Dissertations / Theses on the topic 'Music television'
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Bochanty-Aguero, Erica Jean. "Music that moves television music, industrial travel, and consumer agency in contemporary media culture /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1851096631&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full textHarwood, Julie D. "The construction of meaning in Hollywood and music video editing aesthetics, a comparison between the pre-television and music television generations." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0008/MQ52462.pdf.
Full textTung, Yu-Ting. "Nodame Cantabile: A Japanese Television Drama and its Promotion of Western Art Music in Asia." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1229915111.
Full textMaciel, Katia Augusta. "Film, popular music and television : intertextuality in Brazilian cinema." Thesis, University of Southampton, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494969.
Full textCreighton, Chie-wei Eve. "MTV Asia headquarters." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25951361.
Full textFarmer, Ajia. "Pop! Goes the music : a content analysis of popular music in prime-time television commercials." Thesis, Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/812.
Full textAndrésson, Charlotta. "Music Television : en TV-kanals förändring i ett nytt medieklimat." Thesis, Uppsala University, Media and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-106760.
Full textPurpose/Aim: The purpose of this essay is to analyze and discuss how MTV is affected by the development that takes place on the world’s media market. The aim is also to see how MTV’s target group’s image of the channel can give guidelines in how MTV should act in this new media era.
Material/method: I have examined the development on the media market and then created a model consisting of relevant factors that could affect a TV-channel today. Those factors and the two factors image and profile are then applied on MTV. I have done three interviews with people who work at MTV Networks Nordic and one interview with a person who used to work there. I also arranged three focus groups with members within the target group of MTV (15-24 year). The questions for all of the interviews were based on theories relevant to this study.
Main results: The results from the interviews and the focus groups showed that the profile and the image of MTV did not agree completely. An example of that is that the staffs of MTV saw the channel as a youth channel while the target group saw it as a music channel. MTV seems to go from being a niche channel to becoming a broader channel, a move that is quite unusual on today’s media market where niche marketing is the main strategy for TV-channels. People within the target group 15-24 uses the Internet more than TV an average day, and the younger members of my focus groups used the Internet more than the older ones. None of the members of the target group watched TV on their mobile phone but they assumed that younger kids would use it a lot in the future. All agreed upon that MTV was a suitable channel for mobile-TV.
Hutchins, Christine Elizabeth. "Contextual Analysis of Meaning Through Adolescent Viewing of Music Television." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392908720.
Full textBerrios, Cynthia Gredel. "The design, implementation and production process of creating a viable series of Latin shows in Hollywood, Florida." FIU Digital Commons, 2004. http://digitalcommons.fiu.edu/etd/1711.
Full textHuisman, Rhonda. "Visual music : a study on the role of music in South African children’s television programmes from 1976 − 1994." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80289.
Full textENGLISH ABSTRACT: This study is aimed at providing useful insights into the field of audiovisual perception and understanding in South African children’s programmes, as well as demonstrating how the Congruence-Associationist framework can be of use when investigating these aspects. Music serves as an important element in children’s television programmes, as it is often used to subconsciously stimulate the viewers’ senses. The purpose of this study is to provide a more complete image of the role of music within the context of South African children’s television programmes from 1976 − 1994, using ethnographic research with a focus on case studies. In the first part of the study, a base is formed for analysing music by addressing general roles of music in audiovisual context, as well as children’s development of musical perception and a possible clarification of its origins. Its origins appear to be closely related to language and could explain why music fulfils such a significant role in a variety of interactive contexts. The Congruence-Associationist framework by Annabel Cohen is used as a suitable framework of analysis of music in children’s television by adapting and expanding it into three sections: the observation phase, the interpretation phase and the results phase. In the second part of the study, case studies and scene analyses of six selected children’s programmes are conducted, according to the three sections of the adapted framework of analysis. The findings indicate that music functions in multiple ways according to the focus of the programme, and that it fulfils an appealing and recognisable role in these programmes. It is argued that music serves to support the visuals on screen, influences the general interpretation of the viewer and ultimately provides understanding while facilitating learning. This information could be used in a variety of subjects, thus opening up endless possibilities for further research into the multiple roles of music.
AFRIKAANSE OPSOMMING: Hierdie studie is daarop gerig om nuttige insigte op die gebied van oudiovisuele persepsie en begrip in Suid-Afrikaanse kinderprogramme te verskaf, asook aan te toon hoe die ooreenstemmings-assosiatiewe raamwerk (Congruence-Associationist framework) van Annabel Cohen van nut kan wees wanneer hierdie aspekte ondersoek word. Musiek dien as ‘n belangrike element in die kindertelevisieprogramme, aangesien dit dikwels gebruik word om onbewustelik die sintuie van die betrokke kykers te stimuleer. Hierdie studie poog om ‘n meer volledige beeld van die rol van musiek te verskaf binne die konteks van Suid-Afrikaanse kindertelevisieprogramme vanaf 1976 − 1994. Dit word gedoen met behulp van etnografiese navorsing met ‘n fokus op gevallestudies. In die eerste deel van die studie word ‘n basis gevorm vir die analise van musiek, deur die algemene rol van musiek binne oudiovisuele konteks te bespreek, asook die ontwikkeling van kinders se musikale waarnemingsvermoë en ‘n moontlike verduideliking van die oorsprong van musiek. Die oorsprong van musiek blyk verwant te wees aan taal en kan moontlik die rede wees waarom musiek so ‘n belangrike rol in ‘n verskeidenheid interaktiewe kontekste speel. Die ooreenstemmings-assosiatiewe raamwerk word gebruik as ‘n geskikte raamwerk van ontleding vir musiek in kindertelevisie deur dit aan te pas en in drie afdelings uit te brei, naamlik die waarnemingsfase, die interpretasiefase en die resultaatfase. In die tweede deel van die studie word gevallestudies en toneelontledings van ses gekose kinderprogramme gedoen volgens die drie afdelings van die aangepaste ontledingsraamwerk. Die bevindinge dui daarop dat musiek op vele maniere funksioneer, afhangende van die fokus van die program, terwyl dit ook ‘n aantreklike en identifiseerbare rol in hierdie programme vervul. Daar word aangevoer dat musiek dien om die visuele beeld te ondersteun, die algemene interpretasie van die kyker te beïnvloed en uiteindelik begrip te verskaf terwyl die leerproses vergemaklik word. Hierdie inligting sou gebruik kon word in ‘n verskeidenheid onderwerpe wat weer eindelose moontlikhede vir verdere navorsing in die veelvuldige rolle van musiek blootlê.
Paxton, Sue. "A Content Analysis of Violence in Music Videos." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc501107/.
Full textLuporini, Marcos Patrizzi. "O uso de musica no telejornalismo : analise dos quatro telejornais transmitidos em rede pela TV Globo." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284361.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: A pesquisa aqui apresentada tem por objetivo oferecer uma primeira análise acerca da utilização da música nos quatro telejornais diários exibidos em rede nacional pela Rede Globo, tanto no que diz respeito às aberturas e vinhetas que compõem a roupagem dos telejornais, como na sonorização das reportagens. Para tanto, a pesquisa se dividiu em uma primeira abordagem histórica do desenvolvimento do jornalismo audiovisual no Brasil, para, a partir dessa compreensão histórica, buscar entender os procedimentos atuais na inserção de música nos telejornais englobados, sempre tendo como ponto de partida a práxis interna da produção desses telejornais
Abstract: The purpose of this dissertation is to analyse the usage of music in four TV news programs daily broadcasted nationwide by Rede Globo. By looking into their opennings and headnews as well as the sound tracks used during the main news reports, the research sheds some light on the editorial procedures utilized to decide on the most appropriate sound track to accompany the news. The dissertation presents a historical research on the development of the audiovisual journalism in Brazil which served as a starting point for understanding the usage of music in the production of TV broadcasted news
Mestrado
Mestre em Multimeios
Love-Tulloch, Joanna K. "Marketing American identity : the role of American classical music in television advertising /." abstract and full text PDF (free order & download UNR users only), 2006. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1440922.
Full text"December, 2006." Includes bibliographical references (leaves [92]-[94]). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2006]. 1 microfilm reel ; 35 mm.
Deaville, James. "Selling War: Television News Music and the Shaping of American Public Opinion." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A72045.
Full textPillich, Gualberto Simeon. "Invisible virtuosi the deskilling and reskilling of Hollywood film and television studio musicians /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1971760581&sid=11&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full textdeDeugd-McComas, Inez S. "I Lost my Life in Long Term Parking." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1250691957.
Full textEnkenberg, Roland, and Anders Grentzelius. "Det svenska medialandskapet i förändring : en fallstudie av musikvideokanalen MTV." Thesis, Linköping University, Department of Thematic Studies, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-2420.
Full textThis is a case study of the music channel MTV and it’s impact on the Swedish mediascape. We want to look into the process that lies behind this huge intercontinental corporation. Through literature studies we present the mechanism’s that paved the way for MTV growing into the number one music channel of modern time. To investigate how MTV was received in Sweden, we analyse articles taken from databases providing us with essential information about how Swedish journalist’s debate the issue. To show an assumed development within the Swedish mediascape we are using two different time periods, the first represents the year 1993 through to 1995 and the second, 2000 through 2003. These time periods are also used within statistical research included in this paper. This part shows the differences between MTV and other music channels that are competitors in the Swedish mediascape. Altogether these parts helps us to bring out topics that hopefully gives answers to our main quandary – what kind of effect has MTV had on the Swedish mediascape?
Mitra, Sukanya. "A study of the impact music videos have had on production techniques in relation to network television programs and commercials." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1986. http://www.kutztown.edu/library/services/remote_access.asp.
Full textWilson, Cathi C. "The effects of background music on viewer's perceptions of political campaign television advertisements /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3099646.
Full textMathias-Baker, Ian. "The musical object in consumer culture." Thesis, University of Southampton, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327584.
Full textTurner, Jacob S. "An examination of sexual content in music videos." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 0.51Mb, 223 p, 2005. http://wwwlib.umi.com/dissertations/fullcit/1428252.
Full textHall, Sarah. "The television music of Trevor Jones : using an audio-visual archive to explore scoring processes." Thesis, University of Leeds, 2017. http://etheses.whiterose.ac.uk/19885/.
Full textNichols, Donald Nealson. "Investigating percussion through television news : an analysis of the Breaking news program /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3307167.
Full textTitle from first page of PDF file (viewed July 7, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references: P. 104-105.
Collie, Hazel. "Television for women : generation, gender and the everyday." Thesis, De Montfort University, 2014. http://hdl.handle.net/2086/10478.
Full textVorster, Izel Alet. "The influence of sonic logos in television advertisements : a neuromarketing perspective." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/97892.
Full textENGLISH ABSTRACT: When engaging in brand-building, marketers often appeal to consumers’ senses. However, one of the senses which has often been ignored by marketers is the consumer’s ability to hear. This state of affairs is puzzling, as sound in its various forms can play a central role in brand-building (Krishnan, Kellaris and Aurand, 2012). Using sound as a strategic marketing tool is known as sonic or audio branding. Sonic branding is defined as the strategic use of sound to create a distinctive auditory identity for a brand (Krishnan et al., 2012). The general idea is to utilise sound and music more consciously to create a link between the consumer and the brand and to not only use music to support an advertisement (Groves, 2012). Successful sonic branding creates triggers that disrupt existing patterns, attract the consumer’s attention and remind the consumer of positive experiences with the brand (Beckerman and Gray, 2014). In-store music, jingles and sonic logos are examples of audio elements that can be used as sonic branding tools. A sonic logo is a small piece of music or sound that is connected to the brand (Groves, 2012) and is sometimes perceived as the auditory counterpart of the visual logo of the brand (Krishnan et al., 2012). Despite the fact that sound has the ability to influence different areas of consumer behaviour (Krishna, 2012), there is limited information available on how a brand can utilise sound strategically to create a unique identity for a brand and how a sonic logo ought to be selected. Research on the subject is limited because sound is often processed at an emotional subconscious level and traditional research methods cannot measure the influence of sound on the emotional response of the consumer. Using traditional research methods to investigate the impact of sound in branding is also subject to potential measurement error. One of the key benefits of using neurophysiological research methods is to narrow the “say” versus the “do” gap in consumer behaviour research (Van Praet, 2012:22) and to investigate the influence of stimuli on emotions. The purpose of this study is to understand how sonic logos are processed by the consumer at an emotional subconscious level. Television advertisements for vehicle and electronic brands were used to assess the subconscious impact of the sonic logos used at the end of six advertisments. The neurophysiological research methods used for data collection were electroenchepalography (EEG), electromyography (EMG) and galvanic skin response. The results revealed a significant difference between how males and females emotionally processed the sonic logos of certain brands (EMG). This differentiation ought to be taken into consideration when selecting an audio element for a brand. The emotional responses of the participants towards the sonic logos did not indicate a long-term effect (EEG). This could suggest that the way in which certain brands are currently using sonic logos is not necessarily effective in creating a long-term emotional connection.
AFRIKAANSE OPSOMMING: Bemarkers fokus gereeld op die sintuie wanneer die identiteit van handelsmerk geskep word. Die vermoë van die verbruiker om te hoor word egter grotendeels geïgnoreer. Die situasie is verbasend, aangesien klank ʼn belangrike rol kan speel in die bou van ʼn handelsmerk (Krishnan, Kellaris en Aurand, 2012). Die strategiese gebruik van klank in bemarking staan bekend as “sonic branding”. Dit word gedefineer as die strategiese gebruik van klank on ‘n unieke identiteit vir ‘n handelsmerk te skep (Krishnan et al., 2012). Die algemene idee is dat bemarkers meer bewus van musiek en klank behoort te wees, dit strategies gebruik en nie slegs as agtergrond musiek vir ‘n advertensie nie.As musiek of klank susksesvol gebruik word, sal dit die aandag van die verbruiker trek en hom/haar herinner aan positiewe ervarings met die handelsmerk (Beckerman en Gray, 2014). Musiek, “jingles” en die klank-merk van ʼn handelsmerk is voorbeelde van klankelemente wat strategies gebruik kan word. ʼn Klank-merk is ʼn kort stuk musiek of ʼn geluid wat met die handelsmerk geassosieer is (Groves, 2012) en word op dieselfde manier as die visuele logo van ‘n handelsmerk gebruik. Ten spyte van die feit dat klank die vermoeë het om die verbruiker se gedrag in verskillende areas te beïnvloed (Krishna, 2012), is daar min inligting beskikbaar oor hoe ʼn bemarker klank strategies kan gebruik om ʼn unieke identiteit vir ʼn handelsmerk te skep, sowel as hoe ʼn spesifieke geluid van ʼn handelsmerk gekies behoort te word. Navorsing in die area is heel moontlik beperk as gevolg van die feit dat meeste klanke op ʼn emosionele vlak, onder die bewussyn van die verbruiker, geprosesseer word en tradisionele navorsing metodes kan nie die volle effek op die emosionele reaksie meet nie. Die gebruik van tradisionele navorsing metodes om die effek van klank te bestudeer mag moontlik ook foute teweegbring. ʼn Belangrike voordeel van neurofisiologiese navorsing is dat dit die verskil tussen wat verbruikers sê en in werklikheid doen in ag geneem (Van Praet, 2012:22) en die invloed van stimuli op die emosies van die verbruiker bestudeer. Die doel van hierdie navorsing is om te bestudeer hoe die klank-merk van ʼn handelsmerk in die emosionele onderbewussyn van die verbruiker geprosesseer word. Ses televisie advertensies met klank-merke in die finale tonele is gebruik om die invloed van die klank-merk op die onderbewussyn van die verbruiker te bestudeer. Die advertensies van voertuig en elektroniese handelsmerke is vir die studie gebruik. Die volgende neurofisiologiese navorsing metodes is gebruik: EEG, EMG, sowel as vel geleiding. Die resultate van die studie dui aan dat daar ʼn beduiende verskil is tussen hoe mans en vrouens die klank-merk van ʼn handelsmerk prosesseer (EMG). Die verskil behoort oorweeg te word wanneer die klankelemente van ʼn handelsmerk gekies word. Die deelnemers se emosionele reaksie teenoor die klank-merk het egter nie ʼn lang-termyn effek gehad nie (EEG). Met ander woorde, die manier waarop sekere handelsmerke klank strategies gebruik is nie noodwendig effektief om ʼn lang-termyn emosionele verbinding tussen die verbruiker en die handelsmerk te bou nie.
Brie, Stephen Michael. "'Yesterday once more' : an investigation of the relationship between popular music, audience, and authorial intention in Dennis Potter's 'Pennies from heaven', 'The singing detective', and 'Lipstick on your collar'." Thesis, University of Liverpool, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.250379.
Full textTipping, Roy. "The history and practice of the presentation of art music performance on BBC television, 1936-1982." Thesis, De Montfort University, 2002. http://hdl.handle.net/2086/4314.
Full textMorris, Samantha Mary. "Much more than music video : an examination of Canadian response to American paradigms." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31124.
Full textCreighton, Chie-wei Eve, and 林綺薇. "MTV Asia headquarters." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31982645.
Full textLowy, Adrienne. "Dusty, Cilla, Sandie, Lulu as seen on TV : a study of interrelations between pop music, television and fashion." Thesis, University of Liverpool, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490630.
Full textFentress, Stacy Nichole. "Out of the Spotlight and into the Shadows: An Examination of Communication about Adolescent Girls on Music Television." [Johnson City, Tenn. : East Tennessee State University], 2002. http://etd-submit.etsu.edu/etd/theses/available/etd-0328102-090905/unrestricted/FentressS.pdf.
Full textWeissglass, Keith. "Image manipulation in political advertisements how color and music influence viewer attitudes and emotions /." Diss., Connect to the thesis, 2005. http://hdl.handle.net/10066/1120.
Full textLisý, Martin. "Návrh internerové televize pro hudební portál Bandzone.cz." Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-16726.
Full textManento, Theresa M. "A study on the effects music videos have on adolescent fashion and hair styles." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1991. http://www.kutztown.edu/library/services/remote_access.asp.
Full textSource: Masters Abstracts International, Volume: 45-06, page: 2714. Abstract precedes thesis as [1] preliminary leaf. Typescript. Includes bibliographical references (leaves 27-28).
Lesniak, Britta [Verfasser], Birgit [Akademischer Betreuer] Abels, Birgit [Gutachter] Abels, and Patrick [Gutachter] Eisenlohr. "Epic Television – Music and Sound in Ramayan and Mahabharat / Britta Lesniak ; Gutachter: Birgit Abels, Patrick Eisenlohr ; Betreuer: Birgit Abels." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://d-nb.info/1173974946/34.
Full textTress, Benjamin. "The Jazz & People’s Movement: Rahsaan Roland Kirk’s Struggle to Open the American Media to Black Classical Music." Thesis, Boston College, 2008. http://hdl.handle.net/2345/593.
Full textThe multi-instrumentalist Rahsaan Roland Kirk (1936-1978) was one of the most thrilling jazz performers of the Sixties and Seventies, wowing audiences with his lively blend of musical styles and his unique ability to play multiple saxophones at once. Still, one particularly exciting aspect of his life is unfamiliar to most, jazz fans included. In 1970, Kirk formed an activist group which he dubbed the Jazz and People’s Movement (JPM), with the purpose of lobbying television networks to broadcast more jazz and black musicians. And in order to ensure the networks took the call seriously, the JPM seized the television studios by storm – during the taping of major prime-time programs! The JPM was one among many self-help collectives working in New York and Chicago at the time, all seeking to mediate the material and cultural stresses facing musicians following jazz’s sharp decline in the 1960s. Kirk’s movement was unique, however, in identifying mainstream culture industries as a key site of struggle in the politics of production, documentation, and dissemination. And the JPM’s dynamic public disturbance tactics contrasted with the quieter, inward-looking programs of other collectives. Its aesthetic inclusivism also set it apart from most other jazz community groups which heavily favored avant-garde music. Under Kirk’s leadership, the JPM demonstrated that the mass production and consumption of art and culture had important political relevance and power for the liberation of black music specifically, and of black America more generally. Although the movement was short-lived and did not achieve many of its stated goals, it provides a visible intersection of music, race, and society, and is thus a highly valuable historical subject. This thesis explores the impact of Kirk’s political and aesthetic ideals on his conception of the JPM; the consistently interconnected material and cultural underpinnings of the movement’s agenda; the group’s protest actions, and the accompanying reactions in the music community and the press; the causes of the JPM’s dissolution; and the movement’s broader impact and legacy
Thesis (BA) — Boston College, 2008
Submitted to: Boston College. College of Arts and Sciences
Discipline: History
Discipline: College Honors Program
Livock, Holly. "Exercising with a Screen or Music and Post-Exercise Energy Compensation: A Randomized Crossover Trial in Male Adolescents." Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/37817.
Full textGee, Narelle. "Maintaining our rage: Inside Australia's longest-running music video program." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/85665/10/Narelle_Gee_Thesis.pdf.
Full textAntonietti, Andre Checchia 1979. "A música da minissérie brasileira no exemplo de anos rebeldes." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284384.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Esta pesquisa teve por finalidade verificar a articulação dramático-narrativa de 276 inserções musicais presentes na minissérie "Anos Rebeldes", escrita por Gilberto Braga para a Rede Globo de Televisão. A minissérie é um produto de teledramaturgia que teve como princípio de lançamento a necessidade de aperfeiçoamento dos processos de produção que estavam sendo desenvolvidos pela emissora para a telenovela. Por isso é um produto híbrido, que mistura formas de produção da telenovela com formas de produção do cinema. "Anos Rebeldes" foi produzida num momento onde o formato estava solidificado, podendo-se avaliar a influência dos dois modos de produção na inserção musical. O mapeamento das inserções musicais indicou a presença de canções e músicas instrumentais na trilha sonora da minissérie. As canções são divididas em canções presentes na coletânea comercializada pela Globo Columbia, um dos braços da Som Livre, canções não presentes na coletânea comercializada e músicas instrumentais. A música instrumental de "Anos Rebeldes" se subdivide em música original composta para a minissérie, versões instrumentais das canções da trilha e músicas não originais. Como para uma telenovela, a quantidade de inserções de música instrumental é superior à quantidade de inserções de canção. Temos três tipos de inserção acontecendo em "Anos Rebeldes". O primeiro deles é da canção como ambiência de fundo. O segundo é da música instrumental criando o clima da cena, referenciando situações ou personagens. O terceiro são pequenos videoclipes com a canção, onde se incluem painéis que caminham com os fatos históricos narrados pela obra. Foi possível verificar, também, a influência do autor como produtor musical, uma vez que Gilberto Braga tem dupla função nesta minissérie. O resultado obtido é uma maior interação entre música e dramaturgia, acentuando as articulações dramático-narrativas de forma singular
Abstract: This research intends to verify the dramatic-narrative articulation of 276 musical insertions of the mini-serie "Anos Rebeldes", written by Gilberto Braga for Rede Globo de Televisão. The mini-series is a teledramaturgic program that had its principles the need of skills improvement in production of telenovelas1. For this reason, mini-series is a hybrid kind of program that mix televison and cinema ways of production. "Anos Rebeldes" was made in a moment where the format was solidify. It means that is possible to see the influence of the telenovela and movies in the musical insertions. The musical index shows that, as the same in others audiovisual products, mini-serie has songs and instrumental music in their soundtrack. The music in "Anos Rebeldes" can be divided in three groups: the songs which are in the soundtrack selled by Globo Columbia, one of the many companies from Som Livre, the songs which are not in that soundtrack and instrumental music. It is possible do divide the instrumental music group in other three different groups: the one with the original instrumental music made for this mini-series, the one with the intrumental versions of the songs contained in the soundtrack and the one with non original instrumental music. As for telenovelas, the amount of instrumental music insertions are higher than the songs insertions. It was possible to see three different kinds of music insertions in "Anos Rebeldes". The first type is when a song is used as background ambience. The second type is when instrumental music sets the mood of the scene. The third type is smalls videoclips, where some part of the historic facts are showed. Other conclusion was about the role of the author as a music producer. Gilberto Braga worked in both of the roles. The result was a better interaction between music and dramaturg, improving the dramatic-narrative articulation to a higher level. 1 The word TELENOVELA does not have translation in english. The used word, soap opera, does not have the same signification
Mestrado
Fundamentos Teoricos
Mestre em Música
REIS, Martha Antonia dos Santos. "Programa Frutos da Terra: Um agente divulgador da cultura musical regional." Universidade Federal de Goiás, 2009. http://repositorio.bc.ufg.br/tede/handle/tde/2720.
Full textThis study is the result of observation of the television Fruit of the Earth, regional character, which is being produced in Goiania, twenty-five consecutive years. Achieving the overall goal of making a critical analysis and reflective linking the program and its regional proposal in the context of globalized society Goias, and the implications assigned to this context, they acquired this registration form, in which they are exposed to exploitation and Goias indigenous culture, especially music. Therefore, considerations are made on the regional cultural events that the program airs, including traditional and particularly the music, in the process of globalization, including the issue of cultural hybridity and cultural specificities of identifications in the news. The study is systematic in three chapters, s endo that makes each chapter a specific approach, based on the thought of Edgar Morin, the complexity. A reflection on the program Fruit of the Earth gives up way of thinking fragmented portnato, do not take the object apart from its context. It was observed, and the program Fruit of the Earth for a period of eighteen months, was considered the responses obtained in the interviews, we sought in the theoretical studies by social theorists - Hall, Bauman and Canclini - and researchers in the field music - Ulhôa, Nepomuceno and Pimentel. These agents have cultural enlightening replies to the questions that arise during the research. The procedures are found in each chapter of the research. In the first chapter, the discourse is presented by globalization and its issues. The second is devoted exclusively to country music roots, its origin, the transformation in that song now, considering the result of hybridity and cultural reflection of the identifications of Goias. The third chapter presented in detail, the program. It presents the history of the program, a detailed description of some recordings of that program and a summary of the opinions of the individuals: artists, viewers and program staff. In this chapter the reader is shown the importance of the fruits of the earth for society Goiana, since it proposes the recovery, preservation and indigenous culture of Goiás
Este estudo é fruto da observação do programa de televisão Frutos da Terra, de caráter regional, que vem sendo produzido em Goiânia, por vinte e cinco anos ininterruptos. Atingindo o objetivo geral de realizar uma análise critica e reflexiva relacionando o programa e sua proposta regionalista no contexto globalizado da sociedade goiana, bem como as implicações conferidas a esse contexto , adquiriu-se o presente registro impresso, no qual se encontram expostos a valorização e o resgate da cultura goiana, em especial a musical. Portanto, são apresentadas considerações sobre as manifestações culturais regionais que o programa leva ao ar, entre elas as tradicionais e, particularmente, as musicais, dentro do processo da globalização, abrangendo a questão do hibridismo cultural e as especificidades das identificações culturais na atualidade. O estudo está sistematizado em três capítulos,s endo que cada capítulo perfaz uma abordagem específica, tendo como base o pensamento de Edgar Morin, a complexidade. A reflexão em torno do programa Frutos da Terra renuncia a forma de se pensar fragmentada, portnato, não se tomou o objeto separado de seu contexto. Observous-e o programa Frutos da Terra por um período de dezoito meses, considerou-se as respostas obtidas na realização das entrevistas, buscou-se o embasamento teórico em estudos realizados por teóricos sociais - Hall, Bauman e Canclini - e por pesquisadores no campo da música - Ulhôa, Nepomuceno e Pimentel. Esses agentes socioculturais deram respostas esclarecedoras para os questionamentos surgidos no decorrer da pesquisa. Os procedimentos realizados são reconhecidos em cada capítulo da pesquisa. No primeiro capítulo, o discurso apresentado é o da globalização e suas questões. O segundo dedica-se exclusivamente à música sertaneja raiz, sua origem, as transformações pelas quais essa música passou, considerando-a consequência do hibridismo e reflexo das identificações culturais do goiano. O terceiro capítulo apresentada detalhadamente, o programa. Nele é apresentada a trajetória do programa, a descrição pormenorizada de algumas gravações desse programa e uma síntese das opiniões dos sujeitos entrevistados: artistas, telespectadores e funcionários do programa. Neste capítulo é mostrado ao leitor a importância do programa Frutos da Terra para a sociedade Goiana, uma vez que ele propõe a valorização, a preservação e o resgate da cultura de Goiás
Schweitzer, Dennis Christopher. "Ton & Traum : A Critical Analysis Of The Use Of Sound Effects And Music In Contemporary Narrative Film." Ohio University / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1108483481.
Full textKnutsson, Malin. ""Take a Look at the Lawman" : Musik i TV-drama, en jämförelse mellan Miami Vice och Life on Mars." Thesis, Växjö University, School of Education, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-5109.
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Tanken med denna uppsats är att försöka få en inblick i vilka funktioner musiken fyller i TV-dramat. Det finns en del studier att tillgå om filmmusik men ytterst lite om just musik inom TV-serier. Mitt syfte är således att undersöka vad för slags musik som används i TV-dramer, i vilka sammanhang den förekommer och dess relation i förhållande till det som utspelar sig i bild. Utöver det tar jag delvis upp diskussioner om huruvida vi ska uppfatta filmmusik medvetet eller inte. I och med det har viss vikt lagts vid att studera eventuella skillnader i upplevelsen och användandet av instrumentalmusik och populärmusik.
Till mitt arbete har jag använt mig av tidigare forskning kring filmmusik och gjort en jämförande analys av polisserierna Miami Vice och Life on Mars. Åtta avsnitt ur varje serie har studerats och därefter har ett representativt avsnitt från respektive TV-drama valts ut för en fördjupad analys. Min uppfattning utifrån studien är att instrumentalmusik och populärmusik i de flesta fall används i liknande sammanhang. Dessa kan exempelvis vara att ge en känsla av atmosfär, understryka en karaktärs känslor, ge tittaren information som inte kan utläsas utifrån enbart bilderna och bidra med kontinuitet. Populärmusik kan i somliga fall vara ett bra alternativ till instrumentalmusik för att vi ska hålla kvar vårt fokus på bilderna. Men populärmusikens främsta funktion i de undersökta serierna är som tidsmarkör för den period handlingen utspelar sig i.
Iwabuchi, Koichi, University of Western Sydney, and School of Cultural Histories and Futures. "Returning to Asia : Japan in the cultural dynamics of globalisation, localisation and Asianisation." THESIS_XXXX_CHF_Iwabuchi_K.xml, 1999. http://handle.uws.edu.au:8081/1959.7/384.
Full textDoctor of Philosophy (PhD)
Atalay, Cetinkaya Burcu. "Direction Finding For Coherent, Cyclostationary Signals Via A Uniform Circular Array." Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/2/12611142/index.pdf.
Full textSchlütz, Daniela, Felicitas Förster, Sarvenaz Safari, Alexandra Vinzenz, Jeremy Orosz, Willem Strank, and Jennifer Volkmer. "Musik im ”Quality TV”." Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, 2019. https://slub.qucosa.de/id/qucosa%3A35412.
Full textSpringer, Dustin Michael. "An examination of parental awareness and mediation of media consumed by fifth grade students." Diss., Kansas State University, 2011. http://hdl.handle.net/2097/7299.
Full textCurriculum and Instruction Programs
John A. Hortin
This dissertation investigated parental roles in mediating television, music, and the Internet for their children--specifically their fifth graders. Seventy two parents, representing forty seven fifth graders took part in the study. The Television Mediation Scale (Valkenburg, Kremar, Peeters, & Marseille, 1991) provided a framework for the instrument used. Parents were asked a series of questions dealing with television, music, and the Internet. Responses were given on a four point Likert scale. Additionally, participants were asked to estimate the amount of time spent with each medium, discuss the rules in place, the concerns they have with the media, and what principles guide their decisions about how their child uses each type of media. Regarding television, results indicated that parents utilized the restrictive mediation style in which parents set rules for viewing television programs or even prohibit certain shows from being seen. Although parents report using restrictive mediation, more than likely co-viewing is being used most frequently (Weaver & Barbour, 1992). This is plausible when applied to this study considering how close the Mean values are between restrictive mediation (3.36) and co-viewing (3.28). Statistically, no significant findings were reported in regards to music and Internet mediation. However, from a qualitative viewpoint, a wealth of data was gathered regarding the guiding principles and rules that are in place in each home regarding the media. Overall, parents report being knowledgeable of the media that their child uses and are comfortable with the rules in place and the principles that guide their decisions. The results of the study indicate that parents are aware of how their child/children interact with the media but an element of education for parents and even educators in the schools may be missing. Parents must stay abreast of new technologies and continually monitor ways in which their child/children use that technology. If parents believe that they are helpless against the power the media has over their children they are conceding a loss to the media's influence. However, if parents stay involved in their child's life and stay up-to-date on the newest technologies and what children gain from using this technology, then there is no reason to believe that we are powerless against the media.
Souza, Kleber Mazziero de. "A DESMUSICALIZAÇÃO DA MÍDIA EM TEMPOS DE HIPERMIDIATIZAÇÃO DA MÚSICA: o empobrecimento estético da música popular na programação televisiva brasileira." Universidade Metodista de São Paulo, 2014. http://tede.metodista.br/jspui/handle/tede/702.
Full textThe paper approaches the aesthetic-discursive impoverishment of massive popular song in Brazilian television media, comparing the historical-media-musical context of the 1960s and 1970s and the context of the first half of the second decade of this century. To delimit the discursive impoverishment was defined the concept of unmusicalization of television media. This work, of theoretical nature, aims to point out that the television media has a key role and important part of the responsibility for the impoverishment of discourse in the construction of Brazilian popular music. To do so, first, by analyzing poetic-aesthetic structural elements of musical and literary language of a popular song, was delimited the kind of structured musical work with poetic concern, that imparts an aesthetic standard of excellence. These songs were offered by the Television in the 60s and 70s, today no more. Afterwards, through research literature, documentary and empirical, describes analytical and interpretative way the historical period in which occurred the unmusicalization of television media. Finally, it is concluded that from the popularization of the Internet and the proliferation of various media that allow the access, storage, sharing musical repertoires and, above all, the listening on the move, the mass popular brazilian song, composed with concern poetic no more be longer present in Television and went on to appear in several other media. This broad presence of music in digital media was defined by the concept of hyper-mediatization of music, that would be a component of the unmusicalization of television media
O trabalho aborda o empobrecimento estético-discursivo da canção popular massiva exposta na mídia televisiva brasileira, na comparação entre o contexto histórico-midiático-musical das décadas de 1960 e 1970 e o contexto da primeira metade da segunda década do século XXI. Para definir tal empobrecimento discursivo encontrou-se o conceito de desmusicalização da mídia televisiva . O trabalho, de natureza teórica, tem como objetivo apontar que a mídia televisiva tem papel preponderante e parte importante da responsabilidade pelo empobrecimento na construção do discurso da música popular brasileira. Para tanto, primeiramente, por meio da análise poético-estética dos elementos estruturais das linguagens musical e literária de uma canção popular, delimitou-se a espécie de obra musical estruturada com acuro poético, que a ela empresta um padrão estético de excelência. Tais canções tinham espaços de veiculação nas grades de programação da mídia televisiva de outrora e nos dias atuais não mais os têm. Em seguida, por meio de pesquisas bibliográfica, documental e empírica, descreve-se de modo analítico-interpretativo o período histórico em que ocorreu essa desmusicalização da mídia. Por fim, constata-se que a partir da popularização da Internet e da proliferação de diversas mídias que permitem ao ouvinte o acesso, o armazenamento, o compartilhamento de repertórios musicais e, sobretudo, a audição em movimento, a canção popular massiva pautada pelo acuro poético deixou de estar presente na mídia televisiva e passou a figurar em outras diversas mídias. Essa ampla presença da Música nas mídias digitais definiu-se pelo conceito de hipermidiatização da música, que seria um dos componentes da desmusicalização da mídia televisiva.
Griffin, Stephanie A. "A qualitative inquiry into how romantic love has been portrayed by contemporary media and researchers." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1149001149.
Full textSpampinato, Francesco. "Art Contemporain et télévision : formes de résistance, appropriation et parodie." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA056.
Full textThe present study maps and condenses the history of the relationships between art and television during the rough half century in which television maintained its position as society’s quintessential mass medium, from the 1950s to the turn of the millennium, through to the phase of vaporization of media recently brought by the profusion of digital technologies and the Internet. The close to one hundred artists discussed belong to different generations, from 1960s pioneers such as Nam June Paik, Andy Warhol and various guerrilla television collectives to postmodernist figures such as Dara Birnbaum and General Idea, from artists emerged in the 1990s such as Phil Collins, Christian Jankowski, and Matthieu Laurette up to figures emerged in in this early XXI century such as Keren Cytter, Hito Steyerl, Ryan Trecartin, and the Yes Men.The works discussed are videos, installations, performances, interventions and television programs conceived as forms of resistance, appropriation and parody of mainstream television, that expose the mechanisms through which the mass medium influences our perception of both reality and ourselves. To be targeted are the most popular television genres and formats including news, commercials, soap operas, talk shows, children's programs, music videos, reality shows, edutainment, and TV series. By allowing to “see at distance,” television produces in the viewer an uncanny feeling of physical displacement. What the works discussed highlight and try to overcome, is that split between factual and televised bodies, that is also a split between reality and representation
Secmen, Mustafa. "A Novel Music Algorithm Based Electromagnetic Target Recognition Method In Resonance Region For The Classification Of Single And Multiple Targets." Phd thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/2/12609306/index.pdf.
Full textMUSIC Spectrum Matrices (MSMs)&rdquo
are constructed for each candidate target at each reference aspect angle using targets&rsquo
scattered data at different late-time intervals. These individual MSMs correspond to maps of targets&rsquo
natural-resonance related power distributions. All these patterns are first used to obtain optimal late-time interval for classifier design and a &ldquo
Fused MUSIC Spectrum Matrix (FMSM)&rdquo
is generated over this interval for each target by superposing MSMs. The resulting FMSMs include more complete information for target resonances and are almost insensitive to aspect and polarization. In case of multiple target recognition, the relative locations of a multi-target group and separation distance between targets are also important factors. Therefore, MSM features are computed for each multi-target group at each &ldquo
reference aspect/topology&rdquo
combination to determine the optimum late-time interval. The FMSM feature of a given multi-target group is obtained by the superposition of all these aspect and topology dependent MSMs. In both single and multiple target recognition cases, the resulting FMSM power patterns are main target features of the designed classifier to be used during real-time decisions. At decision phase, the unknown test target is classified either as one of the candidate targets or as an alien target by comparing correlation coefficients computed between MSM of test signal and FMSM of each candidate target.