Relevant bibliographies by topics / Musica trap

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Musica trap'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Musica trap"

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Christy, John H., Julia K. Baum, and Patricia R. Y. Backwell. "Attractiveness of sand hoods built by courting male fiddler crabs, Uca musica: test of a sensory trap hypothesis." Animal Behaviour 66, no. 1 (2003): 89–94. http://dx.doi.org/10.1006/anbe.2003.2196.

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Al-Enazi, Saud Arif, Rakan Al-Enazi, Saif Al-Enazi, et al. "Diversity and distribution of dipterous flies of medical and veternary importance in Tayma, Saudi Arabia." Aceh Journal of Animal Science 3, no. 1 (2018): 17–24. http://dx.doi.org/10.13170/ajas.3.1.10584.

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The present study aims to investigate the distribution and diversity of dipterous flies in Tayma (Saudi Arabia) during the spring of 2018. A total of 12 dipterous species were collected from three different sites located in Tayma (Tabuk, Saudi Arabia) located in the Northern part of Saudi Arabia. The taxa of flies were dominated by Musca domestica and Musca sorbens. No significant difference were observed between the total number of flies collected using different traps (t-test, P>0.05) and among the studied sites (ANOVA, P>0.05). The highest number of flies was recorded from Site 3 (a c
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Kaluža, Jernej. "Trap, trash and theory." Maska 35, no. 200 (2020): 80–85. http://dx.doi.org/10.1386/maska_00011_1.

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The article was first published in 2016 and uses philosophical conceptual tools (referring mostly to Gilles Deleuze and Friedrich Nietzsche) to analyse the phenomenon of trap music. The text does not discuss the questions of genre and music classifications but tries to capture the prevailing spirit and effect of trap music: trap is trap, pure tautology, pure reality, materiality and banality at the same time. Trap affirms what is, here and now. In this context, the author discerns the amoral and materialist philosophy in the background of the trap phenomenon. Even though trap seems an apolitic
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De Clerck-Floate, R. A., P. Saunders, and K. D. Floate. "Release and recapture of three insect species test the efficacy of trap method and air flow in insect containment." Canadian Entomologist 144, no. 4 (2012): 609–16. http://dx.doi.org/10.4039/tce.2012.45.

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AbstractRegulations for the containment of arthropods stipulate that containment facilities be specially designed and operated to prevent arthropod escapes. A key area for security is the entrance–exit anteroom on the facility's periphery, which is to have an insect trap for capturing incident arthropods, and an inward directional flow of air. To test the efficacy of these features, a release-recapture study was conducted in the anteroom of an operational containment facility using different trap methods (ceiling-mounted ultraviolet [UV] or incandescent light traps, floor-situated pan water tr
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Savage, Patrick E. ""Solutions in Search of a Problem": Commentary on Videira and Rosa (2017)." Empirical Musicology Review 12, no. 3-4 (2018): 244. http://dx.doi.org/10.18061/emr.v12i3-4.5775.

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This commentary offers a review of Videira and Rosa's attempt to construct and validate an online corpus of fado transcriptions. While I support their application of music information retrieval (MIR) tools to diverse musical repertoires, I fear that a lack of clarity in their goals leads them to fall into the trap of finding "solutions in search of a problem" that is common in computational ethnomusicology. I highlight ways in which I believe they could improve future work on this project, including: 1) more interdisciplinary collaboration, 2) more clarity in their goals, and 3) the use of cor
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Kearney, Daithí, and Adèle Commins. "Studio Trad: Facilitating traditional music experiences for music production students." Journal of Music, Technology & Education 11, no. 3 (2018): 301–18. http://dx.doi.org/10.1386/jmte.11.3.301_1.

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Many music production programmes in higher education institutions are heavily invested in popular music genres and production values in contrast to the diversity of musics often included in other music programmes and encountered in everyday life. Commenting on his 2017 album, Ed Sheeran highlights the potential for incorporating Irish traditional music into popular music. Over the past number of years, creative practice research projects at Dundalk Institute of Technology have provided opportunities for music production students to engage in the recording and production of Irish traditional mu
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Wechsler, Robert. "MotionComposer: un dispositivo que convierte el movimiento en música." Tabanque. Revista Pedagógica, no. 31 (June 5, 2018): 79. http://dx.doi.org/10.24197/trp.31.2018.79-93.

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Using video-based motion tracking technology, it is possible to make music without touching a musical instrument, but instead by gesturing in space. With a focus on therapeutic, healthcare and pedagogic contexts, the MotionComposer (MC) is one of a small but growing number of tools being developed today which let all kinds of users participate, including those with different abilities. The aim of the MotionComposer is not just to make a fun trick, but rather to delve into the deeper muscle-music relationships that lie at the heart of healthy music and dance expression. After briefly describing
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Vogt, W. G. "Calibration of trap catches and net catches for estimating population densities of the bush fly Musca vetustissima (Diptera: Muscidae)." Bulletin of Entomological Research 82, no. 4 (1992): 539–46. http://dx.doi.org/10.1017/s0007485300042644.

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AbstractPopulation densities of male and female Musca vetustissima Walker were estimated from recapture rates of marked flies in baited fly traps. Marked flies of laboratory and field origin were equally trappable. Trap catches of field flies were also compared with net catches for which the human collector was the source of attraction, and relationships are presented for estimating population densities based on both sampling methods. Estimates of fly density from trap and net catches at fixed locations have similar precision, coefficients of variation being approximately 55% for both males an
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Arditi, David. "Music Everywhere: Setting a Digital Music Trap." Critical Sociology 45, no. 4-5 (2017): 617–30. http://dx.doi.org/10.1177/0896920517729192.

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Before the digital era, music consumption was limited to purchasing LPs, tapes and CDs, or attending concerts. With digitization and mobile technologies in tow, the consumption of music exploded. Music is now literally everywhere—but none of it is actually free. Our consumption of it on television and cable, through games on our computers and our phones, through subscriptions or sites with built-in never-ending streams of advertising always has a price. Music is everywhere, but how did this happen? How has digital distribution and production changed the recording industry? What are the consequ
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Vogt, W. G. "Influences of weather and time of day on trap catches of bush fly,Musca vetustissima Walker (Diptera: Muscidae)." Bulletin of Entomological Research 76, no. 3 (1986): 359–66. http://dx.doi.org/10.1017/s000748530001484x.

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AbstractField populations of Musca vetustissima Walker were sampled in a region of New South Wales at 2-h intervals on 35 occasions between spring 1984 and autumn 1985 using wind-oriented fly traps. Ambient temperature, solar radiation, relative humidity and wind speed explained 84·3% of the within-day deviance of total catches (both sexes combined). Temperature and solar radiation jointly explained 82·6% of this deviance (71·1 and 11·5%, respectively), indicating that the other variables, although significant, did not greatly affect trap catches. As air temperature increased, log catch rates
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Dissertations / Theses on the topic "Musica trap"

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Gianesin, Ilaria. "Proposta di traduzione in italiano del romanzo di Thierry Jonquet La vie de ma mère!" Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/20872/.

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Il presente elaborato finale aspira a presentare e proporre una traduzione integrale in italiano dell'opera di Thierry Jonquet La vie de ma mère !, romanzo poliziesco pubblicato in Francia nel 1994 da Éditions Gallimard. Il romanzo, che inizialmente doveva essere pubblicato in una collana per ragazzi, narra le vicende di un giovane proveniente dal particolare contesto socio-culturale delle banlieues francesi ed è caratterizzato dall'impiego da parte dell'autore del particolare linguaggio giovanile tipico di queste ultime. Particolare attenzione, sia in fase di ricerca che durante il processo t
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Tran, Khanh Quang. "The Historical Significance of the Compositions for Clarinet by Nguyen Phuc Linh in Vietnamese Instrumental Music." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1752390/.

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The document provides an annotated bibliography of the compositions for clarinet by Dr. Nguyen Phuc Linh, one of Vietnam's foremost contemporary classical musician. Brief biography of Nguyen and his music aesthetic are also included. The dissertation also provides an overview of Vietnamese music and instrumental music.
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Enberg, Linnéa. "trull, Trapp, TRIPP : Ett undersökande arbete kring ett trumsets ljudbild." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-68643.

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Att få sitt trumsound att låta rätt och stort i alla sammanhang är något många trummisar med mig försöker eftersträva. Jag har i många år funderat över vad det är som utgör dessa trumsound, som kan låta på så många olika vis men ändå ha samma effekt i musiken. I detta arbete undersöks olika faktorer och tillvägagångssätt som kan bidra till en större ljudbild. Detta görs i olika steg genom att analysera vad ljudbilden i ett antal låtar byggs upp av. Resultatet av analysen, alltså olika svar på vad det är som kan bidra till ett större sound i en ljudbild, har jag sedermera också implementerat i
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Zadencki, Michal. ""Tystnad, Tagning" : en undersökning om ljud och musikläggning av kortfilm." Thesis, University of Skövde, School of Humanities and Informatics, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-4099.

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<p>Målet med detta examensarbete är att få en inblick i hur de olika processerna i arbetet med ljud till film fungerar. Jag vill kunna utröna hur man bäst tar sig an de olika processerna samt vilka fallgropar som kan bli aktuella.</p>
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Helsel, Bryan R. "Travel as experiential music education: Considering impacts on secondary band, orchestra, and choral programs." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1556134241478845.

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Martin-Gagnon, Gabriel. "Les expériences de performance musicale chez les élèves de niveau postsecondaire en interprétation jazz." Master's thesis, Université Laval, 2019. http://hdl.handle.net/20.500.11794/35376.

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Une grande majorité de musiciens rapportesouffrird’anxiété deperformance musicale (APM). À plusieurs reprises, le niveau de détresse ainsi que le besoin de soutien relié à l’APM sont apparus particulièrement importants chez les étudiants en musique. Malgré un intérêt grandissant sur le sujet, très peu d’études portentsur l’APM des étudiants en interprétation jazz. Or, afin de pouvoir mieux comprendre l’APM ainsi que de venir en aide à la population des étudiants en interprétation jazz, il importe d’abord de venir vérifier l’APM ainsi que ses liens avec diverses variables chez cette population.
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Queiroz, Dora Utermohl de. "T?cnicas estendidas na obra Tra?ado ?ntimo e Hesitante para violoncelo solo de Bruno ?ngelo e sua utiliza??o na inicia??o ao violoncelo." Universidade Federal do Rio Grande do Norte, 2015. http://repositorio.ufrn.br/handle/123456789/20198.

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Ekman, von Huth Klara. "Examensarbete Röst: Examenskonsert Klara Ekman von Huth & Stilanalys: Dansar Edvard Jonsson." Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3667.

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Höglund, Evelina. "Irländsk Folkmusikwannabe : En självstudie i att appropriera irländsk ornamentik på fiol." Thesis, Karlstads universitet, Musikhögskolan Ingesund, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-67126.

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Syftet med denna studie är att utforska mitt egna lärande i processen med att appropriera den ornamentik som är en central del i den irländska folkmusikkulturen. Syftet stärks med följande forskningsfrågor: Med vilka redskap tillägnar jag som lärling mig ornament från den irländska folkmusiktraditionen? samt I vilken utsträckning har jag approprierat irländsk ornamentik efter en period på tio veckor? Arbetet är baserat på ett sociokulturellt perspektiv med stark betoning på mästarläran. Detta ingår i bakgrundskapitlet tillsammans med relevant litteratur med inslag av tidigare forskning på områ
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Nordkvist, Vega. "Examensarbete Fiol, Examenskonsert Vega Nordkvist & Stilanalys: Blank Anders polskespel." Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2773.

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Books on the topic "Musica trap"

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Ginting, Alfred Pasifico. Blantika linimasa: Kaleidoskop musik non-trad Bali sejak lahir, besar, berkembang hidup, pingsan, hidup lagi, dan menolak mati. Matamerabook, 2011.

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Ransom, Candice F. Maria von Trapp: Beyond the Sound of Music. Carolrhoda Books, 2002.

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Trevor, Hodgett, ed. Irish folk, trad & blues: A secret history. Cherry Red, 2005.

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Trevor, Hodgett, ed. Irish folk, trad & blues: A secret history. Collins, 2004.

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Balboni, Paolo. Sillabo di riferimento per l’insegnamento dell’italiano della musica. Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-270-3.

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Nel 2015 il Ministero degli Esteri dedicò l’anno alla riflessione mondiale sul rapporto tra lingua italiana e musica. La prima cosa che emerse, passando dai ‘proclami’ sull’importanza dell’italiano della musica alla progettazione di linguistica educazionale, fu l’assenza di una visione sistemica e scientifica del concetto di ‘italiano della musica’ e del suo insegnamento. La Società Dante Alighieri e i Laboratori Itals e LabCom di Ca’ Foscari hanno avviato un approfondimento su questo tema: il risultato della ricerca, affidata a Paolo E. Balboni, è questo sillabo di italiano per strumentisti,
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ill, Graves Linda Dockey, ed. S is for Sound of music: A von Trapp family alphabet. Sleeping Bear Press, 2010.

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Dolfi, Anna, ed. Notturni e musica nella poesia moderna. Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-803-7.

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Che cos’è la notte? Come definirla e segnarne i limiti? È più o è meno mobile lo sguardo di chi la fissa; persiste nella notte la funzione cornice? In che modo la difficoltà di vedere favorisce l’invenzione artistica, l’interrogazione sull’infinito e la morte, i quesiti sull’immaginario, il sogno, il ricordo, l’oblio? Da domande come queste è partita Anna Dolfi nell’ideare un libro di grande novità e suggestione che, tra notturni e musica, si chiede come la letteratura, la pittura, il cinema, l’opera lirica, le tradizioni popolari, le canzoni, abbiano parlato di cecità e di visione, di ossessi
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A brief guide to The sound of music. Running Press Book Publishers, 2015.

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Maslon, Laurence. The sound of music companion. Simon & Schuster, 2007.

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Monserrat, Palacios, ed. La mosca tras la oreja: De la música experimental al arte sonoro en España. Fundación Autor, 2009.

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Book chapters on the topic "Musica trap"

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Miller, Terry E., and Andrew Shahriari. "Before the Trip Begins: Fundamental Issues." In World Music. Routledge, 2020. http://dx.doi.org/10.4324/9780367823498-1.

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Fileni, Maria Grazia. "Il prosodio tra cerimonie religiose, agoni musicali e rappresentazioni teatrali." In Poeti in Agone. Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.gifbib-eb.5.115161.

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Morelli, Anna. "Teoria e spiritualità del canto: aspetti della musica disciplina nell’alto Medioevo tra pensiero scientifico e pratica liturgica." In The Medieval Paradigm. Brepols Publishers, 2012. http://dx.doi.org/10.1484/m.nutrix-eb.1.101240.

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Grysko, Thomas. "„… weil ein Schrei dein Ohr traf“ – Aspekte zur Radiokunst der DDR als historischer Kontext von Lothar Voigtländers Hörspielmusik in Günter Eichs Träume." In Ein Prisma ostdeutscher Musik. Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412218812-008.

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Yiu, Alex. "Underground Club Music After Social Media: A Study of Hong Kong Underground Club Music Scene Through Absurd TRAX from 2016 to 2018, A Personal Perspective." In Fractured Scenes. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-5913-6_13.

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Lorenzetti, Stefano. "«Cum tanta armonia, cum tanta incredibile sonoritate, cum tanta insueta proportione». La dialettica tra sensibile e sovrasensibile nella percezione della musica rinascimentale." In Études Renaissantes. Brepols Publishers, 2012. http://dx.doi.org/10.1484/m.er-eb.4.00273.

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Loncan, Hervé, and Jernej Kaluža. "7. Importer, authentifier, revendre. La trap music dans les Balkans." In Trap. Les Siestes Électroniques, 2021. http://dx.doi.org/10.3917/lsie.heugu.2021.01.0157.

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Da Cruz, Raphaël. "3. Trap, la dernière révolution musicale du rap." In Trap. Les Siestes Électroniques, 2021. http://dx.doi.org/10.3917/lsie.heugu.2021.01.0039.

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Snoman, Rick. "Trip-Hop." In Dance Music Manual. Elsevier, 2009. http://dx.doi.org/10.1016/b978-0-240-52107-7.00016-1.

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Brennan, Matt. "Clever drummers, primitivism, entrepreneurialism, and the invention of the trap drummer’s outfit." In Kick It. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190683863.003.0002.

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This chapter documents the prehistory of drum kit performance practice and the invention of the trap drummer’s outfit. First, it examines the impact of the transatlantic slave trade on American musical culture. Second, it explores the history of the snare drum, bass drum, and cymbals, and how they come together in ensemble performance. Third, it discusses the emergence of highbrow and lowbrow culture and the consequences for the status of drummers. Fourth, it discusses the types of music that a drummer was likely to play working in nineteenth-century USA. Fifth, it examines the tinkerers, inventors, and entrepreneurs who developed the key components of the early drum kit, known in its time as the ‘trap drummer’s outfit’.
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Conference papers on the topic "Musica trap"

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Atienza Fuente, Javier, and Greta Bruno. "Documentación del Patrimonio Arqueológico mediante el procedimiento del diseño por contacto con las superficies musivas pavimentales y parietales del ambiente superior de las Termas Monumentales del Valeria (Cuenca, España)." In I Simposio anual de Patrimonio Natural y Cultural ICOMOS España. Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/icomos2019.2020.11727.

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Las excavaciones arqueológicas que se realizan en la ciudad hispanorromana de Valeria han exhumado los restos de un complejo termal del siglo I d.C. que estuvo en servicio cuatro siglos y que, tras su abandono, apenas fue objeto de espolio de sus materiales constructivos y decorativos. Esta circunstancia ha permitido la conservación, en uno de los ambientes, de un mosaico pavimental en un buen estado de conservación. En este mismo ambiente se ha recuperado una importante colección de fragmentos correspondientes a la decoración musiva parietal que constituye un corpus único en la arqueología ro
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Silva Junior, Igino, and Flávio Luiz Schiavoni. "Sustainable Interfaces for Music Expression." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10424.

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The creation of Digital Musical Instruments (DMI) tries to keep abreast the technological progress and sometimes it does not worry about some possible side effects of its development. Obsolescence and residues, rampant consumption, constant need to generate innovation, code ephemerality, culture shock, social apartheid, are some possible traps that an equivocated DMI development can bring up to society. Faced all these possibilities, we are trying to understand what can be a sustainable Digital Instrument analyzing several dimensions of sustainability, from economical to cultural, from social
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Kim, Jungsang, Peter Maunz, Taehyun Kim, et al. "Modular Universal Scalable Ion-trap Quantum Computer (MUSIQC)." In QUANTUM COMMUNICATION, MEASUREMENT AND COMPUTING (QCMC): The Tenth International Conference. AIP, 2011. http://dx.doi.org/10.1063/1.3630178.

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Gomes, Débora Line, Cybelle Loureiro, and Raquel Prates. "SÊNTIMUS: um Jogo Digital Musical para Crianças com Hipersensibilidade Sonora e Caracterı́sticas dos Transtornos do Neurodesenvolvimento." In Anais Estendidos do Simpósio Brasileiro de Computação Aplicada à Saúde. Sociedade Brasileira de Computação (SBC), 2019. http://dx.doi.org/10.5753/sbcas.2019.6288.

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Este trabalho apresenta a pesquisa envolvida no projeto e avaliação do Sêntimus: um Jogo Digital Musical para Crianças com Hipersensibilidade Sonora e Caracterı́sticas dos Transtornos do Neurodesenvolvimento. Para sua elaboração identificamos na literatura princı́pios relevantes para o tratamento de ambas as patologias. As avaliações foram realizadas com 5 musicotera- peutas e com 3 crianças com Transtornos do Neurodesenvolvimento e Hiper- sensibilidade Sonora. Nosso trabalho traz contribuições para a pesquisa sobre jogos sérios, e também de natureza prática, uma vez que o Sêntimus pode ser ap
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Amazonas, Mauro, Thais Castro, Rosiane De Freitas, and Bruno Gadelha. "Construindo Paisagens Sonoras através da Colaboração em Espaços Públicos." In XV Simpósio Brasileiro de Sistemas Colaborativos. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbsc.2019.7815.

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Timbres marcantes de sons da natureza como os provocados pelos ventos, mares, canto de pássaros, ruídos produzidos por carros e fábricas, composição musical e até uma música no rádio. Tudo isso é responsável por sonoridades locais, que se mesclam com uma enorme quantidade de ruídos e sons diversos, fazendo surgir as paisagens sonoras de um local. O que se pretende nessa pesquisa é buscar um modelo de colaboração para a construção artística de paisagens sonoras em espaços públicos. Para alcançar esta missão, os compositores de paisagens sonoras interagem com a tecnologia criada para proporciona
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You might also be interested in the extended bibliographies on the topic 'Musica trap' for particular source types:
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