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Books on the topic 'Music Theory/Ear Training'

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1

Friedmann, Michael L. Ear training for twentieth-century music. Yale University, 1990.

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2

Braaten, Brenda. Sound advice: Theory and ear training. Frederick Harris Music, 2006.

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3

Incorporated, Adventus, ed. Ear training coach levels 1 & 2. Adventus Inc., 2002.

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4

Gottschalk, A. W. Functional hearing: A contextual method for ear training. Ardsley House Publishers, 1997.

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5

Chapuis, Jacques. Éléments solfègiques et harmoniques du langage musical. 7th ed. Éditions Pro Musica, 1991.

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6

Ghezzo, Marta Árkossy. Solfège, ear training, rhythm, dictation, and music theory: A comprehensive course. 2nd ed. University of Alabama Press, 1993.

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7

Ghezzo, Marta Árkossy. Solfege, ear training, rhythm, dictation, and music theory: A comprehensive course. 3rd ed. University of Alabama Press, 2005.

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8

Thackray, Rupert Manfred. The seeing ear: Exercises in aural musicianship. CIRCME, School of Music, University of Western Australia, 1995.

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9

Thackray, Rupert Manfred. The hearing eye: An introduction to aural musicianship. CIRCME, School of Music, University of Western Australia, 1994.

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10

Abramson, Robert M. Music as a second language: An integrated approach through physical movement to ear-training, sight singing, dictation, and musical performance. Music & Movement Press, 1994.

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11

Gordon, Edwin. Preparatory audiation, audiation, and music learning theory: A handbook of a comprehensive music learning sequence. GIA Publications, 2001.

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12

Bartle, Jean Ashworth. A young singer's journey: An integrated approach to musical literacy. Hinshaw Music, 2006.

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13

Braaten, Brenda. Sound advice.: Theory and ear training. Frederick Harris Music, 2007.

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14

Braaten, Brenda. Sound advice.: Theory and ear training. Frederick Harris Music, 2007.

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15

Braaten, Brenda. Sound advice.: Theory and ear training. Frederick Harris Music, 2007.

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16

Braaten, Brenda. Sound advice.: Theory and ear training. Frederick Harris Music, 2007.

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17

A, Carr Maureen, and Kolosick J. Timothy, eds. Introduction to sightsinging and ear training. 2nd ed. Brown, 1992.

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18

Benward, Bruce. Ear training: A technique for listening. 5th ed. Brown & Benchmark Publishers, 1996.

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19

Benward, Bruce. Ear training: A technique for listening. 6th ed. McGraw-Hill, 2000.

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20

Benward, Bruce. Ear training: A technique for listening. 3rd ed. W.C. Brown Publishers, 1987.

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21

Donelian, Armen. Training the ear: For the improvising musician. Advance Music, 1992.

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22

Houlahan, Micheál. Sound thinking: Music for sight-singing and ear training. Boosey & Hawkes, 1990.

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23

Ear training coach. Adventus Inc., 2002.

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24

Manus, Morton, Karen Surmani, and Andrew Surmani. Essentials of Music Theory: Ear Training (Essentials of Music Theory). Alfred Publishing Company, 1998.

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25

Do-It-Yourself Musical Ear Training. Ekay Music, Inc., 2000.

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26

Phillips, Joel, Jane Piper Clendinning, Elizabeth West Marvin, and Murphy Paul. Musician's Guide to Aural Skills: Ear-Training. Norton & Company Limited, W. W., 2021.

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27

Musicianship: Ear Training, Rhythmic Reading and Sight Singing (Musicianship). Prentice Hall College Div, 1986.

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28

Ear Training Coach, Levels 1 & 2: Learning Made Fun. Adventus Inc, 2002.

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29

Theory & Ear Training Party Book D (Bastien's Invitation to Music). Kjos Music Company, 1994.

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30

Phillips, Joel, Jane Piper Clendinning, and Elizabeth West Marvin. The Musician's Guide To Aural Skills. W. W. Norton & Company, 2005.

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31

Ghezzo, Marta Arkossy. Solfege, Ear Training, Rhythm, Dictation, and Music Theory: A Comprehensive Course. 3rd ed. University Alabama Press, 2005.

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32

Wedge, George A. Ear-Training and Sight-Singing Applied to Elementary Musical Theory. Library Reprints, 2001.

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33

Essentials of Music Theory (Books 1-3 and 2 Ear Training CDs) (Essentials of Music Theory). Alfred Publishing Company, 1992.

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34

Sound Advice Level Three (Theory and Ear Training, Level Three). Frederick Harris, 2006.

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35

Miller, Cristi Cary. Interactive Music Tools: Multimedia Visuals for Theory, Ear Training and Assessment. Leonard Corporation, Hal, 2013.

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36

Theory and Ear Training Party (Bastiens' Invitation to Music, Book C). Neil A. Kjos Music company, 1994.

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37

Theory and Ear Training Party Book B (Bastien's Invitation to Music). Neil A. Kjos Music Company, 1993.

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38

Ure, Erin M., and Kevin A. Ure. Basic Musicianship: An Integrated Approach to Music Theory and Ear Training. Independently Published, 2017.

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39

Ghezzo, Marta Arkossy. Solfege, Ear Training, Thytham, Dictation, and Music Theory: A Comprehensive Course. University Alabama Press, 1993.

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40

Theory and Ear Training Party (Bastiens' Invitation to Music, Book A). Neil A. Kjos Music Co., 1993.

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41

Manus, Morton, Andrew Surmani, and Karen Farnum Surmani. Essentials of Music Theory: Teacher's Answer Key Book and 2 Ear Training CDs (Essentials of Music Theory). Alfred Publishing Company, 1998.

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42

Theory essentials: An integrated approach to harmony, ear training, and keyboard skills. Thomson Schirmer, 2003.

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43

Manus, Morton, Karen Surmani, and Andrew Surmani. Essentials of Music Theory: Ear Training CDs 1 & 2 Combined (for books 1-3) (Essentials of Music Theory). Alfred Publishing Company, 1998.

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44

Musician Gde Aur Skill. Norton & Company Limited, W. W., 2006.

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45

The Musician's Guide to Aural Skills, Vol. 2 [with audio CD]. W. W. Norton & Company, 2005.

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46

Gorow, Ron. Hearing and Writing Music: Professional Training for Today's Musician. September Publishing, 1999.

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47

Phillips, Joel, Jane Piper Clendinning, Elizabeth West Marvin, and Murphy Paul. The Musician's Guide to Aural Skills: Sight-Singing. W. W. Norton & Company, 2021.

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48

Gorow, Ron. Hearing and Writing Music: Professional Training for Today's Musician (2nd Edition). 2nd ed. September Publishing, 2002.

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49

Exploring Theory with Practica Musica. 2nd ed. Ars Nova Software, 2003.

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50

Essentials of music theory and ear training: Starting on the path to musical literacy. Simon & Schuster Custom Publishing, 1998.

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