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1

Durman, Laura. Pop bands. Franklin Watts, 2011.

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2

Claghorn, Charles Eugene. Popular bands and performers. Scarecrow Press, 1995.

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3

Rachau, Sebastian. Im Feld des Heavy Metal: Vier deutsche Bands. Verlag Dr. Kovač, 2014.

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4

Pizer, Russell A. Evaluation programs for school bands and orchestras. Parker Pub. Co., 1990.

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5

Grieve, Alan B. Berkshire bands: A pictorial review from 1884 to 1984. P. Drozd Graphic Arts, 1992.

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6

Mark, Elrod, ed. A pictorial history of Civil War era musical instruments & military bands. Pictorial Histories Pub. Co., 1985.

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7

Cooke, Richard T. Cork's Barrack Street Silver and Reed Band: Ireland's oldest musical institution. Quality Books, 1992.

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8

Adolpho, Queiroz, and Quirino César 1967-, eds. 100 anos da Corporação Musical União Barbarense. Editora Socep, 1998.

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9

Gordon, Turner. The history of British military bands. Spellmount, 1994.

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10

Coraúcci, Carlos. Orquestra Tabajara de Severino Araújo: A vida musical da eterna big band brasileira. Companhia Editora Nacional, 2009.

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11

1964-, Savatteri Gaetano, ed. Ottoni e tamburi: Storia della banda musicale di Racalmuto. Eugenio Maria Falcone, 2007.

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12

Grace, N. B. High School Musical: Stories from East High #1: Battle of the Bands. Disney Press, 2007.

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13

Bombay, Jo. De koninklijke muziekmaatschappij De Zwanezonen van Drongen: 1910-1990. Heemkundige Kring Dronghine, 1990.

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14

Chang, Chaodong. Zhongguo jun yue fa zhan zhi yan jiu. s.n.], 1985.

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15

Shane, Homan, ed. Access all eras: Tribute bands and global pop culture. Open University Press, 2006.

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16

Moss, Lloyd. Our marching band. Putnam's, 2001.

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17

Bartholomew, John. The steel band. Oxford University Press, Music Department, 1997.

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18

Lisk, Edward S. The creative director: Intangibles of musical performance. Meredith Music Publications, 1996.

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19

Kirk, Frances. The Society of Seven: Last of the great show bands. Legacy Isle Publishing, 2013.

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20

ill, Bluthenthal Diana Cain, ed. Our marching band. Putnam's, 2001.

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21

Cahill, Anne. The community music handbook: A practical guide to building bands, choirs, orchestras and music schools. Currency Press and Music Council of Australia, 1998.

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22

ill, Wiseman Daniel, ed. Play this book. Bloomsbury Publishing, 2018.

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23

Kurutz, Steven. Like A Rolling Stone. Broadway Books, 2008.

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24

Kurutz, Steven. Like a Rolling Stone. Broadway Books, 2008.

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25

Althouse, Jay. 168 non-musical ways to improve your band or choral program. Music in Action, 1986.

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26

Antonio, Lamberto E. Ang hilig ni Manda: Sumama sa banda. 5th ed. Adarna House, 2002.

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27

Cohen, Richard Scott. The musical society community bands of Valencia, Spain: A global study of their administration, instrumentation, repertoire, and performance activities. Schneider, 2002.

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28

Boone, Mary. I love One Direction. Triumph Books, 2013.

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29

McPadden, Mike. If you like Metallica: Here are over 200 bands, CDs, movies, and other oddities that you will love. Backbeat Books, 2012.

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30

Hong, Ki-ja. BTS, ŭmak: Kŭdŭl ŭi ŭmak & ep'isodŭ. Tchim K'ŏmyunik'eisyŏn, 2017.

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31

Taylor, Shawn. People's instinctive travels and the paths of rhythm. Continuum, 2007.

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32

Page, Carole Gift. A rose for Jenny. Thomas Nelson Publishers, 1999.

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33

Graça, Mota, ed. Crescer nas bandas filarmónicas: Um estudo sobre a construção da identidade musical de jovens portugueses. Edições Afrontamento, 2009.

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34

Stoten, Jim. Mr. Tweed and the band in need. Flying Eye Books, 2017.

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35

Yi, Chi-haeng. BTS wa army k'ŏlch'ŏ. K'ŏmyunik'eisyŏnbuksŭ, 2019.

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36

Probasco, Jim. A parent's guide to band and orchestra. Betterway Publications, 1991.

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37

Vergès, Guillaume. Magic System: Le mystère "1er Gaou". Vallesse Editions, 2018.

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38

Saolini, Andrea. Kissenefrega: La storia di una tribute band. Robin, 2011.

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39

Thomas, Roger. Groups, Bands, & Orchestras (Soundbites). Heinemann, 2001.

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40

Musical ghosts: Manitoba's jazz and dance bands, 1914-1966. Clark Productions, 2008.

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41

Bands in American Musical History: Inflection Points and Reappraisals. University of Rochester Press, 2024.

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42

Bornemann, Steve. Bands in American Musical History: Inflection Points and Reappraisals. University of Rochester Press, 2024.

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43

Herbert, Trevor. British Brass Band: A Musical and Social History. Oxford University Press, 2000.

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44

Reynolds, Niles. A Musical History of the Klamath Basin: Early Community Bands. Klamath County Museum, 2020.

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45

Turner, Gordon, and Alwyn Turner. History of British Military Bands: Infantry and Irish (History of British Military Bands). Spellmount Publishers, 1997.

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46

Ballengee, Christopher L. Steel orchestras and tassa bands. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199352227.003.0005.

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In the 1950s, the steel orchestra in Trinidad and Tobago became an icon of a nationalist discourse promoting African Trinidadian culture as national culture. In subsequent decades, steel orchestras were subsidized by the state and routinely linked with moments of national significance. Some Indian Trinidadian leaders met steelpan’s official declaration as the country’s national instrument in 1992 with accusations of unequal representation and they have continued to press the government to make the Indian Trinidadian tassa drum co-national instrument. This chapter surveys the cultural and polit
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47

Grace, N. B. Battle of the Bands (High School Musical Stories from East High). Disney Press, 2007.

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48

The Battling Bands. GRAPHIX, 2011.

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49

100 anos da Corporação Musical União Barbarense. Editora Socep, 1998.

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50

Moskowitz, David, ed. The 100 Greatest Bands of All Time. Greenwood, 2015. http://dx.doi.org/10.5040/9798400605185.

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This one-of-a-kind reference investigates the music and the musicians that set the popular trends of the last half century in America. Many rock fans have, at one time or another, ranked their favorite artists in order of talent, charisma, and musical influence on the world as they see it. In this same spirit, author and music historian David V. Moskowitz expands on the concept of "top ten" lists to provide a lineup of the best 100 musical groups from the past 60 years. Since the chosen bands are based on the author's personal taste, this two-volume set provokes discussion of which performers
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