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1

Music as social text. Cambridge, UK: Polity Press, 1991.

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2

Music and solidarity. New Brunswick, N.J: Transaction Publishers, 2011.

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3

Rosenthal, Rob. Music and social movements. Boulder, Colo: Paradigm Publishers, 2010.

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4

1957-, Natvig Mary, ed. Music: A social experience. Upper Saddle River, NJ: Pearson, 2012.

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5

Berlatsky, Noah. Rap music. Detroit: Greenhaven Press, 2012.

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6

Music in society: A guide to the sociology of music. Stuyvesant, NY: Pendragon Press, 1987.

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7

Honigsheim, Paul. Sociologists and music: An introduction to the study of music and society. 2nd ed. New Brunswick: Transaction Publishers, 1989.

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8

Music in central Java: Experiencing music, expressing culture. New York: Oxford University Press, 2008.

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9

Music quickens time. London: Verso Books, 2008.

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10

Music in human life: Anthropological perspectives on music. Austin: University of Texas Press, 1993.

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11

Music: Competition, interpretation, and effects. Hauppauge, N.Y: Nova Science Publishers, 2009.

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12

Bryce, Merrill, Williams J. Patrick 1970-, and Vannini Phillip, eds. Understanding society through popular music. 2nd ed. New York: Routledge, 2013.

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13

Kortaba, Joseph. Popular music and society. New York: Routledge, 2009.

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14

Wesleyan University (Middletown, Conn.). Graduate Liberal Studies Program. and Music Educators National Conference (U.S.), eds. Becoming human through music. Reston, Va. (1902 Association Dr., Reston 22091): Music Educators National Conference, 1985.

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15

Gary, Ansdell, ed. Community music therapy. London: Jessica Kingsley Publishers, 2004.

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16

Music, health, and wellbeing. Oxford: Oxford University Press, 2012.

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17

Andrew, Blake. The music business. London: B.T. Batsford, 1992.

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18

Edvard, Aarø Leif, ed. Invitation to community music therapy. New York: Routledge, 2012.

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19

Ivanova, Tamara E. Music: Competition, interpretation, and effects. Hauppauge, N.Y: Nova Science Publishers, 2009.

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20

North, Adrian C. The social and applied psychology of music. New York: Oxford University Press, 2008.

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21

Music, mind, and education. London: Routledge, 1988.

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22

Moribund music: Can classical music be saved? Portland, Or: Sussex Academic Press, 2009.

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23

Music and its social meanings. New York: Gordon and Breach, 1988.

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24

Mariachi music in America: Experiencing music, expressing culture. New York: Oxford University Press, 2005.

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25

Jahan, Ishrat. Sociology of culture and music. New Delhi: Kanishka Publishers, Distributors, 2011.

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26

Blaukopf, Kurt. Was ist Musiksoziologie?: Ausgewählte Texte. Frankfurt am Main: Peter Lang, 2010.

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27

Music: The art of listening. 7th ed. New York, N.Y: McGraw-Hill, 2008.

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28

Ferris, Jean. Music: The art of listening. 8th ed. New York: McGraw-Hill Higher Education, 2009.

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29

Music and cyberliberties. Middletown, CT: Wesleyan University Press, 2009.

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30

Pasler, Jann. Writing through music: Essays on music, culture, and politics. Oxford: Oxford University Press, 2008.

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31

Goldberg, Halina. Music in Chopin's Warsaw. New York: Oxford University Press, 2007.

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32

The sociology of music. London: Routledge, 1998.

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33

Webber, Geoffrey. North German church music in the age of Buxtehude. Oxford: Clarendon Press, 1996.

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34

Peter, Wicke, ed. Music and cultural theory. Cambridge, UK: Polity Press, 1997.

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35

Gary, Ansdell, Elefant Cochavit, and Pavlicevic Mercédès, eds. Where music helps: Community music therapy in action and reflection. Burlington, VT: Ashgate, 2009.

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36

Popular music and youth culture: Music, identity, and place. Houndmills, Basingstoke, Hampshire: Macmillan Press, 2000.

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37

Popular music and youth culture: Music, identity and place. New York: St. Martin's Press, 2000.

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38

Bennett, Andy. Popular music and youth culture: Music, identity, and place. Basingstoke: Palgrave, 2002.

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39

Ling, Dorothy. The original art of music. Lanham, MD: University Press of America, 1989.

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40

Hyde, Norman. Four faces of British music. Worthing, West Sussex: Churchman Pub., 1985.

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41

Brown, Steven, 1963 Mar. 26- and Volgsten Ulrik, eds. Music and manipulation: On the social uses and social control of music. New York: Berghahn Books, 2005.

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42

(Editor), Steven Brown, and Ulrik Volgsten (Editor), eds. Music And Manipulation: On the Social Uses And Social Control of Music. Berghahn Books, 2005.

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43

1948-, Hargreaves David J., and North Adrian C, eds. The social psychology of music. Oxford: Oxford University Press, 1997.

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44

Portable Music and Its Functions (Music/Meanings). Peter Lang Publishing, 2006.

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45

Music: A Social Experience. Taylor & Francis Group, 2018.

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46

Music: A Social Experience. Routledge, 2018.

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47

Natvig, Mary, and Steven Cornelius. Music: A Social Experience. Taylor & Francis Group, 2018.

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48

Music: A Social Experience. Pearson Education, Limited, 2012.

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49

Music: A Social Experience. Pearson Education, Limited, 2012.

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50

Tomasino, Anna. Music and Culture. Longman, 2004.

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