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Books on the topic 'Musical Exoticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Francesco, Cotticelli, Maione Paologiovanni, and Centro di musica antica Pietà dei Turchini., eds. Le arti della scena e l'esotismo in età moderna =: The performing arts and exoticism in the modern age. Turchini, 2006.

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2

Ligeti's laments: Nostalgia, exoticism and the absolute. Ashgate, 2011.

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3

Esotismo e musica: Saggio sulle influenze culturali nella musica francese di fine Ottocento-inizio Novecento. Firenze Atheneum, 2011.

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4

Speed, Chicks on. It's a project. Booth-Clibborn, 2004.

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5

Exotik in der Musik des 20. Jahrhunderts: Historisch-systematische Untersuchungen zur Metamorphose einer ästhetischen Fiktion. E. Katzbichler, 1986.

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6

Clausen, Bernd. Das Fremde als Grenze: Fremde Musik im Diskurs des 18. Jahrhunderts und der gegenwärtigen Musikpädagogik. Wissner, 2003.

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7

Exotica: Fabricated soundscapes in a real world. Serpent's Tail, 1999.

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8

Das Fremde und das Vertraute: Studien zur musiktheoretischen und musikdramatischen Ostasienrezeption. F. Steiner, 1997.

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9

Peter, Hiekel Jörn, ed. Orientierungen: Wege im Pluralismus der Gegenwartsmusik. Schott, 2007.

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10

pucciniano, Fondazione Festival, ed. Giacomo Puccini e Galileo Chini: Tra musica e scena dipinta : la favola cinese e altri racconti dal palcoscenico : Viareggio, Villa Borbone, 15 luglio-30 settembre 2006. Comune di Viareggio, 2006.

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11

Adinolfi, Francesco. Mondo exotica: Suoni, visioni e manie della generazione cocktail. Einaudi, 2000.

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12

Mondo exotica: Sounds, visions, obsessions of the cocktail generation. Duke University Press, 2008.

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13

Weltenspiele: Musik um 1912. Georg Olms Verlag, 2012.

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14

Zwischen Exotismus und Weltmusik: Zur Rezeption asiatischer und afrikanischer Musik im Jazz der 60er und 70er Jahre. CODA, 1998.

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15

Imagining native America in music. Yale University Press, 2006.

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16

Pisani, Michael. Imagining native America in music. Yale University Press, 2005.

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17

Delacroix, Eugène. Delacroix: Moroccan journey, watercolours = Delacroix : Marokkoreise, Aquarelle. Bibliothèque de l'image, 2000.

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18

Delacroix, Eugène. Delacroix: The late work. Thames and Hudson, 1998.

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19

Galeries nationales du Grand Palais (France), Philadelphia Museum of Art, and Réunion des musées nationaux (France), eds. Delacroix: Les dernières années : Galeries nationales du Grand Palais, 7 avril-20 juillet 1998, Philadelphia Museum of Art, 10 septembre 1998-3 janvier 1999. Réunion des musées nationaux, 1998.

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20

Arlette, Sérullaz, Galeries nationales du Grand Palais (France), and Philadelphia Museum of Art, eds. Delacroix: The late work. Philadelphia Museum of Art, 1998.

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21

Delacroix, Eugène. Delacroix: The late work. Philadelphia Museum of Art, 1998.

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22

Ordrupgaardsamlingen, ed. Delacroix: The music of painting. Ordrupgaard, in collaboration with Rhodos, 2000.

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23

Delacroix, Eugène. Delacroix. Télérama, 1994.

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24

Sheppard, W. Anthony. Extreme Exoticism. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190072704.001.0001.

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Extreme Exoticism: Japan in the American Musical Imagination offers a detailed and wide-ranging documentation and investigation of the role of music in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life. This book covers over 150 years of American musical history, from the first American encounters with the Japanese in the mid nineteenth-century to today, as it reveals the central role of music in American japonisme. Nearly every musical genre, media, and form is discussed, as paralle

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25

Locke, Ralph P. Musical Exoticism: Images and Reflections. Cambridge University Press, 2011.

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26

Extreme Exoticism: Japan in the American Musical Imagination. Oxford University Press, Incorporated, 2019.

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27

Saylor, Eric. Race, “Realism,” and Fate in Frederick Delius’s Koanga. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036781.003.0005.

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This chapter examines how race intersects with questions of “realism” and fate in Frederick Delius's Koanga, which features black characters as its protagonists as well as examples of African American folk music. Based on an episode from George Washington Cable's novel The Grandissimes, Koanga is a nineteenth-century story of love, jealousy, and betrayal centered on Koanga, an enslaved West African prince and voudon priest, and Palmyra, a quadroon maidservant. This chapter first provides a background on Koanga's genesis and textual variations before discussing its seeming contradiction: the dr

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28

Opera, Exoticism and Visual Culture. Lang AG International Academic Publishers, Peter, 2014.

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29

Radano, Ronald, Timothy D. Taylor, and Charles McGovern. Beyond Exoticism: Western Music and the World. Duke University Press, 2007.

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30

Philip, Hayward, ed. Widening the horizon: Exoticism in post-war popular music. John Libbey, 1999.

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31

Taylor, Timothy D. Beyond Exoticism: Western Music and the World (Refiguring American Music). Duke University Press, 2007.

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32

Beyond Exoticism: Western Music and the World (Refiguring American Music). Duke University Press, 2007.

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33

Smith, Kent Maynard. Three eighteenth-century "Turkish" operas: A comparative study of Gluck's La rencontre imprévue, Haydn's L'incontro improviso, and Mozart's Die Entführung aus dem Serail. 1995.

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34

Smith, Kent Maynard. Three eighteenth-century "Turkish" operas: A comparative study of Gluck's La rencontre imprévue, Haydn's L'incontro improviso, and Mozart's Die Entführung aus dem Serail. 1995.

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35

Green, Joshua. From the Faroes to the World Stage. Edited by Fabian Holt and Antti-Ville Kärjä. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.6.

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This chapter explores music in the context of evolving transnational dynamics in the Faroe Islands, focusing on the tourism boom and on connections with the global music industry. Similar to the situation in Iceland a decade earlier, music became part of an evolving tourism economy in the early 2010s, shaped by exotic views of the North Atlantic. Drawing from Urry’s concept of the tourist gaze, the chapter shows how Faroese bands work as producers of difference, within an international system of industry and institutions, including the Nordic Council. The analytical focus is on transnational m

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36

1957-, Bellman Jonathan, ed. The exotic in western music. Northeastern University Press, 1998.

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37

Music and the Exotic from the Renaissance to Mozart. Cambridge University Press, 2015.

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38

Locke, Ralph P. Music and the Exotic from the Renaissance to Mozart. Cambridge University Press, 2017.

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39

The singing Turk: Ottoman power and operatic emotions on the European stage from the siege of Vienna to the age of Napoleon. Stanford University Press, 2016.

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40

Wolff, Larry. Singing Turk: Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Napoleon. Stanford University Press, 2018.

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41

éd, Moura Jean-Marc, and Ducrey Guy éd, eds. Crise fin-de-siècle et tentation de l'exotisme. Université Charles de Gaulle - Lille III, 2002.

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42

Crise fin-de-siècle et tentation de l'exotisme. Université Charles-de-Gaulle - Lille 3, 2002.

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43

Crise fin-de-siècle et tentation de l'exotisme. Université Charles-de-Gaulle Lille 3, 2002.

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44

The Exotic in Music. Cambridge University Press, 2008.

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