Log in

Relevant bibliographies by topics / Music – Semiotics / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Music – Semiotics.

Dissertations / Theses on the topic 'Music – Semiotics'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Music – Semiotics.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Curry, Ben. "Reading conventions, interpreting habits : Peircian semiotics in music." Thesis, Cardiff University, 2011. http://orca.cf.ac.uk/54429/.

Full text

Abstract:

The influence of Peircian semiotics on the study of music has grown during the last two decades due to the recognition of Robert Hatten's achievements, a major study by Naomi Cumming, the prolific final years of Raymond Monelle and the continued success of Eero Tarasti's work with the International Association of Semiotic Studies. Peirce's thought is extraordinarily rich and rigorous but this thesis identifies a tendency amongst musicologists deploying Peircian thought to reinscribe a number of ideological convictions. In broad terms these convictions can be described as the reification and le

APA, Harvard, Vancouver, ISO, and other styles

2

Dougherty, William Patrick. "An Examination of Semiotics in Musical Analysis: The Neapolitan Complex in Beethoven's Op.131." The Ohio State University, 1985. http://catalog.hathitrust.org/api/volumes/oclc/23645007.html.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Kannisto, Viktor. "Varifrån får jag allt? : En självstudie i bruket av tecken i komposition." Thesis, Karlstads universitet, Institutionen för konstnärliga studier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-41067.

Full text

Abstract:

I denna studie utforskas komposition ur ett semiotiskt perspektiv, och hur olika ”tecken” används i komposition för att förmedla något. Studiens syfte är att utforska semiotiska tecken vid komponerande av ett stycke musik, och studiens forskningsfrågor är: Vilka semiotiska tecken använder jag mig av när jag komponerar programmusik? Hur använder jag mig av dessa tecken i min komposition? Metoden som använts är ljudinspelningar av den komponerade musiken samt mina högt uttalade reflektioner över det som sker. Resultatet visar att jag som kompositör använder mig av tre olika teckentyper, indexika

APA, Harvard, Vancouver, ISO, and other styles

4

McGuire, Meghan S. "Covering Music: Tracing the Semiotics of Beatles'Album Covers Through the Cultural Circuit." Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1112552888.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

McGuire, Meghan. "Covering music : tracing the semiotics of Beatles album covers through the cultural circuit." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1112552888.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Potgieter, Liske. "Deconstructing Disney's diva: a feminist psychoanalytic critique of the singing princess." Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/3379.

Full text

Abstract:

This study contributes to the discourse of the body and the voice in feminist psychoanalysis and psychoanalytic film theory by exploring the currently under-theorised notion of the singing body in particular, as this notion finds manifestation in Disney's Singing Princess. Analyses of musical coding and other filmic tropes follow the trajectory of the Singing Princess across thirteen Disney Princess films - from her first appearance in Snow White and the Seven Dwarfs (1937) through to her most recent manifestation as Elsa in Frozen (2013) - to reveal deeper insight into what she sings, how she

APA, Harvard, Vancouver, ISO, and other styles

7

Lewis, Paul. "A model for culture-independent music analysis : 'sounding form' and musical communication." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361468.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Hanby, Gary T. "The Status Is Not Quo: Unraveling Music Videos." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6600.

Full text

Abstract:

The Utah State Standards for media arts are general and therefore give teachers a great deal of freedom in how they present the content for media arts courses. How the teacher engages students and project assignments are left to the teacher as they walk the students through the process of making films. This thesis explores how an art teacher might use music videos to teach filmmaking techniques and engage students in the process of meaning making. My research hypothesis is that, by educating students to understand and interpret the messages they consume through media, I can help them recognize

APA, Harvard, Vancouver, ISO, and other styles

9

Pozderac-Chenevey, Sarah. "The Narrative Function of Pre-existing Music in Video Games." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1562060451119602.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Morrison, Elizabeth Aileen Carmen. "The dead/ly feminine : violence and eroticism in three expressionist operas." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38245.

Full text

Abstract:

This dissertation is an extended study of how representations of violence inhabit operatic works, on a literary as well as musical level. Employing recent critical and theoretical developments in philosophy, psychoanalysis, linguistics and feminist theory, this study probes into issues surrounding gender/alterity and subject formation, as well as the aesthetics of violence within fin-de-siecle culture. The main goals of the dissertation are (1) to analyze from a philosophical and psychoanalytical point of view the notion of the feminine and its persistent conjunction with death, eroticism and

APA, Harvard, Vancouver, ISO, and other styles

11

Oliveira, Luis Felipe. "A emergência do significado em música." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/283929.

Full text

Abstract:

Orientadores: Jônatas Manzolli, Willem F. G. Haselager<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-16T18:04:05Z (GMT). No. of bitstreams: 1 Oliveira_LuisFelipe_D.pdf: 3719548 bytes, checksum: fa35cf5b80f4277f08a5ebe3b1baf89d (MD5) Previous issue date: 2010<br>Resumo: O objetivo desta tese é apresentar um modelo fenomenológico e semiótico dos processos de significação em música, tendo como apoio conceitual e teórico a filosofia de C.S. Peirce. O conceito de significado musical ou o entendimento de como a música se torna si

APA, Harvard, Vancouver, ISO, and other styles

12

Gobbi, Valeria. "As significações da percepção na apreciação musical." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/32162.

Full text

Abstract:

Esta tese situa a temática das significações da percepção na apreciação musical, com base nos referenciais piagetiano e peirciano, nos quais foram privilegiadas noções referentes às manifestações simbólicas na música pelos sujeitos que participam de atividades didáticopedagógicas em cursos realizados em contextos diversos que visam à educação musical. Busca-se investigar como se manifestam nos pronunciamentos verbais dos participantes das sessões de apreciação musical desses cursos as percepções livres, entendidas como o sensível, mais diretamente ligadas a impressões variadas dos sujeitos, e

APA, Harvard, Vancouver, ISO, and other styles

13

Baker, Melody. "Finding Meaning in the Music of David Maslanka." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492526406064583.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Yang, Chaul. "Solo Violin in Gustav Mahler's Symphonic Works as a Musical Sign." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062824/.

Full text

Abstract:

Noted for both vocal and symphonic output, Gustav Mahler's musical sophistication constantly puzzled scholars in the past decades. In his symphonic works, the mixed forms and styles in combination with the vocal influence make it abstruse for listeners to detect the meaning of the use of traditional instruments. The solo violin, which has an extensive history of appearing in symphonic compositions since the Baroque era, is an instance of a traditional instrument given an unusual function. For instance, Mahler's violin solos do not tend to showcase the virtuosity of the instrument as they norma

APA, Harvard, Vancouver, ISO, and other styles

15

Junior, Diocleyr Baulé. "(Plano do) conteúdo musical: reflexões acerca da espacialidade do sentido na música." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-17112015-130016/.

Full text

Abstract:

Esta dissertação é composta de quatro capítulos. O primeiro, de caráter lexicográfico, explora os campos semânticos de oito termos capciosos comuns às teorias linguística, narrativa, semiótica e musical. O Segundo faz uma analogia entre sistema musical e língua natural segundo oito princípios que delimitamos do pensamento saussuriano. O terceiro cuida do sentido musical imanente defendido pelos analistas de música, afilhados do pensamento de Hanslick, da escola formalista dos séculos XIX e XX. O quarto, e último capítulo, intitulado hermenêutica, trata das linhas que criativamente extraem sent

APA, Harvard, Vancouver, ISO, and other styles

16

Sivy, Robert Jacob. "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY." UKnowledge, 2019. https://uknowledge.uky.edu/music_etds/149.

Full text

Abstract:

English progressive rock band Gentle Giant is catalogued under the progressive (or “prog”) rock genre for a variety reasons, including unique instrumentation, virtuosity, and interesting/unconventional musical attributes. The complexity of their music is often warranted by the sophisticated concepts behind their albums and the deep messages of their songs. The Power and the Glory (TPatG), Gentle Giant’s sixth studio album, is a concept album that emphasizes the rise and corruption of power. What makes their music, especially TPatG, worthy of scholarly attention beyond the simple examination of

APA, Harvard, Vancouver, ISO, and other styles

17

Luttrell, Briony M. "A cultural semantics of string arrangement for recorded Popular music: A model for analysis and practice." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/108032/2/Briony_Luttrell_Thesis.pdf.

Full text

Abstract:

This thesis contributes new knowledge about writing and analyzing string arrangements for recorded Popular music. I show how string arrangements can be categorized under one of seven distinct styles that are made coherent and meaningful through their identification with specific social and cultural institutions. The string styles are derived from and situated in a cultural and historical corpus of 500 albums released between 1952 and 2011. The thesis offers a new way for arrangers to analyze examples of practice, inform new creative work, and communicate with other musical professionals about

APA, Harvard, Vancouver, ISO, and other styles

18

Downs, Benjamin Michael. "A Critical Narrative Interpretation of John Corigliano's Etude Fantasy." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169173.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Daunoravičienė, Gražina. ""Baltos lankos": Texte und Interpretationen - Almanach der Musiksemiotik, Vilnius (Baltos lankos), 1997, 246 S. (litauisch) [Rezension]." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-225417.

Full text

Abstract:

Die neunte Nummer des Almanachs "Baltos lankos" ist der Musiksemiotik gewidmet. Der Almanach "Baltos lankos" wurde von dem der Gründer der französischen Semiologieschule, dem Litauer Algirdas Julius Greimas, ins Leben gerufen.

APA, Harvard, Vancouver, ISO, and other styles

20

Clavere, Javier. "Semiotic Analysis of Osvaldo Golijov’s Musical Setting of the Passion Narrative in La Pasión según San Marcos." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227221958.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Dietrich, Peter. "Araçá azul: uma análise semiótica." Universidade de São Paulo, 2003. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-15122003-222743/.

Full text

Abstract:

Lançado no Brasil em 1973, o LP Araçá Azul é considerado a mais radical experiência tropicalista já realizada. Ela é obra do cantor e compositor baiano Caetano Veloso, um dos maiores e mais fecundos pensadores da cultura brasileira, que na época do lançamento deste LP já gozava de enorme prestígio junto ao público local, principalmente devido ao enorme sucesso da canção Alegria, alegria. Este disco é o primeiro a ser lançado depois do retorno do exílio do compositor em Londres imposto pela ditadura militar. Essa combinação de fatores faz do Araçá Azul uma obra sui generis na história da músi

APA, Harvard, Vancouver, ISO, and other styles

22

Larson, Eduardo. "Desafinando o coro dos contentes : o discurso polifonico em canções tropicalistas." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284759.

Full text

Abstract:

Orientador: Jose Roberto Zan<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-06T15:03:31Z (GMT). No. of bitstreams: 1 Larson_Eduardo_M.pdf: 2295248 bytes, checksum: 8be29494f35e0d46248af514d0a34ff3 (MD5) Previous issue date: 2006<br>Resumo: O trabalho que aqui se apresenta tem como fio condutor a verificação de como se dá a construção do sentido através de procedimentos polifônicos na canção popular. Polifonia entendida não por sua acepção musicológica, mas pela noção advinda dos estudos da linguagem: as muitas "vozes"

APA, Harvard, Vancouver, ISO, and other styles

23

Pinson, Koren Heather. "The music behind the image : a study of the social and cultural identity of jazz /." View abstract, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3266067.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Jeffery, Christopher. "Serial meaning : a semiotic/narratological analysis of Arnold Schoenberg's Third string quartet, first movement." Thesis, Stellenbosch : Stellenbosch University, 2005. http://hdl.handle.net/10019.1/50448.

Full text

Abstract:

Thesis<br>ENGLISH ABSTRACT: The aim of this study is to contribute to the investigation of the methods in which serial technique expresses meaning in the first movement of Arnold Schoenberg's Third Quartet, Op.30. It aims to add to the debate concerning Schoenberg's use of conventional formsparticularly sonata form-in his serial music, by investigating how he manipulates the row to playa narrative function, seemingly in opposition to its homogeneous nature. The analytical section consists of a semiotic analysis based on the work of Jean- Jacques Nattiez. It incorporates a narratologica

APA, Harvard, Vancouver, ISO, and other styles

25

Hopwood, Paul Andrew. "Frank Bridge and the English pastoral tradition." University of Western Australia. School of Music, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0017.

Full text

Abstract:

This study's thesis is that instances of pastoralism in the works of Frank Bridge from 1914 to 1930 demonstrate a gradual darkening of his pastoral vision, and evince his increasingly complex relationship with the genre of pastoral music that flourished in English music in the early twentieth century (referred to in this study as 'the English pastoral tradition'). The study traces the change from the sensual and romantic idyll of Summer (1914-15), through progressively more ambiguous and darker manifestations of pastoral, and eventually to a bleak anti-pastoral vision in Oration (1930). This t

APA, Harvard, Vancouver, ISO, and other styles

26

Fernandes, Cleyton Vieira. "Semiótica e construção do sentido no discurso musical: propostas teóricas e aplicações." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-08112012-110808/.

Full text

Abstract:

O pesquisador que opta pela Semiótica de linha francesa para o desenvolvimento de seu projeto acadêmico, lança sua âncora nos estudos da linguagem humana e encontra um arcabouço teórico inaugurado por Saussure no Curso de Linguística Geral (Saussure, 1997). Partindo desta base teórica, discutiremos a pertinência da aplicação dos princípios da Teoria Semiótica, também chamada greimasiana, na análise do discurso musical. Num primeiro momento, apresentaremos um modelo de apreensão do objeto estético a partir de elementos extraídos da obra Da imperfeição, onde Greimas discute o Acontecimento Estés

APA, Harvard, Vancouver, ISO, and other styles

27

Dietrich, Peter. "Semiótica do discurso musical: uma discussão a partir das canções de Chico Buarque." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-12012009-155735/.

Full text

Abstract:

Ao longo das últimas três décadas observamos o progressivo interesse que a semiótica da canção popular desenvolvida por Luiz Tatit a partir da semiótica greimasiana vem despertando no meio acadêmico. Situada na fronteira dos domínios da lingüística e da música, e justamente por isso, a canção se apresenta como um objeto de difícil análise. Teorias específicas para o componente verbal e musical raramente se compatibilizam a ponto de permitirem uma análise homogênea. O êxito obtido até agora pela semiótica greimasiana pode em parte ser explicado por sua forte vocação para a multidisciplinaridade

APA, Harvard, Vancouver, ISO, and other styles

28

Mohammadi, Behrang. "The semiotics of artificial and natural reverberation in underground electronic club music : How DJs use performance space acoustics and reverberation to shape sound." Thesis, Luleå tekniska universitet, Medier ljudteknik och upplevelseproduktion och teater, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-68739.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Coelho, Márcio Luíz Gusmão. "O arranjo como elemento orgânico ligado à canção popular brasileira: uma proposta de análise semiótica." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-27112007-153845/.

Full text

Abstract:

Baseada na teoria semiótica, nos estudos realizados por Mikhail Bakhtin sobre a assunção do discurso alheio e principalmente na teoria erigida por Luiz Augusto de Moraes Tatit (Semiótica da Canção), a tese O Arranjo como Elemento Orgânico Ligado à Canção Popular Brasileira: uma proposta de análise semiótica tem como objetivo precípuo demonstrar que, assim como o criador da Semiótica da Canção convincentemente instituiu a idéia segundo a qual ao analisarmos somente a letra de uma canção popular estamos prescindindo da metade de seu sentido, qualquer análise de canção popular que dispense a abor

APA, Harvard, Vancouver, ISO, and other styles

30

Grandstrand, Rachel. "The Performance and Perception of Social Identities in Country-Rap Music." Oberlin College Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1375280445.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Leech, Charles Cairns Danebury. "The metasemiotics of classical music & film : the recontextualisation of Strauss and Wagner in pop culture." Thesis, Queensland University of Technology, 1999.

Find full text

Abstract:

Employing a cross-disciplinary theoretical base that encompasses intertextuality theory, film studies, and musicology, this thesis examines the media combination of classical music and Hollywood film, and its role in popular culture. Three classical music case histories are examined: the 'Introduction' from Strauss's Also sprach Zarathustra; the 'Ride of the Valkyries' from Wagner's opera The Valkyrie; and the 'Liebestod' from Wagner's Tristan and Isolde. Throughout these case histories (and the numerous films in which these pieces of music are heard), narrative congruence between the music

APA, Harvard, Vancouver, ISO, and other styles

32

Ansoleaga, Larrama Luciano, and Hampus Jansson. "SVERIGE VET att The botten is nådd : En komparativ studie av prisbelönta svenska hiphopartisters representation av droger och våld i musikvideos från två olika generationer." Thesis, Uppsala universitet, Institutionen för informatik och media, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-433048.

Full text

Abstract:

Given the controversial history of the music genre hiphop it is important to investigate how the genre is representing violence and drugs. Since the beginning of hiphop the content of the genre has been heavily criticised for its explicit references to drugs and violence. The controversial genre is growing in popularity and in modern Sweden the hiphop genre is topping music charts. This study aims to research the change in how acclaimed Swedish hiphop artists represent violence and drugs in their music videos, today versus 20 years ago. The study analyses four different award winning artist

APA, Harvard, Vancouver, ISO, and other styles

33

Hull, Gretchen Lindsay. "Hearing the Sublime: Signification of the Sublime in Solo Piano Literature of the Nineteenth Century." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/554587.

Full text

Abstract:

Music Performance<br>D.M.A.<br>Though many philosophers and music theorists have admitted the signification of the sublime in music as a possibility, the nature and mechanism of that signification has not yet been treated at length with a methodology familiar to musicians or native to music theory. Within this dissertation I have conducted a survey of the philosophy of the sublime as understood by Edmund Burke (1729 – 1797), Immanuel Kant (1724 – 1804), Friedrich Schiller (1759 – 1805), and Arthur Schopenhauer (1788 – 1860), with references to other contemporary philosophers and writers. The b

APA, Harvard, Vancouver, ISO, and other styles

34

Olivier, Ryan. "Musica Speculativa: An Exploration of the Multimedia Concert Experience through Theory and Practice." Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/329943.

Full text

Abstract:

Music Composition<br>D.M.A.<br>Musica Speculativa is a final project in two parts in which I explore, through both theory and practice, the role of metaphors in our understanding of reality with special attention given to the use of visual representation in multimedia concert works that employ electroacoustics. Part I, entitled, "Imaginary Cognition: Interpreting the Topoi of Intermedia Electroacoustic Concert Works," explores how metaphors play a core role in our musical experience and how aural metaphors can be enhanced by and ultimately interact with visual metaphors to create a contrapunta

APA, Harvard, Vancouver, ISO, and other styles

35

Silva, Ricardo Ribeiro da 1986. "Metáfora e composição musical : aspectos semióticos do processo criativo." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284505.

Full text

Abstract:

Orientador: Denise Hortência Lopes Garcia<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-23T22:55:10Z (GMT). No. of bitstreams: 1 Silva_RicardoRibeiroda_M.pdf: 17127346 bytes, checksum: cbe855b0f79af67c95f8c7667ab2edfa (MD5) Previous issue date: 2013<br>Resumo: Este trabalho propõe o estudo de processos de composição musical do repertório do século XX à luz do conceito semiótico de metáfora. Na primeira parte são discutidas algumas das abordagens teóricas acerca deste conceito, enfatizando-se as concepções relacionadas

APA, Harvard, Vancouver, ISO, and other styles

36

Rodolfo, Guilherme Weffort. "Música predicadora de sentidos: análise fílmico/musical baseada na Semiótica Tensiva." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-30112017-172632/.

Full text

Abstract:

Músicas compostas para cinema são regularmente apontadas como motivadoras de amplificações sensíveis de uma cena. Podemos perceber essa alteração gerada pela música do filme, mas dificilmente encontraremos argumentos que comprovem, ou tracem uma análise mais precisa e que fique longe de especulações. Através da Semiótica Tensiva, principalmente a desenvolvida por Claude Zilberberg, podemos considerar a existência de uma música predicadora e sentidos, capaz de mostrar a alteração do núcleo de significações de um enunciado fílmico/musical. A predicação musical é utilizada como base do argumento

APA, Harvard, Vancouver, ISO, and other styles

37

Conter, Marcelo Bergamin. "Lo-fi : agenciamentos de baixa definição na música pop." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/135476.

Full text

Abstract:

Considerando todos os avanços tecnológicos pelos quais a fonografia passou desde sua invenção, em 1877, por que persistem registros sonoros de baixa definição? Para enfrentarmos essa questão, propomos encarar o lo-fi como um objeto comunicacional, de modo a compreender, a partir de sua linguagem, como ele modeliza a música pop. O lo-fi é reconhecido em senso comum pelo uso de equipamentos de áudio e instrumentos musicais deteriorados, obsoletos ou sucateados. Nesta tese, problematizamos essa noção. Logo de saída, desprendemos o lo-fi do determinismo tecnológico, passando ele a significar outra

APA, Harvard, Vancouver, ISO, and other styles

38

Daunoravičienė, Gražina. ""Baltos lankos": Texte und Interpretationen - Almanach der Musiksemiotik, Vilnius (Baltos lankos), 1997, 246 S. (litauisch) [Rezension]." Musikgeschichte in Mittel- und Osteuropa ; 5 (1999), S. 205-210, 1999. https://ul.qucosa.de/id/qucosa%3A15668.

Full text

Abstract:

Die neunte Nummer des Almanachs "Baltos lankos" ist der Musiksemiotik gewidmet. Der Almanach "Baltos lankos" wurde von dem der Gründer der französischen Semiologieschule, dem Litauer Algirdas Julius Greimas, ins Leben gerufen.

APA, Harvard, Vancouver, ISO, and other styles

39

Olivier, Ryan. "MusicaSpeculativa-PartII-MultimediaConcertWork.pdf." Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/330327.

Full text

Abstract:

Music Composition<br>D.M.A.<br>Musica Speculativa is a final project in two parts in which I explore, through both theory and practice, the role of metaphors in our understanding of reality with special attention given to the use of visual representation in multimedia concert works that employ electroacoustics. Part I, entitled, "Imaginary Cognition: Interpreting the Topoi of Intermedia Electroacoustic Concert Works," explores how metaphors play a core role in our musical experience and how aural metaphors can be enhanced by and ultimately interact with visual metaphors to create a contrapunta

APA, Harvard, Vancouver, ISO, and other styles

40

Sbabo, Alexandre Provin. "Semiótica sincrética dos jingles: uma análise dos jingles nas mídias audiovisuais." Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/4713.

Full text

Abstract:

Made available in DSpace on 2016-04-26T18:15:13Z (GMT). No. of bitstreams: 1 Alexandre Provin Sbabo.pdf: 1962876 bytes, checksum: aaa8f5ada5e971040d430b8b1e23c747 (MD5) Previous issue date: 2015-06-03<br>This research examines the soundtrack and the syncretic elements, responsible for the meaning of jingles. What role these elements play in relation mainly to the persuasive function and assignment meaning of the message proposal? This is the main question of this research. The prominent position and the function of these components in the advertising are indicators of the importance of this

APA, Harvard, Vancouver, ISO, and other styles

41

Rei, Cláudio Artur de Oliveira. "A Herança estilística das cantigas de amigo na lírica de Chico Buarque." Universidade do Estado do Rio de Janeiro, 2007. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=443.

Full text

Abstract:

Esta tese desenvolve uma análise estilística de algumas letras de Chico Buarque, com os objetivos de: mostrar uma herança estilística medieval presente em algumas letras, no que tange ao aspecto lírico; produzir um quadro estilístico-semântico com marcações semióticas que orientam a interpretação das escolhas lexicais que caracterizam um resquício medieval do autor na obra estudada; e mostrar a importância da inter-relação entre som e expressividade, aliados ao valor semântico das palavras, selecionadas conforme o eixo paradigmático, e combinadas, segundo o eixo sintagmático, para dar nova sig

APA, Harvard, Vancouver, ISO, and other styles

42

Diener-Bennett, Jesse. "Six Embers." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1554645065671533.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Copeland, Ian R. "Educate, Inspire, Change: A Musical Ethnography of World Camp, Inc." Oberlin College Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1323129593.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Erika, Hammarberg. "Symfoniorkester eller storband? : En jämförande studie av symfoniorkester- och storbandsdirigenter." Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3333.

Full text

Abstract:

Studiens syfte var att undersöka hur dirigenter för symfoniorkester och storband använder olika tecken i sin kommunikation samt att se om det fanns tydliga likheter och skillnader mellan de olika orkesterformerna. I studien har ett socialsemiotiskt och multimodalt perspektiv använts. Dirigenterna har analyserats utifrån bland annat vilka teckensystem de använder i sin kommunikation med musikerna. Videoobservation har använts som metod och materialet har tagits från siten www.youtube.com Urvalet har bestått i inspelningar av världskända professionella dirigenter som dirigerar profess

APA, Harvard, Vancouver, ISO, and other styles

45

Oliveira, Luciana David de. "Signos e Metáforas na Comunicação da Música." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/4891.

Full text

Abstract:

Made available in DSpace on 2016-04-26T18:16:10Z (GMT). No. of bitstreams: 1 Luciana D Oliveira.pdf: 779957 bytes, checksum: fc1d78b77da5241ce79c0879ebaecc53 (MD5) Previous issue date: 2007-05-14<br>The key questions that triggered this research were: does music communicate anything? what does it communicate? is that communication metaphorical? The communication theme in music, which is a non-verbal language and, perhaps, the most intransitive of the arts through its evident independence in relation to the factic world and intense vagueness of its object, will be approached in this dissertat

APA, Harvard, Vancouver, ISO, and other styles

46

Arrais, Marcos Augusto Galvao. "A música de Hermeto Pascoal uma abordagem semiótica." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-01082007-144148/.

Full text

Abstract:

O trabalho consiste na análise do processo de construção do sentido, a significação, na linguagem musical do compositor Hermeto Paschoal, por meio da Teoria Semiótica de linha francesa fundada por A. J. Greimas. Estudar a música instrumental, através da abordagem semiótica greimasiana, coloca-nos diante de uma série de questões teóricas, relativas à possibilidade de um sentido definido no plano de expressão, bem como à própria definição de sentido que procuramos desenvolver. Segundo a orientação que tomamos, procuramos verificar as possibilidades e os limites da teoria semiótica quando aplicad

APA, Harvard, Vancouver, ISO, and other styles

47

Molinari, Paula Maria Aristides de Oliveira. "Alfred Wolfsohn na obra de Charlotte Salomon: uma cartografia que emerge da voz." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/4600.

Full text

Abstract:

Made available in DSpace on 2016-04-26T18:14:00Z (GMT). No. of bitstreams: 1 Paula Maria Aristides de Oliveira Molinari.pdf: 21637920 bytes, checksum: cf12573e12ea8c30ab49f04f90150f15 (MD5) Previous issue date: 2014-02-27<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>The analysis of Charlotte Salomon s work is a cartographic path of the application of Alfred Wolfsohn s ideas. We propose the reading of this artistic text for the course of a possible cartography that exposes the voice as compositional and aggregating unit of the various senses in the expressive synthesis

APA, Harvard, Vancouver, ISO, and other styles

48

Jaksch, Beatrice. "Semiotik i musik : En studie i hur textanalys kan styra musikproduktion." Thesis, Örebro universitet, Musikhögskolan, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-77857.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Machado, Regina. "Da intenção ao gesto interpretativo: análise semiótica do canto popular brasileiro." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-02082012-132557/.

Full text

Abstract:

A canção popular brasileira, principal produto da nossa cultura midiática, vem obtendo reconhecimento nos meios acadêmicos nesses últimos anos, justificando o desenvolvimento de uma prática descritiva que se dedica a analisá-la: a Semiótica da Canção, desenvolvida por Luiz Tatit. Curiosamente, no entanto, o canto popular, principal veículo de manifestação dessa canção, só agora começa a despertar o interesse de pesquisadores. Este trabalho pretende, partindo da aplicação da Semiótica da Canção e a ela acrescentando uma terminologia adequada à percepção descritiva do comportamento vocal, analis

APA, Harvard, Vancouver, ISO, and other styles

50

BROWN, BREIGHAN MOIRA. "“Transforming Chaos”: Modes of Ambiguity in Tchaikovsky’s Symphony No. 5 in E Minor." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1187004301.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!