Relevant bibliographies by topics / Musical Genres

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Musical Genres'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Musical Genres"

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Hu, Yandong, Minglei Han, Yuxin Li, Wenjia Wu, and Yan Tian. "A Study of Musical Influence Networks and Genre Evolution Based on the Pagerank Approach." Journal of Education, Humanities and Social Sciences 31 (April 27, 2024): 212–17. http://dx.doi.org/10.54097/byh9qz81.

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The aim of this study is to investigate the definition of musical influence networks and the construction of multilayer directed networks. By analyzing the provided dataset, the parameters of an artist's musical influence were evaluated and a musical influence network was constructed using the Pagerank method. The study also extends the single-layer network parameters to a multilayer network and proposes a centrality measure based on node degree. In terms of genre analysis, the musical eigenvalues of each genre were calculated using MATLAB software and evaluated by a similarity comparison mode
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Sinelnikova, Olga V. "FROM OPERAS AND CONCERTS TO "PROVERBS" AND "FRAGMENTS": RODION SHCHEDRIN'S GENRE EXPERIMENTS IN THE XXIST CENTURY." Arts education and science 2, no. 35 (2023): 43–51. http://dx.doi.org/10.36871/hon.202302043.

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The article is devoted to Rodion Shchedrin's genre experiments in the last two decades. During this time, the composer has created a large number of works covering many typical genres, mixed compositions and new, original musical genres. Among them are operas (4), concerts (5), a concert symphony, piano cycles (4), a vocal cycle, a sonatina, variations, numerous program orchestral and chamber-instrumental compositions, choral miniatures and cycles. At the same time, none of these areas of creativity looks traditional in the catalog of Shchedrin's opuses of recent decades. The article examines
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Grosch, Nils. "‘When you change the view from where you stood, the things you view will change for good’: An introduction to the mobilities paradigm in musical theatre." Studies in Musical Theatre 16, no. 3 (2022): 175–80. http://dx.doi.org/10.1386/smt_00101_1.

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Musical theatre is frequently framed as connected to place and space, as terms like ‘the Broadway musical’ or ‘the Viennese operetta’ imply. National categorization, used prominently in titles of key monographs and handbooks, has turned out to be a moulding structure for the genre’s historiography. The term ‘American popular song form’ insinuates that musical form and style may reasonably be categorized by national adjectives. This is also true for the national attribution of earlier genres, such as the supposedly British ballad opera, French opéra comique and German singspiel. Signature piece
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Haq, M. K. N. "Music Genre Classification Using Deep Learning Techniques." International Journal for Research in Applied Science and Engineering Technology 9, no. VI (2021): 4157–60. http://dx.doi.org/10.22214/ijraset.2021.35965.

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Music genre labels are useful to organize various songs, albums, and artists into broader groups that share related musical genres such as similar sound etc. A music genre is a conventional group it helps us to identify some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from musical form and musical style, although this terms can be used as viceversa. Music can be divided into genres in varying ways such as into popular music and art music,hip hop music or religious music and secular music. The artistic nature of music means that these clas
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Garber, Michael G. "Tragicomedy, Melodrama, and Genre in Early Sound Films: The Case of Two “Sad Clown” Musicals." CINEJ Cinema Journal 5, no. 2 (2016): 53–86. http://dx.doi.org/10.5195/cinej.2016.135.

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This interdisciplinary study applies the theatrical theories of stage genres to examples of the early sound cinema, the 1930 Hollywood musicals Puttin’ on the Ritz (starring Harry Richman, and with songs by Irving Berlin) and Free and Easy (starring Buster Keaton). The discussion focuses on the phenomenon of the sad clown as a symbol of tragicomedy. Springing from Rick Altman’s delineation of the “sad clown” sub-subgenre of the show musical subgenre, outlined in The American Film Musical, this article shows that, in these seminal movie musicals, naïve melodrama and “gag” comedy coexist with th
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Kharlov, Andrei Vladimirovich. "INCANTATIONS: MUSICAL APPROACH TO NON-MUSICAL GENRES ANALYSIS." Manuscript, no. 4 (April 2019): 141–45. http://dx.doi.org/10.30853/manuscript.2019.4.29.

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Abdulla, Kanyaw Bakr, Dilan Salam Hama Faraj, Srwa Tahir Ali, et al. "Lyrical And Musical Genres in Goran's Poems." Journal of Linguistics and Social Sciences 2, no. 1 (2024): 13. http://dx.doi.org/10.24042/jlss.v2i1.19984.

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This research is entitled: (Lyric and melody, Genres in Goran's Poems) which is a new look at two aspects, namely (genre, external and internal music of Goran's poems). It attempts to present the genre in all its details and characteristics, on the other hand, to determine it according to the characteristics of the lyrical genres of Goran's poems. Because lyrical genres are related to many aspects such as hymns, songs, poems, etc. Therefore, an attempt has been made to explain the aspects that are directly related to lyricism and create mutual influences and reactions. Therefore, "Outer and In
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Bukharbayev, A., and E. Mambekov. "ROCK OPERA IS A NEW FORM OF TRADITIONAL ART." ARTS ACADEMY 6, no. 2 (2023): 37–52. http://dx.doi.org/10.56032/2523-4684.2023.2.6.37.

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In the research work, we rely on the assumption that the similarity of the musical features of the melodic rhythm of the Kazakh tune with the leitmotif of the rock opera genre is closely related to the development of domestic musical synthetic genres and the process of bringing the theatrical worlds of the national style to the world stage. For this reason, understanding this phenomenon from a scientific point of view provides an excellent opportunity to enrich and expand the stylistic diversity of domestic musicals, thereby increasing the likelihood of appealing to the audience's taste
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Holm, Jukka, Antti Aaltonen, and Harri Siirtola. "Associating Colours with Musical Genres." Journal of New Music Research 38, no. 1 (2009): 87–100. http://dx.doi.org/10.1080/09298210902940094.

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Pereira de Sá, Simone, Juliana Freire Gutmann, and Simone Evangelista. "Musical Performances in Digital Audiovisualities." Journal of Popular Music Studies 35, no. 2 (2023): 66–87. http://dx.doi.org/10.1525/jpms.2023.35.2.66.

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This study discusses modes of appropriation of television genres for the constitution of new audiovisual dynamics in a digital context, based on performatic strategies of the Brazilian funk singer Pepita, who is known for her LGBTQ+ activism. Based on a methodology that articulates studies about media genres and performance, we try to understand how television conventions and characteristics of YouTube and Instagram are appropriated for the constitution of what we call performances of empowerment. We conclude that Pepita’s movements exemplify a broader phenomenon, associated to a complex artic
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Dissertations / Theses on the topic "Musical Genres"

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Brene, Sofia, and Carl Thome. "How Musical Instrumentation Affects Perceptual Identification of Musical Genres." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-157339.

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A listening experiment was conducted to investigate which musical instruments are the most important for defining certain musical genres. 66 participants genre classified a series of audio samples, with the same songs recurring both with full instrumentation and partial instrumentation. The report used the collected genre classifications to clarify therelationship between certain musical genres and song instrumentation. A numericalanalysis of the classifications, in the context of genre traditions and conventions, show that certain traditions hold true, while others do not. The most and least
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Arican, Tunca. "Metropolis, Techno-culture, Digitilized Musical Genres And Clubbing In Turkey." Master's thesis, METU, 2003. http://etd.lib.metu.edu.tr/upload/1044585/index.pdf.

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This thesis will analyze the social life in metropolises in terms of technological changes and social transformations with their effects on everyday practices especially musical genres. This thesis also aims to understand the relationships between techno-culture, contemporary musical genres and clubbing as a subculture that reflects the aspects of techno-culture with its life style especially musical tendencies. The thesis will also make some illustrations of the features and life style of clubbers in Turkey. So, this study is composed of both theoretical and empirical structures. In order to
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Agbo-Quaye, Sena. "Teenage sexual attitudes, norms, desires and intentions : the impact of preferred musical genres." Thesis, Brunel University, 2006. http://bura.brunel.ac.uk/handle/2438/6300.

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This thesis focuses on teenage sexual attitudes and norms as moderated by their preferred music genre. The research questions addressed here are: What are the genre differences in lyrical representations of relationships and male and female characteristics? What are young peoples' perceptions of the impact of these genre differences on their lives? How does genre preference influence teenage safer sex attitudes, desires, norms, control, group identity and intentions? Three studies investigated these research questions. Firstly, the lyrics to 50 songs across five genres were rated on a number o
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Anderson, Ron James. "The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/242454.

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Dietrich Buxtehude (ca. 1637-1707) was a North German composer of the mid-Baroque period. He lived in a time and place in which classical rhetoric, the study of oratory, influenced education, religion, and music. Applying the definition of rhetoric as the art of persuasion, this study surveys the different persuasive strategies employed by Buxtehude in his various keyboard genres. The elements considered in this inquiry include the affects of keys and modes, rhetorical figures, and structures of speeches as applied to music. The style and setting (ethos), intellectual content (logos), and emot
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Constantino, Paulo Roberto Prado [UNESP]. "Apreciação de gêneros musicais: práticas e percursos para a Educação Básica." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/150092.

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Submitted by PAULO ROBERTO PRADO CONSTANTINO null (pconst@bol.com.br) on 2017-04-06T12:37:51Z No. of bitstreams: 1 Apreciacao de generos musicais.pdf: 2131729 bytes, checksum: f1c1f2b14f5f18a71b821ebf9a90bdb9 (MD5)<br>Approved for entry into archive by LUIZA DE MENEZES ROMANETTO (luizamenezes@reitoria.unesp.br) on 2017-04-10T15:02:00Z (GMT) No. of bitstreams: 1 constantino_prp_dr_mar.pdf: 2131729 bytes, checksum: f1c1f2b14f5f18a71b821ebf9a90bdb9 (MD5)<br>Made available in DSpace on 2017-04-10T15:02:00Z (GMT). No. of bitstreams: 1 constantino_prp_dr_mar.pdf: 2131729 bytes, checksum: f1c1f2b
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Corrêa, Débora Cristina. "Inteligência artificial aplicada à análise de gêneros musicais." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/76/76132/tde-05032013-090334/.

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O crescimento constante dos dados musicais na Internet tem encorajado diversos pesquisadores a desenvolver ferramentas adequadas para a análise e a classificação destes dados. O objetivo principal de tais ferramentas é extrair a informação de forma compacta e representativa ao conteúdo dos bancos de dados. Dentro deste contexto, os gêneros musicais apresentam descrições importantes para o desenvolvimento destas ferramentas. Além dos mesmos serem usados frequentemente para organizar coleções musicais e refletirem a interação ente culturas, resumem características (padrões) comuns entre as peças
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ALMEIDA, Laís Barros Falcão de. "A MPB em mudança: cartografando a controvérsia da nova MPB." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/17438.

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Submitted by Irene Nascimento (irene.kessia@ufpe.br) on 2016-07-15T18:14:25Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) A MPB EM MUDANÇA cartografando a controvérsia da nova MPB.pdf: 1737109 bytes, checksum: 28b87cc738f0ac178a5272573ee6cc69 (MD5)<br>Made available in DSpace on 2016-07-15T18:14:25Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) A MPB EM MUDANÇA cartografando a controvérsia da nova MPB.pdf: 1737109 bytes, checksum: 28b87cc738f0ac178a5272573ee6cc69 (MD5) Previous iss
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Vieira, Gilmar Gomes. "Entre ais e suspiros: um estudo discursivo acerca dos enunciadores na canção romântica brasileira." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-27052013-093509/.

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Esse trabalho dedica-se ao estudo dos enunciadores românticos na canção romântica brasileira, com corpus principal de análise formado por composições musicais adaptadas da língua espanhola à língua portuguesa do Brasil, nas últimas três décadas. A pesquisa principiou-se a partir de um cotejamento entre as produções nacionais e as de língua espanhola, quando apontamos para distintos comportamentos dos seres criados nas letras, no que Maingueneau denomina cenografia enunciativa. No entanto, o olhar inicial estritamente comparativo cedeu lugar ao estudo histórico-cultural da canção romântica bras
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Cáceres, Gallegos José Armando. "La articulación de códigos visuales de distintos géneros musicales en los carteles publicitarios de bandas Indie peruanas entre el 2015 y el 2020." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/656998.

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La presente investigación analiza la articulación de los códigos visuales de distintos géneros musicales en los carteles publicitarios de bandas Indie peruanas entre el 2015 y el 2020. Se plantea que los códigos visuales de distintos géneros musicales poseen diversos elementos identitarios, patrones, formas, colores, etc., que son articulados de manera particular en los carteles publicitarios de bandas Indies peruanas, como necesidad de búsqueda de identidad y elemento diferencial en la industria musical. La investigación está desarrollada de manera cualitativa, presentando el análisis de
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Carneiro, Albuquerque Liliana. "Mockumentaries and the music industry : between flattery and criticism." Doctoral thesis, Universitat Pompeu Fabra, 2013. http://hdl.handle.net/10803/125712.

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This thesis discusses the relationship between mockumentaries and the music industry. Because this subject has yet to be studied in depth, the original contribution to knowledge is to further examine this relationship. To do so, a literature review documenting what has thus far been written about mockumentaries is provided. This audiovisual strategy is also contextualized within contemporary practices. In the next section, the music industry is discussed in broad terms. Firstly, the relationship between cinema and music is addressed. Then, music is depicted as a cultural phenomenon, with r
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Books on the topic "Musical Genres"

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Claude, Abromont, ed. Guide des genres de la musique occidentale. Fayard-Lemoine, 2010.

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Hopkins, Jerry. How to make your own Hawaiian musical instruments. Bess Press, 1988.

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1978-, Gibson Kirsten, ed. Masculinity and western musical practice. Ashgate, 2008.

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Wedel, Michael. Der deutsche Musikfilm: Archäologie eines Genres 1914-1945. Edition Text + Kritik, 2007.

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1956-, Pekacz Jolanta T., ed. Musical biography: Towards new paradigms. Ashgate Pub., 2006.

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Ouzounian, Richard. Larry's party: A musical based on the novel by Carol Shields. McArthur & Co., 2000.

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1927-, Gordon Peter, ed. Musical visitors to Britain. Routledge, 2005.

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Picconi, María Lina. El folclore nuestro de cada día: Tradición musical argentina. Comunicarte, 2005.

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Denizeau, Gérard. Comprendre et identifier les genres musicaux: [vers une nouvelle histoire de la musique]. Larousse, 1997.

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Amram, David. Upbeat: Nine lives of a musical cat. Paradigm Publishers, 2008.

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Book chapters on the topic "Musical Genres"

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Seeger, Anthony. "Musical Genres and Contexts." In The Garland Handbook of Latin American Music. Routledge, 2021. http://dx.doi.org/10.4324/9781003249986-6.

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Toulson, Rob. "Tuning for different musical styles and genres." In Drum Sound and Drum Tuning. Focal Press, 2021. http://dx.doi.org/10.4324/9781003104209-9.

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Dodds, Phil. "Musical Metropolis: Janelle Monáe’s Scalar Agility." In Music and the Cultural Production of Scale. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-36283-5_2.

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AbstractJanelle Monáe—whose output spans the genres of R&amp;B, psychedelic soul, hip-hop and Afrofuturist funk—is a prime example of a musician with scalar agility. Through a range of simple and complex musical techniques in a series of ‘Metropolis’ concept records, she has produced a multi-scalar ‘sonic fiction’. The scalar qualities and relations of this musical world—and her ability to musically subvert, split and reimagine the relationships between scales such as the body, the metropolitan, the global and the universal in tracks such as ‘Dance or Die’ and ‘Cold War’—make her work politica
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Haydar, Adnan. "6. ʿAtābā, Mījanā, and Other Popular Genres." In Semitic Languages and Cultures. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0424.06.

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The sixth chapter lays out a thorough discussion of the musical transcription and scansion of cAtāba and Mījana – the two most popular genres – and several other popular genres, including the short, middle and long Qaṣīd, al-Ḥida, al-Nadb (funeral tunes), al-Ḥawrabah, al-Zalghaṭa, Abu al-Zuluf, al-Shurūqi, al-Mawwāl al-Baghdādī, al-Mukhammas al-Mardūd, etc. Also included in the discussion is the incorporation of oral-formulaic strategies by poets and an emphasis on the importance of musical meter to the composition of these genres and the effects of musical stress on poetic and natural linguis
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Piotrowska, Anna G. "Romani Musical Intermediaries as Cultural Translators from an Intersectional Perspective: The Case of Panna Cinka." In Übersetzungskulturen der Frühen Neuzeit. Springer Berlin Heidelberg, 2025. https://doi.org/10.1007/978-3-662-69469-5_5.

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Abstract This chapter examines the life and work of Romani violinist Panna Cinka (1711–1772) through the lens of intersectionality. Cinka is a prime example of a Romani cultural translator and an excellent representative of Romani musical intermediaries who integrated their musical activities into broadly defined translative practices. As a successful female Romani musician, Panna Cinka was selected as the focus of this chapter, but this text also argues that Romani musicians in general relied on their translative skills and excelled in translating musical styles and genres and, in doing so, t
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Beşiroğlu, Ş. Şehvar, and Gonca Girgin. "Entertainment Spaces, Genres, and Repertoires in Ottoman Musical Life." In Made in Turkey. Routledge, 2017. http://dx.doi.org/10.4324/9781315764993-4.

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"MUSICAL GENRES." In Catalog of Pre-1900 Vocal Manuscripts in the Music Library, University of California at Berkeley. University of California Press, 2023. http://dx.doi.org/10.2307/jj.5233040.16.

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Baumgartner, Michael. "Referencing Music-Specific Genres and Genre-Specific Music." In Metafilm Music in Jean-Luc Godard's Cinema. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780190497156.003.0007.

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Abstract This chapter interprets metafilm music within a specific subcategory of quotation: musical referencing. Through referencing music-specific genres and genre-specific music, Godard explored in several of his 1960s films the music of the two popular Hollywood genres: musical comedy and film noir. In Une femme est une femme, he critically reflects on the Hollywood musical comedy by contradicting common Hollywood musical procedures. By alienating the familiar trope of Hollywood musical songs and dances, Godard accentuates the self-conscious artificiality of song-and-dance performances in m
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"6 Musical Genres." In Music Making in Iran from the 15th to the Early 20th Century. Edinburgh University Press, 2023. http://dx.doi.org/10.1515/9781399515795-011.

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"Emerging musical genres." In The Old Songs are Always New. Sydney University Press, 2023. http://dx.doi.org/10.2307/jj.4418221.23.

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Conference papers on the topic "Musical Genres"

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Jandoubi, Bassem, and Moulay A. Akhloufi. "Deep Multimodal Classification of Musical Genres." In SoutheastCon 2025. IEEE, 2025. https://doi.org/10.1109/southeastcon56624.2025.10971477.

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Singla, Muskan, Kanwarpartap Singh Gill, Mukesh Kumar, and Ruchira Rawat. "Classification of Musical Genres Utilizing the CNN Sequential Model and Deep Learning Techniques." In 2024 IEEE International Conference on Information Technology, Electronics and Intelligent Communication Systems (ICITEICS). IEEE, 2024. http://dx.doi.org/10.1109/iciteics61368.2024.10625371.

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Grasso, Caio, Thiago Carvalho, José Amaral, Pedro Coelho, Robert Oliveira, and Giomar Olivera. "Optimizing Musical Genre Classification Using Genetic Algorithms." In 27th International Conference on Enterprise Information Systems. SCITEPRESS - Science and Technology Publications, 2025. https://doi.org/10.5220/0013418200003929.

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Tamášiová, Laura, Miroslav Karlíček, and Marie Vítová Dušková. "How to Increase the Attendance of Young Czechs in Classical Music Events: A Qualitative Study." In 25th International Joint Conference Central and Eastern Europe in the Changing Business Environment. Vydavateľstvo EKONÓM, 2025. https://doi.org/10.53465/ceecbe.2025.9788022552257.340-350.

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This study explores the barriers to participation in classical music events among young Czechs. It aims to identify factors influencing attendance and provide recommendations for increasing engagement among this demographic. The research employs in-depth interviews with ten young Czechs. Findings reveal that young Czechs discover music through digital channels, preferring a wide range of genres that fit different occasions in their everyday life. The motivation for attending music events is the pursuit of unique experiences. Classical music is appreciated for its relaxing qualities and ability
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Ezzaidi, Hassan, Mohammed Bahoura, and Jean Rouat. "Taxonomy of Musical Genres." In Internet-Based Systems (SITIS 2009). IEEE, 2009. http://dx.doi.org/10.1109/sitis.2009.45.

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Oliveira, Gabriel P., and Mirella M. Moro. "Mining Exceptional Genre Patterns on Hit Songs." In Symposium on Knowledge Discovery, Mining and Learning. Sociedade Brasileira de Computação - SBC, 2023. http://dx.doi.org/10.5753/kdmile.2023.232412.

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The music industry has always been complex and competitive. Nowadays, combining different genres has become a common practice to promote new music and reach new audiences. Given the diversity of combinations between all genres, predictive and descriptive analyses are very challenging. Here, our goal is to mine frequent and exceptional patterns in music collaborations that have achieved success in both global and regional markets. We use the Apriori algorithm to mine genre patterns and association rules that reveal how music genres combine with each other in each market. The results show signif
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Moura, Filipe A. S., Carlos H. G. Ferreira, and Helen C. S. C. Lima. "Characterization of the Brazilian musical landscape: a study of regional preferences based on the Spotify charts." In Proceedings of the Brazilian Symposium on Multimedia and the Web. Sociedade Brasileira de Computação - SBC, 2024. http://dx.doi.org/10.5753/webmedia.2024.242290.

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In the digital age, streaming services such as Spotify have changed the way people consume music, highlighting the enormous influence these platforms have on the market. In the highly competitive music industry, it is crucial for independent artists in particular to maintain their popularity. This is especially true in countries like Brazil, where geographical and cultural differences influence music consumption patterns. Understanding these patterns is essential for effective marketing and production strategies. Despite previous research on music consumption, genre preferences and user behavi
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Silva, Diego Furtado, Angelo Cesar Mendes da Silva, Luís Felipe Ortolan, and Ricardo Marcondes Marcacini. "On Generalist and Domain-Specific Music Classification Models and Their Impacts on Brazilian Music Genre Recognition." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19427.

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Deep learning has become the standard procedure to deal with Music Information Retrieval problems. This category of machine learning algorithms has achieved state-of-the-art results in several tasks, such as classification and auto-tagging. However, obtaining a good-performing model requires a significant amount of data. At the same time, most of the music datasets available lack cultural diversity. Therefore, the performance of the currently most used pre-trained models on underrepresented music genres is unknown. If music models follow the same direction that language models in Natural Langu
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Folorunso, S. O., O. O. Banjo, J. B. Awotunde, and F. E. Ayo. "Machine Learning Analysis of Music Based on Music Information Retrieval Tasks." In International Workshop on Social Impact of AI for Africa 2022. AIJR Publisher, 2024. http://dx.doi.org/10.21467/proceedings.157.3.

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Music Information Retrieval (MIR) methods extracts from music high-level information like classification, musical feature extraction, song similarity and tonality. Musical genre is one of the orthodox methods of describing musical content and a significant part of MIR. At present, few MIR research has been done on Nigerian songs. So, this paper proposed to build a genre classification model based on Mel Spectrogram of audio songs. The process first converts ORIN audio dataset to Mel Spectrogram and extract numerical information from it using the Histogram of Oriented Gradient (HOG) and apply m
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Holm, Jukka, Antti Aaltonen, and Jarno Seppänen. "Associating fonts with musical genres." In the 6th International Conference. ACM Press, 2009. http://dx.doi.org/10.1145/1503454.1503460.

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Reports on the topic "Musical Genres"

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Dairianathan, Eugene, Larry Francis Hilarian, Peter Stead, Chee Hoo Lum, and Hoon Hong Ng. Learning through popular music, lessons for the general music programme syllabus in Singapore. National Institute of Education, Nanyang Technological University, Singapore, 2024. https://doi.org/10.32658/10497/27422.

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This project sought to investigate the identity, role and function of popular music within classroom-based education in Singapore. Popular music is characterised by: (i) lnterdisclplinarity (music, dance, poetry, theatre, etc); (ii) It suffuses the lives of school-going youth in their out-of-school curriculum. (iii) Skill acquisition is frequently gained through more informal learning than is usual in institutional settings (Green, 2002). (iv) Participation in popular music by various communities seems to cut across ethnic, religious and age boundaries, which makes popular music participation
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Zuo, Lingyan, Fengting Zhu, Rui Wang, Hongyan Shuai, and Xin Yu. Music intervention affects the quality of life on Alzheimer’s disease: a meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2021. http://dx.doi.org/10.37766/inplasy2021.12.0055.

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Review question / Objective: Inclusion criteria: population: 1) A randomized controlled study on the impact of music intervention on the QOL of patients with AD; 2) The participants in this study is patients with AD; 3) There is no significant difference among age, gender and education background in sorted groups before analysis which make these groups comparable; intervention: 1)Intervention Modality Music-based intervention; comparison: 1) All data were sorted into two groups: the music intervention group and the control group without any music intervention; outcome: 1) The indicators evalua
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Taela, Kátia, Taela, Kátia, Euclides Gonçalves, Catija Maivasse, and Anésio Manhiça. Shaping Social Change with Music in Maputo, Mozambique. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/ids.2021.020.

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In Mozambique, development programmes have traditionally drawn on music as a means to promote social transformation by educating citizens on key social development issues. Shifting the focus from music as a teaching medium to music as a rich source of information can provide vital insights into public opinion and political ideas, and significantly impact the development of citizen engagement projects. Maximum gains for development and civil society agencies can be achieved by mainstreaming gender into mutual learning activities between singers, audiences, and academics.
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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more ope
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Wang, Lili, Xuesong Wang, Yin Wu, Lingxiao Ye, Yahua Zheng, and Rui Fan. The Effects of Non-Pharmacological Therapies for Psychological State of Medical Staff in the Post-epidemic Era: A Protocol Network Meta-Analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.2.0080.

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Review question / Objective: To compare and rank the clinical effects of Non-Pharmacological Therapies for Psychological State of Medical Staff in the Post-epidemic Eradifferent. Eligibility criteria: The published randomized controlled trials (RCT) of non-Pharmacological Therapies for Psychological State of Medical Staff in the Post-epidemic Era, regardless of age and gender. Patients had clear diagnostic criteria to be diagnosed. Interventions in the treatment group included were various types of non-pharmacological therapies, including various types of acupuncture therapies (such as simple
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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals act
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