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Books on the topic 'Music theory Music theory Harmony'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Mark, Harrison. Contemporary music theory. Milwaukee: Hal Leonard, 2001.

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2

Nettles, Barrie. The chord scale theory & jazz harmony. [S.l.]: Advance Music, 1997.

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3

Hayward, Brenda. Harmony: A progressive look at music theory. Ely: Music Maker Books, 1993.

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4

Kacprzyk, Janusz. Music-Inspired Harmony Search Algorithm: Theory and Applications. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009.

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5

Roig-Francolí, Miguel A. Harmony in context. 2nd ed. New York: McGraw-Hill, 2011.

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6

Harmony in context. 2nd ed. New York: McGraw-Hill, 2011.

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7

1955-, Nicholls David, ed. New musical resources. Cambridge [England]: Cambridge University Press, 1996.

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8

Berle, Arnie. Theory & harmony for the contemporary musician. New York: Amsco Publications, 1996.

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9

Xian dai he sheng yue li ying yin jiao xue: Contemporary harmony theory. Tai zhong shi: Ku pai yin yue, 2015.

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10

Brown, James Murray. A handbook of musical knowledge. London: Trinity College of Music, 1987.

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11

Carilli, Anna T. The realm of musical sound. New York: John Patrick Heffernan, 1987.

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12

Ernst, Kuhn, Neef Sigrid, Wehrmeyer Andreas 1959-, and Rimsky-Korsakov Nikolay 1844-1908, eds. Kleinere musiktheoretische Schriften und Fragmente. Berlin: E. Kuhn, 2004.

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13

Podhajski, Marek. "Nowy system muzyki" X. Jana Jarmusiewicza w perspektywie polskich prac z harmonii XIX wieku. Gdańsk: Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku, 1992.

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14

Karaseva, M. V. Ėlementarnai͡a︡ teorii͡a︡ muzyki i garmonii͡a︡: Ėkspress-kurs = Praktical guide to music theory and harmony : express course. Moskva: NTT͡S︡ Konservatorii͡a︡, 1994.

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15

Ernst Kurth as theorist and analyst. Philadelphia: University of Pennsylvania Press, 1988.

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16

Braun, Peter Michael. Ein harmonikaler Zugang zur Musiktheorie. Köln: Tonger, 2000.

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17

O'Neal, Scott. Theory on the major scales: Music theory for the beginning student : an introduction to harmony. Pittsburgh: Dorrance Pub. Co., 1993.

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18

Carlson, Patty. The numeric language of music. South Fork, Colo: PianoLogic.com, 2005.

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19

Carl, Schroeder, ed. Harmony & theory: [a comprehensive source for all musicians]. Milwaukee, WI: Hal Leonard, 1998.

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20

Contemporary music theory level one: [a complete harmony and theory method for the pop & jazz musician]. [Sherman Oaks, CA (P.O. Box 56505, Sherman Oaks 91413)]: Harrison Music Education Systems, 1995.

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21

Lange, Diane M. Together in harmony: Combining Orff Schulwerk and music learning theory. Chicago, Il: GIA Publications, 2005.

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22

Theory essentials: An integrated approach to harmony, ear training, and keyboard skills. Belmont, CA: Thomson Schirmer, 2003.

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23

Workbook and anthology for use with Harmony in context. New York: McGraw-Hill Higher Education, 2003.

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24

Die Sequenz in der deutschen Musiktheorie um 1900. Hildesheim: Georg Olms Verlag, 2012.

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25

Harmonik und Tonalität: Grundlagen einer neuen Musiktheorie. Frankfurt am Main: P. Lang, 2009.

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26

1756-1791, Mozart Wolfgang Amadeus, and Förster Emanuel Aloys 1748-1823, eds. Harmonielehre Wiener Klassik: Theorie, Satztechnik, Werkanalyse. Stuttgart: Berthold & Schwerdtner, 2002.

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27

Filho, Florivaldo Menezes. Apoteose de Schoenberg: Ensaio sobre os arquétipos da harmonia contemporânea : (agosto de 1984/dezembro de 1985). São Paulo, SP: Nova Stella, 1987.

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28

Hölzl, Peter. Der Lehrer Johann Nepomuk David: Aus dem Unterricht bei J.N. David an der Stuttgarter Musikhochschule. Wien: Doblinger, 1992.

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29

Harrison, Daniel. Harmonic function in chromatic music: A renewed dualist theory and an account of its precedents. Chicago: University of Chicago Press, 1994.

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30

Caeyers, Jan. Het " Traité de l'harmonie" (1722) van Jean-Philippe Rameau en de ontwikkeling van het muziektheoretische denken in Frankrijk. Brussel: AWLSK, 1989.

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31

Mark, Harrison. Contemporary music theory level 2: A complete harmony and theory method for the pop & jazz musician. Sherman Oaks, CA (P.O. Box 56505, Sherman Oaks 91413): Harrison Music Education Systems, 1995.

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32

Harrison, Mark. Contemporary music theory level three: A complete harmony and theory method for the pop & jazz musician. Sherman Oaks, CA (P.O. Box 56505, Sherman Oaks 91413): Harrison Music Education Systems, 2001.

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33

Harmony in context. Boston: McGraw-Hill, 2003.

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34

Brett, Ursula. Music and ideas in seventeenth-century Italy: The Cazzati-Arrestipolemic. New York: Garland Pub, 1989.

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35

Brett, Ursula. Music and ideas in seventeenth-century Italy: The Cazzati-Arresti polemic. New York: Garland Pub., 1989.

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36

Solomon, Jon. Harmony in Ptolemy's harmonics. Armidale, N.S.W: University of New England-Armidale, 1990.

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37

Zawiejski, Czesław Karol. Teoria harmonii ks. Jana Jarmusiewicza (1781-1844) na tle ówczesnej epoki. Gdańsk: Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku, Instytut Teorii Muzyki, Zakład Wydawnictw i Informacjii Nauk., 1986.

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38

Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Ann Arbor, Mich: UMI Research Press, 1985.

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39

Wason, Robert W. Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Rochester, N.Y., USA: University of Rochester Press, 1995.

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40

The classical method: Classical improvisation & compositional theory and harmony. Blomingtin, IN: AuthorHouse, 2004.

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41

Kaye, Robert. The classical method: Classical improvisation & compositional theory and harmony. Blomingtin, IN: AuthorHouse, 2004.

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42

Kaye, Robert. The classical method: Classical improvisation & compositional theory and harmony. 4th ed. Blomington, IN: AuthorHouse, 2004.

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43

Melody, harmony, tonality: A book for connoisseurs and amateurs. Lanham, Md: Scarecrow Press, 2013.

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44

J, Aiton E., Duncan A. M, and Field J. V, eds. The harmony of the world. [Philadelphia, Pa.]: American Philosophical Society, 1997.

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45

Gradus I: An integrated approach to harmony, counterpoint, and analysis. 2nd ed. New York: Norton, 1987.

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46

Holst, Imogen. An ABC of music: A short practical guide to the basic essentials of rudiments, harmony and form. Oxford: Oxford University Press, 1996.

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47

Holst, Imogen. An ABC of music: A short practical guide to the basic essentials of rudiments, harmony, and form. Oxford: Oxford University Press, 1985.

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48

Harmony and the music of the spheres: The ars musica in ninth-century commentaries on Martianus Capella. Leiden: Brill, 2002.

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49

Ethos e varietas: Trasformazione qualitative e metabole nella teoria armonica dell'antichità greca. Firenze: Leo S. Olschki, 2002.

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50

Fichet, Laurent. Le langage musical baroque: Éléments et structures. Bourg-la-Reine: Zurfluh, 2000.

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