Academic literature on the topic 'Music therapy - China - Hong Kong'

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Journal articles on the topic "Music therapy - China - Hong Kong"

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Ifansyah, M. Noor, Elok Faiqotul Himmah, and Melinda Restu Pertiwi. "Complementary Therapies to Improve the Quality of Sleep in the Elderly: A Systematic Review." D'Nursing and Health Journal (DNHJ) 2, no. 1 (2021): 11–16. http://dx.doi.org/10.36835/dnursing.v2i1.112.

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Introduction: As humans get older, a degenerative aging process occurs which will have an impact on changes in humans. The changes that occur in the elderly can cause various kinds of disorders, one of which is sleep disturbance or insomnia. The aim of this systematic review is to gain a deeper understanding of complementary therapies to improve sleep quality in the elderly. Method: The design used by systematic review is that the reviewer looks for several articles through an electronic database, namely Scopus and ScienceDirect, the keywords used are "Therapy", "Sleep Quality" and "Elderly".
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Sun, Fei, Angel Duncan, and Nancy Hooyman. "Arts-Based Interventions for Dementia Care: East Meets West Symposium." Innovation in Aging 4, Supplement_1 (2020): 566. http://dx.doi.org/10.1093/geroni/igaa057.1871.

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Abstract This East Meets West symposium presents evidence of arts-based interventions in dementia care in different societal settings, focusing on the U.S.A. and China, where live about one-third of the world’s total estimated 49 million dementia population. The first study from Kansas in the U.S. outlined the varieties of arts being applied in dementia care and recommended dementia care, inter-professional teams, to involve those professionals in arts and humanities. The second paper, based upon secondary national representative data, examined the association with arts-related hobbies and cog
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Chu, Yiu-Wai. "Hong Kong (in China) studies: Hong Kong popular culture as example." Global Media and China 5, no. 2 (2020): 109–23. http://dx.doi.org/10.1177/2059436420917564.

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“China has become a predicament as well as a condition for Hong Kong culture” in the age of China, especially after the signing of the Closer Economic Partnership Agreement in 2003. This has become even more acute for Hong Kong culture in the integration of the Greater Bay Area, which can be seen as incorporating Hong Kong and Macao’s development into the overall development of the country. At this particular juncture, the issue of integration with the Mainland has become a topic that is of utmost importance for any consideration of the future of Hong Kong culture and the city as a whole. In t
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Cheung, Carlos K. F. "Trans-border televisual musicscape: Regionalizing reality TV I am a Singer in China and Hong Kong." Global Media and China 2, no. 1 (2017): 90–108. http://dx.doi.org/10.1177/2059436417695815.

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This article focuses on the regionalization of reality TV I am a Singer from China to Hong Kong. It explores the features of a successful flow of a reality singing contest with the concepts of mediascape, televisuality and cultural memory of pop music. The three research questions: what format structures of televisuality are being integrated in I am a Singer; how locals in China and Hong Kong interpret and appropriate I am a Singer to their experience of cultural identities and how trans-border televisual musicscape facilitates regionalization of television programme, are answered by textual a
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Ho, Wai-chung. "The political meaning of Hong Kong popular music: a review of sociopolitical relations between Hong Kong and the People's Republic of China since the 1980s." Popular Music 19, no. 3 (2000): 341–53. http://dx.doi.org/10.1017/s0261143000000209.

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IntroductionThe aim of this paper is to analyse shifting themes in the meanings of Hong Kong popular songs relating to ideological and political changes in Hong Kong since the 1989 Tiananmen Square incident (TSI). In particular, the paper examines the relationship between Hong Kong and the People's Republic of China (PRC) concerning the transmission of Hong Kong popular music, and argues that Chinese, Hong Kong and Taiwanese popular musics articulate fluctuating political meanings. Attention will be focused predominantly on the lyrics, but some aspects of the music are also invoked. After high
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Leung, Chi Cheung. "A preliminary study on music as a tool of nationalistic education." Asian Education and Development Studies 7, no. 1 (2018): 15–25. http://dx.doi.org/10.1108/aeds-03-2017-0021.

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Purpose The purpose of this paper is to discuss nationalistic education in Hong Kong from a cultural perspective. It highlights the challenges faced by the Hong Kong Government and the growing antagonism and mistrust between the young generation and the government. The paper reviews the cultural policies adopted by the Western Zhou, Han and Tang dynasties in ancient China. Design/methodology/approach This paper adopts a historical approach by reviewing the policies in music and culture in the Chinese history and argues for the adoption of a soft approach to nationalistic education in Hong Kong
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Brand, Manny, and Wai-Chung Ho. "China recaptures Hong Kong: a study of change for music education." British Journal of Music Education 16, no. 3 (1999): 227–36. http://dx.doi.org/10.1017/s0265051799000315.

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This study examines the change of Hong Kong's sovereignty from one particular perspective – its effect on musical education. Our purpose is to analyse how the change of sovereignty and the idea of ‘one country, two systems’ are reflected in current practices, including published materials used in Hong Kong's secondary schools. Sources of data include selected textbooks, government documents concerning educational policies and curriculum, school syllabi and relevant studies.
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Witzleben, J. Lawrence. "Cantopop and Mandapop in pre-postcolonial Hong Kong: identity negotiation in the performances of Anita Mui Yim-Fong." Popular Music 18, no. 2 (1999): 241–58. http://dx.doi.org/10.1017/s0261143000009077.

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The following comments appeared on the front page of the Hong Kong newspaper South China Morning Post on 19 January 1989, in a story about a performance in the Chinese city of Guangzhou (Canton) by Hong Kong singer Anita Mui YimFong .
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Ho, Wai-Chung, and Wing-Wah Law. "Sociopolitical culture and school music education in Hong Kong." British Journal of Music Education 26, no. 1 (2009): 71–84. http://dx.doi.org/10.1017/s0265051708008292.

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In the last two decades, educational and curricular reforms in Hong Kong have been designed to prepare students for the challenges of the return of Hong Kong's sovereignty from the UK to the People's Republic of China (PRC) in 1997. This paper focuses on students' and teachers' attitudes towards a multicultural music education, which includes Chinese music, in response to this socio-political change. A mixed method design, involving a content analysis of relevant official educational and music documents, a questionnaire survey to 3,243 school students, and semi-structured interviews with 20 mu
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Penyeh, Tsao, and Shi Xinming. "Current Research of Taoist Ritual Music in Mainland China and Hong Kong." Yearbook for Traditional Music 24 (1992): 118. http://dx.doi.org/10.2307/768473.

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Dissertations / Theses on the topic "Music therapy - China - Hong Kong"

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Poh, Tse-tse Jennifer, and 傅思思. "The use of music therapy in the treatment of autistic children with special reference to Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31219792.

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Goh, Man-fat Joseph, and 吳文發. "Music retailing in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31265650.

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Wong, Chi-chung Elvin, and 黃志淙. "Making and using pop music in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B29872583.

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Ng, Yuen-fun Fanny, and 吳婉芬. "The Hong Kong secondary school music curriculum: constructing marginality." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31237587.

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Yip, Lam Christine, and 葉琳. "The performances of J.S. Bach's music in the Hong Kong Arts Festival: a case study of Bach reception in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31214836.

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Lau, Man-chun, and 劉文俊. "A study of Hong Kong popular music industry (1930-2000)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B4389608X.

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Yiu, Yan-ling, and 饒欣凌. "Rock music as cultural translation: a case study of Hong Kong rock music video." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B30432996.

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Chan, Wai-lan Candy, and 陳惠蘭. "Music extra-curricular activities and students' sense of belonging to the school." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B37604569.

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Cheung, Tung-lung, and 張東龍. "Understanding of metered dose inhaler therapy by GOPC patients: a survey at Tsing Yi Town Clinic." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31971611.

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Lam, Big-chen Jessie, and 林璧淸. "Reality therapy with delinquent adolescent girls in open probation setting." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1987. http://hub.hku.hk/bib/B31247842.

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Books on the topic "Music therapy - China - Hong Kong"

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School music education and social change in mainland China, Hong Kong, and Taiwan. Brill, 2011.

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Ho, Wai-chung. School music education and social change in mainland China, Hong Kong, and Taiwan. Brill, 2011.

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Ho, Wai-chung. School music education and social change in mainland China, Hong Kong, and Taiwan. Brill, 2011.

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Mittler, Barbara. Dangerous tunes: The politics of Chinese music in Hong Kong, Taiwan, and the People's Republic of China since 1949. Harrassowitz, 1997.

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Mittler, Barbara. Dangerous tunes: The politics of Chinese music in Hong Kong, Taiwan, and the People's Republic of China since 1949. Harrassowitz, 1997.

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Ho, Wai-Chung. Globalization, Nationalism, and Music Education in the Twenty-First Century in Greater China. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463729932.

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Globalization, Nationalism, and Music Education in the Twenty-First Century in Greater China examines the recent developments in school education and music education in Greater China – Mainland China, Hong Kong, and Taiwan – and the relationship between, and integration of, national cultural identity and globalization in their respective school curriculums. Regardless of their common history and cultural backgrounds, in recent decades, these localities have experienced divergent political, cultural, and educational structures. Through an analysis of the literature, official curriculum document
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Ho, Wai-chung. School Music Education and Social Change in Mainland China, Hong Kong and Taiwan. BRILL, 2010.

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1935-, Liu Jingzhi, Woo Helen, Chan Hing-Yan, Predota George A, University of Hong Kong. University Libraries., and C.C. Liu Collection on New Music in China., eds. New music in China and the C.C. Liu collection at the University of Hong Kong. Hong Kong University Press, 2005.

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Bourdaghs, Michael K., Paola Iovene, and Kaley Mason, eds. Sound Alignments. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478013143.

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In Sound Alignments, a transnational group of scholars explores the myriad forms of popular music that circulated across Asia during the Cold War. Challenging the conventional alignments and periodizations of Western cultural histories of the Cold War, they trace the routes of popular music, examining how it took on new meanings and significance as it traveled across Asia, from India to Indonesia, Hong Kong to South Korea, China to Japan. From studies of how popular musical styles from the Americas and Europe were adapted to meet local exigencies to how socialist-bloc and nonaligned Cold War o
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Book chapters on the topic "Music therapy - China - Hong Kong"

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Man, Ivy. "The Resonances of Political Disputes in Hong Kong China – Case Studies of Canto-pop." In Popular Music Studies Today. Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17740-9_18.

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Leung, Bo-Wah. "School Music Education in Hong Kong After Returning to China: Policy, Curriculum, and Teaching Practice." In The Palgrave Handbook of Global Arts Education. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55585-4_13.

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"Blowing in the China Wind: Engagements with Chineseness in Hong Kong’s Zhongguofeng Music Videos." In Hybrid Hong Kong. Routledge, 2013. http://dx.doi.org/10.4324/9780203723296-8.

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"Chapter Three Music Education in Hong Kong." In School Music Education and Social Change in Mainland China, Hong Kong and Taiwan. BRILL, 2011. http://dx.doi.org/10.1163/9789004191471_004.

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"New Music and Composers in Taiwan, Hong Kong and Macao." In A Critical History of New Music in China. The Chinese University Press, 2010. http://dx.doi.org/10.2307/j.ctt1pb61zn.15.

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"Chapter Two Music Education in Mainland China." In School Music Education and Social Change in Mainland China, Hong Kong and Taiwan. BRILL, 2011. http://dx.doi.org/10.1163/9789004191471_003.

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"Chapter Four Music Education in Taiwan." In School Music Education and Social Change in Mainland China, Hong Kong and Taiwan. BRILL, 2011. http://dx.doi.org/10.1163/9789004191471_005.

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"Appendix One Student Questionnaire on Music Learning." In School Music Education and Social Change in Mainland China, Hong Kong and Taiwan. BRILL, 2011. http://dx.doi.org/10.1163/9789004191471_009.

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"The Struggle for Cultural Identity, School Education, and Music Education in Hong Kong." In Globalization, Nationalism, and Music Education in the Twenty-First Century in Greater China. Amsterdam University Press, 2021. http://dx.doi.org/10.2307/j.ctv1htpfc4.8.

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"3. The Struggle for Cultural Identity, School Education, and Music Education in Hong Kong." In Globalization, Nationalism, and Music Education in the Twenty-First Century in Greater China. Amsterdam University Press, 2021. http://dx.doi.org/10.1515/9789048552207-006.

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