. "Score Representation." In Music Representation and Transformation in Software. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-97472-5_9.

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Leman, Marc. "Orchestra Score in CSOUND." In Music and Schema Theory. Springer Berlin Heidelberg, 1995. http://dx.doi.org/10.1007/978-3-642-85213-8_14.

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Arifi, Vlora, Michael Clausen, Frank Kurth, and Meinard Müller. "Score-PCM Music Synchronization Based on Extracted Score Parameters." In Computer Music Modeling and Retrieval. Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/978-3-540-31807-1_15.

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Emmerson, Simon. "Analysing Non-Score-Based Music." In Noise as a Constructive Element in Music. Routledge, 2022. http://dx.doi.org/10.4324/9781003307020-9.

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Beran, Tomáš, and Tomáš Macek. "Recognition of Printed Music Score." In Machine Learning and Data Mining in Pattern Recognition. Springer Berlin Heidelberg, 1999. http://dx.doi.org/10.1007/3-540-48097-8_14.

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Hexel, Vasco. "Original Score (Bespoke Composed Underscore)." In 50 Movie Music Moments. Routledge, 2023. http://dx.doi.org/10.4324/9781003280897-2.

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Conference papers on the topic "Music score"

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Li, Zhigang. "Barcode Music Score." In 2018 9th International Conference on Information Technology in Medicine and Education (ITME). IEEE, 2018. http://dx.doi.org/10.1109/itme.2018.00095.

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Li, Chuanzhen, Jiaqi Zhao, Juanjuan Cai, Hui Wang, and Huaichang Du. "Optical Music Notes Recognition for Printed Music Score." In 2018 11th International Symposium on Computational Intelligence and Design (ISCID). IEEE, 2018. http://dx.doi.org/10.1109/iscid.2018.00071.

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Timoshenko, Maria. "Seeing into the music score." In ETRA '18: 2018 Symposium on Eye Tracking Research and Applications. ACM, 2018. http://dx.doi.org/10.1145/3204493.3207415.

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Kobayakawa, Tatsu. "Auto music score recognizing system." In IS&T/SPIE's Symposium on Electronic Imaging: Science and Technology, edited by Donald P. D'Amato. SPIE, 1993. http://dx.doi.org/10.1117/12.143612.

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Deconto, Diogo Steinke, Erick Luiz Fontoura Valenga, and Carlos N. Silla. "Automatic Music Score Difficulty Classification." In 2023 30th International Conference on Systems, Signals and Image Processing (IWSSIP). IEEE, 2023. http://dx.doi.org/10.1109/iwssip58668.2023.10180249.

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Ferreira, Gilberto, Marisa Pinheiro, and J. C. Silva. "Floating Music Score: System Design." In 2022 22nd International Conference on Computational Science and Its Applications (ICCSA). IEEE, 2022. http://dx.doi.org/10.1109/iccsa57511.2022.00012.

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Schmucker, Martin, and Hongning Yan. "Music score watermarking by clef modifications." In Electronic Imaging 2003, edited by Edward J. Delp III and Ping W. Wong. SPIE, 2003. http://dx.doi.org/10.1117/12.477298.

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Busch, Christoph, Paolo Nesi, Martin Schmucker, and Marius B. Spinu. "Evolution of music score watermarking algorithm." In Electronic Imaging 2002, edited by Edward J. Delp III and Ping W. Wong. SPIE, 2002. http://dx.doi.org/10.1117/12.465275.

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Deng, Kaiyuan. "Vocal Score and Piano Score The Interaction Between Chamber Music and Vocal Music of Chinese Composers." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.29.

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Raphael, Christopher, and Rong Jin. "Optical music recognition on the International Music Score Library Project." In IS&T/SPIE Electronic Imaging, edited by Bertrand Coüasnon and Eric K. Ringger. SPIE, 2013. http://dx.doi.org/10.1117/12.2040247.

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Reports on the topic "Music score"

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Kvalbein, Astrid. Wood or blood? Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481278.

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Wood or Blood? New scores and new sounds for voice and clarinet Astrid Kvalbein and Gjertrud Pedersen, Norwegian Academy of Music What is this thing called a score, and how do we relate to it as performers, in order to realize a musical work? This is the fundamental question of this exposition. As a duo we have related to scores in a variety of ways over the years: from the traditional reading and interpreting of sheet music of works by distant (some dead) composers, to learning new works in dialogue with living composers and to taking part in the creative processes from the commissioning of a

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Zuo, Lingyan, Fengting Zhu, Rui Wang, Hongyan Shuai, and Xin Yu. Music intervention affects the quality of life on Alzheimer’s disease: a meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2021. http://dx.doi.org/10.37766/inplasy2021.12.0055.

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Review question / Objective: Inclusion criteria: population: 1) A randomized controlled study on the impact of music intervention on the QOL of patients with AD; 2) The participants in this study is patients with AD; 3) There is no significant difference among age, gender and education background in sorted groups before analysis which make these groups comparable; intervention: 1)Intervention Modality Music-based intervention; comparison: 1) All data were sorted into two groups: the music intervention group and the control group without any music intervention; outcome: 1) The indicators evalua

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Pedersen, Gjertrud. Symphonies Reframed. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481294.

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Symphonies Reframed recreates symphonies as chamber music. The project aims to capture the features that are unique for chamber music, at the juncture between the “soloistic small” and the “orchestral large”. A new ensemble model, the “triharmonic ensemble” with 7-9 musicians, has been created to serve this purpose. By choosing this size range, we are looking to facilitate group interplay without the need of a conductor. We also want to facilitate a richness of sound colours by involving piano, strings and winds. The exact combination of instruments is chosen in accordance with the features of

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Keogh, Brendan, Dan Golding, and Taylor Hardwick. Australian Music and Games 2023 Benchmark. Queensland University of Technology and Swinburne University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.243139.

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Digital games are a global cultural force, of which music is a foundational aspect. Music is crucial for digital games to develop atmosphere, convey narratives, and frame player interactions. At the same time, digital games provide musicians exciting new opportunities to experiment with dynamic, adaptive, and non-linear music structures. However, writing, producing, licensing, and implementing music for digital games also poses new challenges to existing screen music practices and business models. This benchmark is the first ever investigation into the scope and scale of Australia’s game music

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Maia, Maercio, Abrahão Baptista, Patricia Vanzella, Pedro Montoya, and Henrique Lima. Neural correlates of the perception of emotions elicited by dance movements. A scope review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2023. http://dx.doi.org/10.37766/inplasy2023.2.0086.

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Review question / Objective: The main question of the study is "how do dance neuroscience studies define and assess emotions?" The main objective is to establish, through the available literature, a scientific overview of studies in dance neuroscience that address the perception of emotions in the context of neuroaesthetics. Specifically, it is expected to verify if there is methodological homogeneity in studies involving the evaluation of emotions within the context of dance neuroscience; whether the definition of emotion is shared in these studies and, furthermore, whether in multimodal stud

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Duch, Michael. Performing Hanne Darboven's Opus 17a and long duration minimalist music. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481276.

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Hanne Darboven’s (1941-2009) Opus 17a is a composition for solo double bass that is rarely performed due to the physical and mental challenges involved in its performance. It is one of four opuses from the composers monumental 1008 page Wünschkonzert (1984), and was composed during her period of making “mathematical music” based on mathematical systems where numbers were assigned to certain notes and translated to musical scores. It can be described as large-scale minimalism and it is highly repetitive, but even though the same notes and intervals keep repeating, the patterns slightly change t

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