Relevant bibliographies by topics / Musical content

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Musical content'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Musical content"

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SALDAN, Svitlana. "CONTENT AND FORM – MUSICAL CONTEXT." Bulletin of the Lviv University. Series of Arts Studies 109, no. 21 (2023): 3–10. http://dx.doi.org/10.30970/vas.21.2023.12124.

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Some queStions of analysis of musical works from position of dialectics of maintenance and form are considered in the article. Their Study teStifies to impossibility to be limited to the aspects of internal conStruction of musically-artiStic object at determination of its maintenance and form. As a result of their relationship, their dialectical development, musical work is closely associated with an objective world, his part – musically-hiStorical process, development of which by subStantial appearance influences both on the Structure of musical whole and on its ideological-semantic, vividly-
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Medynska, Olesia, and Solomiia Hnatyshyn. "Radio «Kultura» Music Content." Obraz 44, no. 1 (2024): 136–49. http://dx.doi.org/10.21272/obraz.2024.1(44)-136-149.

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Introduction. Radio “Kultura” is a producer of musical intentions, a translator of traditions and innovations in modern musical art. The musical content of the analyzed media is characterized by a multifaceted musical palette. Informing about musical events and processes, radio “Kultura” becomes a unique platform for the actualization of musical culture, public discussion of musical issues, formation of worldview orientations and musical requests of the audience. Relevance and aim of the research. The relevance of scientific research is determined by the absence of research into the musical co
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Weiss, Susan Forscher. "Bologna Q 18: Some Reflections on Content and Context." Journal of the American Musicological Society 41, no. 1 (1988): 63–101. http://dx.doi.org/10.2307/831751.

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Bologna, Civico Museo Bibliografico Musicale, Codex Q 18 (olim 143) preserves various genres. Frottole and laude, many with complete texts, occupy the first nineteen folios; the remainder of the manuscript consists of approximately seventy textless pieces, one a 5, some a 3, the majority a 4. More than half of these textless pieces have not been found in any contemporary source. None of the pieces in the manuscript bears an attribution, although from concordant readings 45 pieces can be attributed to, among others, Isaac, Josquin, Compère, Tromboncino, Brumel, Cara, Caron, Busnois, and Agricol
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Karydis, Ioannis, Katia Lida Kermanidis, Spyros Sioutas, and Lazaros Iliadis. "Comparing content and context based similarity for musical data." Neurocomputing 107 (May 2013): 69–76. http://dx.doi.org/10.1016/j.neucom.2012.05.033.

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Xu, Yexiaxin. "Social Media Marketing Strategy in Chinese Musical Theatre Industry." Communication, Society and Media 6, no. 4 (2023): p15. http://dx.doi.org/10.22158/csm.v6n4p15.

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The usage of social media in the context of musical theatre marketing continues to grow. More and more musical theatre production companies in China are using social media tools such as Weibo to provide various services and interact with customers. In an effort to help understand how the current musical theatre industry conducts social media marketing and the future development direction, this paper describes a case study which applies content analysis to examined posts on Weibo sites of five top musical theatre production companies: Seven Ages, Shanghai Culture Square, Musicals, Focustage, an
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Cuskey, Lusie. "Consent Based Considerations for the Musical Theatre." Journal of Consent-Based Performance 1, no. 2 (2022): 137–67. http://dx.doi.org/10.46787/jcbp.v1i2.2873.

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Musicals have always tended to center romantic relationships, engaging these relationships both as a plot in their own right and, often, as a metaphor for broader social considerations. Despite a historical understanding of the form as light, many contemporary musicals engage explicit sexual content, and the formal conventions of all musicals means that even non-sexual content may feel particularly intimate for performers. Musical theatre is a field that expects high levels of vulnerability and availability, but it also tends to magnify the broader industry’s challenges of scarcity thinking an
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Lena, J. C. "Social Context and Musical Content of Rap Music, 1979-1995." Social Forces 85, no. 1 (2006): 479–95. http://dx.doi.org/10.1353/sof.2006.0131.

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Zapevalova, Lyudmila Georgievna. "open form in the dialectic of Extra-musical and musical content." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 2(39) (June 1, 2018): 97–105. http://dx.doi.org/10.31318/2414-052x.2(39).2018.137145.

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Haladzhun, Zoryana, and Oleksandr Kondrashov. "MUSICAL CONTENT AS A MEDIA TEXT." Bulletin of Lviv Polytechnic National University: journalism 1, no. 1 (2021): 20–24. http://dx.doi.org/10.23939/sjs2021.01.020.

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The relevance of the chosen subject area is determined primarily by the complexity of structural, semantic and communicative organization of the media text phenomenon due to its sign character, plurality of sign systems, correlation of the author and his audience in terms of understanding and decoding textual information, lying in the planes of different approaches to defining the media text concept as well as its analysis. From the viewpoint of modern semiotics, each sign holds a special meaning, is used to store and transmit information, functions in a sign situation, interacts with other el
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DeBellis, Mark. "The Representational Content of Musical Experience." Philosophy and Phenomenological Research 51, no. 2 (1991): 303. http://dx.doi.org/10.2307/2108129.

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Dissertations / Theses on the topic "Musical content"

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Dickerson, Kyle Britton. "Musical query-by-content using self-organizing maps /." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2995.pdf.

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Dickerson, Kyle B. "Musical Query-by-Content Using Self-Organizing Maps." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1795.

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The ever-increasing density of computer storage devices has allowed the average user to store enormous quantities of multimedia content, and a large amount of this content is usually music. Current search techniques for musical content rely on meta-data tags which describe artist, album, year, genre, etc. Query-by-content systems, however, allow users to search based upon the actual acoustical content of the songs. Recent systems have mainly depended upon textual representations of the queries and targets in order to apply common string-matching algorithms and are often confined to a single qu
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Laurier, Cyril François. "Automatic Classification of musical mood by content-based analysis." Doctoral thesis, Universitat Pompeu Fabra, 2011. http://hdl.handle.net/10803/51582.

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In this work, we focus on automatically classifying music by mood. For this purpose, we propose computational models using information extracted from the audio signal. The foundations of such algorithms are based on techniques from signal processing, machine learning and information retrieval. First, by studying the tagging behavior of a music social network, we find a model to represent mood. Then, we propose a method for automatic music mood classification. We analyze the contributions of audio descriptors and how their values are related to the observed mood. We also propose a multimodal ve
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Brown, Helen. "The effects of set content and temporal context of pitches on musicians' aural perception of tonality /." The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262825076471.

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Wood, Gavin James. "Content-based visualisation to aid common navigation of musical audio." Thesis, University of York, 2005. http://etheses.whiterose.ac.uk/9955/.

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Papadopoulos, Hélène. "Joint estimation of musical content information[ from an audio signal]." Paris 6, 2010. http://www.theses.fr/2010PA066224.

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Dans cette thèse, nous nous intéressons au problème de l'extraction automatique d'information de contenu d'un signal audio de musique. L'originalité de notre travail est que nous proposons un modèle qui permet d'estimer de manière conjointe plusieurs attributs musicaux (accords, premiers temps et tonalité). Nous examinons plusieurs représentations typiques du signal audio afin de choisir celle qui est la plus appropriée à l'analyse de son contenu harmonique. En utilisant les chromas comme observations du signal, nous proposons d’abord plusieurs méthodes basées sur les modèles de Markov cachés
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Warrenburg, Lindsay Alison. "Examining Contrasting Expressive Content within First and Second Musical Themes." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461089016.

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Kitahara, Tetsuro. "Computational musical instrument recognition and its application to content-based music information retrieval." 京都大学 (Kyoto University), 2007. http://hdl.handle.net/2433/135955.

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DeGraaf, Leanne. "Towards a Generative Theory of Emotion, Meaning, and Expression in Musical Performance." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/33408.

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The purpose of this thesis is to assess theories of emotion, meaning, and expression in music from the perspective of the performer. While a significant body of research is devoted to theories about such matters—to which I will refer collectively as “theories of communicative content”—there is a general lack of attention paid to how such theories apply in actual music performance. In other words, these theories tend to avoid explicating not only how music conveys such content in acts of performance, but also how performers, through such acts, imbue music with communicative content. I seek to a
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Man, Oi-kuen Ivy. "Cantonese popular song in Hong Kong in the 1970s: an examination of musical content and social context inselected case studies." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31221476.

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Books on the topic "Musical content"

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Berman, Laurence. The musical image: A theory of content. Greenwood Press, 1993.

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Berman, Laurence D. The musical image: A theory of content. Greenwood Press, 1993.

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DeBellis, Mark Andrew. Music and the representational content of experience. U.M.I., 1989.

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Grekow, Jacek. From Content-based Music Emotion Recognition to Emotion Maps of Musical Pieces. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70609-2.

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Schleuter, Stanley L. A sound approach to teaching instrumentalists: An application of content and learning sequences. 2nd ed. Schirmer Books, 1997.

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Bergad, Ruth. Early childhood units for music. Teacher Created Materials, Inc., 1995.

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Schenker, Heinrich. Beethoven's ninth symphony: A portrayal of its musical content, with running commentary on performance and literature as well. Yale University Press, 1992.

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Martinho, Fernando Manuel de Menezes Falcão. Musical apprenticeship: The role of context in musical training. University of Surrey Roehampton, 2003.

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Meadows, Eddie S. Bebop to cool: Context, ideology, and musical identity. Greenwood Press, 2003.

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R, Heintze James, ed. American musical life in context and practice to 1865. Garland, 1994.

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Book chapters on the topic "Musical content"

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Rimas, Juozas, and Juozas Rimas Jr. "Musical Thinking." In Etudes on the Philosophy of Music. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63965-4_23.

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AbstractMusical thinking and musical logic (J. N. Forkel, J. F. Herbart). Thinking and logic; thinking for oneself (M. Heidegger, I. Kant). Thinking about music versus thinking music. Musical thinking as reflecting the aesthetic content of music: thought is acquiescence in Being, a giving of thanks for that which has been placed in our custody (das Denken dankt—“thinking thanks”: M. Heidegger). The rational transmission of intellectual content makes it easier to perceive emotional content (M. Budriūnas). 23.1. Reflection. Perceiving vs. reflection (E. Husserl). Thinking is secondary to our exp
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Bolat, Bülent, and Ünal Küçük. "Musical Sound Recognition by Active Learning PNN." In Multimedia Content Representation, Classification and Security. Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11848035_63.

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Blackburn, Steven, and David De Roure. "Musical Part Classification in Content Based Systems." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2000. http://dx.doi.org/10.1007/3-540-39941-0_9.

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Simion, Adrian, and Ștefan Trăușan-Matu. "Towards Automatic Structure Analysis of Digital Musical Content." In Artificial Intelligence: Methodology, Systems, and Applications. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-33185-5_25.

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Rimas, Juozas, and Juozas Rimas Jr. "The Logic of Music." In Etudes on the Philosophy of Music. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63965-4_20.

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AbstractThe harmonic regulation of tonal relations as “musical logic,” following J. N. Forkel. The relationship between musical logic and language (J. N. Forkel, E. Hanslick; C. Dahlhaus). Language as the house of being (M. Heidegger): musical language as a way of manifesting the being of music (its idea). The thematic logic of music (F. Schlegel). “Forms set in motion by sounding” as the sole content of music (E. Hanslick): the idea, which appears in the musical material, Hanslick called “form.” The exaltation of articulated sound to the expression of thought makes up the form of language (W.
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Tjagvad Madsen, Søren, Rainer Typke, and Gerhard Widmer. "Automatic Reduction of MIDI Files Preserving Relevant Musical Content." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14758-6_8.

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Boletsis, C., A. Gratsani, D. Chasanidou, I. Karydis, and K. Kermanidis. "Comparative Analysis of Content-Based and Context-Based Similarity on Musical Data." In IFIP Advances in Information and Communication Technology. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-23960-1_22.

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Akinsola, Ifeoluwa Theophilus, and Sheriff Olamide Olatunji. "Yorùbá Indigenous Musical Jingles on COVID-19: A Content Appraisal." In Indigenous African Popular Music, Volume 2. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98705-3_12.

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Stiehl, Pamyla. "The Digital-Age Musical: Sighting/Siting Musicals Defined by High-Tech Content, Themes, and Memes." In iBroadway. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64876-7_3.

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Rimas, Juozas, and Juozas Rimas Jr. "Arnold Schönberg on the Musical Idea." In Etudes on the Philosophy of Music. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63965-4_24.

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AbstractThe musical idea is not defined solely by its visible and audible dimension: the text of the notes only roughly conveys its true content. An idea is the production of a relationship between concepts otherwise having no relationship to one another. The idea and the motive as different levels of the being of a musical work. Schönberg downplayed the role of the performer: the idea is a finished product, without any interpretation, as soon as it is notated. Style is transient, idea (the totality of a piece) is eternal. The goal of the musical form is not beauty, but perceptibility; however
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Conference papers on the topic "Musical content"

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Krebs, Florian, Hermann Fürntratt, Roland Unterberger, and Franz Graf. "Modeling Musical Knowledge With Quantum Bayesian Networks." In 2024 International Conference on Content-Based Multimedia Indexing (CBMI). IEEE, 2024. https://doi.org/10.1109/cbmi62980.2024.10859245.

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Johannsson, Karl, Victor Shepardson, Enrique Hurtado, Thor Magnusson, and Hannes Högni Vilhjálmsson. "Real-Time Musical Collaboration With a Probabilistic Model." In 2024 International Conference on Content-Based Multimedia Indexing (CBMI). IEEE, 2024. https://doi.org/10.1109/cbmi62980.2024.10858876.

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Temple, Mark D. "DNA Sonification Using 8-Channel Audio for Data Analyses and Music Composition." In ICAD 2024: The 29th International Conference on Auditory Display. International Community for Auditory Display, 2024. http://dx.doi.org/10.21785/icad2024.016.

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DNA sequences contain vast amounts of biological data and computer algorithms play an important role in processing these data for human inspection. Here we describe an updated computer-generated auditory display tool to be used as stand-alone audio or as a complement to a visual display for DNA sequence inspection. The auditory display uses musical notes to represent the data in relation to the process of gene expression or DNA replication. Given the use of musical notes in the auditory display raises the possibility these may be considered algorithmic music. To pursue this notion further the
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Stepanova, Daria D., German S. Andreev, and Pavel S. Sharakhin. "Content Strategies of Music Artists in the Digital Age of the Music Industry (by the Example of Russian Musical Artists)." In 2025 Communication Strategies in Digital Society Seminar (ComSDS). IEEE, 2025. https://doi.org/10.1109/comsds65569.2025.10971327.

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Biletska, Maryna, Tatiana Pidvarko, Lina Kotova, and Karina Oleksenko. "THE CREATIVE HERITAGE OF DAVID OISTRAKH IN THE MUSICAL ART OF THE XX CENTURY." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s08.21.

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The creation of D. Oistrakh is one of the highest achievements in the native musical art of the 20th century. D. Oistrakh�s impressive performing skills, the philosophical depth and the scale of his interpretations, the sensitivity to everything new were combined with the inspiration of the pedagogical work, the special care about the transformation of his great creative experience to the new generation of the violinists. Studying the creative heritage of D. Oistrakh, we can confirm that he has created the original pedagogical system that synthesized the most progressive methods of the native
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Garcia, Marcos da Rosa, Gutenberg Lima Marques, Matheus Barros, and Juciane Araldi Beltrame. "Production of digital content in music teacher education: a study about podcast’s possibilities." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19448.

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This short paper presents an ongoing research that intertwines the theme of educational digital content production for the internet, specifically the audio podcast format, with the pedagogical practices developed in the context of music teacher education and emergency remote teaching. We aim at analyzing the experience of producing digital pedagogical-musical content in the podcast format by students of two Music Education Degree courses. The study uses a qualitative approach and the methodological strategy is based on concepts of action-research. The research is being developed by Technologie
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Rolland, Pierre-Yves, Gailius Raškinis, and Jean-Gabriel Ganascia. "Musical content-based retrieval." In the seventh ACM international conference. ACM Press, 1999. http://dx.doi.org/10.1145/319463.319473.

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Cosenza, Emanuele, Andrea Valenti, and Davide Bacciu. "Graph-based Polyphonic Multitrack Music Generation." In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/643.

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Graphs can be leveraged to model polyphonic multitrack symbolic music, where notes, chords and entire sections may be linked at different levels of the musical hierarchy by tonal and rhythmic relationships. Nonetheless, there is a lack of works that consider graph representations in the context of deep learning systems for music generation. This paper bridges this gap by introducing a novel graph representation for music and a deep Variational Autoencoder that generates the structure and the content of musical graphs separately, one after the other, with a hierarchical architecture that matche
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Magalhaes, Tairone, Felippe Barros, and Maurício Loureiro. "Iracema: a Python library for audio content analysis." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10418.

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This paper introduces the alpha version of a Python library called Iracema, which aims to provide models for the extraction of meaningful information from recordings of monophonic pieces of music, for purposes of research in music performance. With this objective in mind, we propose an architecture that will provide to users an abstraction level that simplifies the manipulation of different kinds of time series, as well as the extraction of segments from them. In this paper we: (1) introduce some key concepts at the core of the proposed architecture; (2) list the current functionalities of the
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Ghouti, Lahouari, Ahmed Bouridane, and Mohammad Ibrahim. "A Fingerprinting System for Musical Content." In 2006 IEEE International Conference on Multimedia and Expo. IEEE, 2006. http://dx.doi.org/10.1109/icme.2006.262949.

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Reports on the topic "Musical content"

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Havrilova, Liudmyla H., Olena Ye Ishutina, Valentyna V. Zamorotska, and Darja A. Kassim. Distance learning courses in developing future music teachers’ instrumental performance competence. [б. в.], 2019. http://dx.doi.org/10.31812/123456789/3265.

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The scientific and methodological background of creation and development of the distance learning courses for the future music teachers is substantiated. The components and structure of future music teachers’ instrumental performance competence are defined; the content of the course is revealed. The materials are based on the authors’ teaching experience within the distance learning course “Basic Musical Instrument (Piano)”. The main blocks of the distance course design and development are considered among them to be theoretical, practical, individual work, and control blocks. The specificity
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Abdulkhaliq, Zubeida S. Kakai Religion and the Place of Music and the Tanbur. Institute of Development Studies, 2023. http://dx.doi.org/10.19088/creid.2023.001.

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This paper discusses the historical context and mythic framework of the Kakai religion. While some information regarding Kakai theological views and beliefs may be known to outsiders, many facets of their religious life, customs and traditions remain undisclosed. Much secrecy surrounds this religion, and non-believers are not encouraged to engage in or witness most Kakai rites. Geopolitical instability in the Kurdistan region also makes access difficult. Throughout this paper we will look at the relationship between Kakai beliefs and music (tanburo), and how the tanbur (a sacred lute) is not m
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Trifon, Maria, Alin Savu, Bogdan Pălici, Cristian Georgescu, and Dinu Ion. Music streaming practices. Spotify usage in Romania. National Institute for Cultural Research and Training, 2025. https://doi.org/10.61789/pub.cdi.psm.en25.

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This publication provides an overview of music streaming practices, taking the use of the Spotify platform in Romania as a case study. Given that streaming has become the dominant form of cultural consumption nowadays (Arditi, 2021), analyzing the consumption trends and preferences recorded in Spotify charts in Romania becomes relevant. Spotify is a popular digital music streaming service that provides users with access to a vast library of songs, podcasts and other audio content from various artists and creators around the world.
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Muñoz, Rodrigo, Nancy Guerra, Marco Stampini, Suzanne Duryea, and Patrick J. McEwan. Los efectos de la formación musical en el desarrollo infantil: Una prueba aleatoria de El Sistema en Venezuela. Inter-American Development Bank, 2016. http://dx.doi.org/10.18235/0009632.

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Muchos estudios han explorado los vínculos entre la música y sus efectos en los niños; sin embargo, los diseños de los estudios no han sido lo suficientemente rigurosos para respaldar los hallazgos causales. Este estudio pretende evaluar cómo un programa musical a gran escala afecta el funcionamiento del desarrollo de niños en un contexto de altas tasas de exposición a violencia. Este documento describe los resultados de una evaluación experimental del Sistema Nacional de Orquestas Juveniles e Infantiles de Venezuela.
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Pasupuleti, Murali Krishna. Decentralized Creativity: AI-Infused Blockchain for Secure and Transparent Digital Innovation. National Education Services, 2025. https://doi.org/10.62311/nesx/rrvi125.

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Abstract The convergence of artificial intelligence (AI) and blockchain technology is transforming the creative economy by enabling secure, transparent, and decentralized innovation in digital content creation, intellectual property management, and monetization. Traditional creative industries are often constrained by centralized platforms, opaque copyright enforcement, and unfair revenue distribution, which limit the autonomy and financial benefits of creators. By leveraging blockchain’s immutable ledger, smart contracts, and non-fungible tokens (NFTs), digital assets can be authenticated, to
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Lefevre, Bruno, and Philippe Bouquillion. Communications, media and internet concentration in France, 2019-2021. Global Media and Internet Concentration Project, Carleton University, 2024. http://dx.doi.org/10.22215/gmicp/2024.2.

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This report focuses on approximately thirty French markets, contributing to local debates and research as part of the Global Media and Internet Concentration Project (GMICP). It explores the dynamics of diversified economic players in cultural industries (press, audiovisual, books, music), emphasizing the coexistence of 'traditional' and 'new' entrants. The study provides sector-based and global analyses, revealing a dual dynamic of diversification and concentration in the production, distribution, and broadcasting of cultural and information content. Audiovisual content broadcasting, both fre
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Maia, Maercio, Abrahão Baptista, Patricia Vanzella, Pedro Montoya, and Henrique Lima. Neural correlates of the perception of emotions elicited by dance movements. A scope review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2023. http://dx.doi.org/10.37766/inplasy2023.2.0086.

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Review question / Objective: The main question of the study is "how do dance neuroscience studies define and assess emotions?" The main objective is to establish, through the available literature, a scientific overview of studies in dance neuroscience that address the perception of emotions in the context of neuroaesthetics. Specifically, it is expected to verify if there is methodological homogeneity in studies involving the evaluation of emotions within the context of dance neuroscience; whether the definition of emotion is shared in these studies and, furthermore, whether in multimodal stud
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Crispin, Darla. Artistic Research as a Process of Unfolding. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.503395.

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As artistic research work in various disciplines and national contexts continues to develop, the diversity of approaches to the field becomes ever more apparent. This is to be welcomed, because it keeps alive ideas of plurality and complexity at a particular time in history when the gross oversimplifications and obfuscations of political discourses are compromising the nature of language itself, leading to what several commentators have already called ‘a post-truth’ world. In this brutal environment where ‘information’ is uncoupled from reality and validated only by how loudly and often it is
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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma
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Nyman, Matt, Nancy Staus, and Martin Storksdieck. Science and Art Teaching Practices for Oregon Elementary Teachers: Results of a Landscape Survey. Oregon State University, 2023. http://dx.doi.org/10.5399/osu/1163.

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An Evaluation Report for the Oregon Department of Education. In collaboration with classroom teachers and WRAP personnel we developed and implemented a survey to collect baseline data on the science and arts teaching practices for ALL elementary teachers. This included “regular” classroom teachers (those teachers with an assigned physical classroom and set of students), art teachers, music teachers, PE teachers and other educators or administrators. In December 2022 we recruited three (3) elementary teachers to assist us in survey development, in particular framing questions around frequency o
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