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Relevant bibliographies by topics / Music, scottish

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Academic literature on the topic 'Music, scottish'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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Journal articles on the topic "Music, scottish"

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CHISHOLM, LEON. "WILLIAM MCGIBBON AND THE VERNACULARIZATION OF CORELLI'S MUSIC." Eighteenth Century Music 15, no. 2 (2018): 143–76. http://dx.doi.org/10.1017/s1478570618000039.

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ABSTRACTIn his 1720 poem ‘To the Musick Club’ Allan Ramsay famously called upon an incipient Edinburgh Musical Society to elevate Scottish vernacular music by mixing it with ‘Correlli's soft Italian Song’, a metonym for pan-European art music. The Society's ensuing role in the gentrification of Scottish music – and the status of the blended music within the wider contexts of the Scottish Enlightenment and the forging of Scottish national identity – has received attention in recent scholarship. This article approaches the commingling of vernacular and pan-European music from an alternative pers

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Nelson, Claire. "Scottish chamber music." Early Music XXIX, no. 3 (2001): 461–63. http://dx.doi.org/10.1093/earlyj/xxix.3.461.

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Williamson, Magnus. "Early Scottish music." Early Music XXV, no. 3 (1997): 489–91. http://dx.doi.org/10.1093/earlyj/xxv.3.489.

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Mantie, Roger, Jonathan Bayley, Kari Veblen, Kirsten Allstaff, and Danielle Sirek. "Considering musical communities online and offline: A dedication to the life and work of Janice Waldron (13 April 1957–7 November 2022)." International Journal of Community Music 16, no. 1 (2023): 113–23. http://dx.doi.org/10.1386/ijcm_00078_1.

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Janice Waldron (1957–2022), professor at the University of Windsor (Canada), was an accomplished musician, teacher and researcher. Her scholarly passions revolved around informal music learning practices, online and offline music communities, social media and music learning, and Irish and Scottish traditional musics. In this dedication to Waldron, five friends and colleagues – Kari Veblen, Jonathan Bayley, Kirsten Allstaff, Danielle Sirek and Roger Mantie – offer reflections on her life and work and the legacy she has left for scholars and practitioners of community music.

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Purser, J. "Scottish strains." Early Music 37, no. 1 (2009): 121–23. http://dx.doi.org/10.1093/em/can150.

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Woods, Isobel. "‘Our Awin Scottis Use’: Chant Usage in Medieval Scotland." Journal of the Royal Musical Association 112, no. 1 (1987): 21–37. http://dx.doi.org/10.1093/jrma/112.1.21.

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In September 1507, James IV of Scotland issued a licence to the Edinburgh printers Chepman and Millar to produce, among other books, mass books, manuals, matin books and breviaries ‘efter our awin Scottis use’. This same licence (see Appendix 1) prescribes that these new books be used throughout Scotland and that all imports according to Salisbury use be banned. This Scottish use, therefore, was considered to be a separate entity – but what was it?

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Holman, P. "English and Scottish instrumental music." Early Music 42, no. 2 (2014): 307–9. http://dx.doi.org/10.1093/em/cau047.

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Kay, Anthony. "Scottish weather in Mendelssohn's music." Weather 67, no. 3 (2012): 83. http://dx.doi.org/10.1002/wea.1914.

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Noden, Shelagh. "The Revival of Music in the Post-Reformation Catholic Church in Scotland." Recusant History 31, no. 2 (2012): 239–60. http://dx.doi.org/10.1017/s0034193200013595.

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This article presents a narrative description of the state of music in the Scottish Catholic Church from the Reformation up to the publication of George Gordon’s collection of church music c.1830. For the first two hundred years after the Reformation, Scottish Catholics worshipped in virtual silence owing to the oppressive penal laws then in force. In the late eighteenth century religious toleration increased and several members of the clergy and other interested parties attempted to reintroduce singing into the worship of the Scottish Catholic Church. In this they were thwarted by the ultra-c

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Mikusi, Balazs. "Mendelssohn's "Scottish" Tonality?" 19th-Century Music 29, no. 3 (2006): 240–60. http://dx.doi.org/10.1525/ncm.2006.29.3.240.

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Several of Mendelssohn's minor-mode songs, duets, and choral songs feature a peculiar tonal move: a sudden shift takes us to the relative major (without a "modulation" proper), but the opening minor key soon returns equally abruptly (via its V). Closer examination of these pieces suggests that the composer used the major-mode excursus as a topos, whose associations include the ideas of farewell, wandering, and distance (the latter both in the geographical and chronological sense, in accordance with the shift's quasi-modal--thus equally exotic and archaic--character). I suggest that this topos

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Dissertations / Theses on the topic "Music, scottish"

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Olson, Ted. "Scottish Culture: Scottish and Scots-Irish Music." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1199.

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Stevenson, William. "Excellence in Scottish church music." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14473.

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Two propositions are advanced in the present study: firstly, national, not theological, attitudes have been the main influence on Scottish church music from the earliest days to the present; secondly, the present vitality of Scottish music can be traced back to a 19th-century search for musical excellence in church services by clergy, precentors and organists. Until the 19th century Scottish church music reflected a national indifference to music in general. Neither in pre-Reformation nor post-Reformation times is there completely convincing evidence of high-quality secular musical activity be

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Stell, Evelyn Florence. "Sources of Scottish instrumental music 1603-1707." Thesis, University of Glasgow, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323238.

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Anderson, Kirstin. "Music education and experience in Scottish prisons." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/9598.

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This research presents the first empirical study of music provision in Scottish prisons and explores the potential benefits of music engagement for prisoners, with a focus on young offenders’ experience. The scope of the study begins with an investigation into music provision in prisons throughout Scotland by means of a small-scale survey. This survey showed that despite a lack of documentation, music is currently present in Scottish prisons and has been previously, albeit intermittently. Music provision included a range of activity: learning how to play musical instruments, singing, music the

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Munro, Gordon James. "Scottish church music and musicians, 1500-1700." Thesis, Connect to e-thesis, 1999. http://theses.gla.ac.uk/882/.

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Noltingk, Jacqueline Susan. "The Scottish orchestras and new music, 1945-2015." Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/8727/.

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This dissertation critically examines the presentation of new music in live concerts by three Scottish orchestras. It considers what they have commissioned, what performed, the context in which the music has been programmed, and who was involved. The orchestras are the three which are established on a permanent basis and give regular subscription series in Scotland: the BBC Scottish Symphony, Royal Scottish National, and Scottish Chamber Orchestras. The study contributes to the debate around classical music programming of new music, taking these orchestras as examples. It asks how in practice

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Glen, Katherine Marshall. "Expressive microtimings and groove in Scottish Gaelic fiddle music." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/54477.

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This project examines how “groove” can be created through the microtimings of a solo instrument, rather than as discrepancies between multiple instruments or parts, as is often the case in similar studies. Groove is the nuanced rhythmic element of music in which microtiming patterns play upon listeners’ bodies in complex ways and stimulate movement. My study focuses on the reel, a type of dance tune used in the Scottish Gaelic tradition. Despite the repetitiveness and relative simplicity of the melody in this genre, these tunes have been widely played and performed for many years, and this see

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Clements, Joanna. "The creation of 'ancient' Scottish music history, 1720-1838." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4699/.

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This thesis examines the writing of Scottish music history from the 1720s to 1838. It concludes that the Scottish music histories written over this period were fundamentally shaped by the interaction of ideas about universal historical progress with ideas specific to the Scottish context of the work. Ramsay’s pioneering claims that Scots songs were ancient were supported by parallels between the features of song – simplicity, pastorality and naturalness - and ideas about the nature of the past held more widely. The contrasts he drew with Italian music and English verse further supported his cl

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McKerrell, Simon Alasdair. "Scottish competition bagpipe performance : sound, mode and aesthetics." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/4809.

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This study is an ethnomusicological analysis of Scottish competition bagpiping, examining three fundamental aspects of performance: sound aesthetics, performance aesthetics and the modal complex of the core repertoire. Through a mixture of discussions, modal analysis and reflections upon performance, it deconstructs the music of the 2/4 competition pipe march and the aesthetics surrounding competition performance. Focussing on a small number of the world's leading Highland bagpipers, this research demonstrates how overall sound combined with the individual choices about repertoire and how to p

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Sparling, Heather. "Puirt-a-beul an ethnographic study of mouth music in Cape Breton /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ56204.pdf.

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Books on the topic "Music, scottish"

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Media, London College of Music and. Scottish traditional music. LCM, 1999.

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Centre, Scottish Music Information. Scottish Music Information Centre. [The Centre], 1985.

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Royal Scottish Country Dance Society. Music for 8 Scottish country dances. Royal Scottish Country Dance Society, 1985.

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Olson, Ian A. Scottish contemporary music and song: An introduction. Carl Winter, 1989.

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Council, Scottish Arts. Music strategy, 2002-2007. Scottish Arts Council, 2002.

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William, Donaldson. The Highland pipe and Scottish society, 1750-1950. John Donald, 2008.

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Johnson, David. Scottish fiddle music in the 18th century: A music collection and historical study. 2nd ed. Mercat Press, 1997.

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Scotland, National Museums of, ed. Rip it up: The story of Scottish pop. NMS Enterprises Limited, 2018.

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Metier, ed. Music performance: National and Scottish vocational qualification level 4. Metier, 1997.

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Davidson, Robert. Dod the cat: Some original Scottish fiddle tunes composed by Robert Davidson. The author, 2000.

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Book chapters on the topic "Music, scottish"

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Forbes, Kenny. "Scottish Live Music History." In Made in Scotland. Routledge, 2023. http://dx.doi.org/10.4324/9781003247470-5.

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Frith, Simon. "The Fiction of Scottish Music." In Made in Scotland. Routledge, 2023. http://dx.doi.org/10.4324/9781003247470-18.

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Golding, Rosemary. "Anon., ‘Ancient Scottish Music: The Skene MS’." In Music in Nineteenth-Century Britain. Routledge, 2022. http://dx.doi.org/10.4324/9781003003915-43.

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Kim, Hanah. "Scottish Education: A Model for Strengthening Mental Health—A Case Study in Inclusive Scottish Primary Schools." In Advances in Speech and Music Technology. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-6881-1_28.

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Golding, Rosemary. "J.S. Blackie, ‘Songs, Popular, of the Scottish Highlanders’." In Music in Nineteenth-Century Britain. Routledge, 2022. http://dx.doi.org/10.4324/9781003003915-23.

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McAulay, Karen E. "The Saleability of Scottish (and Irish) Songs." In A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880–1951. Routledge, 2024. http://dx.doi.org/10.4324/9781003347460-4.

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Pedersen, Sarah. "The Scottish suffragettes and the press." In Women’s Suffrage in Word, Image, Music, Stage and Screen. Routledge, 2021. http://dx.doi.org/10.4324/9780429344534-6.

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Smith, Neil Thomas, and Peter Peters. "9. Roundtable 3." In Classical Music Futures. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0353.09.

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Classical music is often seen as a practice that struggles to react to contemporary events. Yet, it does register societal changes, with perhaps the most important being climate change. There is a sense of urgency, as well as a need for concrete action on this topic within the field. This chapter discusses how the classical music sector might respond. In this roundtable, Peter Peters is joined by four panellists with a stake in the issue: Teemu Kirjonen, general manager of the Finnish Lahti Symphony Orchestra, an orchestra that decided to go carbon neutral; Detlev Grooß from Germany, a violist

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Smith, Neil Thomas. "1. Roundtable 1." In Classical Music Futures. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0353.01.

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This chapter looks at approaches to urgent issues around equality, inclusion and diversity within classical music today through the lens of volume’s main theme: the future. The discussion covers three arenas in which efforts to increase representation in terms of gender, race and – to a lesser extent – class are well underway, though still with significant steps still to take for parity to be achieved. These are: music higher education, community projects undertaken by orchestras, and festivals of new music. Each author provides a snapshot of the issues at stake in these different areas of cla

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McAulay, Karen E. "Publishing ‘Classical’ Music in Scotland." In A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880–1951. Routledge, 2024. http://dx.doi.org/10.4324/9781003347460-8.

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Conference papers on the topic "Music, scottish"

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West, Nicola, Tamara Rathcke, and Rachel Smith. "Timing in speech and music of contemporary English and Scottish composers." In Speech Prosody 2022. ISCA, 2022. http://dx.doi.org/10.21437/speechprosody.2022-109.

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Istileulova, Yelena. "STEAM Approach: SMS (Stories Based on Music about Scientists) on Artificial Intelligence Created by Jacob Bruce (1669–1735)." In Socratic lectures 10. University of Lubljana Press, 2024. http://dx.doi.org/10.55295/psl.2024.ii15.

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Abstract: The proposed theme of this paper is how "Arts" and "Science," with the inclusion of the topic of "Health", can be combined through a story based on research about innovation in the Past. The goal of this paper is threefold. First, to present a research-based story about Jacob Bruce (1669–1735), a scholar of Scottish descent born in Moscow, and his innovation – the prototype of Artificial Intelligence, humanoid robot. Second, to illustrate the new experimental interdisciplinary method of storytelling - SMS (Stories based on Music about Scientists), a novel approach that integrates Art

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