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1

Castillo, Yorisel Andino. Discursos transgresores: Rupturas en el canon musical cubano. Santiago de Cuba: Ediciones Santiago, 2015.

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2

Wuidar, Laurence. Canons énigmes et hiéroglyphes musicaux dans l'Italie du 17e siècle. Bruxelles: P.I.E.-Peter Lang, 2008.

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3

Taneev, Sergeĭ Ivanovich. Die Lehre vom Kanon. Berlin: E. Kuhn, 1994.

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4

Böss, Reinhard. Die Kunst des Rätselkanons im Musikalischen Opfer. Wilhelmshaven: F. Noetzel, 1991.

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5

Boykan, Martin. The power of the moment: Essays on the Western music canon. Hillsdale, NY: Pendragon Press, 2011.

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6

Boykan, Martin. The power of the moment: Essays on the Western music canon. Hillsdale, NY: Pendragon Press, 2011.

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7

1554-1638, Bevin Elway ca, and Collins Denis 1965-, eds. A briefe and short instruction of the art of musicke. Aldershot, England: Ashgate, 2007.

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8

Plakhov, I︠U︡ N. Khudozhestvennyĭ kanon v sisteme professionalʹnoĭ vostochnoĭ monodii: Na materiale instrumentalʹnoĭ muzyki narodov Sredneĭ Azii. Tashkent: Fan, 1988.

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9

Wuidar, Laurence. Canons énigmes et hiéroglyphes musicaux dans l'Italie du 17e siècle. Bruxelles: P.I.E.-Peter Lang, 2008.

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10

Wuidar, Laurence. Canons énigmes et hiéroglyphes musicaux dans l'Italie du 17e siècle. Bruxelles: P.I.E.-Peter Lang, 2008.

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11

Kaaij, Maartin. Niet bij Bach alleen: Rangen en standen in de klassieke muziek. Amsterdam: Contact, 2005.

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12

The making of a musical canon in Chinese Central Asia: The Uyghur Twelve Muqam. Burlington, VT: Ashgate, 2009.

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13

Simakova, N. A. Kontrapunkt strogogo stili︠a︡ i fuga: Istorii︠a︡, teorii︠a︡ i praktika. Moskva: Kompozitor, 2002.

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14

Weber, William. The rise of musical classics in eighteenth-century England: A study in canon, ritual, and ideology. Oxford [England]: Clarendon Press, 1996.

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15

Lamla, Michael. Kanonk ünste im barocken Italien, insbesondere in Rom. Berlin: Dissertation.de Verlag im Internet GmbH, 2003.

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16

Giuseppe, Gerbino. Canoni ed enigmi: Pier Francesco Valentini e l'artificio canonico nella prima metà del Seicento. Roma: Torre d'Orfeo, 1995.

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17

Ott, Immanuel. Methoden der Kanonkomposition bei Josquin des Prez und seinen Zeitgenossen. Hildesheim: Georg Olms Verlag, 2014.

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18

Thomas, Phleps, Helms Dietrich, and Phleps Thomas, eds. No Time for Losers: Charts, Listen und andere Kanonisierungen in der populären Musik. Bielefeld: transcript Verlag, 2008.

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19

André, Barbera, Euclid, and Porphyry ca 234-ca 305, eds. The Euclidean Division of the canon: Greek and Latin sources : new critical texts and translations on facing pages, with an introduction, annotations, and indices verborum and nominum et rerum. Lincoln: University of Nebraska Press, 1991.

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20

Werckmeister, Andreas. Harmonologia musica, oder, Kurze Anleitung zur musicalischen Composition: Musicalische Paradoxal-Discourse, oder, Ungemeine Vorstellungen. 2nd ed. Laaber: Laaber Verlag, 2007.

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21

Werckmeister, Andreas. Harmonologia musica, oder, Kurze Anleitung zur musicalischen Composition: Musicalische Paradoxal-Discourse, oder, Ungemeine Vorstellungen. 2nd ed. Laaber: Laaber Verlag, 2007.

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22

Portelli, Alessandro. Canoni americani: Oralità, letteratura, cinema, musica. Roma: Donzelli, 2004.

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23

Lorenzo, Fiorito. Il secolo d'oro della musica a Napoli: Per un canone della Scuola musicale napoletana del '700. [Frattamaggiore]: Diana edizioni, 2019.

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24

Citron, Marcia J. Gender and the Musical Canon. University of Illinois Press, 2000.

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25

Citron, Marcia J. Gender and the Musical Canon. Camb. U. P., 1993.

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26

Gender and the musical canon. Cambridge [England]: Cambridge University Press, 1993.

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27

Prout, Ebenezer. Double Counterpoint and Canon. Library Reprints, 2001.

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28

Prout, Ebenezer. Double Counterpoint and Canon. Adamant Media Corporation, 2001.

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29

Guest, Anne. Canon Forms. Routledge, 1991.

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30

Norden, Hugo. Technique of Canon. Branden Publishing Company, 2009.

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31

Pachelbel, Johann, and David Marlatt. Canon: Score and Parts. Alfred Publishing Company, Incorporated, 2015.

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32

Beni musicali, musica, musicologia. Lucca: LIM, 2006.

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33

Gore, Ouseley Frederick Arthur. A Treatise on Counterpoint, Canon and Fugue. Library Reprints, 2001.

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34

Ziehn, Bernhard. Canonic Studies. Kahn & Averill, 2006.

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35

Oxford Handbook of the Operatic Canon. Oxford University Press, Incorporated, 2020.

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36

Canons and canonic techniques, 14th-16th centuries: Theory, practice, and reception history ; proceedings of the International Conference, Leuven, 4-6 October 2005. Leuven: Peeters, 2007.

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37

Canon for 3 in Memoriam of Igor Stravinsky. Associated, 1986.

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38

Boykan, Martin. Power of the Moment: Essays on the Western Musical Canon. Pendragon Press, 2011.

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39

Harris, Rachel. Making of a Musical Canon in Chinese Central Asia: The Uyghur Twelve Muqam. Taylor & Francis Group, 2016.

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40

Collins, Denis Brian. Canon in music theory from c. 1550 to c. 1800. 1992.

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41

Best of Canons and Rounds. Schott Music Ltd, 2008.

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42

The power of the moment: Essays on the Western music canon. Hillsdale, NY: Pendragon Press, 2011.

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43

Kelly, Elaine. Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music. Oxford University Press, Incorporated, 2014.

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44

Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music. Oxford University Press, 2014.

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45

(Editor), Denis Collins, ed. A Briefe and Short Instruction of the Art of Musicke by Elway Bevin (Music Theory in Britain, 1500-1700: Critical Editions). Ashgate Publishing, 2007.

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46

Weber, William, and Beverly Wilcox. Canonic Repertories and the French Musical Press: Lully to Wagner. University of Rochester Press, 2021.

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47

Canonic Repertories and the French Musical Press: Lully to Wagner. University of Rochester Press, 2021.

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48

Harris, Rachel. Making of a Musical Canon in Chinese Central Asia: The Uyghur Twelve Muqam. Taylor & Francis Group, 2016.

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49

Harris, Rachel. Making of a Musical Canon in Chinese Central Asia: The Uyghur Twelve Muqam. Taylor & Francis Group, 2016.

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50

Intimate Heritage: Creating Uyghur Muqam Song in Xinjiang (Halle Studies in the Anthropology of Eurasia). LIT Verlag, 2008.

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