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1

White, John David. Comprehensive musical analysis. Scarecrow Press, 2003.

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2

Burkhart, Charles. Anthology for musical analysis. 4th ed. Holt, Rinehart and Winston, 1986.

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3

Francis, Tovey Donald. Essays in musical analysis. Oxford University Press, 1989.

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4

Kaufman, Shelemay Kay, ed. Cross-cultural musical analysis. Garland, 1990.

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5

T, Hutcheson Jere, ed. Musical form and analysis. Brown & Benchmark, 1995.

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6

Mathes, James R. The Analysis of Musical Form. Prentice Hall, 2006.

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7

Cook, Nicholas. Musical analysis and the listener. Garland Pub, 1989.

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8

Cook, Nicholas. A guide to musical analysis. J.M. Dent, 1987.

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9

Cook, Nicholas. A guide to musical analysis. Dent, 1987.

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10

Claus-Steffen, Mahnkopf, Cox Frank 1961-, and Schurig Wolfram, eds. Musical morphology. Wolke, 2004.

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11

Dale, Catherine. Aural analysis. University of Hull Press, 1994.

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12

Girard, Anthony. L' analyse du langage musical. G. Billaudot, 2001.

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13

Rudolph, Covach John, and Boone Graeme M. 1954-, eds. Understanding rock: Essays in musical analysis. Oxford University Press, 1997.

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14

Kurt, Pahlen. Nueva síntesis del saber musical. Emecé Editores, 1989.

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15

Tuttle, Marshall. Musical structures in Wagnerian opera. Edwin Mellen Press, 2000.

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16

name, No. Musical semiotics revisited. International Semiotics Institute at Imatra, Semiotic Society of Finland, Department of Musicology, University of Helsinki, 2003.

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17

Eero, Tarasti, Forsell Paul, and Littlefield Richard, eds. Musical semiotics revisited. International Semiotics Institute, 2003.

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18

LaRue, Jan. Guidelines for style analysis. 2nd ed. Harmonie Park Press, 2011.

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19

Gervais, Françoise, and Françoise Gervais. Précis d'analyse musicale. H. Champion, 1988.

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20

Cube, Felix-Eberhard von. The book of the musical artwork: An interpretation of the musical theories of Heinrich Schenker. E. Mellen Press, 1988.

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21

Christensen, Erik. The musical timespace. Aalborg University Press, 1996.

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22

Jonas, Oswald. Introduction to the theory of Heinrich Schenker: The nature of the musical work of art. Schirmer Books, 1989.

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23

Tovey, Donald Francis. Chamber music: Selections from essays in musical analysis. Dover Publications, 2015.

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24

Luca, Marconi, and Stefani Gino, eds. Il Senso in musica: Antologia di semiotica musicale. CLUEB, 1987.

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25

Cornelis, Roger Louis Charles. Cours d'analyse musicale. Cornelis, 1990.

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26

Beauchamp, James W., ed. Analysis, Synthesis, and Perception of Musical Sounds. Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-32576-7.

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27

Banister, Henry C. Musical Analysis. Reprint Services Corp, 1999.

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28

Loeffert, Kim, and John Peterson, eds. Modeling Musical Analysis. Oxford University PressNew York, 2024. https://doi.org/10.1093/oso/9780197678473.001.0001.

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Abstract Modeling Musical Analysis is a collection of essays written by minoritized scholars who model analytical writing that is both accessible for, and attainable by, undergraduate students. Approaches to rhythm and meter, timbre, form, harmony, musical meaning, pitch collections, performance and analysis, motive, narrative, humor, serialism, music and dance, and queer theory are all represented as applied to equally varied musics, including ballet, chamber music, film music, gospel music, musical theater, opera, oratorio, orchestral music, popular music, and vocal music. Each essay begins
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29

Irish musical analysis. Four Courts Press, 2014.

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30

Goodrich, A. J. Complete Musical Analysis. Kessinger Publishing, 2004.

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31

Goodrich, A. J. Complete Musical Analysis. Adamant Media Corporation, 2000.

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32

White, John D. Comprehensive Musical Analysis. Scarecrow Press, Incorporated, 1994.

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33

White, John D. Comprehensive Musical Analysis. Scarecrow Press, Incorporated, 1994.

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34

Goodrich, A. J. Complete Musical Analysis. Kessinger Publishing, LLC, 2004.

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35

Comprehensive musical analysis. Scarecrow Press, 1994.

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36

Dawson, Charles. Analysis of Musical Composition. Creative Media Partners, LLC, 2018.

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37

Banister, Henry Charles. Lectures on Musical Analysis. 2nd ed. Library Reprints, 2001.

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38

Anthology for musical analysis. 4th ed. Holt, Rinehart and Winston, 1986.

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39

Burkhart, Charles. Anthology for Musical Analysis. Holt Rinehart and Winston, 1985.

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40

Burkhart, Charles. Anthology for Musical Analysis. 4th ed. Holt Rinehart and Winston, 1985.

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41

Burkhart, Charles. Anthology for Musical Analysis. Schirmer, 2003.

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42

Burkhart, Charles, and William Rothstein. Anthology for Musical Analysis. Cengage Gale, 2011.

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43

Burkhart, Charles. Anthology for Musical Analysis. 5th ed. Wadsworth Publishing Company, 1994.

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44

Anthology for Musical Analysis. Wadsworth Publishing Company, 1994.

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45

Anthology for Musical Analysis. Cengage Learning, 2011.

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46

Analysis of Musical Composition. Creative Media Partners, LLC, 2022.

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47

Tovey, Donald Francis 1875-1940. Essays in Musical Analysis. Creative Media Partners, LLC, 2021.

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48

Analysis of Musical Composition. Creative Media Partners, LLC, 2022.

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49

Essays in musical analysis. Oxford University Press, 1989.

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50

Santa, Matthew. Hearing Form: Musical Analysis with and Without the Score. Routledge, 2022.

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