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Relevant bibliographies by topics / Musical composition|Music theory|Music / Books

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Books on the topic 'Musical composition|Music theory|Music'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Olivier, Messiaen. Technique de mon langage musical: Texte avec exemples musicaux. Paris: A. Leduc, 2000.

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2

Hilson, Woldu Gail, and Montgomery Merle 1904-1986, eds. Course in musical composition. Norman: University of Oklahoma Press, 2010.

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3

Schoenberg, Arnold. The musical idea and the logic, technique and art of its presentation. Bloomington, Ind: Indiana University Press, 2006.

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4

1923-, Carpenter Patricia, and Neff Severine 1949-, eds. The musical idea and the logic, technique, and art of its presentation. New York: Columbia University Press, 1995.

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5

Daube, J. F. The musical dilettante: A treatise on composition. Cambridge [England]: Cambridge University Press, 1992.

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6

1943-, Snook-Luther Susan P., ed. The musical dilettante: A treatise on composition. Cambridge: Cambridge University Press, 2006.

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7

Cœurdevey, Annie. Histoire du langage musical occidental. Paris: Presses universitaires de France, 1998.

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8

Henry, Earl. Fundamentals of music: Rudiments, musicianship, and composition. 5th ed. Upper Saddle River, N.J: Pearson Prentice Hall, 2009.

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9

Henry, Earl. Fundamentals of music: Rudiments, musicianship, and composition. 5th ed. Upper Saddle River, N.J: Pearson Prentice Hall, 2008.

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10

Thesaurus of abstract musical properties: A theoretical and compositional resource. Westport, Conn: Greenwood Press, 1995.

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11

Henry, Earl. Fundamentals of music: Rudiments, musicianship, and composition. 5th ed. Upper Saddle River, N.J: Pearson Prentice Hall, 2009.

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12

Fundamentals of music: Rudiments, musicianship, and composition. 6th ed. Upper Saddle River: Prentice Hall, 2012.

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13

Kohoutek, Ctirad. Hudební kompozice: Stručný komplexní pohled z hlediska skladatele. Praha: Supraphon, 1989.

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14

Johnson, Jeffrey. Graph theoretical models of abstract musical transformation: An introduction and compendium for composers and theorists. Westport, Conn: Greenwood Press, 1997.

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15

Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Red Hook, N.Y: Open Space, 1995.

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16

Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Red Hook, N.Y: Open Space, 1995.

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17

Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Red Hook, NY: Open Space, 1995.

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18

Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Red Hook, N.Y: Open Space, 1995.

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19

1929-, Randall J. K., ed. Meta-variations: Studies in the foundations of musical thought. Red Hook, N.Y: Open Space, 1995.

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20

Mazzola, G. Musical creativity: Strategies and tools in composition and improvisation. Berlin: Springer, 2011.

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21

Peter, Johnson, and Zender Hans, eds. Theory into practice: Composition, performance and the listening experience. Lauven, BE: Lauven University Press, 1999.

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22

Hearing and writing music: Professional training for today's musician. 2nd ed. Studio City, Calif: September Pub., 2006.

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23

1770-1827, Beethoven Ludwig van, ed. Theory and practice: The great composer as student and teacher. New York: Norton, 1987.

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24

Zenck, Claudia Maurer. Vom Takt: Untersuchungen zur Theorie und kompositorischen Praxis im ausgehenden 18. und beginnenden 19. Jahrhundert. Wien: Böhlau, 2001.

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25

Kugak chakkok immun. Sŏul Tʻŭkpyŏlsi: Hyŏndae Ŭmak Chʻulpʻansa, 1988.

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26

Algorithmic composition: Paradigms of automated music generation. Wien: Springer, 2009.

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27

Analyzing atonal music: Pitch-class set theory and its contexts. Rochester, NY: University of Rochester Press, 2008.

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28

Schenker, Heinrich. Counterpoint: A translation of Kontrapunkt, volume 2 of New musical theories and fantasies. New Yorker: Schirmer, 1987.

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29

Schenker, Heinrich. Counterpoint: A translation of Kontrapunkt, volume 2 of New musical theories and fantasies. New York: Schirmer, 1987.

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30

Set theory objects: Abstractions for computer-aided analysis and composition of serial and atonal music. Frankfurt am Main: P. Lang, 1994.

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31

Traité de rythme, de couleur, et d'ornithologie: (1949-1992) : en sept tomes. Paris: A. Leduc, 1994.

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32

Traité de rythme, de couleur, et d'ornithologie: (1949-1992). Paris: A. Leduc, 1994.

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33

Stewart, Dave. The musician's guide to reading & writing music. San Francisco: GPI Books, 1993.

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34

The musician's guide to reading & writing music. 2nd ed. San Francisco: Miller Freeman Books, 1999.

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35

Deliège, Irène. Musical creativity: Multidisciplinary research in theory and practice. New York: Psychology Press, 2006.

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36

Analysis through composition: Principles of the Classical style. Oxford: Oxford University Press, 1996.

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37

Tomei, Joseph A. Music theory and composition, step-by-step. Los Angeles, CA: Minich Publications, 1991.

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38

Gli algoritmi della musica: Composizione e pensiero musicale nell'era informatica. Padova: CLEUP, 2011.

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39

Counterpoint, composition, and musica ficta. New York: Routledge, 2002.

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40

Schenker, Heinrich. Free composition =: Der freie Satz : volume III of New musical theories and fantasies. New York: Schirmer Books, 1990.

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41

Tsao, Ming. Abstract musical intervals: Group theory for composition and analysis. Berkeley, CA: Musurgia Universalis Press, 2007.

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42

Cook, Nicholas. Theory into practice: Composition, performance and the listening experience. Leuven: University Press, 1999.

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43

Carpenter, Patricia. The Musical Idea And the Logic, Technique, And Art of Its Presentation. Indiana University Press, 2006.

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44

sais-je?, Que, and Annie Coeurdevey. Histoire du langage musical occidental. Presses Universitaires de France - PUF, 1998.

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45

Henry, Earl, Jennifer Snodgrass, and Susan piagentini. Fundamentals of Music: Rudiments, Musicianship, and Composition. Pearson Education, Limited, 2018.

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46

Henry, Earl, Jennifer Snodgrass, and Susan piagentini. Fundamentals of Music: Rudiments, Musicianship, and Composition. Pearson Education, Limited, 2012.

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47

Henry, Earl, Susan Piagentini, and Jennifer Snodgrass. Fundamentals of Music: Rudiments, Musicianship, and Composition. Pearson Education, Limited, 2012.

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48

Henry, Earl, Susan Piagentini, and Jennifer Snodgrass. Fundamentals of Music: Rudiments, Musicianship, and Composition. Pearson Education, Limited, 2012.

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49

Henry, Earl, Jennifer Snodgrass, and Susan piagentini. Fundamentals of Music: Rudiments, Musicianship, and Composition,. Pearson Education, Limited, 2012.

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50

Logika muzikal'noj kompozicii [in Russian]. Muzyka (Moscow), 2010.

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