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1

Cowley, John. "Cultural ‘fusions’: aspects of British West Indian music in the USA and Britain 1918–51." Popular Music 5 (January 1985): 81–96. http://dx.doi.org/10.1017/s0261143000001938.

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In recent years, a surprising void has opened in discussions of the evolution of twentieth-century British popular music. Directly and indirectly, much attention has been given to the influence of the United States. Little, however, has been written on the development of Britain's own popular vocal and dance forms, especially in the key years between the two World Wars; neither have other cultural inter-relationships, such as British acceptance of ‘Latin American’ rhythms received the attention they deserve.
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Kwon, Lois, Daniela Medina, Fady Ghattas, and Lilia Reyes. "Trends in Positive, Negative, and Neutral Themes of Popular Music From 1998 to 2018: Observational Study." JMIR Pediatrics and Parenting 4, no. 2 (2021): e26475. http://dx.doi.org/10.2196/26475.

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Background Across the United States, the incidence of adolescent depression and suicide cases has risen in the past 10 years. Despite the risk factors and causes being multifactorial, the influence of popular culture on society and adolescents in this media-driven generation cannot be mitigated. Although the impact of social media and its effect on shaping self-identity in adolescents have been observed, the impact of music and its potential for subliminal negative messages to adolescents remains unclear. Objective This study analyzes the lyrics and music videos of the most popular music of mu
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Yoo, Hyesoo, Sangmi Kang, and Victor Fung. "Personality and world music preference of undergraduate non-music majors in South Korea and the United States." Psychology of Music 46, no. 5 (2017): 611–25. http://dx.doi.org/10.1177/0305735617716757.

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We investigated contributors of undergraduate nonmusic majors’ preferences for world musics, specifically those from Africa, Asia, and Latin America. Drawing upon the reciprocal feedback model as a theoretical framework, we determined the extent to which predictor variables (familiarity with the music, personality, and music absorption) were related to music preference. Participants were 401 undergraduate nonmusic majors from South Korea ( n = 208) and the USA ( n = 183). Participants took an online survey via Qualtrics that included demographic information, the World Musics Preference Rating
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4

Marc Gidal. "Contemporary “Latin American” Composers of Art Music in the United States: Cosmopolitans Navigating Multiculturalism and Universalism." Latin American Music Review 31, no. 1 (2010): 40–78. http://dx.doi.org/10.1353/lat.2010.0008.

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5

Hess, Carol A. "Copland in Argentina." Journal of the American Musicological Society 66, no. 1 (2013): 191–250. http://dx.doi.org/10.1525/jams.2013.66.1.191.

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Abstract Perhaps more than any other US composer, Aaron Copland is associated with Pan Americanism, a contradictory and often unbalanced set of practices promoting North-South economic and affective ties since the nineteenth century. Copland visited Latin America on behalf of the US government four times over the course of his career. He also befriended and taught Latin American composers, wrote about Latin American music, and composed several Latin-American—themed works, including the well-known El salón México. Focusing on one such encounter—Copland's three visits to Argentina (1941, 1947, 1
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Romero, Sergio Ospina. "Ghosts in the Machine and Other Tales around a “Marvelous Invention”: Player Pianos in Latin America in the Early Twentieth Century." Journal of the American Musicological Society 72, no. 1 (2019): 1–42. http://dx.doi.org/10.1525/jams.2019.72.1.1.

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Gabriel García Márquez's literary portrait of the arrival of the pianola in Macondo in One Hundred Years of Solitude functions as a metaphor for the reception and cultural legitimization of player pianos in Latin America during their heyday in the 1910s and 1920s. As a technological intruder, the player piano inhabited a liminal space between the manual and the mechanical as well as between unmediated musical experiences and the mechanically mediated consumption of sounds. It thus constitutes a paradigmatic case by which to examine the contingent construction of ideas about tradition and moder
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Sahni, Varun. "Not Quite British: A Study of External Influences on the Argentine Navy." Journal of Latin American Studies 25, no. 3 (1993): 489–513. http://dx.doi.org/10.1017/s0022216x00006647.

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Political studies of military institutions in Latin America have tended to lay heavy stress on their external linkages, with a good deal of emphasis being placed upon the ‘differential degrees of dependence upon other countries for supplies, parts, training and equipment by the various service branches’. This particularly the case when scholars attempt to explain why two military institutions differ in their political behaviour and ideological orientation. Thus, we find Lieuwen asserting that[t]he aristocratic tendencies of [Latin American] naval officers… often were moderated by the democrati
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8

Aquino, André Carlos Busanelli de, Eugenio Caperchione, Ricardo Lopes Cardoso, and Ileana Steccolini. "Influências estrangeiras no desenvolvimento e inovações recentes em contabilidade e finanças do setor público na América Latina." Revista de Administração Pública 54, no. 1 (2020): 1–10. http://dx.doi.org/10.1590/0034-761220200057.

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Abstract The idea for this special issue was to contribute to the international literature on public sector accounting from a Latin-American perspective, exploring which forces influence Public Sector Accounting and Finance (PSA&F) artifacts and concepts in Latin America, and how they occur. There is evidence that later influences from countries such as Italy, the United Kingdom, the United States, and New Zealand played a role in PSA&F developments in Latin-America. However, the roots and the associated effects (e.g., recent innovations, resistances, decoupling) of PSA&F are still
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Aquino, André Carlos Busanelli de, Eugenio Caperchione, Ricardo Lopes Cardoso, and Ileana Steccolini. "Overseas influences on the development and recent innovations on public sector accounting and finance in Latin America." Revista de Administração Pública 54, no. 1 (2020): 1–10. http://dx.doi.org/10.1590/0034-761220200057x.

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Abstract The idea for this special issue was to contribute to the international literature on public sector accounting from a Latin-American perspective, exploring which forces influence Public Sector Accounting and Finance (PSA&F) artifacts and concepts in Latin America, and how they occur. There is evidence that later influences from countries such as Italy, the United Kingdom, the United States, and New Zealand played a role in PSA&F developments in Latin-America. However, the roots and the associated effects (e.g., recent innovations, resistances, decoupling) of PSA&F are still
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10

HERRERA, EDUARDO. "Electroacoustic Music At CLAEM: A Pioneer Studio in Latin America." Journal of the Society for American Music 12, no. 2 (2018): 179–212. http://dx.doi.org/10.1017/s1752196318000056.

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AbstractDuring the 1950s and ’60s, many composers began exploring the possibilities provided by commercially available magnetic tape recording and electronically produced sound. In Latin America, the most successful early electroacoustic studio was hosted at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM), part of the Torcuato Di Tella Institute in Buenos Aires, Argentina. This article chronicles the eight years of existence of CLAEM's Laboratorio de música electrónica (1964–1971), and its role in the training of composers hailing from Argentina, Bolivia, Brazil, Colombia, Costa
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Desposato, Scott, and Barbara Norrander. "The Gender Gap in Latin America: Contextual and Individual Influences on Gender and Political Participation." British Journal of Political Science 39, no. 1 (2009): 141–62. http://dx.doi.org/10.1017/s0007123408000458.

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While a substantial literature explores gender differences in participation in the United States, Commonwealth countries and Western Europe, little attention has been given to gender’s impact on participation in the developing world. These countries have diverse experiences with gender politics: some have been leaders in suffrage reforms and equal rights, while, in others, divorce has only recently been legalized. This article examines the relationship between gender and participation in seventeen Latin American countries. Many core results from research in the developed world hold in Latin Am
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Reyes-Ruiz, Rafael. "The Latino Culturescape in Japan." Diaspora: A Journal of Transnational Studies 14, no. 1 (2005): 137–55. http://dx.doi.org/10.3138/diaspora.14.1.137.

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On my first trip to Japan, shortly after I arrived in September 1988, I asked my Japanese host, a writer for one of Tokyo’s music magazines, to direct me to a Latin American restaurant or nightclub. Since leaving my native Colombia for the United States and Europe, I had learned that Latin American restaurants and nightclubs were some of the places to make contacts for jobs and housing, and, of course, to socialize. My host was not familiar with any such businesses in western Tokyo, where he lived, so I asked him to consult the telephone book. He found one listing and gave me the address.
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Guzmán-Valenzuela, Carolina, Andrés Rojas-Murphy Tagle, and Carolina Gómez-González. "Polifonía epistémica de la investigación sobre las experiencias estudiantiles: El caso Latinoamericano." education policy analysis archives 28 (June 22, 2020): 96. http://dx.doi.org/10.14507/epaa.28.4919.

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In this article, the production of knowledge about what is known in the international literature as ‘the student experience’ is examined. This construct has been researched in the United Kingdom while, in the United States, the “student engagement” has gained traction. Although in Latin America the production of knowledge in higher education has been increasing in the last decade, studies on student experiences are rather scarce, although there are abundant literatures on higher education in general. By means of a bibliometric analysis and a content analysis of articles published between 2000
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Cohen, Benjamin J. "International debt and linkage strategies: some foreign-policy implications for the United States." International Organization 39, no. 4 (1985): 699–727. http://dx.doi.org/10.1017/s0020818300027077.

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The global debt problem influences the foreign-policy capabilities of the United States through its impact on the government's “linkage strategies” in foreign affairs. In some circumstances policy makers are forced to make connections between different policy instruments or issues that might not otherwise have been felt necessary; in others, opportunities for connections are created that might not otherwise have been felt possible. The Polish debt crisis of 1981–82, the Latin American debt crisis of 1982–83, and the IMF quota increase in 1983 are suggestive in this regard. Linkage strategies b
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Tucker, Joshua. "Sounding the Latin Transatlantic: Music, Integration, and Ambivalent Ethnogenesis in Spain." Comparative Studies in Society and History 56, no. 4 (2014): 902–33. http://dx.doi.org/10.1017/s0010417514000449.

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AbstractThis article uses commentary on and consumption of popular music as a lens to explore how Peruvian immigrants in Spain experience new notions of belonging and alterity as they tack between official Spanish discourses about difference and otherness and distinct notions of unity and sameness that circulate within the country's wider Latin American community. I examine the uneven, tentative emergence of a local Latino identity, and how this formation compares to the tenets that accrue to the formation found in the United States. I explain how the naturalization of this new and alien way o
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Carter, Bruce Allen. "“Nothing Better or Worse Than Being Black, Gay, and in the Band”." Journal of Research in Music Education 61, no. 1 (2013): 26–43. http://dx.doi.org/10.1177/0022429412474470.

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This collective case study examined the experiences of four African American gay band students attending historically Black colleges or universities (HCBUs) in the southern United States. This study explored influences that shaped the participants’ identities as they negotiated numerous complex sociocultural discourses pervasive and challenging to gay African American band students. Utilizing participative inquiry, participants were asked to read, reflect on, and respond to historical and current research literature concerning the schooling experiences of Black students. Their responses were a
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Navarro Bulgarelli, Mauricio Javier. "Vocational counseling and the aspiration of achieving a university admission of students with a migratory background in The United States, Latin America, and South Europe. A systematic literature review." EDUCATIONAL REFLECTIVE PRACTICES, no. 2 (July 2021): 99–113. http://dx.doi.org/10.3280/erp2-2021oa12118.

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There is limited research that considers students with migratory background cultural characteristics within vocational counseling processes in high schools of the United States, Latin America, and South Europe. A systematic literature review was made, guided by the question: In young migrants and second-generation migrants, how vocational counseling influences the achievement of being admitted into a university, comparing their life trajectories during secondary and high school? A total of ten articles, out of three hundred eleven initially found, were selected based on a protocol for the lite
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18

Byrd, W. Carson, Rachelle J. Brunn-Bevel, and Parker R. Sexton. "‘WE DON’T ALL LOOK ALIKE’." Du Bois Review: Social Science Research on Race 11, no. 2 (2014): 353–85. http://dx.doi.org/10.1017/s1742058x14000162.

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AbstractThe examination of student group performance is a constant need as American higher education continues to expand and become more racially and ethnically diverse. Recent scholarship on the academic performance of Black students at elite colleges and universities has glossed over possible disparities among these students, particularly among different immigrant groups. The current study clarifies these differences in academic performance by examining four Black student groups at elite colleges and universities in the United States: native Blacks, Black immigrants from Africa, Black immigr
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19

Coelho, Rafael Senra. "Sou do mundo, sou Minas Gerais: o ser da experiência em "Para Lennon e McCartney"." Jangada: crítica | literatura | artes, no. 10 (April 7, 2018): 53–65. http://dx.doi.org/10.35921/jangada.v0i10.81.

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RESUMO: A canção “Para Lennon e McCartney” imagina um diálogo entre músicos latino americanos e anglo-saxões. Os dois cantores citados no título tornam-se uma metonímia de toda a indústria musical do eixo Europa/EUA. Nessa composição, a condição simultânea rural e urbana que compõe o espaço da periferia permite que o sujeito da experiência persista na modernidade. A voz do narrador experiente confronta todo o projeto de identidade supostamente coerente da metrópole, baseado no acúmulo de informação.
 PALAVRAS-CHAVE: Identidade, Globalização, Experiência, Música Popular.
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20

Carneiro, Gabriel Santos. "Poder e Autonomia: As Assimetrias do Sistema Financeiro e Monetário Internacional." ÎANDÉ : Ciências e Humanidades 2, no. 1 (2018): 104–23. http://dx.doi.org/10.36942/iande.v2i1.49.

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Este artigo tem por objetivo explicitar a natureza assimétrica das relações financeiras e monetárias entre os Estados desde 1945 até o presente. Destaca-se que as decisões tomadas acerca das questão financeiras internacionais foram marcadas pelo unilateralismo dos Estados Unidos, de forma que o poder, tratado em termos de autonomia, se mostrou fator decisivo e explicativo das mudanças financeiras internacionais. Assim, o sistema financeiro internacional é caracterizado por uma discrepante autonomia norte-americana em relação aos demais países, de maneira que esse sistema é moldado fundamentalm
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McKay, Jim, and Toby Miller. "From Old Boys to Men and Women of the Corporation: The Americanization and Commodification of Australian Sport." Sociology of Sport Journal 8, no. 1 (1991): 86–94. http://dx.doi.org/10.1123/ssj.8.1.86.

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Although there are obvious American influences on Australian popular culture, the term “Americanization” is of limited help in explaining the elaborate form and content of Australian sport. The recent transformation from amateur to corporate sport in Australia has been determined by a complex array of internal and international social forces, including Australia’s polyethnic population, its semiperipheral status in the capitalist world system, its federal polity, and its membership in the Commonwealth of Nations. Americanization is only one manifestation of the integration of amateur and profe
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WALDEN, JOSHUA S. "“The Hora Staccato in Swing!”: Jascha Heifetz's Musical Eclecticism and the Adaptation of Violin Miniatures." Journal of the Society for American Music 6, no. 4 (2012): 405–31. http://dx.doi.org/10.1017/s175219631200034x.

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AbstractJascha Heifetz (1901–87) promoted a modern brand of musical eclecticism, recording, performing, and editing adaptations of folk and popular songs while remaining dedicated to the standard violin repertoire and the compositions of his contemporaries. This essay examines the complex influences of his displacement from Eastern Europe and assimilation to the culture of the United States on both the hybridity of his repertoire and the critical reception he received in his new home. It takes as its case study Heifetz's composition of the virtuosic showpiece “Hora Staccato,” based on a Romany
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Pring-Mill, Robert. "The roles of revolutionary song – a Nicaraguan assessment." Popular Music 6, no. 2 (1987): 179–89. http://dx.doi.org/10.1017/s0261143000005973.

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The term ‘protest song’, which became so familiar in the context of the anti-war movement in the United States during the 1960s, has been widely applied to the songs of socio-political commitment which have developed out of traditional folksong in most of the countries of Latin America over the past twenty years (see Pring-Mill 1983 and forthcoming). Yet it is misleading insofar as it might seem to imply that all such songs are ‘anti’ something: denouncing some negative abuse rather than promoting something positive to put in its place. A more helpful designation is that of ‘songs of hope and
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Shemet, L. "Genre and style priorities of accordion performance in traditional common culture of USA." Culture of Ukraine, no. 72 (June 23, 2021): 150–55. http://dx.doi.org/10.31516/2410-5325.072.21.

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The relevance of the study is determined by the wide popularity of accordion in various genres and styles of American folk music, significant achievements of American accordionists in preserving and developing performing traditions in accordance with the ethnocultural specifics of a particular region of the country and presentation of creative achievements of famous American folk groups in the world music space, as well as by lack of the studies on this issue in the field of musicology in Ukraine.
 The aim of the study is to define the genre and style priorities of accordion performance i
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Chinea, Jorge L. "Race, Colonial Exploitation and West Indian Immigration in Nineteenth-Century Puerto Rico, 1800-1850." Americas 52, no. 4 (1996): 495–519. http://dx.doi.org/10.2307/1008475.

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“Unlike some Latin American mainland societies which still contain large numbers of indigenous peoples,” Jorge Duany observed, “Caribbean societies are immigrant societies almost from the moment of their conception.” Médéric-Louis-Élie Moreau de Saint- Méry likened the latter to “shapeless mixtures subject to diverse influences.” Their population, Dawn I. Marshall reminds us, “is to a large extent the result of immigration—from initial settlement, forced immigration during slavery, indentured immigration, to the present outward movement to metropolitan countries.” Throughout their history, Dav
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Babaee, Ruzbeh. "Realities of Graphic Novels: An Interview with Frederick Aldama." International Journal of Comparative Literature and Translation Studies 5, no. 3 (2017): 1. http://dx.doi.org/10.7575/aiac.ijclts.v.5n.3p.1.

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The trend about producing and reading graphic novels has grown since the late twentieth century. These books with comic backgrounds seem to have a miraculous energy. They have been even appealing to unenthusiastic readers. They tempt people of different age groups, races and genders. They are also used for teaching ESL courses, e-learning activities, designing reality games, and teaching creative writing. If you talk to its followers, you may get the feedback that graphic novels can fulfil your demands and dreams from writing your assignments to taking you to the moon. Although many researcher
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27

Bauer, Ralph. "Hemispheric Studies." PMLA/Publications of the Modern Language Association of America 124, no. 1 (2009): 234–50. http://dx.doi.org/10.1632/pmla.2009.124.1.234.

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When, in 1990, Gustavo Pérez Firmat asked, “Do the Americas have a common literature?” He was responding to a fledgling critical endeavor that had been pioneered during the previous decade in only a handful of studies, by such Latin Americanists and literary comparatists as M. J. Valdés, José Ballón, Bell Gale Chevigny, Gari Laguardia, Vera Kutzinski, Alfred Owen Aldridge, and Lois Parkinson Zamora (“Cheek” 2). Although “inter-American literary studies”—the comparative investigation of the “literatures and cultures of this hemisphere” as one unit of study—seemed to Pérez Firmat “something of a
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Tkach, Oleg, and Anatoly Tkach. "SOFT POWER AS A CHARACTERISTIC FEATURE OF THE POLITICAL INFLUENCE OF A GREAT POWER IN THE CONDITIONS OF A MULTIPOLAR WORLD IN THE LATIN AMERICAN REGION." Politology bulletin, no. 80 (2018): 77–85. http://dx.doi.org/10.17721/2415-881x.2018.80.77-85.

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Formulation of the problem: The constituents of the soft power concept within the realization of the smart power strategy by political actors. The special attention is paid to the influence on modern political processes by the global events. The constituents of the soft power concept within the realization of the smart power strategy by political actors. Purpose of the research: External U.S. Relations with Latin America and the Caribbean under the Barack Obama Administration. Research methods: The following research methods were used to address the issues set in the article: general scientifi
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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 71, no. 1-2 (1997): 107–78. http://dx.doi.org/10.1163/13822373-90002619.

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-Peter Hulme, Polly Pattullo, Last resorts: The cost of tourism in the Caribbean. London: Cassell/Latin America Bureau and Kingston: Ian Randle, 1996. xiii + 220 pp.-Michel-Rolph Trouillot, Édouard Glissant, Introduction à une poétique du Divers. Montréal: Presses de l'Université de Montréal, 1995. 106 pp.-Bruce King, Tejumola Olaniyan, Scars of conquest / Masks of resistance: The invention of cultural identities in African, African-American, and Caribbean drama. New York: Oxford University Press, 1995. xii + 196 pp.-Sidney W. Mintz, Raymond T. Smith, The Matrifocal family: Power, pluralism an
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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 77, no. 3-4 (2003): 295–366. http://dx.doi.org/10.1163/13822373-90002526.

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-Edward L. Cox, Judith A. Carney, Black rice: The African origin of rice cultivation in the Americas. Cambridge MA: Harvard University Press, 2001. xiv + 240 pp.-David Barry Gaspar, Brian Dyde, A history of Antigua: The unsuspected Isle. Oxford: Macmillan Education, 2000. xi + 320 pp.-Carolyn E. Fick, Stewart R. King, Blue coat or powdered wig: Free people of color in pre-revolutionary Saint Domingue. Athens: University of Georgia Press, 2001. xxvi + 328 pp.-César J. Ayala, Birgit Sonesson, Puerto Rico's commerce, 1765-1865: From regional to worldwide market relations. Los Angeles: UCLA Latin
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Smith, Chad L., Gregory Hooks, and Michael Lengefeld. "The War on Drugs in Colombia: The Environment, the Treadmill of Destruction and Risk-Transfer Militarism." Journal of World-Systems Research, September 1, 2014, 185–206. http://dx.doi.org/10.5195/jwsr.2014.554.

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Ecological damage, including global climate change, is commonly connected to practices and behaviors associated with economic activity and the Treadmill of Production (ToP). Less attention is paid to the connection between the military and environmental degradation, but recently the Treadmill of Destruction (ToD) has been documented as a global phenomenon with negative environmental effects. The ToD directly and indirectly contributes to environmental problems on many fronts, but one of the least obvious means by which the U.S. military influences the environment is through its policies suppor
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Senger, Saesha. "Place, Space, and Time in MC Solaar’s American Francophone." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1100.

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Murray Forman’s text The ‘Hood Comes First: Race, Space, and Place in Rap and Hip-Hop provides insightful commentary on the workings of and relationship between place and space. To highlight the difference of scale between these two parameters, he writes that, “place defines the immediate locale of human interaction in the particular, whereas space is the expanse of mobile trajectories through which subjects pass in their circulation between or among distinct and varied places” (25). This statement reflects Doreen Massey’s earlier observation from her book Space, Place, and Gender that “one vi
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Marshall, P. David. "Seriality and Persona." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.802.

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No man [...] can wear one face to himself and another to the multitude, without finally getting bewildered as to which one may be true. (Nathaniel Hawthorne Scarlet Letter – as seen and pondered by Tony Soprano at Bowdoin College, The Sopranos, Season 1, Episode 5: “College”)The fictitious is a particular and varied source of insight into the everyday world. The idea of seriality—with its variations of the serial, series, seriated—is very much connected to our patterns of entertainment. In this essay, I want to begin the process of testing what values and meanings can be drawn from the idea of
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Brabazon, Tara. "Welcome to the Robbiedome." M/C Journal 4, no. 3 (2001). http://dx.doi.org/10.5204/mcj.1907.

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One of the greatest joys in watching Foxtel is to see all the crazy people who run talk shows. Judgement, ridicule and generalisations slip from their tongues like overcooked lamb off a bone. From Oprah to Rikki, from Jerry to Mother Love, the posterior of pop culture claims a world-wide audience. Recently, a new talk diva was added to the pay television stable. Dr Laura Schlessinger, the Mother of Morals, prowls the soundstage. attacking 'selfish acts' such as divorce, de facto relationships and voting Democrat. On April 11, 2001, a show aired in Australia that added a new demon to the decade
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Cuningham, Phillip Lamarr, and Melinda Lewis. "“Taking This from This and That from That”: Examining RZA and Quentin Tarantino’s Use of Pastiche." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.669.

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In his directorial debut, The Man with the Iron Fists (2012), RZA not only evokes the textual borrowing techniques he has utilised as a hip-hop producer, but also reflects the influence of filmmaker Quentin Tarantino, who has built a career upon acknowledging mainstream and cult film histories through mise-en-scene, editing, and deft characterisation. The Man with the Iron Fists was originally to coincide with Tarantino’s rebel slave narrative Django Unchained (2012), which Tarantino has discussed openly as commentary regarding race in contemporary America. In 2011, Variety reported that RZA h
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Marsh, Victor. "The Evolution of a Meme Cluster: A Personal Account of a Countercultural Odyssey through The Age of Aquarius." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.888.

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Introduction The first “Aquarius Festival” came together in Canberra, at the Australian National University, in the autumn of 1971 and was reprised in 1973 in the small rural town of Nimbin, in northern New South Wales. Both events reflected the Zeitgeist in what was, in some ways, an inchoate expression of the so-called “counterculture” (Roszak). Rather than attempting to analyse the counterculture as a discrete movement with a definable history, I enlist the theory of cultural memes to read the counter culture as a Dawkinsian cluster meme, with this paper offered as “testimonio”, a form of q
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Guarini, Beaux Fen. "Beyond Braille on Toilet Doors: Museum Curators and Audiences with Vision Impairment." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1002.

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The debate on the social role of museums trundles along in an age where complex associations between community, collections, and cultural norms are highly contested (Silverman 3–4; Sandell, Inequality 3–23). This article questions whether, in the case of community groups whose aspirations often go unrecognised (in this case people with either blindness or low vision), there is a need to discuss and debate institutionalised approaches that often reinforce social exclusion and impede cultural access. If “access is [indeed] an entry point to experience” (Papalia), then the privileging of visual e
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Hightower, Ben, and Scott East. "Protest in Progress/Progress in Protest." M/C Journal 21, no. 3 (2018). http://dx.doi.org/10.5204/mcj.1454.

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To sin by silence, when we should protest,Makes cowards out of men.— Ella Wheeler WilcoxProtest is culturally entwined in historical and juro-political realities and is a fundamental element of the exercise of individual and collective rights. As our title notes, while there are currently many ‘protests in progress’ around the world, there is also a great deal of ‘progress in protest’ in terms of what protests look like, their scale and number, how they are formed and conducted, their goals, how they can be studied, as well as the varying responses formed in relation to protest. The etymology
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Petzke, Ingo. "Alternative Entrances: Phillip Noyce and Sydney’s Counterculture." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.863.

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Phillip Noyce is one of Australia’s most prominent film makers—a successful feature film director with both iconic Australian narratives and many a Hollywood blockbuster under his belt. Still, his beginnings were quite humble and far from his role today when he grew up in the midst of the counterculture of the late sixties. Millions of young people his age joined the various ‘movements’ of the day after experiences that changed their lives—mostly music but also drugs or fashion. The counterculture was a turbulent time in Sydney artistic circles as elsewhere. Everything looked possible, you sim
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Losh, Elizabeth. "Artificial Intelligence." M/C Journal 10, no. 5 (2007). http://dx.doi.org/10.5204/mcj.2710.

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 On the morning of Thursday, 4 May 2006, the United States House Permanent Select Committee on Intelligence held an open hearing entitled “Terrorist Use of the Internet.” The Intelligence committee meeting was scheduled to take place in Room 1302 of the Longworth Office Building, a Depression-era structure with a neoclassical façade. Because of a dysfunctional elevator, some of the congressional representatives were late to the meeting. During the testimony about the newest political applications for cutting-edge digital technology, the microphones periodically malfunctione
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Callaghan, Michaela. "Dancing Embodied Memory: The Choreography of Place in the Peruvian Andes." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.530.

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This article is concerned with dance as an embodied form of collective remembering in the Andean department of Ayacucho in Peru. Andean dance and fiesta are inextricably linked with notions of identity, cultural heritage and history. Rather than being simply aesthetic —steps to music or a series of movements — dance is readable as being a deeper embodiment of the broader struggles and concerns of a people. As anthropologist Zoila Mendoza writes, in post-colonial countries such as those in Africa and Latin America, dance is and was a means “through which people contested, domesticated and rewor
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King, Emerald L., and Denise N. Rall. "Re-imagining the Empire of Japan through Japanese Schoolboy Uniforms." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1041.

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Introduction“From every kind of man obedience I expect; I’m the Emperor of Japan.” (“Miyasama,” from Gilbert and Sullivan’s musical The Mikado, 1885)This commentary is facilitated by—surprisingly resilient—oriental stereotypes of an imagined Japan (think of Oscar Wilde’s assertion, in 1889, that Japan was a European invention). During the Victorian era, in Britain, there was a craze for all things oriental, particularly ceramics and “there was a craze for all things Japanese and no middle class drawing room was without its Japanese fan or teapot.“ (V&A Victorian). These pastoral depictions
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Khamis, Susie. "Nespresso: Branding the "Ultimate Coffee Experience"." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.476.

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Introduction In December 2010, Nespresso, the world’s leading brand of premium-portioned coffee, opened a flagship “boutique” in Sydney’s Pitt Street Mall. This was Nespresso’s fifth boutique opening of 2010, after Brussels, Miami, Soho, and Munich. The Sydney debut coincided with the mall’s upmarket redevelopment, which explains Nespresso’s arrival in the city: strategic geographic expansion is key to the brand’s growth. Rather than panoramic ubiquity, a retail option favoured by brands like McDonalds, KFC and Starbucks, Nespresso opts for iconic, prestigious locations. This strategy has been
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Ellison, Elizabeth. "The #AustralianBeachspace Project: Examining Opportunities for Research Dissemination Using Instagram." M/C Journal 20, no. 4 (2017). http://dx.doi.org/10.5204/mcj.1251.

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IntroductionIn late 2016, I undertook a short-term, three-month project to share some of my research through my Instagram account using the categorising hashtag #AustralianBeachspace. Much of this work emerged from my PhD thesis, which is being published in journal articles, but has yet to be published in any accessible or overarching way. I wanted to experiment with the process of using a visual social media tool for research dissemination. I felt that Instagram’s ability to combine text and image allowed for an aesthetically interesting way to curate this particular research project. My rese
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