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Books on the topic 'Music theory – History – Italy'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Brett, Ursula. Music and ideas in seventeenth-century Italy: The Cazzati-Arrestipolemic. New York: Garland Pub, 1989.

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2

Brett, Ursula. Music and ideas in seventeenth-century Italy: The Cazzati-Arresti polemic. New York: Garland Pub., 1989.

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3

The Italian traditions and Puccini: Compositional theory and practice in nineteenth-century opera. Bloomington: Indiana University Press, 2011.

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4

Manfredini, Vincenzo. A critical translation from the Italian of Vincenzo Manfredini's Difesa della musica moderna/In defense of modern music (1788). Lewiston, N.Y: E. Mellen Press, 2002.

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5

Kubik, Gerhard. Theory of African music. Wilhelmshaven: F. Noetzel, 1994.

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6

Kubik, Gerhard. Theory of African music. Chicago: The University of Chicago Press, 2010.

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7

Theory of African music. Wilhelmshaven: F. Noetzel, 1994.

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8

Sachs, Harvey. Music in fascist Italy. New York: Norton, 1988.

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9

Sachs, Harvey. Music in fascist Italy. London: Weidenfeld and Nicolson, 1987.

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10

Bishan, Swarup. Theory of Indian music. Delhi, India: Mittal Publications, 1987.

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11

Kubik, Gerhard. Theory of African music. Chicago: The University of Chicago Press, 2010.

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12

Theory of African music. Chicago: The University of Chicago Press, 2010.

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13

Kurt, Kreyszig Walter, and Palisca Claude V, eds. The theory of music. New Haven: Yale University Press, 1993.

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14

Rahn, John. Basic atonal theory. New York: Schirmer Books, 1987.

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15

The powers of music: Aesthetic theory and the invention of opera. New Brunswick, N.J., U.S.A: Transaction Publishers, 1994.

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16

Music theory in seventeenth-century England. New York: Oxford University Press, 2000.

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17

Twentieth-century music theory and practice. New York: Routledge, 2012.

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18

Blasius, Leslie David. The music theory of Godfrey Winham. Princeton, N.J: Dept. of Music, Princeton University, 1997.

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19

Meyer, Leonard B. Style and music: Theory, history, and ideology. Chicago: University of Chicago Press, 1996.

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20

Meyer, Leonard B. Style and music: Theory, history, and ideology. Philadelphia: University of Pennsylvania Press, 1989.

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21

Studies in the history of Italian music and music theory. Oxford: Clarendon Press, 1994.

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22

Apel, Willi. Renaissance and baroque music: Composers, musicology, and music theory. Stuttgart: Franz Steiner Verlag, 1989.

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23

1954-, Burton Deborah, and Harwood Gregory W, eds. Theoretical-practical elements of music, parts III and IV. Urbana: University of Illinois Press, 2012.

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24

Rosselli, John. Music & musicians in nineteenth-century Italy. London: B.T. Batsford, 1991.

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25

Music & musicians in nineteenth-century Italy. Portland, Or: Amadeus Press, 1991.

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26

Zawiejski, Czesław Karol. Teoria harmonii ks. Jana Jarmusiewicza (1781-1844) na tle ówczesnej epoki. Gdańsk: Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku, Instytut Teorii Muzyki, Zakład Wydawnictw i Informacjii Nauk., 1986.

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27

Lüttig, Peter. Der Palestrina-Stil als Satzideal in der Musiktheorie zwischen 1750 und 1900. Tutzing: H. Schneider, 1994.

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28

Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1994.

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29

Lester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1992.

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30

Michel, Huglo, and Phillips Nancy Catherine, eds. The theory of music.: Descriptive catalogue. München: G. Henle, 1992.

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31

Music in late Renaissance & early baroque Italy. Portland, Or: Amadeus Press, 1992.

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32

Carter, Tim. Music in late Renaissance & early Baroque Italy. London: B.T. Batsford, 1992.

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33

Carter, Tim. Music in late renaissance & early baroque Italy. London: B.T. Batsford, 1992.

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34

1938-, Bower Calvin M., and Palisca Claude V, eds. Fundamentals of music. New Haven: Yale University Press, 1989.

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35

Music and culture in late Renaissance Italy. Oxford: Oxford University Press, 2002.

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36

Negus, Keith. Popular music in theory: An introduction. Hanover, NH: University Press of New England, 1997.

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37

Between modes and keys: German theory, 1592-1802. Stuyvesant, NY: Pendragon Press, 1989.

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38

Pike, Lionel. Hexachords in late-renaissance music. Brookfield, VT: Ashgate, 1998.

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39

Tonality and atonality in sixteenth-century music. New York, NY: Da Capo Press, 1990.

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40

Lowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York: Da Capo Press, 1989.

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41

White, John David. Theories of musical texture in Western history. New York: Garland Pub., 1995.

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42

Reading Renaissance music theory: Hearing with the eyes. Cambridge, UK: Cambridge University Press, 2000.

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43

Victorian cathedral music in theory and practice. Cambridge [Cambridgeshire]: Cambridge University Press, 1986.

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44

Studies in medieval music theory and the early sequence. Brookfield, VT: Variorum, 1997.

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45

Manfredini, Vincenzo. Critical Translation from the Italian of Vincenzo Manfredini's Difessa Della Musica Moderna/in Defence of Modern Music 1788 (Mellen Critical Editions and Translations, 10). Edwin Mellen Press, 2002.

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46

Music Theory and History SparkCharts. SparkCharts, 2014.

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47

Swarup, Bishan. Theory of Indian Music. Asian Publication Services,India, 1999.

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48

The Theory of music. München: G. Henle Verlag, 1997.

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49

Sachs, Harvey. Music in Fascist Italy. Weidenfeld & Nicolson Ltd, 2000.

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50

Claudia, Gorbman, and Sherk Warren M, eds. Film music 2: History, theory, practice. Sherman Oaks, Calif: Film Music Society, 2004.

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