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Relevant bibliographies by topics / Music – United States – Latin American influences

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Academic literature on the topic 'Music – United States – Latin American influences'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Journal articles on the topic "Music – United States – Latin American influences"

1

Cowley, John. "Cultural ‘fusions’: aspects of British West Indian music in the USA and Britain 1918–51." Popular Music 5 (January 1985): 81–96. http://dx.doi.org/10.1017/s0261143000001938.

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In recent years, a surprising void has opened in discussions of the evolution of twentieth-century British popular music. Directly and indirectly, much attention has been given to the influence of the United States. Little, however, has been written on the development of Britain's own popular vocal and dance forms, especially in the key years between the two World Wars; neither have other cultural inter-relationships, such as British acceptance of ‘Latin American’ rhythms received the attention they deserve.

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2

Kwon, Lois, Daniela Medina, Fady Ghattas, and Lilia Reyes. "Trends in Positive, Negative, and Neutral Themes of Popular Music From 1998 to 2018: Observational Study." JMIR Pediatrics and Parenting 4, no. 2 (2021): e26475. http://dx.doi.org/10.2196/26475.

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Background Across the United States, the incidence of adolescent depression and suicide cases has risen in the past 10 years. Despite the risk factors and causes being multifactorial, the influence of popular culture on society and adolescents in this media-driven generation cannot be mitigated. Although the impact of social media and its effect on shaping self-identity in adolescents have been observed, the impact of music and its potential for subliminal negative messages to adolescents remains unclear. Objective This study analyzes the lyrics and music videos of the most popular music of mu

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3

Yoo, Hyesoo, Sangmi Kang, and Victor Fung. "Personality and world music preference of undergraduate non-music majors in South Korea and the United States." Psychology of Music 46, no. 5 (2017): 611–25. http://dx.doi.org/10.1177/0305735617716757.

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We investigated contributors of undergraduate nonmusic majors’ preferences for world musics, specifically those from Africa, Asia, and Latin America. Drawing upon the reciprocal feedback model as a theoretical framework, we determined the extent to which predictor variables (familiarity with the music, personality, and music absorption) were related to music preference. Participants were 401 undergraduate nonmusic majors from South Korea ( n = 208) and the USA ( n = 183). Participants took an online survey via Qualtrics that included demographic information, the World Musics Preference Rating

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4

Marc Gidal. "Contemporary “Latin American” Composers of Art Music in the United States: Cosmopolitans Navigating Multiculturalism and Universalism." Latin American Music Review 31, no. 1 (2010): 40–78. http://dx.doi.org/10.1353/lat.2010.0008.

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5

Hess, Carol A. "Copland in Argentina." Journal of the American Musicological Society 66, no. 1 (2013): 191–250. http://dx.doi.org/10.1525/jams.2013.66.1.191.

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Abstract Perhaps more than any other US composer, Aaron Copland is associated with Pan Americanism, a contradictory and often unbalanced set of practices promoting North-South economic and affective ties since the nineteenth century. Copland visited Latin America on behalf of the US government four times over the course of his career. He also befriended and taught Latin American composers, wrote about Latin American music, and composed several Latin-American—themed works, including the well-known El salón México. Focusing on one such encounter—Copland's three visits to Argentina (1941, 1947, 1

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6

Romero, Sergio Ospina. "Ghosts in the Machine and Other Tales around a “Marvelous Invention”: Player Pianos in Latin America in the Early Twentieth Century." Journal of the American Musicological Society 72, no. 1 (2019): 1–42. http://dx.doi.org/10.1525/jams.2019.72.1.1.

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Gabriel García Márquez's literary portrait of the arrival of the pianola in Macondo in One Hundred Years of Solitude functions as a metaphor for the reception and cultural legitimization of player pianos in Latin America during their heyday in the 1910s and 1920s. As a technological intruder, the player piano inhabited a liminal space between the manual and the mechanical as well as between unmediated musical experiences and the mechanically mediated consumption of sounds. It thus constitutes a paradigmatic case by which to examine the contingent construction of ideas about tradition and moder

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7

Sahni, Varun. "Not Quite British: A Study of External Influences on the Argentine Navy." Journal of Latin American Studies 25, no. 3 (1993): 489–513. http://dx.doi.org/10.1017/s0022216x00006647.

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Political studies of military institutions in Latin America have tended to lay heavy stress on their external linkages, with a good deal of emphasis being placed upon the ‘differential degrees of dependence upon other countries for supplies, parts, training and equipment by the various service branches’. This particularly the case when scholars attempt to explain why two military institutions differ in their political behaviour and ideological orientation. Thus, we find Lieuwen asserting that[t]he aristocratic tendencies of [Latin American] naval officers… often were moderated by the democrati

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8

Aquino, André Carlos Busanelli de, Eugenio Caperchione, Ricardo Lopes Cardoso, and Ileana Steccolini. "Influências estrangeiras no desenvolvimento e inovações recentes em contabilidade e finanças do setor público na América Latina." Revista de Administração Pública 54, no. 1 (2020): 1–10. http://dx.doi.org/10.1590/0034-761220200057.

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Abstract The idea for this special issue was to contribute to the international literature on public sector accounting from a Latin-American perspective, exploring which forces influence Public Sector Accounting and Finance (PSA&F) artifacts and concepts in Latin America, and how they occur. There is evidence that later influences from countries such as Italy, the United Kingdom, the United States, and New Zealand played a role in PSA&F developments in Latin-America. However, the roots and the associated effects (e.g., recent innovations, resistances, decoupling) of PSA&F are still

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9

Aquino, André Carlos Busanelli de, Eugenio Caperchione, Ricardo Lopes Cardoso, and Ileana Steccolini. "Overseas influences on the development and recent innovations on public sector accounting and finance in Latin America." Revista de Administração Pública 54, no. 1 (2020): 1–10. http://dx.doi.org/10.1590/0034-761220200057x.

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Abstract The idea for this special issue was to contribute to the international literature on public sector accounting from a Latin-American perspective, exploring which forces influence Public Sector Accounting and Finance (PSA&F) artifacts and concepts in Latin America, and how they occur. There is evidence that later influences from countries such as Italy, the United Kingdom, the United States, and New Zealand played a role in PSA&F developments in Latin-America. However, the roots and the associated effects (e.g., recent innovations, resistances, decoupling) of PSA&F are still

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10

HERRERA, EDUARDO. "Electroacoustic Music At CLAEM: A Pioneer Studio in Latin America." Journal of the Society for American Music 12, no. 2 (2018): 179–212. http://dx.doi.org/10.1017/s1752196318000056.

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AbstractDuring the 1950s and ’60s, many composers began exploring the possibilities provided by commercially available magnetic tape recording and electronically produced sound. In Latin America, the most successful early electroacoustic studio was hosted at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM), part of the Torcuato Di Tella Institute in Buenos Aires, Argentina. This article chronicles the eight years of existence of CLAEM's Laboratorio de música electrónica (1964–1971), and its role in the training of composers hailing from Argentina, Bolivia, Brazil, Colombia, Costa

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