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Relevant bibliographies by topics / Musical Exoticism / Dissertations / Theses

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Dissertations / Theses on the topic 'Musical Exoticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Steadman, Amanda Joy. "Images of Japonisme: The Portrayal of Japan in Select Musical Works." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1249250727.

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2

Cooper, Thomas. "French Empire and musical exoticism to the end of the nineteenth century." Thesis, University of Liverpool, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365908.

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3

Brlecic, Maja. "Old and New Directions in Stravinsky’s Les Noces: Venturing into Neoclassicism through the Avenues of Eurasianism, Exoticism, and Primitivism." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592137262344743.

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4

Merlino, Shannon M. "Adoration, Appropriation, or Approximation? Rethinking the Exotic in Western Music." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/548419.

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Music Performance<br>D.M.A.<br>Throughout the history of European art music, the desire to portray “Other” cultures has been given voice by composers by way of exoticism. The ability to depict the exotic has, for centuries, held the fascination of listeners and composers alike. In spite of this, the identification and study of exoticism as an aesthetic trend in music has not been given nearly as much attention as it deserves. Drawing from and expanding upon the work of Ralph Locke and Jonathan Bellman, I explore and illuminate some of the deeper issues that undermine the potential study of thi

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5

Schreiber, Rebecca A. "(Re)Framing the Storyteller’s Story in John Adams’s "Scheherazade.2"." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin155361836303747.

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6

Balacon, Maira. "Style Hongrois Features in Brahms’s Hungarian Dances: A Musical Construction of a Fictionalized Gypsy “Other”." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123166536.

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7

Vaillant, Anaïs. ""La batucada des gringos" : Appropriations européennes de pratiques musicales brésiliennes." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3109.

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À partir de l'exemple du phénomène des batucadas en France et en Europe, cette thèse propose d'explorer des processus d'appropriations culturelles de modèles musicaux brésiliens, en particuliers ceux du samba enredo carioca, du samba- reggae bahianais et du maracatu recifense. L'ethnographie, entreprise entre 2000 et 2010, se compose de nombreux récits de vie et entretiens semi-directifs réalisés auprès d'amateurs de percussions brésiliennes et de musiciens professionnels (français et brésiliens) ; d'observations de pratiques musicales en Europe et au Brésil ; de participations de l'ethnograph

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8

HARA, KUNIO. "PUCCINI'S USE OF JAPANESE MELODIES IN MADAMA BUTTERFLY." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1060955367.

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9

Titus, Stephanie. "Japanese Contemporary Piano Music: Cultural Influence and Identity." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1604259509513433.

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10

Serfontein, Andre. "Maurice Ravel and Exoticism. A study of the exotic in he vocal works of Maurice Ravel with special reference to L'Enfant et les sortileges and the Trois Chansons Madecasses." Master's thesis, University of Cape Town, 1997. http://hdl.handle.net/11427/7848.

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The fascination for things exotic or fairytale-like occupied Ravel throughout his entre life. In fact, one can safely assume that these fascinations may have prevented him from forming some sort of mental inertia in those difficult years for him following the First World War. On writing about his ShÃ©hÃ¡razade triptych, Ravel stated : ... in them, I have succumbed again to the profound fascination which the East has held for me since childhood.""""' That is the purpose of this dissertation : to examine Ravel's handling and incorporation of this fascination into his works for solo voice. Ravel,

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11

Harvey, Gabrielle Annora. "A piece of the exotic: virtuosic violin compositions and national identity." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/2887.

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Violin virtuosos Henryk Wieniawski, Ole Bull, and Pablo de Sarasate each composed short virtuosic works based on their own cultural heritage. This thesis examines the exotic elements incorporated into the character pieces by the three violinists. It draws upon contemporary literature and newspaper reviews of their performances in order to demonstrate the ways in which the violinists and their music were perceived as representative of nineteenth-century exoticism. Wieniawski, whose musical training was primarily French, produced exotic

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12

Vincent, Michael F. "Shifting Sands of Identity: Salome and Select Early Twentieth-Century Interpretations." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1292720996.

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13

Hicks, William L. "Social Discourse in the Savoy Theatre's Productions of The Nautch Girl (1891) and Utopia Limited (1893): Exoticism and Victorian Self-Reflection." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20032/hicks%5Fwilliam/index.htm.

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14

Ceon, Hyecun. "Are We Still Exotic?: Examining Korean American Ethnicity Through the Music of Young Jean Lee's Play, Songs of the Dragons Flying to Heaven." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395348168.

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15

Nicolau, Netto Michel 1978. "O discurso da diversidade = a definição da diferença a partir da world music." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280864.

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Orientador: Renato José Pinto Ortiz<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-19T21:01:50Z (GMT). No. of bitstreams: 1 NicolauNetto_Michel_D.pdf: 5232732 bytes, checksum: 923f6a074b8a670cc13eeebf7eb461e8 (MD5) Previous issue date: 2012<br>Resumo: A valorização contemporânea da diversidade revela um mundo atento à diferença. De fato, se um dia lutávamos pelo direito de sermos iguais, hoje, paradoxalmente, também clamamos pelo reconhecimento de nossas diferenças. Nesse sentido, vozes que discursam s

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16

Grimmer, Jessica H. "From Femme Ideale to Femme Fatale: Contexts for the Exotic Archetype in Nineteenth-Century French Opera." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1384426378.

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17

Pethö-Vernet, Csilla. "La représentation de la musique hongroise en France au XIXe siècle entre apparence et réalité." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040225.

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La réception et la représentation de la musique hongroise en France au XIXe siècle est un sujet méconnu et non traité dans la littérature musicologique. La thèse ici présentée a l’ambition de combler ce manque. Elle s’organise autour de deux axes principaux. Le premier est l’étude critique des textes qui présentent la musique hongroise et l’art des orchestres tziganes ayant propagé ce corpus sous divers aspects. Le deuxième est l’analyse musicale et stylistique proprement dite, où l’on se questionne sur le fonctionnement de la représentation d’une « magyarité », voire d’une « tziganité », en m

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18

Sonevytsky, Maria Rostyslava. "Wild Music: Ideologies of Exoticism in Two Ukrainian Borderlands." Thesis, 2012. https://doi.org/10.7916/D8B28288.

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This dissertation presents case studies of two distinct Ukrainian borderland groups: the Crimean Tatars of Crimea, and the Hutsuls of the Carpathian Mountains – two human collectivities that are both, today, Ukrainian by citizenship. Both of these groups also embody dominant stereotypes of otherness in Ukraine – Hutsuls as the ideal Herderian romantic folk, and Crimean Tatars as the menacing, mysterious, “oriental” other. This dissertation traces how historical stereotypes of both of these groups as “wild” have shaped and defined their contemporary expressive cultures, specifically addressing

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19

Gerling, Daphne Cristina Capparelli. "Connecting histories: Identity and exoticism in Ernest Bloch, Rebecca Clarke, and Paul Hindemith's viola works of 1919." Thesis, 2007. http://hdl.handle.net/1911/20682.

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Taking the end of the First World War as a starting point and the Elizabeth Sprague Coolidge Composition Competition as a meeting point, this study discusses three major works for viola of 1919: the Sonata for Viola and Piano by Rebecca Clarke, the Sonata Op. 11, No. 4 by Paul Hindemith, and the Suite for Viola and Piano by Ernest Bloch. The thesis places each work within the context of its composer's career and compositional development, focusing on key stylistic and historical features. The study consists of five sections. First is a section establishing the historical background and cultura

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20

Davis, Sandra K. 1936. "Metamorphosis of a butterfly : Puccini and the making of a powerful tragic heroine." Thesis, 2005. http://hdl.handle.net/10125/11761.

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Thesis (Ph. D.)--University of Hawaii at Manoa, 2005.<br>Includes bibliographical references (leaves 257-269).<br>Also available by subscription via World Wide Web<br>ix, 269 leaves, bound ill., music 29 cm

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21

Davis, Sandra K. "Metamorphosis of a butterfly Puccini and the making of a powerful tragic heroine /." 2005. http://proquest.umi.com/pqdweb?index=13&did=982818201&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1235775261&clientId=23440.

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22

Mercier, Catherine G. "Interpreting Brazilianness: Reception and Representation in the Brazilian Music Scenes of Toronto and Montreal." Thesis, 2013. http://hdl.handle.net/1807/43562.

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In Toronto and Montreal, Brazilian popular music performances constitute a context for intercultural encounter. Performances offer Brazilians the opportunity to present their culture of origin while emphasising their identification with it. The issue of representation is quite complex, however, due to the involvement of a majority of non-Brazilian musicians, audience members, artistic directors, producers, promoters, and journalists. This dissertation focuses on music reception and cultural representation and how these may influence each other after music has been decontextualised and recontex

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23

Pšenička, Jan. "Mimoevropské kultury v zrcadle vybraných operních libret 18. století. Pokus o typologii." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-350724.

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English abstract The master's thesis deals with different representations of non-European cultures and their inhabitants in musical dramas (operas and related genres) of the eighteenth century. Firstly it gives some typical characteristics of these musical artworks in historical context (focusing on Italian and French examples especially) than it concentrates on the topic of so-called exoticism in general. The final part of the thesis which is based on three case studies formulates some typical approaches to the problem of representation of non- european cultures by analyzing musical settings,

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