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Journal articles on the topic 'Musica trap'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Christy, John H., Julia K. Baum, and Patricia R. Y. Backwell. "Attractiveness of sand hoods built by courting male fiddler crabs, Uca musica: test of a sensory trap hypothesis." Animal Behaviour 66, no. 1 (2003): 89–94. http://dx.doi.org/10.1006/anbe.2003.2196.

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2

Al-Enazi, Saud Arif, Rakan Al-Enazi, Saif Al-Enazi, et al. "Diversity and distribution of dipterous flies of medical and veternary importance in Tayma, Saudi Arabia." Aceh Journal of Animal Science 3, no. 1 (2018): 17–24. http://dx.doi.org/10.13170/ajas.3.1.10584.

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The present study aims to investigate the distribution and diversity of dipterous flies in Tayma (Saudi Arabia) during the spring of 2018. A total of 12 dipterous species were collected from three different sites located in Tayma (Tabuk, Saudi Arabia) located in the Northern part of Saudi Arabia. The taxa of flies were dominated by Musca domestica and Musca sorbens. No significant difference were observed between the total number of flies collected using different traps (t-test, P>0.05) and among the studied sites (ANOVA, P>0.05). The highest number of flies was recorded from Site 3 (a c

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3

Kaluža, Jernej. "Trap, trash and theory." Maska 35, no. 200 (2020): 80–85. http://dx.doi.org/10.1386/maska_00011_1.

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The article was first published in 2016 and uses philosophical conceptual tools (referring mostly to Gilles Deleuze and Friedrich Nietzsche) to analyse the phenomenon of trap music. The text does not discuss the questions of genre and music classifications but tries to capture the prevailing spirit and effect of trap music: trap is trap, pure tautology, pure reality, materiality and banality at the same time. Trap affirms what is, here and now. In this context, the author discerns the amoral and materialist philosophy in the background of the trap phenomenon. Even though trap seems an apolitic

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4

De Clerck-Floate, R. A., P. Saunders, and K. D. Floate. "Release and recapture of three insect species test the efficacy of trap method and air flow in insect containment." Canadian Entomologist 144, no. 4 (2012): 609–16. http://dx.doi.org/10.4039/tce.2012.45.

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AbstractRegulations for the containment of arthropods stipulate that containment facilities be specially designed and operated to prevent arthropod escapes. A key area for security is the entrance–exit anteroom on the facility's periphery, which is to have an insect trap for capturing incident arthropods, and an inward directional flow of air. To test the efficacy of these features, a release-recapture study was conducted in the anteroom of an operational containment facility using different trap methods (ceiling-mounted ultraviolet [UV] or incandescent light traps, floor-situated pan water tr

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5

Savage, Patrick E. ""Solutions in Search of a Problem": Commentary on Videira and Rosa (2017)." Empirical Musicology Review 12, no. 3-4 (2018): 244. http://dx.doi.org/10.18061/emr.v12i3-4.5775.

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This commentary offers a review of Videira and Rosa's attempt to construct and validate an online corpus of fado transcriptions. While I support their application of music information retrieval (MIR) tools to diverse musical repertoires, I fear that a lack of clarity in their goals leads them to fall into the trap of finding "solutions in search of a problem" that is common in computational ethnomusicology. I highlight ways in which I believe they could improve future work on this project, including: 1) more interdisciplinary collaboration, 2) more clarity in their goals, and 3) the use of cor

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6

Kearney, Daithí, and Adèle Commins. "Studio Trad: Facilitating traditional music experiences for music production students." Journal of Music, Technology & Education 11, no. 3 (2018): 301–18. http://dx.doi.org/10.1386/jmte.11.3.301_1.

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Many music production programmes in higher education institutions are heavily invested in popular music genres and production values in contrast to the diversity of musics often included in other music programmes and encountered in everyday life. Commenting on his 2017 album, Ed Sheeran highlights the potential for incorporating Irish traditional music into popular music. Over the past number of years, creative practice research projects at Dundalk Institute of Technology have provided opportunities for music production students to engage in the recording and production of Irish traditional mu

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7

Wechsler, Robert. "MotionComposer: un dispositivo que convierte el movimiento en música." Tabanque. Revista Pedagógica, no. 31 (June 5, 2018): 79. http://dx.doi.org/10.24197/trp.31.2018.79-93.

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Using video-based motion tracking technology, it is possible to make music without touching a musical instrument, but instead by gesturing in space. With a focus on therapeutic, healthcare and pedagogic contexts, the MotionComposer (MC) is one of a small but growing number of tools being developed today which let all kinds of users participate, including those with different abilities. The aim of the MotionComposer is not just to make a fun trick, but rather to delve into the deeper muscle-music relationships that lie at the heart of healthy music and dance expression. After briefly describing

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8

Vogt, W. G. "Calibration of trap catches and net catches for estimating population densities of the bush fly Musca vetustissima (Diptera: Muscidae)." Bulletin of Entomological Research 82, no. 4 (1992): 539–46. http://dx.doi.org/10.1017/s0007485300042644.

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AbstractPopulation densities of male and female Musca vetustissima Walker were estimated from recapture rates of marked flies in baited fly traps. Marked flies of laboratory and field origin were equally trappable. Trap catches of field flies were also compared with net catches for which the human collector was the source of attraction, and relationships are presented for estimating population densities based on both sampling methods. Estimates of fly density from trap and net catches at fixed locations have similar precision, coefficients of variation being approximately 55% for both males an

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9

Arditi, David. "Music Everywhere: Setting a Digital Music Trap." Critical Sociology 45, no. 4-5 (2017): 617–30. http://dx.doi.org/10.1177/0896920517729192.

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Before the digital era, music consumption was limited to purchasing LPs, tapes and CDs, or attending concerts. With digitization and mobile technologies in tow, the consumption of music exploded. Music is now literally everywhere—but none of it is actually free. Our consumption of it on television and cable, through games on our computers and our phones, through subscriptions or sites with built-in never-ending streams of advertising always has a price. Music is everywhere, but how did this happen? How has digital distribution and production changed the recording industry? What are the consequ

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10

Vogt, W. G. "Influences of weather and time of day on trap catches of bush fly,Musca vetustissima Walker (Diptera: Muscidae)." Bulletin of Entomological Research 76, no. 3 (1986): 359–66. http://dx.doi.org/10.1017/s000748530001484x.

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AbstractField populations of Musca vetustissima Walker were sampled in a region of New South Wales at 2-h intervals on 35 occasions between spring 1984 and autumn 1985 using wind-oriented fly traps. Ambient temperature, solar radiation, relative humidity and wind speed explained 84·3% of the within-day deviance of total catches (both sexes combined). Temperature and solar radiation jointly explained 82·6% of this deviance (71·1 and 11·5%, respectively), indicating that the other variables, although significant, did not greatly affect trap catches. As air temperature increased, log catch rates

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11

Mäkelä, Niko, Matti Stenroos, Jukka Sarvas, and Risto J. Ilmoniemi. "Truncated RAP-MUSIC (TRAP-MUSIC) for MEG and EEG source localization." NeuroImage 167 (February 2018): 73–83. http://dx.doi.org/10.1016/j.neuroimage.2017.11.013.

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12

Kirby, Philip. "Geography and film music: Musicology, gender, and the spatiality of instrumental music." Transactions of the Institute of British Geographers 46, no. 3 (2021): 570–83. http://dx.doi.org/10.1111/tran.12443.

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13

Pérez García, Juan Carlos. "‘Memorias de un periodista musical’ (una novela gráfica)." ANIAV - Revista de Investigación en Artes Visuales, no. 5 (September 30, 2019): 116. http://dx.doi.org/10.4995/aniav.2019.12029.

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<p class="Formatolibre" style="margin-bottom: 10.0pt; text-align: justify;"><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt; font-family: 'Calibri Italic','serif'; mso-ansi-language: ES-TRAD;" lang="ES-TRAD">Memorias de un periodista musical </span><span style="font-size: 9.0pt; mso-bidi-font-size: 10.0pt; font-family: 'Calibri','sans-serif'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: ES-TRAD;" lang="ES-TRAD">es una novela gráfica que realizo con Santi Carrillo, periodista musical y director de </span><span style="font-size: 9.0pt; ms

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14

Kovalevskaya, Tatyana V. "Charles Gounod’s Faust and Dostoevsky Artistic Principles." Dostoevsky and world culture. Philological journal, no. 2 (2021): 89–115. http://dx.doi.org/10.22455/2541-7894-2021-2-89-115.

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The article considers the “Faustian” scene in Fyodor Dostoevsky’s The Adolescent as the musical embodiment of Dostoevsky’s central poetic device: statements with maximum formal similarity and maximum semantic divergence. This device is contextualized within Mikhail Bakhtin’s polyphonic novel concept and within the context of the history of polyphony as a musical phenomenon starting with its origins in the Western European music. We follow Larisa Gogotishvili’s suggestion that Mikhail Bakhtin’s polyphony is not the polyphony of the 18th-19th century (Johann Sebastian Bach, for instance) but the

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15

THEODORIDIS (Ι. ΘΕΟΔΩΡΙΔΗΣ), Y., I. GEORGOULAKIS (Ι. ΓΕΩΡΓΟΥΛΑΚΗΣ), and A. FOUNDA (Α. ΦΟΥΝΤΑ). "Dipteran species in agricultural region of eastern Thessaloniki." Journal of the Hellenic Veterinary Medical Society 50, no. 1 (2018): 50. http://dx.doi.org/10.12681/jhvms.15697.

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In an agricultural region of Thessaloniki province, fly traps were placed, which contained substances in order to attract flies with the purpose to trap and identify them. The substances were, pieces offish, meat and feta cheese, sugar and faeces of small ruminants. Fifteen different flies species were trapped, of which, thirteen are mentioned in the international bibliography, as parasites, such as, Musca domestica, Muscina sp, Fannia sp, Phormia regina, Lucilia (Phaenicia) sericata, Calliphora erythrocephala (vicina), Sarcophaga sp, Oestrus ovis, Gasterophillus sp, Stomoxys calcitrans, Haema

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16

Lessy, Zulkipli. "Pengantin Pesanan Pos (Mail Order Bride): Modus Operandi Human Trafficking di Indonesia." Musãwa Jurnal Studi Gender dan Islam 4, no. 3 (2006): 337. http://dx.doi.org/10.14421/musawa.2006.43.337-358.

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Marriage for some people is a sacred thing: it is a part of the important forms of worship of God. The sacredness, nevertheless, to some extent disappears when the marriage mainly becomes a trap that concludes with prostitution and slavery. This article examines mail-order bride as a form of human trafficking. Women in this kind of trafficking are primarily trafficked for prostitution industries. The mail,order bride arrangements occur in Indonesia and, also, in many countries in South Asia and Southeast Asia, including Pakistan, Bangladesh, Nepal, Vietnam, and Malaysia. This form of trafficki

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17

James, P. J., C. Krawec, N. A. Schellhorn, P. C. Glatz, and P. M. Pepper. "Species composition and dispersal of nuisance flies breeding on egg farms in southern Australia." Animal Production Science 57, no. 1 (2017): 170. http://dx.doi.org/10.1071/an14939.

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The vectorial and dispersal capacities of flies make them a biosecurity and food safety risk on egg farms. The design of optimal control and biosecurity programs requires knowledge of species composition and patterns of abundance of the fly populations present. Although there have been many studies of flies breeding on egg farms in other countries there is little information available in Australia. We monitored numbers and species of flies breeding on cage egg farms in southern Australia and used mass marking with fluorescent resin dye to assess the dispersal of the major species from one of t

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18

Marin, Andréia, and Marcos Câmara de Castro. "Vagando na noite: encontros entre filosofia, educação e música, ao “som” de Derrida e Debussy (Roaming in the night: meetings between philosophy, education and music, to the “sound” of Derrida and Debussy)." Revista Eletrônica de Educação 13, no. 2 (2019): 401. http://dx.doi.org/10.14244/198271993352.

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The present writing was elaborated from speculations about possible encounters between philosophy, education and music. On the margins of music, where philosophy seeks some penetration, the theme of a supposed refusal to assimilation is announced, demanding the resumption of questions such as the permanence of a zone of indetermination not reached by the representational effort. This unavoidable opacity of the musical phenomenon moves it to a nocturnal dimension, a common destiny to everything that escapes the totalizing interests of a language committed to the objectifcation and nomination of

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19

Blanco García, Yurima. "LA PEDAGOGÍA DE CREACIÓN MUSICAL: AULAS Y TALLERES CREATIVOS." Tabanque. Revista Pedagógica, no. 31 (June 4, 2018): 42. http://dx.doi.org/10.24197/trp.31.2018.42-58.

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Potenciar la creación sonora y musical propia de la edad infantil es el objetivo de la Pedagogía de Creación Musical (PCM), cuya finalidad no es adquirir técnica musical en sí misma sino gusto por la música a través de la curiosidad por el sonido. Este artículo pretende reunir diversas experiencias de investigación y aplicación educativa basada en el trabajo participativo en el aula; plantear experiencias en torno a la importancia del origen de la libertad creativa sonora e integrar diversas prácticas pedagógicas de forma armónica para un mayor desarrollo emocional y consciente del sentido mus

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20

Putra, Fikri Kelana. "EFEKTIFITAS ATRAKTAN PADA FLY TRAP TERHADAPJUMLAH LALAT RUMAH (MUSCA DOMESTICA)." JURNAL MEDIA KESEHATAN 6, no. 2 (2018): 112–16. http://dx.doi.org/10.33088/jmk.v6i2.200.

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This studyaims to determine theeffectiveness oforganic wasteattractants, fish, andtempeh (fermented soybean cake)onthe flytraptothe number of fliesinthe housethatcaught in Fish Auction Place(TPI) PulauBaaiBengkulu city. The research methodis aQuasiExperiment(quasi experimental) research designPosttestOnly ControlGroupDesign. Research analysisusingOne WayAnovatestandfollowed byLSDtest. This studyuses12flytrapattractantaddition oforganic waste, fish, andfermented soybean cakethathas beendecomposedfor 7dayswith3repetitions. The results showedthe meannumber ofhouse flies(Musca domestic

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Putra, Fikri Kelana. "EFEKTIFITAS ATRAKTAN PADA FLY TRAP TERHADAPJUMLAH LALAT RUMAH (MUSCA DOMESTICA)." JURNAL MEDIA KESEHATAN 6, no. 2 (2018): 112–16. http://dx.doi.org/10.33088/jmk.v6i2.200.

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This studyaims to determine theeffectiveness oforganic wasteattractants, fish, andtempeh (fermented soybean cake)onthe flytraptothe number of fliesinthe housethatcaught in Fish Auction Place(TPI) PulauBaaiBengkulu city. The research methodis aQuasiExperiment(quasi experimental) research designPosttestOnly ControlGroupDesign. Research analysisusingOne WayAnovatestandfollowed byLSDtest. This studyuses12flytrapattractantaddition oforganic waste, fish, andfermented soybean cakethathas beendecomposedfor 7dayswith3repetitions. The results showedthe meannumber ofhouse flies(Musca domestic

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22

Peñalba Acitores, Alicia. "CLAVES PARA UNA EDUCACIÓN MUSICAL TEMPRANA, CREATIVA E INCLUSIVA." Tabanque. Revista Pedagógica, no. 31 (June 4, 2018): 29. http://dx.doi.org/10.24197/trp.31.2018.29-41.

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La educación musical está atravesando un momento de crisis en la actualidad. Es preciso por tanto reflexionar sobre cuáles son los elementos clave para que la educación musical tenga un impacto en la educación general. Para ello se plantean diversas aproximaciones orientadas hacia el desarrollo de competencias transversales como la creatividad, el juego como investigación y exploración de las capacidades, las emociones, la capacidad crítica, la capacidad de trabajo en equipo, la toma de decisiones y una educación musical inclusiva, que llegue a todos verdaderamente.

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23

Escobar Borrego, Francisco Javier. "Entre baladas de primavera: El asno de plata, de Juan Ramón Jiménez en su paisaje sonoro." Cuadernos de Investigación Musical, no. 8 (December 2, 2019): 115–35. http://dx.doi.org/10.18239/invesmusic.v0i8.2020.

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Entre baladas de primavera:El asno de plata, de Juan Ramón Jiménezen su paisaje sonoro Between baladas de primavera:The Silver Ass, by Juan Ramón Jiménezin its Sound Landscape Resumen El presente artículo ofrece un análisis monográfico circunscrito a la intersección de códigos entre música y literatura en Platero y yo, de Juan Ramón Jiménez. Para ello, tras su contextualización sociocultural como pórtico preliminar, se estudia detenidamente la tradición literaria y musical que da carta de naturaleza a la obra. Sobre este particular, destaca la pervivencia de El asno de oro por el leitmotiv de

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Oribe Álvarez de Arcaya, Jaione. "EN BUSCA DE UNA EDUCACIÓN MUSICAL INCLUSIVA EN LA ENSEÑANZA SECUNDARIA. REFLEXIONES Y PROPUESTAS DESDE EL PUNTO DE VISTA DE UNA PEDAGOGA Y MUSICOTERAPEUTA." Tabanque. Revista Pedagógica, no. 31 (June 5, 2018): 123. http://dx.doi.org/10.24197/trp.31.2018.123-139.

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Este artículo presenta una reflexión sobre la práctica docente musical en Educación Secundaria Obligatoria, desde el punto de vista de una pedagoga y musicoterapeuta. Refleja un proceso de búsqueda orientado a crear un aula que posibilite la participación musical, la comprensión, la creatividad, el pensamiento crítico y la expresión de emociones del alumnado con capacidades diversas. En un contexto sociocultural en el cual la educación artística continúa siendo infravalorada, el docente de Música se encuentra con el gran reto de lidiar entre las posibilidades que la práctica musical ofrece a l

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Mota Ibáñez, Natalia. "EL JUEGO VOCAL EN LA EDUCACIÓN INFANTIL Y PRIMARIA." Tabanque. Revista Pedagógica, no. 31 (June 4, 2018): 59. http://dx.doi.org/10.24197/trp.31.2018.59-78.

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La música, consustancial al ser humano, es un elemento de interrelación y desarrollo que fomenta las capacidades para el progreso comunicativo en cualquier ámbito social. Valoramos la voz como un elemento básico de la expresión musical. En la aplicación didáctica del aula trataremos de guiar el proceso natural y evolutivo de la expresión sonora potenciando la maduración de los sistemas neurofisiológicos y usos vocales en la educación musical infantil y primaria a fin de retroalimentar la expresión creativa desde la voz. Se utilizarán propuestas creativas fundamentadas en determinados referente

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Liu, Jin. "Language, identity and unintelligibility: A case study of the rap group Higher Brothers." East Asian Journal of Popular Culture 7, no. 1 (2021): 43–59. http://dx.doi.org/10.1386/eapc_00038_1.

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The Chengdu-based quartet Higher Brothers recently became the first China-born hip hop group to gain global fame. As rap music – originally a local, ethnic African American culture in the United States – has been continually relocalized all over the world and thus globalized, the Higher Brothers have undergone another process of glocalization. This presents a new case study to further examine the dynamics between the global and the local. Because rap is an intensely verbal art, this article explores how the Higher Brothers construct and negotiate their complicated and multiple (local, national

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27

Syafii, Syafii. "Peran Perempuan Dalam Pengembangan Kehidupan Berbasis Teknologi." Musãwa Jurnal Studi Gender dan Islam 5, no. 3 (2007): 347. http://dx.doi.org/10.14421/musawa.2007.53.347-363.

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Indonesia has reached a stepping stone in increasing equality and justice in education for both male and female citizens. That can be proven by the ratio of participation in education and literacy rates of men and women. Women's involvements in non-agricultural sector, participation of women in politics and the large number of women who are actively participating in progressing technology are true and concrete indicators. This article tries to observe how far the part and participation of women in the struggle to increase and develop technology. This is very meaningful because practically all

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Omonona, A. O., S. A. Abioye, P. O. Odeniran, and I. O. Ademola. "Catch Composition of Dipteran flies in Old Oyo National Park, Nigeria." Nigerian Journal of Parasitology 42, no. 1 (2021): 41–48. http://dx.doi.org/10.4314/njpar.v42i1.6.

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Dipteran flies play significant role in disease transmission to human, domestic and wild animals. The distribution and diversity of dipteran flies of medical and veterinary importance in Old Oyo national park and its significant importance were assessed in relation to altitude and ecology. Twelve Nzi traps were set at 50 m equidistance to capture dipteran flies between February and August 2019. A total of 1529 dipteran flies belonging to five families were captured. More dipteran flies (64.9%) were trapped during the dry season than wet season (35.1%) (X2 = 270.8; P < 0.0001; OR = 3.41). Of

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29

Kruse, Felicia E. "Emotion in Musical Meaning: A Peircean Solution to Langer's Dualism." Transactions of the Charles S. Peirce Society: A Quarterly Journal in American Philosophy 41, no. 4 (2005): 762–78. http://dx.doi.org/10.2979/tra.2005.41.4.762.

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Henrys, Reynold. "A Day for the Hunter, A Day for the Prey: Popular Music and Power in Haiti:A Day for the Hunter, A Day for the Prey: Popular Music and Power in Haiti." Transforming Anthropology 10, no. 1 (2001): 56–58. http://dx.doi.org/10.1525/tran.2001.10.1.56.

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Sturm, Bob L. "Composing for an ensemble of atoms: the metamorphosis of scientific experiment into music." Organised Sound 6, no. 2 (2001): 131–45. http://dx.doi.org/10.1017/s1355771801002102.

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In quantum mechanics a particle can behave like a particle or a wave. Thus, systems of particles can be likened to a superposition of waves. Since sound can be described as a superposition of frequencies, it can also be described in terms of a system of particles manifest as waves. This metaphor between ‘particle physics’ and sound synthesis is quantitatively developed here, suggested initially from some similarities between the two domains. It is applied to a few fundamental physical principles to show how these can be sonified. The author discusses the process of using a simulated ‘atom trap

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32

Peñalba Acitores, Alicia. "RECURSOS PARA UNA EDUCACIÓN MUSICAL TEMPRANA, CREATIVA E INCLUSIVA." Tabanque. Revista Pedagógica, no. 31 (June 5, 2018): 140. http://dx.doi.org/10.24197/trp.31.2018.140-162.

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Casa, Lautaro, and Irene Rodríguez. "Cuerpos en composición y movimiento. Tras los contornos del cuerpo musical." Octante, no. 4 (August 28, 2019): e031. http://dx.doi.org/10.24215/25250914e031.

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A partir del diálogo que surge de la producción poética conjunta entre la danza y la música, el libro El que compone no baila analiza los supuestos, dinámicas y procesos que atraviesan las composiciones vinculadas a la danza contemporánea realizadas en la ciudad de La Plata en el periodo de 2006 a 2018. Desde la composición musical como eje, pero entendiendo la creación como una acción vincular, dialéctica y necesariamente situada, Ramiro Mansilla Pons desarrolla un análisis pormenorizado fruto de su experiencia en la producción interdisciplinar y de la reflexión de los y las protagonistas, qu

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De la Fuente Charfolé, José Luis. "La música sacra en Castilla en la baja Edad Media: Documentación sobre maestros de capilla, cantores, órganos y organistas de la catedral de Cuenca (1195-1496)." Anuario Musical, no. 71 (January 24, 2017): 3. http://dx.doi.org/10.3989/anuariomusical.2016.71.01.

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Este artículo desglosa las líneas maestras que determinan la actividad musical en la catedral de Santa María la Mayor de Cuenca y su implicación en el desarrollo general de la música sacra y polifonía hispana de la Baja Edad Media. Tras un detenido proceso de documentación se ha conseguido extraer un conjunto de datos musicológicamente relevantes, que prueban la existencia de una intensa y desconocida actividad musical iniciada durante el episcopado de Juan Cabeza de Vaca.

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Méndez Lorca, Paloma, and Rocío Angulo. "El aprendizaje de un instrumento musical como el violín mejora la atención sostenida." Revista de Psicología 27, no. 2 (2019): 1. http://dx.doi.org/10.5354/0719-0581.2018.52309.

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Se presenta un estudio dirigido a comprobar el efecto del aprendizaje y práctica de un instrumento musical (violín) en la atención sostenida. Para ello se evaluó la capacidad de atención sostenida de un grupo de violinistas (con más de ocho años de experiencia) y de participantes sin experiencia previa con el violín ni otro instrumento con la prueba EMAV2. Tras esta evaluación inicial, la mitad de los participantes sin experiencia previa con algún instrumento recibieron un taller de aprendizaje de violín de tres meses de duración. Finalizado el taller, todos los participantes fueron evaluados

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Vogt, W. G., S. Runko, and N. T. Starick. "A WIND-ORIENTED FLY TRAP FOR QUANTITATIVE SAMPLING OF ADULT MUSCA VETUSTISSIMA WALKER." Australian Journal of Entomology 24, no. 3 (1985): 223–27. http://dx.doi.org/10.1111/j.1440-6055.1985.tb00231.x.

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Castro Alonso, Vicente. "Tras la estela pedagógica de Schönberg: el dodecafonismo como medio de composición musical en el aula de Secundaria." DIGILEC: Revista Internacional de Lenguas y Culturas 7 (March 9, 2021): 29–48. http://dx.doi.org/10.17979/digilec.2020.7.0.7104.

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El compositor Arnold Schönberg ideó un nuevo sistema musical basado en una igualdad efectiva entre los doce sonidos de la escala cromática: el dodecafonismo. Dicho autor abogaba por una pedagogía musical basada en el desarrollo creativo y en una comprensión musical profunda que integrase lo racional y sensorial. La presente investigación analiza el potencial educativo de este repertorio desde los principios metodológica de su fundador: la composición grupal al estilo dodecafónico. Mediante una investigación-acción, se diseña una intervención en un grupo de Análisis Musical (Bachillerato), a ef

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Pickens, L. G., D. K. Hayes, N. O. Morgan, E. T. Schmidtmann, and R. W. Miller. "Pyramid Traps for Monitoring Musca Vitripennis (Diptera: Muscidae)1." Journal of Medical Entomology 23, no. 1 (1986): 112–13. http://dx.doi.org/10.1093/jmedent/23.1.112.

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Aperribay Bermejo, Maite. "Escenas musicales transfronterizas y transculturales: El Napar-Mex o los corridos y rancheras navarros." AusArt 9, no. 1 (2021): 45–54. http://dx.doi.org/10.1387/ausart.22561.

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El presente artículo tiene como objetivo aportar una reflexión en relación con la escena musical del Napar-Mex, en la que corridos y rancheras mexicanas se fusionan con influencias, tradiciones y folklore navarro. Las rancheras y corridos mexicanos forman parte del repertorio musical de cualquier celebración popular en la Comunidad Foral de Navarra. La afición de los navarros por lo mexicano es tal, que hace más de dos décadas dio lugar a la creación de una escena musical propia, conocida como Napar-Mex, estilo musical no comercial y estéticamente heterogéneo que surge de la mezcla entre las r

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Urban, Eliza Dickinson. "Spectral Spectacle: Traps, Disappearances, and Disembodiment in Nineteenth-Century British Melodrama." Nineteenth Century Theatre and Film 46, no. 1 (2018): 18–37. http://dx.doi.org/10.1177/1748372718799081.

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Two nineteenth-century melodramas, J.R. Planché's The Vampire (1820) and Dion Boucicault's The Corsican Brothers (1852) exert a haunting influence on how we in the present conceptualise ghosts. Through rendering the seemingly invisible – that is, the ghostly body – spectacular through technology, while simultaneously concealing the mechanism behind that feat, the plays' eponymous traps heighten the effect of the spectral even as their workings elude visual perception. My study elucidates the mediation of the traps through other facets of production. To accomplish this task, I undertake a pheno

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Katsnelson, Anna Wexler. "The Tramp in a Skirt: Laboring theRadiant Path." Slavic Review 70, no. 2 (2011): 256–78. http://dx.doi.org/10.5612/slavicreview.70.2.0256.

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In this article, Anna Wexler Katsnelson focuses on Grigorii Aleksandrov's musical comedy,'Svetlyi put'(The Radiant Path, 1940) as a way of investigating the modes of screening laughter in the USSR in the 1930s and exploring the reasons for the film's gradual disavowal of laughter. The key questions posed by the article are why does laughter disappear from the nominally comedic, purposefully merrySvetlyi put'?Where is its affective energy redirected? And, finally, is laughter on film at all possible under the conditions of high Stalinism?

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Godøy, Rolfe Inge. "Thinking Sound and Body-Motion Shapes in Music: Public Peer Review of “Gesture and the Sonic Event in Karnatak Music” by Lara Pearson." Empirical Musicology Review 8, no. 1 (2013): 15. http://dx.doi.org/10.18061/emr.v8i1.3919.

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<p>It seems that the majority of research on music-related body motion has so far been focused on Western music, so this paper by Lara Pearson on music-re&shy;lated body motion in Indian vocal music is a most welcome contribution to this field. But research on music-related body motion does present us with a number of chal&shy;lenges, ranging from issues of method to fundamental issues of perception and multi&shy;modal integration in music. In such research, thinking of perceptually salient fea&shy;tures in different modalities (sound, motion, touch, etc.) as shapes seems

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Aquino, Rowena Santos. "Contested topographies, collaborative testimonies: Remapping the politics of movement, music and the road (movie) in the Middle East." Transnational Cinemas 2, no. 2 (2012): 147–62. http://dx.doi.org/10.1386/trac.2.2.147_1.

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Duffett, Mark. "Caught in a trap? Beyond pop theory's ‘butch’ construction of male Elvis fans." Popular Music 20, no. 3 (2001): 395–408. http://dx.doi.org/10.1017/s026114300100157x.

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Common knowledge has it that Elvis Presley stood for sexual liberation – because his gyrations caused the first controversy, he liberated Western culture from the curse of sexual repression. Beyond the female fans that play a role in that image, Elvis has a vast number of male followers. With more than 20,000 members, the Official Elvis Presley Fan Club of Great Britain (OEPFC) is the largest fan club in the world. According to the president, half the members are male (Slaughter 1996, p. 1). This means that thousands of male fans are dedicated enough to stay in one organisation. Over 400 small

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Tan, Suriyani, and Machrumnizar Machrumnizar. "PERANAN Musca domestica SEBAGAI VEKTOR MEKANIK TELUR INFEKTIF Ascaris lumbricoides." PENELITIAN DAN KARYA ILMIAH 2, no. 1 (2018): 8. http://dx.doi.org/10.25105/pdk.v2i1.2454.

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Muscadomestica (house fly) is an insect that is considered useless by humans although they lived very close to humans. Breeding site of flies in human or animal waste, the rubbish, or unorganic objects that have decayed greatly support their role as mechanical vectors. More than 20 species of flies have been reported as an agent of gastrointestinal diseases. The purpose of this study is to examnine the role of houseflies as mechanical vectors Ascarislumbricoides’seggs.The research sample was 500 house flies (Muscadomestica) captured in the Legok area. Houseflies were trapped by fly trap contai

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Seaver, Nick. "Captivating algorithms: Recommender systems as traps." Journal of Material Culture 24, no. 4 (2018): 421–36. http://dx.doi.org/10.1177/1359183518820366.

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Algorithmic recommender systems are a ubiquitous feature of contemporary cultural life online, suggesting music, movies, and other materials to their users. This article, drawing on fieldwork with developers of recommender systems in the US, describes a tendency among these systems’ makers to describe their purpose as ‘hooking’ people – enticing them into frequent or enduring usage. Inspired by steady references to capture in the field, the author considers recommender systems as traps, drawing on anthropological theories about animal trapping. The article charts the rise of ‘captivation metri

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De la Ossa Martínez, Marco Antonio. "Federico García Lorca y la música." Cuadernos de Investigación Musical, no. 6 (January 16, 2019): 335. http://dx.doi.org/10.18239/invesmusic.v0i6.1950.

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<p><span lang="ES-TRAD">Federico García Lorca (1898-1936) es, sin duda, una de las grandes figuras más destacadas en la historia del arte del siglo XX. Es bien conocida, subrayada, representada y ha sido ampliamente estudiada su faceta de poeta, dramaturgo y ensayista. Pero, quizá, su enorme vinculación con la música y el gran espacio que brindó a este arte siga siendo uno de los perfiles más desconocidos en una personalidad que podemos definir como poliédrica.</span></p><p><span lang="ES-TRAD">En este artículo nos acercaremos brevemente a su formación music

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Peñalba Acitores, Alicia, Carlos Moriyón Mojica, and Sonia Luque Perea. "MÁS QUE SONIDO: INTERPRETACIÓN DE MÚSICA INSTRUMENTAL EN LENGUA DE SIGNOS PARA LAS PERSONAS SORDAS." Tabanque. Revista Pedagógica, no. 31 (June 5, 2018): 94. http://dx.doi.org/10.24197/trp.31.2018.94-107.

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Las personas sordas son uno de los colectivos que menor interés presenta hacia la música debido a que históricamente se ha resaltado su componente auditivo. No obstante, investigaciones recientes se interesan por la música como fenómeno multimodal. Esta posibilidad permite hacer accesible la música a personas sordas. En este artículo se abordan varios proyectos de música para/con sordos y se analizan las posibilidades de la interpretación musical en lengua de signos de la música instrumental pura.

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OLIVEIRA, V. C., J. M. D'ALMEIDA, M. J. PAES, and A. SANAVRIA. "Population dynamics of calyptrate diptera (Muscidae and Sarcophagidae) at the Rio-Zoo Foundation, Rio de Janeiro, RJ, Brazil." Brazilian Journal of Biology 62, no. 2 (2002): 191–96. http://dx.doi.org/10.1590/s1519-69842002000200002.

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Twenty-seven species of calyptrate muscoids (Muscidae and Sarcophagidae) were collected from December 1993 to November 1994 with wind oriented traps (W.O.T.) baited with decomposing beef liver at the Rio de Janeiro Zoo. The most abundant species found were Musca domestica (57.84%), Peckia chrysostoma (28.16%), Ophyra aenescens (17.11%), Oxysarcodexia thornax (17.82%), Synthesiomyia nudiseta (13.05%), and Oxysarcodexia diana (14.52%).

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Söderman, Johan. "The formation of ‘Hip-Hop Academicus’ – how American scholars talk about the academisation of hip-hop." British Journal of Music Education 30, no. 3 (2013): 369–81. http://dx.doi.org/10.1017/s0265051713000089.

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Social activism and education have been associated with hip-hop since it emerged in New York City 38 years ago. Therefore, it might not be surprising that universities have become interested in hip-hop. This article aims to highlight this ‘hip-hop academisation’ and analyse the discursive mechanisms that manifest in these academisation processes. The guiding research question explores how hip-hop scholars talk about this academisation. The theoretical framework is informed by the scholarship of sociologist Pierre Bourdieu. Hip-hop scholars were interviewed in New York City during 2010. The res

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